GIRLS LIKE GIRLS (2026)

Directed By: Hayley Kiyoko  

Written By: Hayley Kiyoko and Stephanie Scott 

Story by: Chloe Okuno and Hayley Kiyoko 

Cinematography: Sonia Tsypin 

Editor: Christine Armstrong and Sabine Hoffman 

Cast: Maya Da Costa, Myra Molloy, Zach Braff, Levon Hawke, Alozie LaRose, Sierra Sidwell, Hunter Dillon, Sophia Carriere, Alexa Mareka 

Coley, 17, from rural Oregon, navigates intimacy after her mother’s passing. Meeting Sonya sparks new feelings, but self-doubt hinders their connection. Sonya, unfamiliar with dating girls, is uncertain. They learn to embrace emotions.


The film is light and airy feeling like a perfect summer romance 

A nostalgic throwback that feels modern but yet would fit in the early 2000’s in which it’s set 

Wondering if it is autobiographical fantasy for the Writer- Director Hayley Kioko from her song and music video it seems a full length feature extension from. 

It works as a typical romantic film that just happens to be queer or a queer awakening film that lends itself more to a paperback romantic novel origins. As the film feels like, The type that this is adapted from by the writer director who also wrote the original novel.

The films easy to watch you can’t help but route for the main characters and their back stories are handled with care that seem to be heavy and emotion, but very light material wise all the two girls bond and are left in their own world. There is no bullying there doesn’t seem to be prejudice from any friends or family so really the only challenge throughout the film seems to be being emotionally available and open to one another and trust there’s nothing or no one in the outside world really challenging this romance.

As throughout the film, it seems like the main character played By Maya Da Costa seems to be the one who is facing the most challenge of letting go and growing up and living her life and not staying mentally in her sorrow.

It also doesn’t hurt that everything in this film is very pretty. So there’s nothing that’s ugly or mean spirited and there’s nothing bad to look at as most of the cast is beautiful as are the locations and the town that they’re staying in. The cast is lovingly diverse. It’s one of those dream towns where everyone seems cool with everything. No prejudice, no class struggles, no bigotry. So the film won’t offend anyone and one can see why some might be attracted to it.

There is a slightly romantic rival, and once they are with them instead of the scenes, seeming as romantic beautifully shot and intense, there’s a coldness in a practicality that feels cold and a little bit of disgust. 

It’s an assured debut by Director, Hayley Kioko, who keeps it light and sweet with a little bit of death and is quite assured behind the camera as an actress and musician. She seems to have learned and picked up the necessary skill and await what her next film will be here she shows she has the goods to continue along this path.

Happy this got a limited release theatrically though really the material feels more like a streaming or the type that these days would be more streaming original only because it’s a little more lightweight, which isn’t unexpected watching the trailer

The film is more likable than one might expect

Grade: C+

A THOUSAND AND ONE (2023)

Written & Directed By: A.V. Rockwell

Cinematography: Eric K. Yue

Editor: Sabine Hoffman And Kristan Sprague

Cast: Teyana Taylor, William Catlett, Aaron Kingsley Adetola, Aven Courtney, Josiah Cross, Alicia Pilgrim, Terri Abney, Delissa Reynolds, Amelia Workman, Adriane Lenox

After unapologetic and fiercely loyal Inez kidnaps her son Terry from the foster care system, mother and son set out to reclaim their sense of home, identity, and stability, in a rapidly changing New York City.


It’s truly a coming-of-age film for most of the characters, especially the mother and the son as we see various points of their life growing up and the hardships and sacrifices. They both must make, but the undeniable thing in everything is how much they love and care for each other.

Choreographer, rapper singer, and now actress Teyana Taylor gives a dynamite lead performance. This is one of the many strengths of the film it is mostly put up on her shoulders, and she knocks it out of the park with nuance and strength.

Even though what her character does is wrong legally she’s doing it for the right reasons and you can’t hate on her for that. No, you know sooner or later as even another character Towers, it’s going to catch up with her.

What is truly appreciated and remarkable about this film is that every detail matters because it has an effect on the rest of the film and the future of the characters.

The film for some might seem like another tale of poverty porn, but it also shows the strength of family and the resilience of spirit and character. When what you do is out of love, and the many hardships you might face, especially when mistakes might define you where you are never given a chance, or at least much of one. 

It also doesn’t fall into certain clichés like it shows him the sun trying to have a relationship, but kind of is over before I can even truly start it shows the oncoming gentrification of Harlem in the microaggressions in which the owners try to seem like they’re decent or trying to help you out, but really just trying to drive you out in so that they can get tenants they prefer will overpay 

It’s like watching a fight movie I wouldn’t say hard, because of all the horrors and challenges that other films with well in, and only be about this film faces, and sees its way through it, and dealing with it as just a factor of life. You can’t stay stuck on one thing.

I also admire that the film doesn’t present the characters as perfect, but they are good-hearted and decent for the most part. It doesn’t feed into the cliché of a black man not being a father. It shows him actually taking care of this child even though biologically, it’s not truly his, and while we can admire that aspect of him, even he admits he’s not perfect.

The film might be rough around the edges, but it never quite feels like it’s going off on a false note.

Grade: B

ALL OVER ME (1997)

alloverme

Directed By: Alex Sitchel
Written By: Sylvia Sitchel
Cinematography: Joe DeSalvo
Editor: Sabine Hoffman

Cast: Allison Folland, Tara Subkoff, Cole Hauser, Shawn Hasoty, Vincent Pastore, Wilson Cruz, Leisha Hailey

Claude and Ellen are best friends who live in a not-so-nice area of New York. They’re involved in the subculture of 90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent and meaningless death rocks their lives.

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