FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (1989)

Written & Directed By: Rob Hedden 
Based on characters created by: Victor Miller 
Cinematography By: Bryan England 
Editor: Steve Mirkovich & Ted Pryor 

Cast: Kane Hodder, Jensen Dagett, Todd Caldecott, Tiffany Paulson, Peter Mark Richman, Kelly Hu, Gordon Currie, V.C. Dupree 

The graduating class of the local high school is going on a luxury cruise with Jason Voorhees as a stowaway. The heroine Rennie Wickham believes she was almost drowned by Jason as a child. Jason eventually sinks the boat and kills many of the students on it, but many of them escape to Manhattan. A long battle with Jason ensues until Jason is washed away in the New York sewers by a midnight flooding of toxic waste.



In continuing reviewing the series I can appreciate the films individually as some are real standouts in the series while some are only watchable as they add to the overall tale as disjointed at this point as it is. Makes you wonder at some points why is it acceptable that the twist in part 5 is seen as remarkable.

Yet in another series Halloween 3 is seen as a disgrace. When both tried to breathe new life and present its series in a new direction. Though with Friday the 13th they pretty much stayed within the core slasher.  The prologue of the film foreshadows all the places that Jason will chase the teenagers: downtown with the gang members, the diner, and the alley with the drug addicts, and the subway.

There is Inept filmmaking all around in this film. I know this is just another mindless sequel that just adds a new element into the mix to make you think it’s going to be different than the last ones you saw, but it just ends up pretty much being him killing teenagers and the odd adult in painful brutal ways. Such as impaling them on a harpoon and suspending them from it. Just now in a new different location. 
 

Usually, the lure for these films is the promise of nudity and sexual situations. The characters usually having a party that involves drugs and alcohol but this film doesn’t even have these simple visuals. This is almost an all-around cluster fuck. None of the scenes are scary. The kills are simplistic, not artistic as in the past. The cast is far from conveniently attractive. 

Once the five survivors make it to New York they are dispatched in one ridiculous way after and then one guy literally boxes Jason to the edge of a roof then runs out of energy then tells Jason to give him his best shot which he does decapitates him. Then his head falls perfectly into a trash can but then makes an appearance in a cop car. 
 

This was the last film in the “Friday the 13th” series to be produced and distributed by Paramount, due to declining box office returns. Subsequent entries were handled by New Line Cinema.  This film truly made me notice some of the problems with Friday the 13th as wholesome problems are minor some are major. We know he has eyes but yet any close-up of him wearing the mask makes it look like he has two empty holes. I guess to make it look like he is a phantom. I know he is supernatural but since he doesn’t fly or teleport or run. How does he catch up and get ahead of his victims? He can’t always know a shortcut to his surroundings. Like in this film it’s his first time in the area yet he knows the geography like a pro. Who knows what he busies himself within between kills? Especially since he doesn’t seem to eat or sleep. Is he a monster? , Zombie?, Mutant? We never get a full explanation. Or definition. 

Writer/Director Rob Hedden originally wrote more of the movie to be set in New York. He had written scenes at Madison Square Garden, the Brooklyn Bridge, and the Empire State Building. But Paramount told him that the budget would not allow him to spend that much time in New York, so he was forced to rewrite the film and spend more time on the cruise ship. Hedden says he agrees with fans who complain that not enough time is spent in New York, given the title Jason Takes Manhattan.  It would be nice if the series added some pure creativity. Though it does try yet it feels like fads since it has had a copycat killer who was a regular human being. 

Then in JASON GOES TO HELL he possesses different people by them eating his heart. Then we get Jason in space in JASON X. We have had Jason in 3D on FRIDAY THE 13TH PART 3, Jason resurrected for the first time on FRIDAY THE 13TH PART 6. Jason Vs. The girl with Psychic powers in PART 7, Then JASON VS. FREDDY. Here they just seemed to change his surroundings to a popular metropolis. 

I have to say This film is very insulting to new York as I know it was bad particularly times square around the time this film was made, but this film makes the city look nothing but dirty, corrupt, and dangerous with almost every citizen a criminal or drug addict. It seems like they make New York out to be just as dangerous if not more so than Jason. This might be the one part of the film that gets its one dose of reality. This seems to be Grindhouse-era New York. Tons of homeless, crooked cops, Muggers, Junkies, pimps, Prostitutes, and dealers. All kinds of sleaze. So mixing that with this fantasy element is a pop art mash-up. That is an interesting contrast, but unfortunately, this was the wrong filmmaker to do it. 

 SPOILER  

There is also some weird connection between the hero and Jason that causes her to have visions of him as a child asking for help. Which makes no sense in the first place. Only to be the saving factor in the end. With child Jason killing and taking monster Jason away. It’s like the filmmakers couldn’t think of a new plausible way to kill him. So they come up with a stand-by of mumbo jumbo. Where are the visions coming from and when did they become physical? 
 

SPOILER ENDING 

Sorry for spoiling the ending but either way they made another sequel. So no matter what he’s down but not out (Which is one of the more entertaining scenes)

Grade: D+

FREDDY VS. JASON (2003)

Directed By: Ronny Yu
Written by: Damian Shannon & Mark Swift 
Based on Characters Created by: Wes Craven & Victor Miller
Cinematography: Fred Murphy 
Editor: Mark Stevens 

Cast: Robert Englund, Ken Krizinger, Monica Keena, Jason Ritter, Kelly Rowland, Katherine Isabelle, Chris Marquette, Brendan Fletcher, Lochlyn Munro, Zack Ward

It’s been nearly ten years since Freddy Krueger terrorized people in the dreams, and the townsfolk want to keep him erased from their memory. Freddy still has one more plan on getting back to Elm Street. He resurrects Jason Voorhees and sends him off to kill. The more bodies which fall to the ground, the stronger in which Freddy becomes. This is until, Freddy realizes that Jason isn’t going to step aside easily, and must be taken down himself.


Good or bad for a certain generation this was flogging to be a historic crossover and battle of the monsters. It came along when both franchises were in their last legs and helped revitalize interest in both of them and brought out the fans secretly and publicly to both film characters and franchises.

One knows before they got to this version of the movie they were planning many different versions. What we have here is one that plays more conventional and more of an actual lead up to a knockdown bloody fight. While playing by the rules of a conventional slasher film with more supernatural phenomena.

You know what type of film You are going to get. The meet up of two horror titans and icons could have easily gone many ways. Here the film works but doesn’t really cover any new ground. It actually is pretty basic with a more cutting edge style for its time.

When I first saw this film on opening night in the theaters, I enjoyed it immensely. As it was

Like Sugar. It’s so energizing it’s almost like an action film rather than scary or frightening you are paying attention to the kills which feel more like action set pieces. Which might be one of the more disappointing aspects of the film. Is that it runs off of energy and adrenaline do much that other then carnage and special effects it doesn’t really have too much else and never truly seems like a horror film. As even the human characters are barely memorable

The film has plenty of great visuals but they add up to little except to gloss over the thinness of a script that offers nothing new and very little for the audience to really grab onto.

The film more or less plays to the cheap seats and seems very much of it’s time trying to add in plenty of pop culture. Adding singer Kelly Rowland who was in the singing group Destiny’s child to the cast and one character is totally styled after jay of director Kevin Smith’s movie characters jay & silent bob. I am guessing if they added silent bob it would be too oblivious they stole the characters as inspiration. This was obviously catnip for the teenage audience they were trying to entice for a Rated R film. It makes the film more fun but except for its title and subsequent battle, there is very little of note here. As this film would still be subpar as any of their individual sequels. As it comes off very basic and doesn’t age well. It also tries to showcase a sense of humor.

While both series of films and sequels are time capsules of their time periods regardless of quality they will always be memorable and treasured. Though some are more played for shocks And laughs while they are brutal. Which this movie doesn’t provide.

The kills are random and barely noteworthy. Though it’s a movie to see just for the modern merging of two franchise stars. Like a bloodier modern version of King Kong vs. Godzilla. So that many horror fans schoolyard arguments and debates can finally be settled. This crossover seems to be an end of an era. As both franchises have had unsuccessful reboots so far, not really a further sequel.

The film tries to mix in certain details that never seems to exist that make sense but only for the purpose of the film.

Like all of a sudden Jason Voorhies being afraid of water. Which does make sense as he supposedly died because of drowning in the first place but in all the sequels before this water was never a problem for him.

Neither of these killers comes off as he hero, but they try to make Jason come off as more favorable strangely enough.

Kills others get short shrift just to get them out of the way it seems. The director doesn’t even give them the benefit of too much set-up as that would take away from the main event and mean the film might actually have to build up some drama and suspense.

I was excited to see the film overjoyed by what I was watching. Even then some stuff seemed stupid but still entertains. It was a star amongst my DVD collection eventually.

The film is more like a prizefight where the film is meant to get you hyped up for the battle and using all the same theatrics and it’s Good when it comes but liens prize night in modern times easily debates Le but quickly forgotten even though noted.

It doesn’t develop either franchise further. It still stays pop instead of going darker and having more depth.

There is So much potential for what could be it little character development of other characters who are main characters but not the protagonists.

We are here for the main battle but need filler and explanation of how we get there. While having a modern-day set up like a typical horror film still not a good one. So that they wouldn’t even count as good sequels to either franchise.

Which is what both franchises miss. We know the territory so clearly that even the filmmakers give in and don’t try for suspense at all or to even make the film scary it’s all more about violence. Not memorable or original just good enough for the moment to be passable.

That has become the main problem with modern horror either cheap scares or no scares. Trying to make it more psychological or trying to outsmart the audience. Later sequels seemed more gimmicks simple turned creatively bankrupt.

Reading the book on the franchise histories as well as the documentaries helped inform me of different interactions on the history of the films. Have histories, backstories, mythologies how much you care and how deep you want to investigate. So there was a lot going on and to consider when going into this. As do you throw it all out or do you keep some and get rid of others. They went with the simplest to try and make a slaughter-fest that is almost a meeting of the minds but fulfills what is expected in all areas. 

Jason surprisingly comes off the more favorable

Grade: C+

FRIDAY THE 13TH: PART 2 (1981)

fRIDAYTHE13TH2

Directed By: Steve Miner
Written By: Ron Kurz
Based On Character Created By: Victor Miller
Cinematography By: Peter Stein
Editor: Susan E. Cunningham

Cast: Amy Steel, Adrienne King, Warrington Gillette, Kristen Baker, John Furey, Walt Gorney, Betsy Palmer 

Months after Alice beheaded psycho killer/mother Pamela Voorhees at Camp Crystal Lake, survivor Alice is still traumatized because of the murders. But there is one problem: Mrs. Voorhees’ son Jason never drowned and died, so he saw Alice behead Mrs. Voorhees. Jason finds Alice soon and murders her. Five years later, a camp counselor-in-training program begins at Packanack Lodge, right near Camp Crystal Lake. As teenagers in the program start snooping around Camp Crystal Lake, they start getting killed violently one by one.

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