THE NAKED GUN (2025)

Directed By: Akiva Schaffer 

Written By: Akiva Schaffer, Dan Gregor and Doug Mand 

Cinematography: Brandon Trost 

Editor: Brian Scott Olds 

Cast: Liam Neeson, Pamela Anderson, Paul Walter Hauser, CCH Pounder, Danny Huston, Kevin Durand, Busta Rhymes, Liza Koshy, Cody Rhodes. Eddie Yu 

Following in his father’s footsteps, a detective works to solve a murder case and save his police department from closure.


This film comes off as no harm, no foul as it’s a remake but more in spirit and paying homage to the original naked gun and thus police squad movies. There’s nothing wrong with the film though of course it’s going to be more modern. It kind of loses itself as it feels like the character is more random.

Whereas in the original film, Frank Draben is the hero and kind of silly and very stupid, but it gets the job done. Seems to know what he’s doing enough in that universe that he’s a police detective in and feels like more of a full character with a steady history.

Here sometimes it just feels like they throw a lot of stuff at the wall to see what sticks, especially in characters where their history or personalities will change on a dime. So that even though this is a comedy, if there isn’t anything you can really hold onto you’re just throwing in the chaos. It’s a bit more scattershot. As one of the producers is Seth Mcfarlane of FAMILY GUY. It has that kind of random humor at times. That has nothing to with the story really. Eden write it, but it has his fingerprints on it.

Which is where some of the films weaknesses lie where it doesn’t feel like joke so much it feels like those spoof movies that used to come out of every year where they would just try to take down recent trends of the year, maybe television and movies reality stars and there’s a bit of that humor here more than was in the original naked gun. You could call it in evolution of humor, but it also kind of cheapens everything.

Now, while this film has inspired, casting, whereas Liam Neeson has always flirted with comedy. This is one of his first where he goes in the full blown leading character comedy and while he’s good at it, it doesn’t feel as strange or like the stunt casting that maybe it should it’s understandable. Maybe he’s trying to follow and Leslie Nielsen‘s shoes, whereas Leslie Nielsen was a dramatic character actor for most of his career until the airplane movies and then he started slowly going into more silly or spoof in comedy and that being pretty much most of the films he played in

Again, as being so used to seeing Liam Neeson, kind of do this before it doesn’t come across as shocking as maybe it was intended to be or as different, as it was intended to be speaking of stunt, casting not that there’s anything wrong with his performance Danny Huston. it would’ve been at least a little more notable if the villain was played by an actor who we had known previously more as a friendly face or someone who usually plays nice or good guys playing that villainous type of role as at least it would’ve brought something new to the table, but again maybe this is just an evolution of this type of film and franchise

It also would’ve been nice if the descendants of Nordberg originally played by O.J. Simpson had more to do than making an obvious joke in one scene. Then we never see that character again, but that’s more of a nitpick.

Pamela Anderson, Paul, Walter Hauser CCH Pounder all do really well with their roles they do what’s required. Even though they’re more secondary players and it’s nice to see Pamela Anderson on the big screen. As it now seems like she’s getting the movie roles she should have back when her career was red hot. Instead of just becoming a celebrity or more sex symbol who sometimes acted rather than being actress who just happened to be very voluptuous and sexy

The film is fine for what it is obviously you’re not supposed to take any of this too seriously so as long as you’re just looking for a laugh, I don’t think you’re gonna find much disappointment with this film, and it stays within the tradition of the franchise and makes an attempt at a nice reboot, but it just doesn’t feel the same even though it does have scenes of hilarity that will make some laugh hard especially the snowman seen personally

Though if this is your type of humor, I don’t think you’re gonna go wrong with this film.

Grade: C+

THE A-TEAM (2010)

Directed By: Joe Carnahan
Written By: Joe Carnahan, Brian Bloom and Skip Woods
Based On The Television Series Created By: Frank Lupo & Stephen J. Cannell
Cinematography: Mauro Fiore
Editor: Jim May & Roger Barton 

Cast: Liam Neeson, Bradley Cooper, Jessica Biel, Sharito Copley, Quinton “Rampage” Jackson, Patrick Wilson, Gerald McRaney, Yul Vazquez, Brian Bloom, Henry Czerny, Terry Chan, Omari Hardwick 

A group of Iraq War veterans looks to clear their name with the U.S. Military, who suspect the four men of committing a crime for which they were framed.


I will admit I had to watch this film More than once to really Get into it. As originally it felt more typical, I will admit to disliking it upon the first view. but a few years removed You can actually notice its qualities. Due to repeated viewings, it has grown on me. 

The film is surprisingly funny at times with some really Good action sequences. Which makes the films mostly fun than anything else. Definitely a perfect summer movie.

The portrayal of B.A. Barscus was originally played by Mr. T. Who became the most popular character and the breakout star of the show. Isn’t As memorable or outrageous here played by Quentin “Rampage” Jackson. Though he works for the film and is used well. Plus this was his first acting role so he is a rookie among the professionals.

Here it shows everyone is having fun playing espionage and with all the hardware and inventions involved. Unfortunately, Jessica Biel is the only one who comes off as bland. As she is the only woman playing in the boys club. So the Script treats her as the killjoy and convenient love interest.

Patrick Wilson is memorable as the villain or at least one of them. As he is clearly Having fun. He comes off as a fan of action but is rarely involved in that type of film.

This is a film That finally at the time used Bradley Cooper’s Looks and charm in an impressive way 

The film and cast actually gel well together; the theme of honor stays a major plot point throughout and while silly the film always feels cool. Though overstuffed and comes off more comedic than pure action a lot of the times 

At the time it seemed typical of the action films coming out at the time, but being able to look back at it is a fine example of basic but being a bit above and using that basic quality to it’s advantage. 

Grade: C+

CHLOE (2009)

Directed By: Atom Egoyan 
Written By: Erica Cressida Wilson 
Based on The Original Screenplay NATHALIE By: Anne Fontaine 
Cinematography By: Paul Sarossy 
Editor: Susan Shipton 
 
Cast: Julianne Moore, Liam Neeson, Amanda Seyfried, Max Thierot, Nina Dobrev

Catherine and David, she a doctor, he a professor, are at first glance the perfect couple. Happily married with a talented teenage son, they appear to have an idyllic life. But when David misses a flight and his surprise birthday party, Catherine’s long simmering suspicions rise to the surface. Suspecting infidelity, she decides to hire an escort to seduce her husband and test his loyalty. Catherine finds herself ‘directing’ Chloe’s encounters with David, and Chloe’s end of the bargain is to report back, the descriptions becoming increasingly graphic as the meetings multiply.


An emotional thriller, That comes off more like melodrama. The film is supposed to be erotic at times but always felt cold to the touch. All the time there never seems to be any passion or warmth between family and marriages, Not even in the love scenes. This is a constant problem. Not only in this film but a consistent one when it comes to the films of Atom Egoyan that I have seen.

He definitely has talent as a director. Though this is not the right project for him. He still in my opinion hasn’t found the right project to explore it. Not since EXOTICA at least. Even when it comes to his other films THE SWEET HEREAFTER. It’s more the story and material that I am impressed with than the direction. Julianne Moore gives a good tightly wound performance, It really is her movie.

The film after a certain point gets more and more ridiculous and becomes less an arty drama than another genre exercise altogether. Though the film does have a certain style. As well as a overwrought colorful palette of white in the backgrounds. Surprisingly this film was produced by Ivan Reitman. 

I know this is a remake of a French film. For some odd reason, this film gets lost in translation as the film has the right looks and visuals, but feels wrong or that is all flying on all the wrong cylinders. The home life of the central family of characters feels too liberal and too distant. The film falls apart since it is ill-fitting. While the story feels plausible and believable. The scene where it’s all explained just sounds ridiculous. Strangely it feels more like a chick flick. Then anything else with a little eroticism thrown in. 

The eroticism hangs like a cloud through the whole film though there is sensuality in parts yet lacks sex and skin on display. I think your enjoyment of the film will be measured by your attraction to Amanda Seyfried. 

Amanda Seyfried is sexy and a good enough actress, but it feels more like she is playing dress-up. She plays what she thinks is sexy or at least what she thinks sexy is. Without really knowing what is actually sexy, Erotic, or sensual.  The ending feels too theatrical. 

 Screenwriter Erica Cressida Wilson seems to usually write the screenplays for these types of films. Sexually Explicit but emotionally restricted characters bubbling under the surface with passion. She writes usually complex female character dramas with Projects like FUR and SECRETARY.  

Wait for Cable.   

GRADE: C-

COLD PURSUIT (2019)

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Directed By: Hans Petter Moland
Written By: Frank Baldwin
Based On The Film KRAFTIDIOTEN Screenplay By: Kim Fupz Aakeson
Cinematography: Philip Ogaard
Editor: Nicolaj Monberg 


Cast: Liam Neeson, Laura Dern, William Forsythe, Tom Bateman, Emmy Rossum, Domenick Lombardozzi, John Doman, Michael Eklund, Julia Jones, Elizabeth Thai 


A grieving snowplow driver seeks out revenge against the drug dealers who killed his son. Based on the 2014 Norwegian film ‘In Order of Disappearance’.

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THE COMMUTER (2018)

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Directed By: Jaume Collet-Serra
Written By: Ryan Engle, Byron Willinger & Philip De Blasi
Story By: Byron Willinger & Philip De Blasi
Cinematography: Paul Cameron
Editor: Nicholas De Toth 

Cast: Liam Neeson, Sam Neill, Patrick Wilson, Vera Farmiga, Elizabeth McGovern, Jonathan Banks, Florence Pugh, Carla Lago, Damson Idris, Letitia Wright 


Now a hard-working life insurance salesman and a caring family man, the former police officer, Michael MacCauley, has taken the commuter rail to New York for the past ten years. But, unexpectedly, things will take a turn for the worse, when on one of his daily journeys, the cryptic passenger, Joanna, makes Michael a generous and tempting offer to locate a single commuter or face grave consequences. Is this a sick joke, or is this indeed a serious situation? As Michael races against the clock to solve this wicked conundrum, everyone aboard is a suspect, in a deal where there’s definitely more than meets the eye. Can he decide in time who’s the one?

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WIDOWS (2018)

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Directed By: Steve McQueen
Written By: Gillian Flynn & Steve McQueen
Based On “Widows” By: Lynda La Plante
Cinematography By: Sean Bobbitt
Editor: Joe Walker 

Cast: Viola Davis, Colin Farrell, Robert Duvall, Brian Tyree Henry, Daniel Kaluuya, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Liam Neeson, Lukas Haas, Jon Bernthal, Carrie Coon, Jacki Weaver, Ann Mitchell, Garret Dillahunt, Kevin J O’Connor 


 “Widows” is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica, Alice, Linda and Belle take their fate into their own hands and conspire to forge a future on their own terms.


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