MAYDAY (2026)

Written & Directed By: John Francis Daley & Jonathan Goldstein 

Cinematography: Barry Peterson 

Editor: Jamie Gross and John Lee 

Cast: Ryan Reynolds, Kenneth Branagh, Marcin Dorocinski, Maria Bakalova, David Morse, Clark Johnson, Wendy Crewson, Josh Hamilton

Lieutenant Troy Brennan takes part in a top secret surveillance mission over Soviet airspace. Things take a sharp turn, however, when he is forced to eject from his plane over the Russian wilderness. He is rescued by a paradoxical Russian native and the two begin to appreciate both their differences and commonalities.


There are some movies you finish and immediately think, “Well… that was fine.” And honestly, that’s probably the best way to describe this one.

I went into it expecting something disposable, and while it certainly isn’t reinventing the action-comedy wheel, I have to admit that I had a decent time with it. 

because this is very much a paint-by-numbers kind of movie. You’ve seen this story before. You’ve seen these characters before. You can practically see some of the plot turns coming from the next room.

But every once in a while, it has just enough personality to keep itself from becoming completely forgettable.

Ryan Reynolds is interesting here because, thankfully, this isn’t quite the Ryan Reynolds we’ve seen a million times before. He still has that familiar rhythm and personality, but instead of firing off a wisecrack every thirty seconds, a lot of his humor comes through his reactions to the increasingly ridiculous situations around him. He almost becomes the audience surrogate. The guy looking at everything happening around him and thinking, “Are we seriously doing this?” surprisingly, that works.

Kenneth Branagh, meanwhile, is doing a lot of the heavy lifting literally. He’s getting into the action himself, which is something I’m not particularly accustomed to seeing from him. At this point in his career, watching Branagh throw himself around in an action movie is kind of charming. I don’t know if he’s channeling Sean Connery, taking notes from Liam Neeson, or simply having a really good time, but the man deserves some credit. He’s surprisingly convincing.

Branagh has directed action before, of course, with films like THOR and JACK RYAN: SHADOW RECRUIT. So this isn’t exactly unfamiliar territory for him. But seeing him actually inhabit this kind of older action-hero role is one of the more entertaining aspects of the movie.

The problem is that the rest of the film doesn’t exactly rise to their level.

It feels like the kind of movie that probably explains why it ended up on streaming rather than in theaters. There’s supposedly an epic quality to the story, much of it set against Cold War-era Russia, the KGB, and all the usual ingredients for a big, muscular action thriller. Yet somehow, everything feels surprisingly muted.

The movie is set in the 1980s, which at least gives it an excuse to use Russia and the KGB as its primary villains without having to invent some overly complicated modern conspiracy. But even with that built-in atmosphere, the film rarely feels as big as it seems to think it is.

And then there’s the strange feeling that Ryan Reynolds could almost be replaced by just about anybody. He’s not bad. He’s just… there.

Considering how naturally Reynolds fits into buddy comedies, you would think this would be tailor-made for him. But the movie never quite gives him enough material to bring his usual gravitas or comedic energy. Instead, he’s mostly along for the ride.

Oddly enough, the whole thing reminded me of BEHIND ENEMY LINES, except somebody decided to make this movie more of a buddy comedy and turn down the action just a little.

maybe that’s why I didn’t hate it.

It’s familiar, but it’s not completely lifeless. It’s basic, but it occasionally has some spirit. It doesn’t offer much you haven’t seen before, but it at least tries to put a slightly different spin on a very familiar formula.

It’s perfectly watchable, occasionally fun, and elevated by a couple of performances that are more entertaining than the material itself. But once the credits roll, I’m not sure there’s much left to say other than, “Yep. That was a movie.”

Not bad. Not great. Just ok 

Grade: C

THE HITMAN’S WIFE’S BODYGUARD (2021)

 Directed By: Patrick Hughes 
Written By: Brandon Murphy & Phillip Murphy 
Based On Characters Created By & Story By: Tom O’Connor 
Cinematography: Terry Stacey 
Editor: Jack Hutchings & Michael J. Duthie

Cast: Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Frank Grillo, Antonio Banderas, Tom Hopper, Caroline Goodall, Richard E. Grant, Morgan Freeman, Alice McMillan 

The bodyguard, Michael Bryce, continues his friendship with assassin, Darius Kincaid, as they try to save Darius’ wife Sonia


This is a movie that seems rushed to make money off the surprise hit of the first film and this time offers more Salma Hayek that the first film. Where she was a memorable supporting character.

This film offers a lot more of her including in her low-cut outfits and even a sex scene that is more comedic than sexy. Though the film gives her a chance to shine. 

The film is more aimed at being a comedy with action in it rather than the other way around and as hilarious as the film is you never take it seriously and just try to have fun. As much as the cast seems to be having.

This film offers up recognizable cast members new to the franchise in surprising supporting roles. Though luckily it seems as soon as they wear out their welcome they either disappear or are dispatched. 

They try to sideline Ryan Reynolds a little. as once again his character is going through confidence problems and here he has decided to not be violent throughout. He is involved in the action sequences. As more the straight man who keeps getting punished violently while all around him kill and fight. Which might be to make room for Salma Hayek to have more to do and be part of the action. He for the most part is abused throughout 

What works for these films is that while they are silly and quite stupid. They stay entertaining and are never boring and come off as guilty pleasures more than anything else. Especially by the end which is just ridiculous.

These films feel like the CRANK movies only not as over the top, campy or low brow. They are dirty And they all feel like they have the energy of an energized bunny or play out like violent love action cartoons more than anything anyone can really identify with. 

Grade: C+

6 UNDERGROUND (2019)

6-underground

Directed By: Michael Bay
Written By: Paul Wernick & Rhett Reese
Cinematography: Bojan Bazelli
Editor: Roger Barton, William Goldenberg & Calvin Wimmer 


Cast: Ryan Reynolds, Melanie Laurent, Corey Hawkins, Manuel Garcia-Ruflo, Ben Hardy, Adria Arjona, Dave Franco, Lior Raz, Payman Maadi, Ron Funches 



What’s the best part of being dead? It’s the freedom. The freedom to fight the evil which lurks in our world. 6 Underground’s group of unnamed individuals have chosen to change the future. The team’s brought together by enigmatic leader code-named ‘One’, whose sole mission is to ensure that, he and his fellow teammates will have their actions remembered.


This is a film that is so huge and ridiculously over the top and overblown that it feels like a film that would have been an action classic in the 1980’s or 90’s. As you can see all of the $150 million dollar budget on the screen with an international mostly european flavor.

The problem is that the film is much more interested in the action sequences more than anything else. As it is a michael bay film they are photographed beautifully and come off as amazing to look at. Though overwhelmingly violent and gory. Which the director seems to take great joy in and trying to make some of it funny. Which doesn’t exactly work, Especially when your film is so hamfisted making everything feel intense when it doesn’t need to be that at many times you find yourself worn outnumber.

Even the sex scenes which don’t exactly feel necessary one is more romantic and the other whole setting up a romantic side story involves characters who want sexy more than romance so nothing romantic in the scene at all more ogling of bodies.

While this film has a genuine star in Ryan Reynolds who is there for the action but only participated in half of it. Since the film is more about a team they share their moments to shine some more than others and in the case of Adria Ajola barely any action. As the other actors shine.

It is through Mr. Reynolds and the rest of the cast that the movie More shines and you care more then you probably should. As Reynolds plays his usual cocky and sarcastic hero type here more of a leader.

The film seems to take certain joys upping the danger and adventure. As each new action sequence involves an even more dangerous amount of dizzying stunts. So much so that this film feels like XXX where as it is more of a stunt man’s movie that makes the actors look badass. As well as making the gratuitous violence almost pornographic. Though luckily the film doesn’t feel that technical. Though it certainly want to take the audience on a wild ride.

There is so much action no one could ever accuse the film of stopping or even being boring as the 20 minute opening car chase alone involves everything but the kitchen sink. Yet feels like the type of scene that would end most films and is one of the more impressive action sequences of the film even more exciting then the finale.

This film feels like a throwback to the men on a mission film. Where they form A platonic love for one another even if they don’t necessarily like one another. Also with the constantly shifting foreign locale and majorly foreign cast also makes it feel like this film could have been written by Luc Besson for one of his cross cultural action films. Though even those films have a clear lead and are basically star vehicles for whoever that is. Here it is much more of a team effort no matter who is top billed.

So by the end we get more of the same with a plot that seems stitched together just so Director Michael bay can show off his designer action shots and attempts of humor by adding a funny self satisfied leading man. Though after awhile no matter how it is dressed up it becomes monotonous. As if you already started with a spectacular action sequence throughout the film tried to top itself. So that it soon becomes the norm and nothing is as exciting. Especially if we know you can do it as we Just Watched you do it before, Making this film more a dumb, fun guilty pleasure under the guise of a more action oriented espionage caper film.

Grade: C+

THE CHANGE-UP (2011)

changeup

Directed By: David Dobkin
Written By: Jon Lucas & Scott Moore
Cinematography: Eric Edwards
Editor: Lee Haxall & Greg Hayden 


Cast: Ryan Reynolds, Jason Bateman, Leslie Mann, Olivia Wilde, Craig Bierko, Alan Arkin, Gregory Itzen, Mircea Monroe, Fred Stoller 


Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.

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MISSISSIPPI GRIND (2015)

mississippi

Written & Directed By: Ryan Fleck & Anna Boden
Cinematography By: Andrij Parekh 


Cast: Ryan Reynolds, Ben Mendelsohn, Sienna Miller, Analeigh Tipton, Alfre Woodard, James Toback, Robin Weigert, Indigo, Yvonne Landry, Jane McNeill

Down on his luck and facing financial hardship, GERRY teams up with a younger charismatic poker player named CURTIS in an attempt to change his luck. The two set off on a road trip through the South with visions of winning back what has been lost.

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ADVENTURELAND (2009)

adventureland

Written & Directed By: Greg Mottola
Cinematography By: Terry Stacey
Editor: Anne McCabe
Original Music By: Yo La Tengo 


Cast: Jesse Eisenberg, Kristen Stewart, Ryan Reynolds, Martin Starr, Bill Hader, Kristin Wiig, Margarita Levieva, Wendie Malick, Matt Bush, Michael Zegen, Kevin Breznahan, Josh Pais, Eric Schaeffer

In 1987, James Brennan’s dreams of a summer European tour before studying at an Ivy League school in New York City are ruined after his parents have a severe career setback. As a result, James must get a summer job to cover his upcoming expenses at the decrepit local amusement park, Adventureland, where he falls in love with a witty co-worker, Emily Lewin. In that bizarrely shady workplace, the young carnies have unforgettable and painful learning experiences about life, love and trust while James discovers what he truly values.

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THE HITMAN’S BODYGUARD (2017)

hitmans

Directed By: Patrick Hughes
Written By: Tom O’Connor
Cinematography By: Jules O’Loughlin
Editor: Jake Roberts 


Cast: Samuel L. Jackson, Ryan Reynolds, Salma Hayek, Gary Oldman, Elodie Yung, Joaquim De Almeida Richard E. Grant 


With his reputation in tatters after a painfully unsuccessful delivery of a distinguished Japanese client, former triple-A executive protection agent, Michael Bryce, two long years after the disgraceful incident, is now reduced to a mere second-class bodyguard for hire. Under those circumstances, Bryce would do anything to prove his worth once again, and as a result, it won’t be long before he accepts an offer from Interpol to escort the renowned international assassin Darius Kincaid from Manchester to the Hague. The task seems simple: Bryce only needs to transport the contract killer from point A to point B, nevertheless, Kincaid, as the only one with the guts and enough hard evidence to testify against a tyrannical Belarusian dictator, is an obvious target, while the trip to the Netherlands is long and hazardous. Without a doubt, this a race against the clock as the mismatched duo will have to put aside their grudges, in a non-stop concerto for bullets.

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DEADPOOL 2 (2018)

deadpool-starts-assembling-his-new-team-in-deadpool-2-with-a-boop

Director: David Leitch
Written By: Rhett Rhesse & Paul Werneck, Ryan Reynolds
Cinematography: Jonathan Sela
Editor: Craig Alpert, Michael McCusker, Elisabet Ronaldsdottir & Dick Westervelt 

Music By: Tyler Bates 


Cast: Ryan Reynolds, Josh Brolin, Zazie Beetz, Julian Dennison, Morena Baccarin, T.J. Miller, Leslie Uggams, Briana Hildebrand, Eddie Marsan, Rob Delaney, Terry Crews, Bill Skarsgard, Alan Tudyk 


After losing the love of his life, 4th wall-breaking mercenary Wade Wilson aka Deadpool must protect Russel must assemble a team of mutants and protect Russel from Cable, a no-nonsense, dangerous cyborg from the future and Deadpool must learn the most important lesson of all, to be part of a family again.

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DEADPOOL 2 (2018)

deadpool-starts-assembling-his-new-team-in-deadpool-2-with-a-boop.png

Director: David Leitch
Written By: Rhett Rhesse & Paul Werneck, Ryan Reynolds
Cinematography: Jonathan Sela
Editor: Craig Alpert, Michael McCusker, Elisabet Ronaldsdottir & Dick Westervelt
Music By: Tyler Bates 


Cast: Ryan Reynolds, Zazi Beetz, Julian Dennison, Morena Baccarin, T.J. Miller, Leslie Uggams, Briana Hildebrand, Eddie Marsan, Rob Delaney, Terry Crews, Bill Skarsgard, Alan Tudyk 


After losing the love of his life, 4th wall-breaking mercenary Wade Wilson aka Deadpool must protect Russel must assemble a team of mutants and protect Russel from Cable, a no-nonsense, dangerous cyborg from the future and Deadpool must learn the most important lesson of all, to be part of a family again.

Continue reading “DEADPOOL 2 (2018)” →