BALLAD OF A SMALL PLAYER (2025)

Directed By: Edward Berger

Written By: Rowan Joffe

Based on the novel by: Lawrence Osborne

Cinematography: James Friend

Editor: Nick Emerson 

Cast: Colin Farrell, Tilda Swinton, Fala Chan, Alex Jennings, Deanie Ip, Jason Tobin, Adrienne Lau

Lord Doyle is laying low in Macau spending his days and nights on the casino floors, drinking heavily and gambling what little money he has left. Struggling to keep up with his fast-rising debts, he is offered a lifeline by the mysterious Dao Ming, a casino employee with secrets of her own. However, in hot pursuit is Cynthia Blithe a private investigator ready to confront Doyle with what he is running from. As Doyle tries to climb to salvation, the confines of reality start to close in.

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Unfortunately , this is another film where it’s a case of style over substance and the strange part is that there is enough substance to truly match the style, but by the end, it just feels so empty and almost like an opportunity wasted.

The film tries to tell the tail as the title suggest in a small way, even though it’s international, it sure does live up to the title. As it shows a small time player who wants to be bigger and more successful than what he is in this growing huge international market, and no matter how much he wins or loses, he still stuck almost insignificant in this world.

Even though director, Edward Berger gives his all and making this film flash and a visual delight with plenty of color and style throughout, not quite making the images always surreal, but definitely always making them feel alive when bright, but also feeling chill and coldness when there is no color and it’s rather plain 

which is rather shocking as with his previous two films conclave and all quiet on the Western front adaptation both seem to be simple yet highly visual with the media stories that seem to plane at the time, but as the film goes along, truly brings the audience in deeperz.

where as here the film seems to go for flash and slowly reveal a more dramatic story underneath, but there’s just no meat to be chewed on as we watch so that the only time the film truly is entertaining is when it comes to the visuals and more visual storytelling rather than the dialogue scenes and the little meat that they offer

Colin Farrell gives his all in his performance as the gambler in the middle of this, but again it’s something we’ve seen before and many other films, and we never quite understand why he makes certain decisions. There are explanations that has left more for the audience to read into. 

Just as Tilda Swinton having a supporting role here, though it feels more like a special appearance as her role is vital, but she’s not given much to do other than have kind of a frumpy noteworthy look and style. 

This one was like watching a steak or a meal that just looks so big and delicious but then when you bite into it is undercooked and thus disappointing 

Where you can imagine how great it could’ve been but have to deal with what it actually is. 

There is glitz and glamour, but they’re still seems to be something missing things. We are supposed to take for granted or figure out from little information we are given as there aren’t that many explanations, but big decisions and actions that we question the meaning behind all of them.

Grade: C

AVA (2020)

Directed by: Tate Taylor
Written by: Matthew Newton
Cinematography: Stephen Goldblatt
Editor: Zach Staenberg

Cast: Jessica Chastain, John Malkovich, Common, Colin Farrell, Ioan Gruffund, Geena Davis, Jess Weixler, Diana Silvers, Joan Chen 

Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival.


The film offers an interesting character where you wish she had a more exciting tale to go with it. So that it feels like you have a good lead character looking for a better film.

Jessica Chastain is full of energy here. Though the film and character strength are not too much of a challenge for her. 

The film soon gets to the point and stays there. Where you have no doubt what will happen. Even though for a film that is supposed to be an espionage tale it feels more small-town gritty. Like more of a mob tale

The filM comes across at times as mroe domestic drama and not as interesting as it thinks it is. With some action scenes that take place In Interiors particularly small rooms. Make the film more small scale yet fits the Netflix action aesthetic. 

The casting of Geena Davis playing the mother to a character similar to the assassin Charli Baltimore she played in THE LONG KISS GOOD NIGHT. Which makes it feel a bit like stunt casting. 

Unfortunately, this is another middling movie from director Tate Taylor that sounds mroe interesting and fun than it actually is.

The film includes a strange romance that doesn’t seem like it would hav been that exciting even if it had made it to theaters.

The film tries to be different by offering a mroe domestic story, but it feels like I needed melodrama. To make you identify snd care more about the characters. Especially the more supporting ones 

Nothing really sets this movie apart from average and familiar. Though it does leave itself open to sequels that hopefully would flesh it out especially the supporting characters. Who gets no chance to shine here it seem to be set up for greater things later in the film Only for nothing to really happen.

Sort of like the movie FASTER which left itself open to spinoff sequels but wasn’t quite as popular that was expected. So this is most likely a solo effort. Though a sequel Would help improve on the material.

This film seems like it could have been more fleshed out and given for room. Especially with it’s more recognizable cast. Who all end up here for a paycheck more than anything.

GRADE: D+

THE GENTLEMEN (2019)

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Written & Directed By: Guy Ritchie
Story By: Guy Ritchie, Ivan Atkinson & Marn Davies
Cinematography: Alan Stewart
Editor: James Herbert & Paul Machliss 


Cast: Matthew McConauhey, Charlie Hunnam, Hugh Grant, Eddie Marsan, Henry Golding, Colin Farell, Michelle Dockery, Tom Wu, Jeremy Strong, Chidi Ajufo, Lyne Renee 

A talented American graduate of Oxford, using his unique skills, audacity and penchant for violence, creates a marijuana empire using the estates of impoverished English aristocrats. However, when he tries to sell his empire to a fellow American billionaire, a chain of events unfolds, involving blackmail, deception, mayhem and murder between street thugs, Russian oligarchs, Triad gangsters and gutter journalists.

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LONDON BOULEVARD (2010)

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Written & Directed By: William Monahan
Based on the novel by: Ken Bruen
Cinematography: Chris Menges
Editor: Dody Dorn & Robb Sullivan 


Cast: Colin Farell, Keira Knightley, David Thewlis, Ray Winstone, Stephen Graham, Ophelia Lovibond, Anna Friel, Ben Chaplin, Eddie Marsan, Sanjeev Bhaskar 


Fresh out of prison, Mitchel wants nothing to do with crime but accepts a kip from Billy, a marginal grafter, and accompanies Billy on rent collection trips. He’s also old school, wanting revenge on two youths for assaulting a mendicant he’s befriended. He’s got a strung-out sister to protect, and he’s offered a job protecting a famous actress from paparazzi. The plot lines join when Michael finds himself attracted to the actress and Billy’s Mob boss, Gant, finds ways to force Michael work for him. He also warns Michael off revenge against the assailants of his friend. What are Michael’s options: is there any way to avoid Gant, protect his sister, and find a path to love?

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HORRIBLE BOSSES (2011)

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Directed By: Seth Gordon
Written By: Michael Markowitz, John Francis Daley & Jonathan Goldstein
Story By: Michael Markowitz
Cinematography: David Hennings
Editor: Peter Teschner 


Cast: Charlie Day, Jason Bateman, Jason Sudekis, Colin Farrell, Kevin Spacey, Jennifer Aniston, Jamie Foxx, Lindsay Sloane, Meghan Markle, Donald Sutherland, Julie Bowen, John Francis Daley, Wendell Pierce, Ron White, Bob Newhart 

Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness.

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THE BEGUILED (2017)



Written & Directed By: Sofia Coopola
Based On The Novel By: Thomas Cullinan
Based On the Screenplay by: Grimes Grice & Albert Maltz
Cinematography By: Philippe Le Sourd
Editor: Sarah Flack
Music By: Phoenix 


Cast: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning, Oona Laurence, Angourie Rice 

Three years into the senseless American Civil War, in 1864, the dilapidated mansion of Miss Martha Farnsworth’s Seminary for Young Ladies is still running, occupied by the matriarch, a teacher and five students in Spanish moss-draped Virginia. However, when a young student stumbles upon Corporal John McBurney, a wounded Union deserter on the verge of death, the already frail balance of things will be disrupted, as the hesitant headmistress decides to take him in to heal from his injury. Little by little, as the unwelcome guest arouses an uneasy sexual excitation among the women of the secluded boarding school, it is not before long that they will find themselves competing for the alluring man’s favour. Undoubtedly, this handsome devil is a manipulator, nevertheless, will the ladies stay forever beguiled by his charm?

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