BIG BUSINESS (1988)

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Directed By: Jim Abrahams
Written By: Dori Pierson & Marc Rubel
Cinematography By: Dean Cundey
Editor: Harry Keramidas 


Cast: Bette Midler, Lily Tomlin, Fred Ward, Edward Herrmann, Barry Primus, Michael Gross, Mary Gross, Seth Green, Deborah Rush, Joe Grifasi, John Vickery, J.C. Quinn, Patricia Gaul 


In the 1940s in the small town of Jupiter Hollow, two sets of identical twins are born in the same hospital on the same night. One set to a poor local family and the other to a rich family just passing through. The dizzy nurse on duty accidentally mixes the twins unbeknown to the parents. Our story flashes forward to the 1980s where the mismatched sets of twins are about to cross paths following a big business deal to close down the Jupiter Hollow factory.

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SPANGLISH (2004)

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Written & Directed By: James L. Brooks
Cinematography: John Seale
Editor: Richard Marks & Tia Nolan 


Cast: Adam Sandler, Paz Vega, Tea Leoni, Cloris Leachman, Sarah Steele, Shelbie Bruce, Phil Rosenthal, Thomas Haden Church, Angela Gothelas, Freddy Soto, Nichole Hiltz, Eric Schaefer, Spencer Locke, Sarah Hyland 


Flor emigrates to Los Angeles from Mexico in hopes of finding a better life for her and her daughter, Cristina. Hired by the John and Deborah Clasky as their housekeeper, Flor contends with the language barrier, Cristina’s budding femininity, and the eccentric Clasky’s way of life. 

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THE GENTLEMEN (2019)

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Written & Directed By: Guy Ritchie
Story By: Guy Ritchie, Ivan Atkinson & Marn Davies
Cinematography: Alan Stewart
Editor: James Herbert & Paul Machliss 


Cast: Matthew McConauhey, Charlie Hunnam, Hugh Grant, Eddie Marsan, Henry Golding, Colin Farell, Michelle Dockery, Tom Wu, Jeremy Strong, Chidi Ajufo, Lyne Renee 

A talented American graduate of Oxford, using his unique skills, audacity and penchant for violence, creates a marijuana empire using the estates of impoverished English aristocrats. However, when he tries to sell his empire to a fellow American billionaire, a chain of events unfolds, involving blackmail, deception, mayhem and murder between street thugs, Russian oligarchs, Triad gangsters and gutter journalists.

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I NOW PRONOUNCE YOU CHUCK AND LARRY (2007)

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Directed By: Dennis Dugan
Written By: Barry Fanaro, Alexander Payne & Jim Taylor
Based on a screen Treatment By: Lew Gallo
Cinematography By: Dean Semler
Editor: Jeff Gourson 


Cast: Adam Sandler, Kevin James, Jessica Biel, Nicholas Turturro, Ving Rhames, Rob Schneider, Allen Covert Dan Aykroyd, Richard Chamberlin, Steve Buscemi, Blake Clark, Rachel Dratch, Nick Swardson, Mary Pat Gleason, Jamie Chung, Rob Coddry, Robert Smeigel, Richard Kline, Gary Valentine, Dave Matthews, Lance Bass, David Spade, Peter Dante, Jonathna Loughran 


Two straight, single Brooklyn firefighters pretend to be a gay couple in order to receive domestic partner benefits.

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ABOUT SCHMIDT (2002)

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Directed By: Alexander Payne
Written By: Alexander Payne & Jim Taylor
Based on the Novel By: Louis Begley
Cinematography: James Glennon
Editor: Kevin Tent 


Cast: Jack Nicholson, Kathy Bates, Dermont Mulroney, Hope Davis, June Sqibb, Howard Hesseman, Harry Groener, Connie Ray, Len Cariou 


Warren Schmidt has led a safe, predictable life working in the insurance industry in Omaha, Nebraska for many years, yet now faces retirement. At the same time, he is forced to take a hard look at his wife, his life, and his relationship with his estranged daughter. An often hilarious series of events follow as Schmidt embarks on an unpredictable RV journey to attend his daughter’s wedding in Denver, Colorado

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PUSHING TIN (1999)

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Directed By: Mike Newell
Written By: Glen Charles & Les Charles
Based On An Article By: Darcy Frey 
Cinematography: Gale Tattersall
Editor: Jon Gregory 

Cast: John Cusack, Angelina Jolie, Cate Blanchett, Billy Bob Thornton, Vicki Lewis, Jake Weber, Kurt Fuller, Matt Ross, Mike O’Malley 


Nick and the other boys working the hotspot of air traffic control in New York are impressed with themselves, to say the least. They thrive on the no-room-for-error, fast-paced job and let it infect their lives. The undisputed king of pushing tin, “The Zone” Falzone, rules his workplace and his wedded life with the same short-attention span that gets planes where they need to be in the nick of time. That is, until Russell Bell, a new transfer with a reputation for recklessness but a record of pure perfection shatters the tensely-held status quo. The game of one-upmanship between the two flies so high as to lead Nick into Russell’s bed with his wife. His sanity slipping just as fast as his hold on #1, Cusack’s controller is thrown out-of-control when Thornton’s wanderer quietly leaves town. Nick must now find a way to regain his sanity and repair his marriage before he breaks down completely.

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FEELING MINNESOTA (1996)

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Written & Directed By: Steven Baigelman
Cinematography: Walt Lloyd
Editor: Martin Walsh & Thom Noble
Music By: Los Lobos 

Cast: Keanu Reeves, Cameron Diaz, Delroy Lindo, Vincent D’Onofrio, Tuesday Weld, Courtney Love, Dan Aykroyd 


Freddie is a former stripper marrying Sam to repay a debt owed to nightclub owner Red. But Freddie is in love with Jjaks, Sam’s brother. Jjaks and Freddie run off together, and Sam finds where they have been hiding and calls the cops. Meanwhile someone calls to blackmail Sam and Jjaks. In the end will it all work out?

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DANNY COLLINS (2015)

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Written & Directed By: Dan Fogelman 

Cinematography: Steve Yedlin 

Editor: Julie Monroe 

Cast: Al Pacino, Annette Bening, Christopher Plummer, Bobby Cannavale, Jennifer Garner, Nick Offerman, Melissa Benoist, Josh Peck, Katarina Cas, Giselle Eisenberg, Brian Thomas Smith, Scott Lawrence 


Inspired by a true story, Al Pacino stars as aging 1970s rocker Danny Collins, who can’t give up his hard-living ways. But when his manager uncovers a 40 year-old undelivered letter written to him by John Lennon, he decides to change course and embarks on a heartfelt journey to rediscover his family, find true love and begin a second act.


Inspired by the story of singer Steve Tilston, who learned of the existence of a letter that John Lennon had written to him 34 years after the letter was written.

The film is a feel good film that feels a little like a fantasy but is a heart warmer and feels lived in. Will admit this is an easy film to overlook. as once you see the trailer you feel like you have it all figured out. Though once you watch it you are shocked at how much it grabs a hold of you and moves you.

Al Pacino shines in his role her where he gives a heaviness to a role that could be easily written off as lightweight. He gives it his all and makes a charismatic sympathetic character who could have been more comedic. Though the fact that he isn’t makes us pay attention and wonder.

The previews for this film focused more on the romantic angle between him and Annette Bening’s Character but as the film progresses that is only one part of this character study. As most of the drama revolves around him and his estranged son’s relationship.

There are plenty of isn’t that convenient moments but in the end the film leaves you with a smile on your face. As it is a film that could be a family film Except that is some scenes it goes out of it’s Way to show you the material is more adult with drug use and a scene of nudity.

The film lightly explores being afraid of challenging yourself and taking the easy way out. While also asking not o hard if you have built up a reputation for making others happy but it doesn’t make you happy anymore. Do you still owe the people what they want or are you allowed to let yourself be happy and express yourself even if it’s it in a way that others are used to or might not even approve of and try to deny.

Christopher Plummer is good as always and it’s fun to see him play more of a tough guy.

For such a noted cast this is actually kind of lightweight material. Though for the most part they are the true reason to watch this. As they give the material the respect even though they are above it to a certain aspect.

Though in the end this is feel good entertainment with a little bit of an edge and basically gives the cast an easy walk with letting them play characters who are more lived in and having the younger cast members play smaller roles that are more like sketches of characters.

It also asks how much do you owe your audience as they are the ones who supported you and admire you, but ho much do you owe them when you want to express yourself more truthfully and honestly though that stands at odds with what your audience wants or will even let you do. Who is more in control especially when you have given them years and been made rich off of it but aren’t being true to yourself.

Grade: C+