Written & Directed By: Todd Field
Cinematography: Florian Hoffmeister 
Editor: Monika Willi 

Cast: Cate Blanchett, Noemie Merlant, Nina Hoss, Sophie Kauer, Mark Strong, Sydney Lemmon, Sylvia Flote, Zachary D. Smith-Gneist 

Having achieved an enviable career few could even dream of, renowned conductor/composer Lydia Tár, the first female principal music director of the Berlin Philharmonic, is at the top of her game. As a conductor, Lydia not only orchestrates, she manipulates. As a trailblazer, the passionate virtuoso leads the way in the male-dominated classical music industry. Moreover, Lydia prepares for the release of her memoir while juggling work and family. She is also willing to take up one of her most significant challenges: a live recording of Gustav Mahler’s Symphony No. 5. However, forces that even the imperious maestro can’t control slowly chip away at Lydia’s elaborate facade, revealing the genius’s dirty secrets and the insidious, corrosive nature of power. What if life knocks Lydia off her pedestal?

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This film feels like an epic in its Scope and locations but also really for this one character. Who goes all over the spectrum of emotions and from being high on the horse to l falling so low. 

As impressive as the film is, the performance of Cate Blanchett is mesmerizing; it certainly helps that she is constantly on the screen and she is in every scene. This also allows us to notice that we see everything from her point of view.

We see how high her ego is but also how talented she is and can easily back it up. We see her views on certain subjects and life. As well as her behavior in life. 

We also see her downfall and never are quite sure if she is guilty or not, but we can see that those around her totally abandon her and now that the mighty have fallen are willing to sell her out. How some might have even conspired In her downfall, getting passed over once gotten what they wanted, has no problem only added to her downfall.

We never really get an answer to her guilt but can see questionable behavior. Such as threatening a little girl who bullies her daughter we might be able to understand that as a parent, but who is to say she doesn’t have that attitude with those older yet under her. Who needs her approval 

As she is touchy with younger students but that seems more free-flowing. We never see her victims, only glimpses of emails that her assistant has been keeping and filing.

It becomes a mystery in itself as to who exactly is behind taking her down. Though the film remains subtle. It keeps offering hints of what might be happening behind the scenes. Who might be holding grudges and why. As her attitude is flippant toward those around her.

In its own way, it is a tragedy that is a black comedy. In The second half, the film is systematically her downfall and her reaction to it as it happens and she gets more and more unbalanced. Which is when the true range of Blanchett’s Performance truly shines.

Then in the third act where she tries to get her career back and the lengths she has to go through just to work. All the way to a foreign land where even though she obviously dislikes her surroundings there are hints that she might be guilty of what she has been accused of as far as grooming. Such as when she goes to the massage parlor and runs out and throws up. We suspect that this is after realizing what kind of parlor it is, but also it might be after that she has to resort to paying for this kind of attention.

That is how the film presents her as a double-edged sword of someone who we could admire but also might be repulsive and guilty of her accusations. As even when she sees her brother he is nonchalant about her and his feelings towards her and why in pure and simple language.

That is the magic of the film. Everything is presented plainly but there are so many subtle hints that you never know exactly the truth only how she sees it. Even though the video footage was presented later we know was doctored. As we sat through her class and know her comments have been cut together. 

The film’s comedy is very dry and subtle but on second viewing it becomes a little more clear. As the first time, the film jsit feels devastating and the biggest joke of all is the finale. As we see the audience for her 

Grade: B+