Tag: Japan

THE LEGEND OF THE STARDUST BROTHERS (1985)

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Written & Directed By: Makoto Teduka

Music written By: Haruo Chikada

Cinematography: Eiichi Osawa 

Editor: Mari Kishi and Makoto Teduka 

Cast: Shingo Kubota, Kazuhiro Takagi, Issay, Kyoko Togawa, Kiyohiko Ozaki, Kiyoshi Kurosawa 

In 1985, Makoto Tezuka, the son of manga genius Osamu Tezuka, was still a film student with a few experimental shorts to his credit and who was entrusted with the mission to turn an album by Haruo Chikada into a musical film.

Strange, inventive, surreal, and fun. There are no exact words to describe this film and do it justice. If you are a fan of movies like PHANTOM OF THE PARADISE, THE ROCKY HORROR PICTURE SHOW and SHOCK TREATMENT. 

The story behind the film is just as wild and creative as the film. that a musician Haruo Chicada wrote an album full of songs, Essentially meant to be a soundtrack for a film that didn’t exist and that was the extent of the project until writer-director Makoto Tezka discovered it and decided to make a film based around it adapting it with a full storyline. 

So much talent In Front of and behind the scenes. As the director sought out musicians and artists of all kinds for the film. After all, this was his first full-length film. After just graduating from film school and making only experimental shorts. He considered himself a visualist more than just a director.

The result is a movie that plays like a series of music videos or montages built around the songs with a story connecting it all. So truly a musical at heart without so much choreography and show-stopping staging. though plenty of musical-themed montages when the main characters aren’t singing. 

Almost like a mean-spirited movie version of THE MONKEES TV show.  only not surrounding a band but a singing duo and focusing on the branding and corporate ownership of the two and being forced to sing the songs their Svengali manager gives them and him always watching. They also lose fame to rivals that come out of nowhere and then try to murder them. Competition between artists and even each other as a duo and want to be independent and try their own music 

The film’s soundtrack and visuals are its strength as the story is Minimal and never makes complete sense. As the film is all over the place. In a good way. Making it definitely crazy and unpredictable. 

The film has an Animated and even a horror sequence. This makes sense as it is partly anime-influenced or manga, especially towards the end the action sequences feel like live-action cartoons. The writer/director is also the son of Osamu Tezka an anime/Manga legend 

The film is definitely a product of its time and a shine as it is a cult film, that is little known In its homeland and the United States, with a soundtrack that is difficult to find 

It’s an epic odyssey that goes far but does so much with so little. Involving A story made up that only adds to the legend and might actually be true with The theme of wanting to make it on your own and realizing that you might need help To do it.

This Is a film whose wavelengths you are either going to get on or not. All of the music and songs are quite catchy. It seems to go through all cultures and fads of the time. 

It’s not perfect but such a unique, crazy, stylish, and silly journey that represents some things that it might not have intended to constantly invent and reinvent itself. As it is Reckless, dazzling unhinged, and creative. As it always has its heart on its sleeves and despite its surreal  nature bares it’s heart and spirit 

Grade: B+

LOVE AND OTHER CULTS (2017)

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Written & Directed By: Eiji Uchida

Cinematography: Maki Ito

Cast: Sairi Ito, Kenta Suga, Kaito Yoshimura, Antony, Matthew Chozick, Denden, Leora Hirota, Tomoko Hayakowa, Hidenbu Abera

Born in a regional city, a young girl named Ai is sent to a cult commune by her religious maniac mother and lives there for seven long years. After the cult is exposed by the police, Ai starts a new, normal life going to a regular middle school, but can’t find a place to fit in normal society. Ai drops out to continue finding her path in life, first living with a rock-bottom delinquent family, then moving on to be part of a middle-class family, all along trying to find her place in this world. The only person who understands Ai is Ryota, another drop-out and cast-off from society. Ryota finds his path in a shady world of delinquents while Ai ends up working in the sex industry. Two teens’ purity gets swallowed up by the urban jungle of a big regional city. A black comedy depicting the lives of modern youth and their struggles in a place where there is no way out.

This is a film best to go into blind though even if you know the plot it still isn’t the easiest to explain. 

The cast is mostly newcomers to the screen who come off expertly, but also excel in raw talent on screen and seem untrained. Even though Lead Actress Sairi Ito goes through it all on screen and deserves special Acclaim. 

This is the third film by the writer/ director Eiji Uchida and I can definitely say that his films are original and you never know quite what to expect and that mystery makes the films exciting. Not to mention showing a bravery that has been missing from cinema In a while definitely not the most mainstream but so Indie and aiming more for a cult audience that it makes his films admirable no matter how controversial for some they might be.

As they focus on Characters more  on the fringe of society and so far In Their own way has been films they are coming of age stories no matter what the ages of the characters 

A film Mainly about the loneliness of youth so that they find camaraderie and family wherever they Can.Though as they try to support one another the film shows that the only way for them to grow and find their own paths is truly as individuals. They might meet someone who helps them align and who ultimately they end up with but first must go through many things alone 

Throughout though many adults seem to mean well. As major influences they either screw up the kids more through actions, abandonment, or both. As we see even their peers sabotage them through jealousy 

Some have compared this film to the epic film LOVE EXPOSURE by Director Sion Sono and it has that same kind of off-kilter feel that feels a bit fetishistic at times. That film had more than enough time to fulfill its story being 5 hours long (but truly never felt that long) not to mention that film was fully devoted to exploring fetishes and the characters who live that lifestyle. Here we get snippets of it. 

Here though the stories stop for certain characters at times that feel like fragments you get the general idea,  Throughout. In that other film, there is an innocence there the entire film tries to be a romance. Ultimately  this one feels a bit more tawdry though with a love story 

They are both coming-of-age stories though this one has its own rhythm that if you can get along with the best this film will be  worthwhile if not it will just stay strange to you 

The film is very composed, especially in its shots and bright colors. That almost makes the film feel illustrated at times.

It has a slightly diverse cast and nothing is ever said of their origins, though is clearly noticeable and a bit mysterious.  

The film shows that Love can be like a cult as it is mainly two of you at the center but you must get to know and hang around each other’s friends and families even if you have nothing in common with them and become sort of the crew, a kind of second or third family. You take on Each other’s characteristics slowly and interests. How they Make sacrifices and little donations of time and money.

Grade: B

GREATFUL DEAD (2013)

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Directed By: Eiji Uchida
Written By: Eiji Uchida and Etsuo Hiratani
Cinematography: Shin’Ya Kimura

Cast: Kumi Takiuchi, Takashi Sasano 

Nami is a young woman with numerous hangups sprouting from a dysfunctional childhood. She inherits a small fortune that allows her to pursue various interests, many of which are abnormal.

This film is definitely the work of a singular vision of director Eiji Uchida 

This is a strange character piece about a girl so encased by the loneliness that she takes to watching people not ordinary people but people who are on the outs of society and seem to have been broken or rail against the Norm.

She ends up Also giving them chances at life. As her main subject not only seeks to revitalize his life before she injects herself into it but also gives him something to love when she attacks him and tries to kill him for making a connection. She also brings him back to his war days as just trying to survive.

The film offers a few surprises such as their past together and some unsettling scenes of her trying to sexually assault him.

Though the film also seems to have something to say about religion how for some it is a savior and for others it is a tool of resentment 

This film is definitely a conversation starter if you make it through as it is at times too intense for some and maybe a little too slow for others 

There seems to be a fetishism in effect, you just keep waiting for it to surface but alas it never quite does fully. Though it does go there more than his later film LOVE AND OTHER CULTS, which may compare to the movie LOVE EXPOSURE, Which is itself a love story built around fetishes.

Until then the film stays subdued but creepy. You wish we could learn more about some characters on the sidelines. As the film is definitely a character study.

Like the lead female character likes to play games and put everything in its place.

Grade: C+

EVIL DEAD TRAP (1988)

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Directed By: Toshiharu Ikeda
Written By: Takashi Ishii 
Cinematography: Masaki Tamura 
Editor: Akimasa Kawashima 

Cast: Miyuki Ono, Aya Katsuragi, Hitomi Kobayashi, Eriko Nakagawa, Masahiko Abe

A late-night TV presenter receives a snuff tape, in which a woman is brutally killed. She decides to take a crew out to a location indicated in the tape, but only death and despair await them.

This is a movie best to go in blind as even if described it can never match the experience of watching it and what actually happens throughout the film. 

The location of the film the warehouse that the characters go through Is a character In itself as it seems the deeper and longer they stay there it seems to get bigger and as they journey along it seems like they are going deeper and deeper into hell on earth. A demented funhouse that seems to be a playhouse for the killer. 

This is a movie I had heard about for a while but from its title believed it to be an Evil dead movie Rip off. 

The irony is that the film actually does at times seem to have homages to the film of Its title’s inspiration with scenes of a rampaging camera going throughout the location. As seemingly whoever the evil is seeking.

You also have to consider when the film was made and released. As it’s a refreshingly original film where you can see the inspiration for many other horror films. In its, DNA is definitely in the SAW movie franchise with the boobs traps and graphic violence and consequences. 

The special effects and make-up are impressive and practical. Especially for the time as you can tell this was a film made with love of the genre 

Unfortunately, one of the few weaknesses of the film is that while trying to serve us sec and nudity, which seemed more common for the genre at the time we get a graphic sec scene but we also get a totally unnecessary graphic rape scene. That really adds nothing but gives the film an unneeded sense of depravity. Punishing certain Characters even more cruelly than needed and for no reason.

This is the kind of film where after a while you kind of give up all hope of sense or the film comes to a logical conclusion and just goes with it the chaos that it offers up and hopes it is worth it or it stays as unpredictable as it has presented itself so far. 

The film doesn’t have a big body count but makes up for it with impressive and original kills. Not to mention piling on the tension at times. Even if towards the end it feels a little long and overplayed. 

Grade: B

FIRST LOVE (2019)

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Directed By: Takashi Miike
Written By: Masa Nakamura 
Cinematography: Nobuyasu Kita
Editor: Akira Kamiya 

Cast: Masataka Kubota, Sakurako Konishi, Shota Sometani, Jun Murakami, Masayuki Deai, Cheng-Kuo Yen 

Leo is a young boxer, successful but unable to show emotion. He has a fight scheduled and is sure that he will win. Instead, his opponent knocks him out. This triggers a chain of unpleasant events involving drugs, corrupt cops, the Yakuza, a female assassin – and Monica, an escort that he must rescue. It’s one hell of a night for Leo.

The film is brutal in its Violence at times but what else would you expect from director Takashi Miike. Though it similarly stays silly and fun. It also keeps an emotional connection. 

This is a film that will feel immediately familiar but tries to be different in the details. As this isn’t lovers on the run but two characters with nothing to lose on the run. Who seem to fall for one another while on the run and trying to survive. 

Throughout the film, you will be able to identify what inspired the movie, characters, and scenes.

The male is More motivated and driven as the only reason he goes out of his way for her. Is that he believes he is dying. 

For the female character, the boxer is The first instance or ideal of the perfect person who did something above and beyond then for them and not fully realizing or taking time to see who the person truly is. 

Some people experience this. When they experience it fully with knowing a person. All around can be rewarding rather than just connecting for a moment.

Though strangely the couple is the least interesting part of the characters. As they are pawns In a larger story but needed to advance the story. Is more of a crime Story involving two different mobs who end up in a war over a stolen shipment set up by a dirty cop and inserting 

Each monster fang either tries to double-cross or is out for vengeance. Though each of them, also seems to have its ridiculous quirks.

The film offers some well-contained action sequences and constantly involves misunderstandings and double-crosses that leave you wondering who is out for who half the time. 

The problem here is that as the tale goes on it builds momentum and smartly to a degree doesn’t keep building and putting out its Scenes slightly distanced. So it gives characters time to breathe before the next crazy scene instead of overloading and best one after another.

The drug deal subplot and mobsters do remind the viewer of the movie TRUE ROMANCE. But other than the simpler coincidences this tale goes its own way. As this film has a bit more humor.

Though the main characters are interesting in their reasoning and characters. Including one a drug addict who is beloved, she is haunted by her father who is always in his underwear. It’s the supporting characters who

Are more interesting and keeps the film interesting and on its toes.

Grade: B

FEMALE PRISONER SCORPION: BEAST STABLE (1973)

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Directed by: Shun’ya ito
Written By: Hiro Matsuda & Tooru Shinohara 
Cinematography: Masao Shimizu 
Editor: Osamu Tanaka

Cast: Meiko Kaji, Mikio Narija, Reisen Ri, Yayoi Nanbara, Seiya Sato, Takashi Fujiki, Tomoko Mayama, Mitsuru Mori 

Sasori is outside the prison and on the run from the police, wanted for breaking out of prison and murder. She takes refuge with a woman who has a brother with a learning disability. The woman and her brother are also involved in an incestuous relationship. Both the police and an ex-prison mate of Sasori’s pursue her.

This sequel feel more like a closing chapter more than anything. As it feels final and with little else to go. It’s also a lot more somber than the previous films. 

Don’t get me wrong it is still outrageous but not as ridiculous. As scorpion is On the run again and it seems everyone has it in for her. So that she has to seek revenge in multiple characters. The film is inventive in how it all comes together with characters each passing into another’s story.

Though this film is much sadder than the others as throughout this film scorpion becomes a ghostly Angel of vengeance for other characters who are victims of the villains throughout. As well as haunting the villains who underestimate her at first.

The film still has many uncomfortable exploitive moments meant to add drama or provoke a reaction out of the audience. Especially when it comes to sex scenes. This film feels more scaled back when it comes to sex and nudity but does have a sympathetic character In an incestuous relationship.

By the end no one Truly wins. The character you expect to somewhat be saved or be on the road to a better life by the end is pretty much still left where she was at the beginning. Only more tortured, but at least made a connection with the scorpion.

This is the last film of the franchise directed by Shun’ya Ito, which might be why this feels more like a finale than the eventual final sequel that stars Meiko Kaji in the role of the scorpion. Before eventually producers decided to revitalize the franchise without any of the original team involved.

All the male characters are evil and deplorable. Most are disposable also as cops, henchmen, or depraved men looking for sex or to exploit women.

One of the villains in the film Katsu seems more like a villain. Suited for the more outrageous previous films especially with her wardrobe and make up. As she comes across as campy almost she is cruel but the right amount of ridiculous as the previous films. Luckily as the film Goes along her development goes from scared to haunted to absolutely crazy with guilt. That she eventually matched the paleness of the make-up on her face naturally.

The film shows that the purgatory of prison was just as bad as the outside. At least prison only took up a certain amount of space. As the harsh reality of freedom seems to make the female characters natural prey. As it is so unpredictable. Whereas in prison you knew who to trust who not to.

The film shines a light on the harsh reality for the character after the more psychedelic freestyled previous films 

GRADE: B-

ONE CUT OF THE DEAD (2018)

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onecut

Written, Edited & Directed By: Shin’ichiro Ueda
Based on a Play By: Ryoichi Wada
Cinematography: Takeshi Sone 

Cast: Takayuki Hamatsu, Yuzuki Akiyama, Hariuma Shuhama, Kazuaki Nagaya, Hiroshi Ichihara 


A low-budget film about zombies soon features the best cast money could not buy, but the problem is that the new actors are not exactly getting along with the crew. Everyone involved is soon receiving a lesson in the merits of perseverance, the preciousness of family bonds and of course the dangers of the living dead.

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CREEPY (2016)

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creepy4

 

Directed By: Kiyoshi Kurosawa
Written By: Kiyoshi Kurosawa & Chihiro Ikeda
Based on the Novel By: Yutaka Maekawa
Cinematography: Akikio Ashizawa
Editor: Koichi Takahashi 


Cast: Hidetoshi Nishijima, Yuko Takeuchi, Ryoko Fujino, Masahiro Higashide, Teruyuki Kagawa 


Takakura is a former detective. He receives a request from his ex-colleague, Nogami, to examine a missing family case that occurred 6 years earlier. Takakura follows Saki’s memory. She is the only surviving family member from the case. Meanwhile, Takakura and his wife Yasuko recently moved into a new home. Their neighbor, Nishino, has a sick wife and a young teen daughter. One day, the daughter, Mio, tells him that the man is not her father and she doesn’t know him at all.

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THE WORLD OF KANAKO (2014)

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The-World-of-Kanako

Directed By: Tetsuya Nakashima
Written By: Tetsuya Nakashima, Miako Todano & Nobuhiro Monma
Based on the Novel By: Akio Fukamachi
Cinematography By: Shoichi Ato
Editor: Yoshiyuki Koike 


Cast: Koji Yakusho, Nana Komatsu, Satoshi Tsumabuki, Fumi Nikaidou, Ai Hashimoto, Jun Kunimara, Joe Odagiri

Kanako, a beautiful girl and one of the best students at school, goes missing with all the belongings left behind in her room. Her father Akikazu is now asked by his ex-wife to look for their daughter. He starts a desperate search of Kanako using any means, in the hope of getting his “ideal” family back in place despite the fact that the very reason of the family breakup was because of his problematic personality and behaviors. Following tracks of her past and present and talking to her “friends,” he starts to get to know his daughter whom he never knew or didn’t even attempt to know. When Akikazu is led to one clue, he realizes the world Kanako was facing beyond his imagination… Can the father find his daughter, and get back his perfect happy family he has dreamed of after all these years?

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13 ASSASSINS (2010)

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13ass

Directed By: Takashi Miike
Written By: Daisuke Tengan
Story By: Shoichirou Ikemiya
Based on A Screenplay By: Kaneo Ikegami
Cinematography: Nobuyasu Kita
Editor: Kenji Yamashita 


Cast: Koji Yakusho, Takayuki Yamada, Yusuke Iseya, Arata Furuta, Sosuke Takaoka, Koen Kondo, Masataka Kubota, Ikki Sawamura, Seiji Rokkaku 


A group of assassins come together for a suicide mission to kill an evil lord.

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