BOY KILLS WORLD (2024)

Directed By: Moritz Mohr 

Written By: Tyler Burton Smith and Arend Remmers

Story By: Moritz Mohr and Arend Remmers 

Cinematography: Peter Matjasko 

Editor: Lucien Barnard 

Cast: Bill Skarsgard, Jessica Rothe. Yayan Ruhian, Andrew Koji, Isiah Mustafa, Famke Janssen, Brett Gelman, Sharito Copley, Michelle Dockery 

Boy, a mayhem machine with a hilarious inner voice, has been trained from childhood by his mentor to assassinate the bloodthirsty Hilda Van Der Koy and avenge his family’s murder. Guided by his little sister’s mischievous spirit, Boy uncovers one stunning revelation after another as he barrels toward Hilda, leading to a shocking, carnage-crazed finale.


Though not quite a b-movie, this film would go well on a double feature with a hobo with a shotgun. As both films have their own extremes, but both feel more like a comic book or a video game watching them,  this one is less exploited and filled with more action and violence. However, the film does create quite a crazy world and builds somewhat from there.

Even if it still always feels a little bit like a Third World country. 

Ultimately, a revenge tale in a totalitarian land far off from any reality, the film combines all types of action, hands, hand weapons, and knives, and Wiley does have plenty of comedy and adrenaline impact action that is literally balls to the wall that can become ridiculous. It’s a film where so much keeps happening, and there are so many quick cuts that you kind of get used to it and it constantly tries to up the auntie though not quite to its best  advantage

It has quite an impressive cast, and Bill Skarsgård does his all to be an action hero, who literally is mute but is voiced by the narrator of his favorite video game, who gives voice to his thoughts, even though he can’t really talk. Though he comes more as an action character here than he did in JOHN WICK 4

It also costars Andrew Koji, who is almost unrecognizable, and his role, though is quite hilarious, handles his action scenes as usual.

It has the man Yayan Ruhian from THE RAID movies and he proves as usual to be just as dangerous and badass here as he was in those films and it’s just amazing in the action sequences. Even if more in a supporting role. 

The film is inspired. I heard the soundtrack before I saw the film which hyped me up for the movie unfortunately it doesn’t quite match.

this is a movie that is more about style and feels a bit long as one can appreciate them building the story in the beginning, but it didn’t need to take that long to get to the real heart of the film and what the audience came for just a bit too long it is worth your time

The action sequences are breathtaking and quite impressive as it is the film’s bread and butter. it’s quite imaginative and very inspired.

Though this might be a case where all that you wanted, and it’s not measuring up or being as magical as you had hoped or thought it  would be

This is definitely a film for those action junkies out there who will probably love it, though others might find it a little monotonous at times as it keeps seeking to impress the target audience

Grade: C 

LA LA LAND (2016)

 

Written & Directed By: Damien Chazelle
Cinematography: Linus Sandgren
Editor: Tom Cross
Music By: Justin Hurwitz 

Cast: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt, J.K. Simmons, Finn Wittrock, Callie Hernandez, Jessica Rothe, Sonoya Mizuno, Valarie Rae Miller, Tom Everett Scott 

Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.


This is a big Hollywood epic with an indie sensibility.

The film Might be overpraised by some but doesn’t mean the film is without merits.

There haven’t been really too many musicals lately this one came along and is more the classical with having a more avant garde way of telling the story but in a more mainstream way of advancing story and having an emotional core with the songs. Instead of them being an extravaganza meant to be show stoppers and really just there to dazzle.

Though the movie can easily be written off as trying to tell It’s story in a classic mode that hasn’t been sued in a while and going. For a certain glory. This film feels like it can only be told in this way

As the film Shows a love of the genre as well as playing by the rules and adding a spin of it’s own. As it Also has a kind of successful A STAR IS BORN type story. Only without the heaviness of a tragic ending. Though it does have it’s own tragic ending of sorts.

The ending is tragic in that it offers up some hope at first before letting the wind out of the soaps of the audience. That reminds the audience of the reality vs fantasy sequence in 500 DAYS OF SUMMER. It’s beautifully and so emotional that every note feels like a moment. Though it is meant to pull on your heartstrings and have an emotional reaction yourself which makes it all the more memorable. As the characters and we Review and look back over all the decisions might they have had a chance to go another way. Not to mention a future that could have been.

An homage to musical while being one itself though owing more to European ones which they share the theme of success but tragedy choosing to show the peril Of the relationship that goes with individual success the difference between art and commerce with a kind of ending that fools us with that could have been making the wound hurt more.

Which is where it doesn’t Feel as familiar in the second half the after the happily ever after even if it involves a character who kind of appropriates culture though more to a degree but that is more subjective than anything a romance at least. Though through it all the film Wears it’s influences and even if knowing where it is going leaves surprises or at least attempts them. Which keeps the audience on it’s tied and excited as the film goes along.

This shows A love of film and a great love story that might remind many of theirs or at least a dream one they wish they had. A reminder of CinemaScope and technicolor musicals of all ages. As it is hopeful and energetic but shows struggling and settling then finding fame and success and it’s painful aftermath. That while great for the individual is not healthy for a relationship. As one might have to settle or give up their dreams and drive for the other to prosper.

A story that shows of old Hollywood and jazz, A throwback simpler classy times. There is Nothing vulgar about it. Which is becoming increasingly rare in movies these days. At least when it comes to movies that have a certain pedigree.

The Dancing is noteworthy. It not phenomenal to show the characters are human and normal. The magic you feel and how strong those emotions or how you wish they would be. The First half feels like a broadway musical almost as it gets closer to reality and more serious less and less musicals

The film Feels like a fair sided testament. The film is infectious and makes you want to watch More as it stays inventive.

The filmmakers previous films all have music or revolve around it. So that you can tell he has a passion for it and in his storytelling here it is goes hand and hand with the story. As This feels more a continuation of GUY AND MADELINE IN THE PARK his first film. WHIPLASH his next film takes place around music and passion but also seemed more dramatic, destructive and dark.

This film Almost feels like a film stitched together from your favorite parts of songs and movies the scenes you fast forward or rewind over and over to get to. Though under a different or new coat. It owes a deep debt definitely to it’s influences like YOUNG GIRLS OF ROCHEFORT and UMBRELLAS OF CHERBOURG

Grade: A-

LA LA LAND (2016)

lalaland2

Written & Directed By: Damien Chazelle
Cinematography: Linus Sandgren
Editor: Tom Cross
Music By: Justin Hurwitz 

Cast: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt, J.K. Simmons, Finn Wittrock, Callie Hernandez, Jessica Rothe, Sonoya Mizuno, Valarie Rae Miller, Tom Everett Scott 

Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

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HAPPY DEATH DAY 2U (2019)

Film Title: Happy Death Day 2UWritten & Directed By: Christopher Landon
Based on characters created by: Scott Lobdell
Cinematography: Toby Oliver
Editor: Ben Baudhuin 


Cast: Jessica Rothe, Israel Broussard, Phi Vu, Ruby Modine, Steve Zissis, Rachel Matthews, Sarah Yarkin, Suraj Sharma, Charles Aitken, Laura Clifton, Missy Yager, Jason Mayle, Rob Mello 


Having survived the farcical but utterly life-threatening events in the first film, the feisty sorority sister, Tree Gelbman, finds herself in the same college dorm, thankful to be alive. However, this time, it’s Carter’s roommate, Ryan, who claims that he is reliving the same paradoxical day over and over again, as a mysterious paranoid killer in a single-toothed baby-faced mask with a big kitchen knife has made a habit of murdering him. Under those circumstances, a valiant but vain attempt to face the challenge, once more, will send Tree back to square one, trapped in an all too familiar and blood-drenched time loop. How many deaths separate Tree from a truly happy birthday?

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