BOILING POINT (2021)

Directed By: Philip Barantini 

Written By: Philip Barantini and James Cummings 

Cinematography: Matthew Lewis 

Editor: Alex Fountain 

Cast: Stephen Graham, Jason Flemyng, Vinette Robinson, Alice Feetham, Ray Panthaki, Hannah Walters, Lauren Ajufo, Malachi Kirby, Taz Skylar, Izuka Hoyle

Enter the relentless pressure of a restaurant kitchen as a head chef wrangles his team on the busiest day of the year.


Some people might compare this film to the television show THE BEAR even though this film came out first. it does have the intensity of that show’s pilot and its most agonizing episodes. With a head chef, dealing with all the calamities and kitchen crew not to mention his personal problems. 

Interestingly, The film did have a four-episode television spinoff that, I have not watched, but seems to be the story. For this review, one will stick to the film and its perimeters.

Though this film isn’t as comedic, is its own animal and maintains its own identity, dealing with all the different pressures in one evening. The staff’s constant interaction with one another, and also shows more interaction with the customers and their individual and seemingly difficult demands at times.

This film is made to look like it takes place all in one continuous shot or one take. The film is a little more detailed and showcases its construction. As well as the meals construction.

We see how the kitchen must run like a well-oiled machine, so must the film and direction. it’s also revelatory that not all the crew are doing what’s best for the team some can be downright selfish and more self-serving. Especially in one scene where the bellboy takes a trip outside and it allows for the film to take us out of the chaos for a bit of a cleanser. As we see the nefarious dealings.

It’s those moments where we can have a bit of the character’s own drama while dealing with the main narrative that makes it successful and helps steer the ship. As in the slow burn, everything comes to a head. 

Showcase is being part of a team that you were only as strong as your worst worker. The continuous pressure is felt throughout.

As well as giving a voice and allowing the audience to witness the hardships of the workers, the hardships of the service hospitality, industry, and the abuse faced by them from customers and other staff when it’s coming from both ends, where are you supposed to find your peace.

The film offers no real resolutions to some problems, though it does reveal quite a bit or hints at things that can cause frustration. Though, we are only here for one evening so it’s not that type of film where everything will be tied up by the end. It offers many surprises.

The film is like a thriller so much suspense and reserved intensity yet it stays action-packed to a degree. So that it’s identifiable and just as frustrating as real life at times.

Stephen Graham scores another great damaged character holding on by a thread who seems to have a calm demeanor, but seems to be crashing underneath. He gives a great memorable performance at the center and knocks it out of the park seeming like he can do no wrong in a role, but this is an ensemble effort. He stands out as much as the rest of the cast. Which is the film’s definition.

What is so powerful about the film is that the audience’s opinion might constantly change about certain characters as the reveals and connections happen. So by the end of the film is a roller coaster hitting rock bottom. There are so many highs or maintenance levels. Either way, it’s all well executed.

Meticulous. Beautifully crafted and constructed Like a well-crafted meal with a strong aftertaste. Which is what makes it all the better, Loved it. 

Read about it when it came out. Unfortunately put it on the back burner and finally got around to watching it… in amazement. 

Also shoutout to Lauryn Ajufo whose character is so punished throughout and eventually gets a moment of manners. Really felt for her the most throughout mostly 

This is a film that needs to be discovered and more people need to see this.

Grade: A 

ROALD DAHL’S MATILDA THE MUSICAL (2022)

Directed By: Matthew Warchus 
Screenplay By: Dennis Kelly
Based On The Stage Musical By: Dennis Kelly and Tim Minchin 
Based On The Book By: Roald Dahl 
Cinematography: Tat Ratcliffe 
Editor: Melanie Ann Oliver 

Cast: Alisha Weir, Emma Thompson, Lashana Lynch, Stephen Graham, Andrea Risenborough, Sindhu Vee 

An adaptation of the Tony and Olivier award-winning musical. Matilda tells the story of an extraordinary girl who, armed with a sharp mind and a vivid imagination, dares to take a stand to change her story with miraculous results.


I will admit to having a bias when it comes to this film. As I saw it on Broadway during its run before it became a movie.

I will also admit that I have only watched the Danny Devito-directed non-musical version in bits and pieces. Ever from beginning to end. 

Watching this film it sticks to the same beats as the Broadway musical. Which is only a bit more impressive because of what they managed to do with only a certain amount of space. 

The film itself is wonderful, dramatic, and fun and encourages children and adults with it’s

Positivity, focus on storytelling and literacy, and the power of imagination. 

The film stays colorful, entirely surreal, and a little grotesque, but amazing in its Songs that are uplifting and positive messages to never forget. The choreography is amazing and tight.

Truly a famous movie that has something for everyone. Though most of the cast are children who are more full-fledged characters. As the adults seem usually over the top and caricatured. At least the bad ones are. It is also heartwarming even in the end. Her parents who have treated her horribly actually show emotions for her.

I will admit towards the end it starts to falter and isn’t as strong as before. Where you wonder where it is going and wish for maybe a little stronger direction in the form of the surreal and fantasy, as Danny Devito’s Direction and less conventional direction in this version. 

The theme of the film Will leave you with a smile on your face and Emma Thompson shows she is having fun playing the main villain in the film, as the headmaster who is a former curling champion. Here at least she gets to play the villain and not necessarily the hero as in her NANNY MCPHEE films. It is a delight to see her in this film.

Grade: B

PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (2017)

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Directed By: Joachim Ronning & Espen Sandberg
Written By: Jeff Nathanson
Story By: Jeff Nathanson & Terry Rossio
Based on Characters Created By: Terry Rossio, Ted Elliott, Stuart Beattie & Jay Wolpert Cinematography By: Paul Cameron
Editing By: Roger Barton & Leigh Folsom Boyd 


Cast: Johnny Depp, Geoffrey Rush, Branton Thwaites, Javier Bardem, Kaya Scodelario, Stephen Graham, Goldshifteh Farahani, Kevin McNally, David Wenham, Martin Kleeba, Angus Barnett 

Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying Captain Salazar, escape from the Devil’s Triangle, determined to kill every pirate at sea…including him. Captain Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, a powerful artifact that bestows upon its possessor total control over the seas.

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LONDON BOULEVARD (2010)

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Written & Directed By: William Monahan
Based on the novel by: Ken Bruen
Cinematography: Chris Menges
Editor: Dody Dorn & Robb Sullivan 


Cast: Colin Farell, Keira Knightley, David Thewlis, Ray Winstone, Stephen Graham, Ophelia Lovibond, Anna Friel, Ben Chaplin, Eddie Marsan, Sanjeev Bhaskar 


Fresh out of prison, Mitchel wants nothing to do with crime but accepts a kip from Billy, a marginal grafter, and accompanies Billy on rent collection trips. He’s also old school, wanting revenge on two youths for assaulting a mendicant he’s befriended. He’s got a strung-out sister to protect, and he’s offered a job protecting a famous actress from paparazzi. The plot lines join when Michael finds himself attracted to the actress and Billy’s Mob boss, Gant, finds ways to force Michael work for him. He also warns Michael off revenge against the assailants of his friend. What are Michael’s options: is there any way to avoid Gant, protect his sister, and find a path to love?

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