THE TRIAL OF THE CHICAGO 7 (2020)

Written & Directed By: Aaron Sorkin 
Cinematography: Phedon Papamichael 
Editor: Alan Baumgarten

Cast: Eddie Redmayne, Sacha Baron Cohen, Jeremy Strong, Alex Sharp, John Carroll Lynch, Yahya Abdul-Manteen II, Mark Rylance, Joseph Gordon Levitt, Ben Shenkman, Frank Langella, Michael Keaton, Kelvin Harrison Jr., Caitlin Fitzgerald 

What was intended to be a peaceful protest at the 1968 Democratic National Convention turned into a violent clash with police and the National Guard. The organizers of the protest–including Abbie Hoffman, Jerry Rubin, Tom Hayden, and Bobby Seale–were charged with conspiracy to incite a riot. The trial that followed was one of the most notorious in history.


This is a film that comes with a certain pedigree so that no matter what happens it constantly comes off with a certain pedigree.
It’s Certainly an eye-opening history lesson and recreation. That does feel like it was a film always planned as a live-action version of an animated documentary that tells the same tale. Only here the film filled with recognizable actors came in a vital time of the United States being in a personal political uproar. That not exactly was a repeat of the times that the film depicts but in a similar situation. Proving that history has a way of repeating itself. 

This film seemed to want to send a message of hope, faith, and belief or democracy and the power of individuals United in belief to hope to change the system and stand up for their rights and everyone’s.

The actors are all good. Even if some come off more like they are playing virtues and beliefs (Eddie Redmayne) rather Than characters. While others seem to be going more for impersonations. Then again some characters are written more vividly than others. As like the characters’ personalities some Are more dramatic some are more comedic.

Mark Rylance, certainly stands out amongst the cast. Even if his role isn’t as showy. Even as everybody here wants and deserves a Pat on the back for what they bring to the film and their roles. Ultimately at times like the film, it feels a bit self-serving. 

The script is good, it feels like it is more meant to say something about the then-current political times while going over historical events. 

The direction by screenwriter Aaron Sorkin is fine. No big flourishes, only wish that it might have been a bit stronger visually and made more of an impression in scenes. Especially those where there are action or powerful moments. 

For a film that seems to reach for so much and paint a bigger picture, it feels restricted or smaller than expected. Which works somewhat as reminding us that this was a microcosm of the country where so much was being decided. It also achieved letting it feel more personal and intimate. Though it feels different than what we are used to with historical films feeling epic and as big as the decisions and landmark history they bring forth. 

This is a crowd-pleasing tale of constant injustices that unfortunately seem to keep happening and have to be seen to be believed. 

Even if some might say that it Is mostly liberal infighting against injustices and a corrupt system that has sought fit to target them. As political leaders. 

Even as Bobby Seale’s story is so strong and fascinating than seems cut off at a certain point and out of the rest of the film. As in love he seemed lumped in with the rest randomly. 

The film stays entertaining. A s a smooth feel-good movie. It just never feels close to blowing you away. Though it is a story that needs to be told and shared. 

Grade: B-

PROJECT POWER (2020)

Directed By: Henry Joost & Ariel Schulman

Written By: Mattson Tomlin

Cinematographer: Michael Simmonds 

Editor: Jeff McEvoy

Cast: Jamie Foxx, Joseph Gordon Levitt, Dominique Fishback, Rodrigo Santoro, Courtney B. Vance, Colson Baker, Amy Landecker, Tait Fletcher, Andrene Ward-Hammond, Kyanna Simpson 

When a pill that gives its users unpredictable superpowers for five minutes hits the streets of New Orleans, a teenage dealer and a local cop must team with an ex-soldier to take down the group responsible for its creation.


The film tries to distinguish itself from other superhero films. That tries to preach against having absolute power and also how drugs can be dangerous to you and leave you being out of control and hurting those you never planned to.

Then the movie shows that the only way to fight fire is with fire. Where the heroes aren’t junkies but need these powers to defend and defeat those who do.

While also trying to be a little more gritty and somewhat realistic over other hero tales. That tries to be a little thriller dressed up with minor fantasy elements.

The film tries to be more realistic and show the danger of too much power and how it can feel like a drug or like an addiction either way corrupting those who use it too much.

The film comes across as more conspiracy driven throughout. While also being overly stylish. It throws you off with the realism but then once the fantasy elements come in they then feel too outlandish.

Jamie Foxx doesn’t use the drug until the end when it is convenient and has this omega power that is stronger than most. 

The film set up a villain only for there to be another few more actually who are rather weak after the one we are introduced to and aren’t as engaging. They actually come off more as random.

The film feels derivative as it is obviously made mroe for a younger urban audience. It lacks a moral or lesson that most superhero films have and worse it feels by the numbers and convenient most of the time.

In the end it rubs rather basic except for it’s more rundown surroundings than I try to give the film more personality as well as attitude. Though at least it tries to have a positive ending. 

GRADE: C

10 THINGS I HATE ABOUT YOU (1999)

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Directed By: Gil Junger
Written By: Karen McCullah & Kirsten Smith
Cinematography: Mark Irwin
Editor: O. Nicolas Brown 


Cast: Heath Ledger, Joseph Gordon Levitt, Julia Stiles, Larisa Oleynik, Gabrille Union, David Krumholtz, Allison Janney, Andrew Keegan, Susan May Pratt, Daryl Mitchell, Larry Miller, David Leisure, Kyle Cease 


Adapted from William Shakespeare’s play “The Taming of the Shrew,” A pretty, popular teenager can’t go out on a date until her ill-tempered older sister does.

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DON JON (2013)

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Written & Directed By: Joseph Gordon-Levitt
Cinematography By: Thomas Kloss
Editor: Lauren Zuckerman 


Cast: Joseph Gordon-Levitt, Scarlett Johansson, Rob Brown, Julianne Moore, Tony Danza, Gleanne Headly, Brie Larson, Paul Ben-Victor, Italia Ricci, Sarah Dumont

Jon Martello objectifies everything in his life: his apartment, his car, his family, his church, and, of course, women. His buddies even call him Don Jon because of his ability to pull “10s” every weekend without fail. Yet even the finest flings don’t compare to the transcendent bliss he achieves alone in front of the computer watching pornography. Dissatisfied, he embarks on a journey to find a more gratifying sex life, but ends up learning larger lessons of life and love through relationships with two very different women

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SIN CITY: A DAME TO KILL FOR (2014)

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Directed By: Robert Rodriguez & Frank Miller 

Written By: Frank Miller (Based on Characters & Graphic Novels created By Him) Cinematography & Editing By: Robert Rodriguez 

Cast: Eva Green Jessica Alba, Jamie Chung, Dennis Haysbert, Mickey Rourke, Josh Brolin, Powers Boothe, Joseph Gordon-Levitt, Rosario Dawson, Jamie King, Christopher Lloyd, Ray Liotta, Juno Temple, Jeremy Piven, Christopher Meloni, Bruce Wills, Alexa Vega, Marton Csokas


Co-directors Robert Rodriguez and Frank Miller reunite to bring Miller’s “Sin City” graphic novels back to the screen. Weaving together two of Miller’s classic stories with new tales, the town’s most hard boiled citizens cross paths with some of its more notorious inhabitants.

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