FIRSTBORN (1984)

Directed By Michael Apted

Written By: Ron Koslow 

Cinematography: Ralf D. Mode

Editor: Arthur Schmidt 

Cast: Peter Weller, Christopher Collet, Teri Garr, Corey Haim, Sarah Jessica Parker, Robert Downey Jr., Chris Gartin, James Harper, Josh Hamilton, J.D. Roth

Because he’s the oldest, Jake has been the man of the house, since his parents divorce. When Mom starts seeing Sam, who always seems to be trying some new way to get rich quick, and declares he’s the man of the house now, Jake puts up with it. Until he discovers Sam’s illegal activities.


Though I’m sure it was gripping when it came out watching this film now it isn’t bad, but it does come across more as an after-school special. That is a little bit more adult than the ones that played at the time. 

Times have changed as in the past films like these could be big dramatic films to make it to the big screen rather than being relegated more to television, movies, fair, or overly melodramatic lifetime movies now.

The film has plenty of great dramatic moments and slowly shows how the dysfunctional situation of this young man whose home is invaded by her mom’s drug-dealing boyfriend and who slowly destroys each member of his mom becoming more and more junkie his striking out in anger and becoming much more reclusive as he never wants to be at home. The young man himself slowly starting to lose his composure and his laid-back mentality. 

it’s fun to see Peter Weller in this role as you can understand his allure and how at first he seems kindhearted,  youthful, and A big talker. Slowly, we see him deflate, and how full of it he is he spends most of his days asleep watching television on their couch while their mother goes out and works. 

We also see her attention when it comes to common responsibilities. Like Cooking and cleaning paying bills on time, and being around. It’s ending is too tidy, but at least it shows or handset what went into all of the character’s decisions where the mother was dating a perfectly nice guy, but met this bad boy who is a little bit more exciting and has all these plans he has and is much better and I believe a bit younger Especially coming on the heels of her ex-husband getting remarried.

That is the only hard part of the film that it takes to believe and completely shows how out of the loop the ex-husband is that he’s always traveling and he calls his sons and cares about them to check up on them. It’s still distant by only phone he never physically comes to check up on them or hears of them and their problems at school. 

For the most part, the film does keep your interest as you want to see where it goes and how bad is it gonna go and in the third act you want to see how is it going to relieve itself? It never goes over the top in the violence or the dramatics, it keeps itself at a low simmer most of the time there’s nothing that really boils over until the end and even then it’s not as over the top as you would expect.

It’s nice to see Peter Weller, in an early dramatic role. The handsome troublesome hustler is just the wrong element in all of this.

Is the film debut of future teen idol, Corey Haim, and even in this role he’s got the dramatic goods and comes across his believable even if it’s a troubled child it’s a troubled child role. Even Robert Downey Jr. has a small role in this film as more of the flamboyant and punk friend of the lead character group.

Christopher Collet stayed in the lead and had a pretty good acting career, though this was one of his rare leading roles, he carried the film quite believably for the time. For a film that took place in a suburban area could call it a team with adult themes, but I guess you could also call it a troubled family film.

Not Too many surprises it’s worth a look looking for a more dramatic, overture, and film that is more hidden film than it is popular as I constantly got this film, confused with the more exploitative film SCREAM FOR HELP. This is more respectable and better made. Of course, for most audiences, there might be a feeling of having been there and done that while watching 

It doesn’t come across as anything special about the film though it’s a solid watch

Grade: C+

STATE AND MAIN (2000)

Written & Directed By: David Mamet
Cinematography: Oliver Stapleton 
Editor: Barbara Tulliver 

Cast: Philip Seymour Hoffman, Alec Baldwin, William H. Macy, Sarah Jessica Parker, Clark Gregg, Julia Stiles, Patti LuPone, Charles Durning, Rebecca Pidgeon, Ricky Jay, David Paymer, Jonathan Katz, Matt Malloy, Laura Silverman 

Having left New Hampshire over excessive demands by the locals, the cast and crew of “The Old Mill” move their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can’t keep his pants zipped, the starlet won’t take her top off, and the locals aren’t quite as easily conned as they appear.


A movie about the behind-the-scenes world of movie making and how it wreaks havoc on a small town and how the town gets seduced to a certain degree. While also throwing in a kind of love story in the middle.

The film’s heart really relies on Philip Seymour Hoffman’s Character a writer. Who is constantly having to change the script due to the whims of the actors, Star, or producer, and when controversy happens he has to decide to do the moral thing or be dishonest but help the production proceed. 

It offers commentary on movie stars and Hollywood at that time. While showing how easy it is to be corrupted and lead astray. How easily tot can get caught up in something you know is wrong for the supposed greater good. 

Yet very few characters seem to have actual emotions and just deliver one-liners at the ready. Especially his love interest played by Rebecca Pidgeon. Making it seem more stage or sitcom ready. Even as it tries to be a morality play but comes off as false. 

While a satire instead of coming across as biting, clever, or even cynical. It instead comes across at times as smug. As half of the humor comes across as an inside joke rather than inclusive. Showing who they prefer their audience to actually be for the film. 

It’s set in a small town yet nothing feels down to earth about it. 

Though when it does work it is on fire. As it works best when it is more of an ensemble. As it is entertaining with sharp dialogue. 

The film has a great cast. It just feels like a bitter pill too much at times, but funny a lot of times. It ends up feeling too theatrical to be natural. 

Though it seems like everyone tries to come off as cool and all-knowing. So it never comes off as exactly identifiable as it seems so practices and knowledgeable 

GRADE: B- 

HOCUS POCUS 2 (2022)

Directed By: Anne Fletcher

Written by: Jen D’Angelo

Story by: Jen D’Angelo, David Kirschner and Blake Harris

Based on characters created By: Mick Garris and David Kirschner

Cinematography: Elliot Davis

Editor: Julia Wong

Cast: Bette Midler, Sarah Jessica Parker, Kathy Najimy, Sam Richardson, Doug Jones, Tony Hale, Whitney Peak, Belissa Escobedo, Lilia Buckingham 

Three young women accidentally bring back the Sanderson Sisters to modern-day Salem and must figure out how to stop the child-hungry witches from wreaking havoc on the world.


Well, what do you expect? It’s a sequel to HOCUS POCUS. It works for nostalgia’s sake 

This is more a family film that somehow manages to have less character than the original film. It is beloved by many and I even enjoyed it as a child, but i always felt it was good in a corny way that tried something within the Disney formula and might have bombed financially but the audience found it eventually.

For a film that feels like a film made more for the fans. It feels so cookie-cutter and less distinct than the original. This feels more childlike and obviously is more of a family film. As this film seems to eliminate anything that might be even a tad racy. 

It would have been nice if the film tried something more experimental. As it has a built-in audience. Like making it more of a musical that it flirts with at times but ultimately never pulls the trigger. 

Though the film Misses some of the misguided elements that made the original so memorable. Like the trends of the times when it came out. Which came off as pandering to a section of the audience. This one just goes with trying to be universal. 

It offers a diverse cast and is mostly female-focused, but if anything it always comes off more as silly that isn’t offensive. It’s nice that the young female leads are minority characters though not really noted. 

If you are a fan of the original you will probably enjoy this film or if you were excited to see the film in the first place you will probably enjoy it. Though this is more a film for kids and families. 

This is more the Disney ideal. then the original film. As at least that film felt more theatrical, original, and daring. 

A little disappointing for other cast members if the original doesn’t come back. Though there is a nice nod to the late Marshall siblings in this film

GIRLS JUST WANT TO HAVE FUN (1985)

Directed By: Alan Metter 
Written By: Amy Spies 
Cinematography By: Thomas E. Ackerman 
Editor: Donald Rawlins & Lorenzo DeStefano 

Cast: Sarah Jessica Parker, Helen Hunt, Shannen Doherty, Jonathan Silverman, Ed Lauter, Biff Yaeger, Ian Giatti, Holly Gagnier 

Janey is new in town, and soon meets Lynne, who shares her passion for dancing in general, and “Dance TV” in particular. When a competition is announced to find a new Dance TV regular couple, Janey and Lynne are determined to audition. The only problem is that Janey’s father doesn’t approve of that kind of thing. 


Based on the popular Cyndi Lauper hit song. That strangely isn’t used instead a cover version is.

This film is a perfect film for teenagers that parents will want them to watch as it is inoffensive and most of the trouble the characters get into is so innocent It’s almost cute. You don’t really have to edit this film much to broadcast it on television.

It tries to have more blue-collar characters versus the rich even though they all come from the suburbs, but it’s so easy to just make the villain a pampered rich girl that to Defeat. The protagonist as more working-class makes the divide and the lire of selling out so much more great.

Just like Romeo & Juliet by William Shakespeare the supporting characters are so much more interesting than the leads. Who strangely for a change really has very little angst and very little to actually rebel against.

As one would be more entertained by watching her best friend played by Helen Hunt and his best friend played by Jonathan Silverman romance one another them the two leads. That would have truly been different. One of the many early performances I remember her in even if Helen Hunt in this film looks a little long in the tooth but she gives the most fun performance throughout. I believe this might actually be my favorite performance of hers.

This is also an early role for Sarah Jessica parker who at this point I only remembered from SQUARE PEGS and FOOTLOOSE. Though for quite a while it was her definitive performance in my view until maybe L.A. STORY

One can admit this is not a good film but It’s thoroughly entertaining, but very 1980’s. This could easily be a cult classic which is Interesting because like most it didn’t start out trying to achieve that honor. Instead, it tries to track and include all of the fads of the time period.

The title of the film is based on the popular Cyndi Lauper hit song, but they couldn’t get the rights for her to sing it so they use a different vocalist and beat.

His father saying to forget his job when Faced with being fired unless his son throws the competition. Telling him if you can win this dance contest do it. Is a scene that means well but is hilarious to watch in all seriousness that it is intended

The fact that she never tells her father why she is sneaking out. This might help her and make things easier for her to go to dancing practice he may understand though he is strict it’s only dancing. Though then there would be no movie.

The 80’s cliche it the bad boy rebel who can dance immaculately well is one that strangely never caught on. His sister is played by a young Shannen Doherty. So this film is filled with plenty of child actors who amazed to gain life-long noted acting careers.

Co-star Holly Grangier is actually a trained dancer and did all of her own dancing.

Even the punks who crash and ruin the rich rivals debutante break into choreographed dancing. Through the close up’s slow mayhem and wild dancing throughout.

This movie is a trip but a worthwhile oddity to the collection.

Even though this movie can easily be seen as a cash in on Cyndi Lauper’s popular single and building a movie or story around it.

It’s ridiculous but fun and a pretty good representation of the theme of the song and the times it takes place in even if slightly toothless. It manages what it aims for and entertains It’s audience and luckily left an impression on them and a noted memory.

If I didn’t know better it seems like this type of innocence is what the Saturday morning show SAVED BY THE BELL aimed for

Kristi Somers was originally supposed to work only one day on this film. However, Director Alan Metter liked her performance so much, that a couple of additional scenes of her were added into the movie. This is one of her more legitimate movies and performances. As usually, her body of work was playing best friend happy characters who were sexy and usually bad influences in many T & A sex comedies of the ’80s. yet she was always someone to watch and enjoy as an actress also, even though she was usually topless.

I have a confession to make this film is a total guilty pleasure for me. I used to watch this all the time on cable and even had a taped version of it to watch.

This film continued my crush with Sarah Jessica Parker at the time. So it’s nice to see her be a child star who made it a life-long career. In movies, I first noticed her in FIRSTBORN, FOOTLOOSE and the television show SQUARE PEGS. Here she is rebellious against her father’s strictness but so cute and innocent and quite the dancer.

 Grade: B

HOCUS POCUS (1993)

Directed By: Kenny Ortega

Written By: Mick Garris & Neil Cuthbert

Story by: Mick Garris & David Kirschner 

Cinematography: Hiro Narita 

Editor: Peter R. Berger 

Cast: Bette Midler, Sarah Jessica Parker, Kathy Najimy, Omri Katz, Thora Birch, Vanessa Shaw, Larry Bagby, Doug Jones, Charles Rocket, Sean Murray, Kathleen Freeman 

A curious youngster moves to Salem, where he struggles to fit in before awakening a trio of diabolical witches that were executed in the 17th century.


This film has garnered a cult following over the years. Unfortunately, I am not one of that crowd. Even though when it came out I was really looking forward to seeing it. 

By all means, this is a film one should hate, but I don’t. It’s not good but it is cute. Perfect for kids who should love it as it fits in with what would seem to be their fantasy. Mildly scary but not violent and it also includes all the ghostly elements of monsters. Not to mention that is who the film is made for.

It also is a throwback to when movies came out aimed at them that were goofy and maybe simple but relied on stars and not so many special effects.

Another reason it’s not a total failure is that it’s almost like watching a bunch of adults playing dress-up. The three main antagonists Bette Midler, Sarah Jessica Parker, and Kathy Najimy as a coven of witches watching them. As the witches from the past getting acquainted with modern times and mindsets are silly.

One can admit to having a weakness for Bette Midler movies. Just as some people have a weakness for Barbara Streisand movies. She is just an amazing performer and even as ridiculous as this is. She puts her all into it and seems to be having fun. Her and the cast are the reasons I even watched the film in the first place.

One of the reasons she did this film supposedly is that she passed in the film SISTER ACT. Which revitalized Whoopi Goldberg’s career so she took this hoping for a smash hit. Unfortunately, it bombed and it’s been rare that she has really been on-screen since. Yet over the years, it has become a cult classic.

The film is dated and gaudy but good for children. As it is simple and colorful. If it was made now it would have been a film that would have been a Disney channel original movie.

definitely, a children’s film that tries to be a bigger feature and modernized but ultimately is more a fairy tale or bedtime stories strictly for kids. There is nothing wrong with that. So that it is perfect for it’s core audience.

Directed by Kenny Ortega the movie has certain rhythms which other than having Bette Midler as the star there is a bunch of scenes that revolve around singing or music or group scenes of dancing or crowds moving together.

This is pretty much a Disney original movie you would normally see on their channel. Only at the time when they still made these features for theaters and got big stars to headline. So much bigger-budgeted and higher expectations. So at least it offers a family Film

It has an innocence yet remains dark to a degree. It’s a fun film that never quite got it’s due but finally seems to gain an audience every year due to it being entertaining. You can’t be cynical or dark. Go into this movie or you will miss It’s appeal and nuances

It has a feckless teenage romance story in it that goes nowhere except to maybe appeal to that demographic. Who wouldn’t be going to see this film anyway unless forced to. In the end, the film is perfectly harmless. 

Wait for it on cable or even television, but even they don’t play it that much. But really it’s a movie where looking at the poster you know what you are getting yourself into.

Grade: C+