PRESENCE (2025)

Directed By: Steven Soderbergh 

Written By: David Koepp

Cinematography: Peter Andrews

Editor: Mary Ann Bernard

Cast: Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mullholland, Julia Fox, Lucas Papaelias, Natalie Woolams-Torres 

Longing for a fresh start, the Payne family jumps at the chance to purchase a 100-year-old suburban dwelling to recover from a traumatic experience. But houses, just like people, can get ill. As subtle disturbances gradually expose its sinister supernatural malady, the unseen intruder floats effortlessly through corridors and rooms to watch the tenants’ every move. After all, the quiet entity was here first; good luck forcing it out. With their security and sanity hanging in the balance, what will it take for the Paynes to rid the house of the Presence?

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When it comes to Stephen Soderbergh‘s movies technically they are tight and they come out very often so you’re never left wanting for the new or the next one and while for the most part they play conventional they are usually experiments of themselves cinematic ones which is sometimes what makes them feel a little more removed from reality or from a conventional cinematic standpoint. As he usually is one man band as a director, director of photography and editor, seemingly having an in-house Screenwriter as he tends to collaborate with noted Screenwriter David Koepp recently constantly. 

With this film, he uses more his technical style to the achievement for the film, which is very few cuts as most of the film is long takes uninterrupted with the camera constantly flowing and giving him a chance in a reason to use wide angle shots, whereas the film is supposed to be a ghost story And we see everything transpired more from the point of view.

It allows us to step in the viewer as the spirit kind of invading the space of these characters and leaving us to more be voyeurs in their world and lives as we see snapshots of them 

Though one can understand why an audience might dislike this film as there is a storing a plot, but you’re not aware that they’re supposed to be one as at first you’re thinking or going with the flow and believing this to be more of a cinematic experience experiment and then slowly a plot comes interview at first it seems just like Random facts or that this is going to be a film more about a haunting or a haunted house, but as it goes along, everything begins to come together as secrets are revealed in a revelation is made. The film is unpredictable 

There are clues early on, but you believe them to be random though later on in the film and on subsequent viewings and start to notice them more as they were laid out, even if one storyline which becomes a major one seems a little ridiculous. It works within the cinematic landscape 

As at first, it seems like we’re more gonna get a domestic family drama rather than a true haunted house film and this film doesn’t truly have any scares, but there is tension Phil throughout if you really pay attention and get into it so this isn’t your typical haunted house film Sometimes that genre or premise is so wide open there many things you can do with it and this film takes that opportunity to do so

There’s really nothing wrong with the film. It just feels very sterile. You had accomplished by the end. You don’t truly feel anything. Luckily it sure and it is a marvel at times if you’re really into filmmaking, but maybe as like it goes it stays so cold that you wonder by the end, what was that or was it worth it? 

I believe so, though also to a certain extent, it feels like typical Soderbergh isn’t a bad thing as after a while you do come to care about the characters and one of them who you can’t really stand an about face towards the end that is believable.

Grade: B-

WATCHING THE DETECTIVES (2007)

Written & Directed By: Paul Soter 
Cinematography By: Christophe Lazenberg 
Editor: Jeff Canavan 
Music By: Nathan Barr 


Cast: Cillian Murphy, Lucy Liu, Jason Sudeikis, Heather Burns, Ali Reza, Steve Lemme, Erik Stolhanske, Brett Gelman, Callie Thorne, Josh Pais, Lonny Ross, Paul Scheer, Josh Gad


Neil, a self-proclaimed film geek, and owner of Gumshoe video, has always been content to live vicariously through his favorite film noir. But when he meets Violet, a real-life femme fatale, his mundane world gets turned upside down and the line between reality and the movies quickly begins to blur. Will Neil step up and embrace a life full of adventure or retreat back to his comfortable couch?

The title of the film is taken from a 1977 Elvis Costello song, from the album “My Aim Is True”. An offbeat romantic comedy with Cillian Murphy whose character runs a video store. When one day Lucy Liu comes to rent some films. Through a matter of cons. She gets him To take her out to dinner, throughout the rest of the film they date and get to know each other. The only problem is, she is always coming up with elaborate situations and stories to test his reactions. Soon he can’t tell what is real and what’s make-believe. This is an interesting concept pulled off somewhat successfully.

I like this movie and I could have given it a better grade. The premise is unpredictable ad constantly keeps you on your toes, but it comes off for some reason rather bland

It just feels like it never truly comes alive as much as it could. Especially with so many recognizable names cast. If it had been made more with lesser-known actors it would be excusable and charming, but watching it you have a constant feeling that everyone knows better.

The movie ends up feeling like it never reaches its full potential. Not because of its low budget but maybe. Like ALLY MCBEAL some things seemed quirky for no other reason than just to be quirky. Also, some scenes just seem to lay there limp, but for a movie that’s so quirky the supporting characters could have been a bit more interesting. Or at least better dialogue. I liked them but there really seemed to be no reason for them or they didn’t feel like complete characters. They could have been extras who showed up that day and got lucky.

The film is an offbeat romantic comedy. It’s like a subdued screwball comedy. Situated in the real world.

Cillian Murphy is a good actor but I don’t know if the role was underwritten or he worked with what he had or was internationally trying to underplay his character to be more subtle, but he seems iffy miscast. Lost when not having any motivations or maybe an actorly distraction. His character needed to be a little more broad.

Lucy Liu though is a doll not totally a manic pixie dream girl, but a bored dream girl looking for an adventure and doubling as a femme-fatale for a mystery she is creating. I’m happy to see her change up her roles. Playing more softer, nice, happy characters. Instead of the ice queens, she usually has played to perfection In the past. I really like her as an actress and feel she deserves more work.

I know it sounds like I’m bad-mouthing the film but I liked it. It’s probably more me. I just expected more from it.

The film’s director Paul Soter is a member of the comedic improv group Broken Lizard who made the films SUPER TROOPERS, CLUB DREAD, BEERFEST,  and THE SLAMMIN SALMON. So we know he knows comedy as being funny on fact 2 other members Steve Lemme and Erik Stolhanske of the troupe make cameos. His direction is subtle, but needs to be a bit more colorful and pick up the pace, it’s a good movie definitely one you should check out

Grade: C+

DETACHMENT (2012)


Directed & Cinematography By: Tony Kaye
Written By: Carl Lund
Editor: Michelle Botticelli, Barry Alexander Brown & Geoffrey Richman

 Cast: Adrien Brody, James Caan, Christina Hendricks, Sammi Gayle, Tim Blake Nelson, Bryan Cranston, William Peterson, Betty Kaye, Lucy Liu, Marcia Gay Harden, Blythe Danner, Isiah Whitlock Jr., Josh Pais, Doug E. Doug,

Detachment is a chronicle of three weeks in the lives of several high school teachers, administrators, and students through the eyes of a substitute teacher named Henry Barthes. Henry roams from school to school, imparting modes of knowledge, but never staying long enough to form any semblance of sentient attachment. A perfect profession for one seeking to hide out in the open. One day Henry arrives at his next assignment. Upon his entry into this particular school, a secret world of emotion is awakened within him by three women. A girl named Meredith is in his first period. A fellow teacher Ms. Madison, and a street hooker named Erica, whom Henry has personally granted brief shelter from the streets. Each one of these women, like Henry, is in a life and death struggle to find beauty in a seemingly vicious and loveless world.

 The film-like its main character shows us the problems. Makes us aware of the problems, but also offers no answers. So not only is it bleak but also nihilistic. While it is heavily philosophical at times and becomes cerebral. It also at times becomes a bit too much.

The storyline of him taking in a girl off the street is understandable as he seems to try to prove to himself he is a good person and help someone he sees as innocent while one of his students sends out warning signs of trouble yet he is blind to it. It also shows a way to make up for things in his past. I also believe it is a way for him to communicate with someone as lonely as he is. In one scene he even witnesses a teacher clearly with mental problems, yet does nothing about it.

 The film shows the hardships not only he but most teachers and administrators have to go through not only from students but also parents and the state. They seem to be battling in a losing war that they are not supplied to handle. Where the only hope is that you can grab one kid, one mind, and teach them something then you have succeeded. You have kids who don’t care. Parents who look to you to babysit and raise their children have no funds for anything.

 Tony Kaye Makes another powerful hard-hitting film that while a little too indulgent at times makes you think and delivers a message. Despite his past troubles, his talent as a director is undeniable. He gets solid performances from the supporting cast who don’t have much to work with as far as characters but you feel the world-weariness.

James Caan’s character is full of spirit and funny yet has the feeling of hitting a brick wall way too many times. Kaye even casts his daughter in a key role and she is effective as is Sammi Gayle as a teen prostitute staying with Brody’s character. Tony Kaye also gets a boost from getting a natural and powerful performance from his lead Adrien Brody who hasn’t been this good in years, His performance is full and realized. He is soulful and complicated but comes through as solid. IT’s also his first leading role in quite some time.

 The storyline of taking the girl off the street is far-fetched. In a real-life way, but works for the film. Marcia Gay Harden’s breakdown feels a bit over the top and far-reaching. The film feels important if only hopefully as a time capsule. More to look back upon as how bad a problem the school system was. More of a social problem film, than a dramatic one. As at times, we get to know the teacher’s home life some of whose is just as bad as the school system is but they are quickly jettisoned and forgotten for the rest of the film. ‘
The film provides dramatic characters and situations but is more concerned with the dilemma of these characters. Though it also is more focused on Adrien Brody’s character and problems.

 I warn you this is not a happy film. It is very sad and depressing. It is worth watching for filmmaking and the performances. The film is definitely Worth Watching. An Addition to the film library you can come back and look from time to time. 
 GRADE: B

THE MAN WITH THE IRON FISTS (2012)

themanwithiron

 

Directed & Story By: Rza
Written By: Rza & Eli Roth
Cinematography By: Chi Ying Chan
Editor: Joe D’Augustine 


Cast: Russell Crowe, Rza, Lucy Liu, Jamie Chung, Rick Yune, Dave Bautista, Byron Mann, Zhu Zhu, Pam Grier

On the hunt for a fabled treasure of gold, a band of warriors, assassins, and a rogue British soldier descend upon a village in feudal China, where a humble blacksmith looks to defend himself and his fellow villagers.

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