CANDY CANE LANE (2023)

Directed By; Reginald Hudlin

Written By: Kelly Younger 

Cinematography: Newton Thomas Sigel

Editor: Kenny G. Krauss and Jim May

Cast: Eddie Murphy, Jillian Bell, Tracee Ellis Ross, Nick Offerman, Genneya Walton, Thaddeus J. Mixson, Ken Marino, Timothy Simons, Riki Lindhome, Trevante Rhodes, David Alan Grier, Robin Thede, Chris Redd, Danielle Pinnock, D.C. Young Fly, Catherine Dent, Stephen Tobolowsky, Penatonix, Anjelah Johnson-Reyes, Lombardo Boyer

A man is determined to win the neighborhood’s annual Christmas decorating contest. He makes a pact with an elf to help him win–and the elf casts a spell that brings the 12 days of Christmas to life, which brings unexpected chaos to town.


The film has a lot of goodwill, but it also has a bunch of familiar tropes. They are dressed up and try to feel fresh and for the most part, fit the season and set-up. 

The film tries to stay inventive but then falters under the weight of its own predictability and plays it way too safe and familiar.

The film isn’t necessarily good but it’s entertaining and keeps you invested. Even though star Eddie Murphy goes through the motions. He even has his moments to flex an original comedic lie here and there. Unfortunately for the most part it also feels like he is playing a role any actor or star could have played easily. That is how bland it is written. Though as always it is always in his strengths when his character is under pressure and his reactions can be priceless, Just not here

It does bring the audience back to when he was making more family films for better or worse. Though when they were just passing.

What works within this film is the spirit and the fact that his family in the film all get a chance to shine and be the hero throughout and come together when needed. Reminding the audience of the importance and need of family and enforcing the holiday spirit.

Though those looking for laughs might be hard-pressed to find any genuine comedy throughout.

Directed by Reginald Hudlin, it leaves you expecting more. Even though it does have a great production design. The less said of Santa Claus. Huggy bear ,velvet suit the better.

In the end, it’s a film that fits the holidays but isn’t the triumph you are hoping for when it comes to an Eddie Murphy film. 

Grade: C

MISS CONGENIALITY 2: ARMED & FABULOUS (2005)

Directed By: John Pasquin
Written By: Marc Lawrence 
Based on Characters Created by: Marc Lawrence, Katie Ford & Caryn Lucas 
Cinematography: Peter Menzies Jr. 
Editor: Garth Craven 

Cast: Sandra Bullock, Regina King, Enrique Murciano, William Shatner, Ernie Hudson, Heather Burns, Diedrich Bader, Treat Williams, Abraham Benrubi, Nick Offerman, Eileen Brennan, Octavia Spencer, Elisabeth Rohm, Stephen Tobolowsky, Leslie Grossman, Eve Gordon, Affion Crockett, Adam LeFevre 

F.B.I. Agent Gracie Hart is assigned to promote the F.B.I., touring with the brutal Agent Sam Fuller as her bodyguard. While traveling around the country, her friend and the Miss United States Cheryl Frasier is kidnapped along with Stan Fields, and Gracie decides to investigate the abduction in Las Vegas on her own, and against the direct orders of local F.B.I. Assistant Director Walter Collins. 


After the surprise success and enjoyment of the first film. Most I can imagine would think this would naturally be pleasing? No

First of all the series gets rid of Benjamin Bratt’s character and all hope of a love interest with him. So that this film can focus on more two mismatched partners working together. While taking matters differently. So in other words this becomes more of a buddy comedy with the audience having a history with at least one of the partners.

In the first film, it seems there was more room for side characters to make their mark. As they seemed to have something to do and were allowed to be as funny as the lead. Instead of just feeling like suspects and a plot device.

Sandra Bullock’s performance here seems more indebted to vaudeville. As she is more at the center of things but also seems more silly and wants to dress up in silly disguises.

Regina king is really the only one who has a chance to come through with her head held high. In making this a buddy comedy, just a more female-centered one that feels more predictable than the first film but also more stilted and outdated even for the time period in which it was made.

The film doesn’t feel as fun or silly as Ms. Bullock’s performance and the fun she seems to be having. Even as the situations and script get sillier. As do William Shatner and the usually hilarious Heather Burns in their roles.

As usual when a formulaic film is likable and comes as a surprise enjoyable hit. The sequel tries to replicate the formula all wrong. As it seems to be focusing on the wrong chemistry and elements. Leaving the product lacking in flavor that the first one brought that made audiences enjoy it in the first place.

It’s a shame as Regina king is a good and enjoyable actress, especially with the right material. But this is the second sequel where she plays a tough-as-nails thankless buddy in a buddy comedy that is bad (LEGALLY BLONDE 2 Is the other) she deserves better.

One can guess most of us expected the same from Sandra Bullock as she seems such a likable screen presence and films she stars in are usually enjoyable and passable but her me while she seems to be having fun. Watching this feels like the equivalent of homework

Grade: C-

DANNY COLLINS (2015)

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Written & Directed By: Dan Fogelman 

Cinematography: Steve Yedlin 

Editor: Julie Monroe 

Cast: Al Pacino, Annette Bening, Christopher Plummer, Bobby Cannavale, Jennifer Garner, Nick Offerman, Melissa Benoist, Josh Peck, Katarina Cas, Giselle Eisenberg, Brian Thomas Smith, Scott Lawrence 


Inspired by a true story, Al Pacino stars as aging 1970s rocker Danny Collins, who can’t give up his hard-living ways. But when his manager uncovers a 40 year-old undelivered letter written to him by John Lennon, he decides to change course and embarks on a heartfelt journey to rediscover his family, find true love and begin a second act.


Inspired by the story of singer Steve Tilston, who learned of the existence of a letter that John Lennon had written to him 34 years after the letter was written.

The film is a feel good film that feels a little like a fantasy but is a heart warmer and feels lived in. Will admit this is an easy film to overlook. as once you see the trailer you feel like you have it all figured out. Though once you watch it you are shocked at how much it grabs a hold of you and moves you.

Al Pacino shines in his role her where he gives a heaviness to a role that could be easily written off as lightweight. He gives it his all and makes a charismatic sympathetic character who could have been more comedic. Though the fact that he isn’t makes us pay attention and wonder.

The previews for this film focused more on the romantic angle between him and Annette Bening’s Character but as the film progresses that is only one part of this character study. As most of the drama revolves around him and his estranged son’s relationship.

There are plenty of isn’t that convenient moments but in the end the film leaves you with a smile on your face. As it is a film that could be a family film Except that is some scenes it goes out of it’s Way to show you the material is more adult with drug use and a scene of nudity.

The film lightly explores being afraid of challenging yourself and taking the easy way out. While also asking not o hard if you have built up a reputation for making others happy but it doesn’t make you happy anymore. Do you still owe the people what they want or are you allowed to let yourself be happy and express yourself even if it’s it in a way that others are used to or might not even approve of and try to deny.

Christopher Plummer is good as always and it’s fun to see him play more of a tough guy.

For such a noted cast this is actually kind of lightweight material. Though for the most part they are the true reason to watch this. As they give the material the respect even though they are above it to a certain aspect.

Though in the end this is feel good entertainment with a little bit of an edge and basically gives the cast an easy walk with letting them play characters who are more lived in and having the younger cast members play smaller roles that are more like sketches of characters.

It also asks how much do you owe your audience as they are the ones who supported you and admire you, but ho much do you owe them when you want to express yourself more truthfully and honestly though that stands at odds with what your audience wants or will even let you do. Who is more in control especially when you have given them years and been made rich off of it but aren’t being true to yourself.

Grade: C+

THE LITTLE HOURS (2017)

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Written & Directed By: Jeff Baena
Cinematography By: Quyen Tran
Editor: Ryan Brown 


Cast: Dave Franco, Aubrey Plaza, Alison Brie, Kate Micucci, Nick Offerman, Jemima Kirke, Molly Shannon, John C. Reilly, Paul Reiser, Fred Armisen, Paul Weitz, Lauren Weedman 


On the run from the battle-seasoned Lord Bruno for sleeping with his wife, the handsome and willing servant, Massetto, flees to the safety of the woods during the warm and peaceful summer of 1347. There, after a chance encounter with the always boozy but merciful Father Tommasso, the young charmer will find refuge into his convent’s sanctuary, on one condition: to pretend he is a deaf-mute. However, Massetto’s tempting presence will unavoidably upset the already frail balance of things within the sexually-repressed female realm, as nun after nun desperately seeks an escape from their tedious way of life and an extra reason to molest the charming handyman. In the end, will those cloistered Sisters finally find out what they had been missing out on all these years?

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DATE AND SWITCH (2014)

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Directed By: Chris Nelson
Written By: Alan Yang
Cinematography: David Robert James
Editor: Akkiko Iwakawa-Grieve & Tia Nolan

Cast: Nicholas Braun, Hunter Cope, Zach Cregger, Dakota Johnson, Ray Santiago, Megan Mullally, Nick Offerman, Larry Wilmore, Gary Cole, Sarah Hyland, Dustin Ybarra, Rob Huebel, Aziz Ansari, Wendi McLendon-Covey, Brian Geraghaty

High school seniors Michael and Matty make a pact to help each other lose their virginity before their high school prom. Their plan hits a snag when Matty tells his best friend that he’s gay. Michael’s supportive but awkward attempts to help Matty fit in put a strain on their decade-long friendship. Their friendship is further tested when Michael falls for Matty’s former girlfriend and Matty falls for a guy whom Michael wouldn’t approve of. Prom looms and Michael and Matty have to repair their friendship and then figure out their love lives.

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BAD TIMES AT THE EL ROYALE (2018)

badtimes

Written & Directed By: Drew Goddard
Cinematography By: Seamus McGarvey
Editor: Lisa Lassek 


Cast: Jon Hamm, Dakota Johnson, Jeff Bridges, Cynthia Erivo, Chris Hemsworth, Nick Offerman, Jim O’Heir, Lewis Pullman, Xavier Dolan, Shea Whigham 


Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors – before everything goes to hell.

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