A WORKING MAN (2025)

Directed By: David Ayer

Written By: David Ayer and Sylvester Stallone 

Based on the book “Levon’s Trade” by: Chuck Dixon

Cinematography: Shawn White 

Editor: Fred Raskin 

Cast: Jason Statham, Jason Flemyng, Michael Pena, David Harbour, Arianna Rivas, Merab Ninidze, Maximilian Osinski, Cokey Falcon

Levon Cade left his profession behind to work construction and be a good dad to his daughter. But when a local girl vanishes, he’s asked to return to the skills that made him a mythic figure in the shadowy world of counter-terrorism.

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Jason Statham and his movies are becoming almost an annual offering to audiences and cinemas 

They are usually the same type of action thriller with a similar character who has a dark past and is seeking vengeance or justice for someone close to him. He is usually trying to live a normal life, but forced to use his past skills. 

One of the reasons why these films are successful as they fulfill a niche sort of like in the past when Liam Neeson would have his older character action thrillers or even when we have had we weaknesses for certain stars like Jackie Chan and his family, action, comedy errors or imports that were usually filmed in Canada and heavily voiceover or when jet Lee had a bit of a resurgence in the United States and he starred in a bunch of disposable action thrillers that made respectable box office

what helps with Jason Statham is there even though he plays the similar roles he also showed in spy in a general that he has a sense of humor about himself and other than these movies he seems to stay away for media. It’s rare that you see him being interviewed on a show you don’t see him out and about at public events offering sound like that could get him judged or he seems to keep to himself so that he remains a mistake that no matter what side of the political spectrum you’re on you don’t mind him.

he’s the action hero that most men wanna be especially older men who just want their action, film, simple and violent and for women he provides to look of an older handsome in shape, gentleman, daddy, so to speak the strong and silent type who has a British accent, so makes him a little bit of an international Playboy also 

this is all to say that this film plays pretty basic and like the usual Jason Statham action thrillers only this is more disappointing because there doesn’t seem to be a sense of fun about it. It’s pretty straightforward and for all it’s dark elements. It never seems to show it in execution 

most of the characters that he encounters along the way, even the villains are kind of forgettable. He seems to be facing kind of the same villains that Denzel, Washington faced in the equalizer, the Russian mob only again whereas in the equalizer, they were really no threat to Denzel and he disposed of them without breaking a sweat here Jason Statham it’s a little moist, but still breaks. No sweat eliminating not the entire rushing but a fraction of it.

Due to them, kidnapping his bosses daughter, as part of a sexual trafficking ring, and then killing anybody who comes into his path, a few of whom are Russian mob family members 

The action sequences here are more gunplay than hand to hand combat that Statham is more known for. We also get a glimpse of his past and that his character suffers from PTSD so that this adventure actually helps solve it because he can get out his frustrations and feelings through the violence..

David Harbour earns his check and a supporting role that is more as a friend and advisory than him actually seeing any action sequences himself so that he fills out the role of another big name being in the cast that also usually accompany Jason Statham movies. Such as his character  having a child. Usually a daughter.

so as you can see this film is not only a by the numbers, action film, but also a buy the numbers for adjacent Statham film. It hits all the familiar beats. You know what’s gonna happen before it does and ends pretty much as expected so it really offers no surprise and as long as you’re fine with that, you shouldn’t be disappointed , but looking for more this is not the film for you

he pretty much takes on all the action other than when he finally does fine the daughter she gets to have a bit of her own revenge, but even the usual flashy henchman in this home who do you think are gonna be bad asses and being a final fight with Statham, they are dispatched so quickly and so easily. It was like they were giving a grand presentation only to be barely a warm-up at it reminds one of the assassins and Keanu and how ridiculous ridiculously over the top they were.

Another factor that leads to further disappointment with this film is there a David Ayer directed it now he didn’t write it. He is more of a noted Screenwriter and director who usually offers more gritty action in crime films. This seemed more by the book and slick then actually having anything noteworthy. 

This film actually makes their last collaboration, the beekeeper a damn near masterpiece. as at least I fell offered up what was expected, but had a hint of fun. This is more dour than it needs to be.

But that is also the magic of Jason Statham‘s longevity that usually there will be a couple of really bad films, but then he’ll shock you with one that’s genuinely decent or even good that it renews your faith in him.

What is surprising is that not only was this shot back to back? Was David Ayer and Jason Statham’s film THE BEEKEEPER but at this film was also written by his former costar Sylvester Stallone and David Ayer together. As this was supposed to be the start of a franchise based on the character from writer, Chuck Hogan’s book series based on the character, Levon Helm.

That Sylvester Stallone originally won to produce as a television series before they decided to make this film, even with state of not even being their first choice Liam Neeson was

Grade: C

BOILING POINT (2021)

Directed By: Philip Barantini 

Written By: Philip Barantini and James Cummings 

Cinematography: Matthew Lewis 

Editor: Alex Fountain 

Cast: Stephen Graham, Jason Flemyng, Vinette Robinson, Alice Feetham, Ray Panthaki, Hannah Walters, Lauren Ajufo, Malachi Kirby, Taz Skylar, Izuka Hoyle

Enter the relentless pressure of a restaurant kitchen as a head chef wrangles his team on the busiest day of the year.


Some people might compare this film to the television show THE BEAR even though this film came out first. it does have the intensity of that show’s pilot and its most agonizing episodes. With a head chef, dealing with all the calamities and kitchen crew not to mention his personal problems. 

Interestingly, The film did have a four-episode television spinoff that, I have not watched, but seems to be the story. For this review, one will stick to the film and its perimeters.

Though this film isn’t as comedic, is its own animal and maintains its own identity, dealing with all the different pressures in one evening. The staff’s constant interaction with one another, and also shows more interaction with the customers and their individual and seemingly difficult demands at times.

This film is made to look like it takes place all in one continuous shot or one take. The film is a little more detailed and showcases its construction. As well as the meals construction.

We see how the kitchen must run like a well-oiled machine, so must the film and direction. it’s also revelatory that not all the crew are doing what’s best for the team some can be downright selfish and more self-serving. Especially in one scene where the bellboy takes a trip outside and it allows for the film to take us out of the chaos for a bit of a cleanser. As we see the nefarious dealings.

It’s those moments where we can have a bit of the character’s own drama while dealing with the main narrative that makes it successful and helps steer the ship. As in the slow burn, everything comes to a head. 

Showcase is being part of a team that you were only as strong as your worst worker. The continuous pressure is felt throughout.

As well as giving a voice and allowing the audience to witness the hardships of the workers, the hardships of the service hospitality, industry, and the abuse faced by them from customers and other staff when it’s coming from both ends, where are you supposed to find your peace.

The film offers no real resolutions to some problems, though it does reveal quite a bit or hints at things that can cause frustration. Though, we are only here for one evening so it’s not that type of film where everything will be tied up by the end. It offers many surprises.

The film is like a thriller so much suspense and reserved intensity yet it stays action-packed to a degree. So that it’s identifiable and just as frustrating as real life at times.

Stephen Graham scores another great damaged character holding on by a thread who seems to have a calm demeanor, but seems to be crashing underneath. He gives a great memorable performance at the center and knocks it out of the park seeming like he can do no wrong in a role, but this is an ensemble effort. He stands out as much as the rest of the cast. Which is the film’s definition.

What is so powerful about the film is that the audience’s opinion might constantly change about certain characters as the reveals and connections happen. So by the end of the film is a roller coaster hitting rock bottom. There are so many highs or maintenance levels. Either way, it’s all well executed.

Meticulous. Beautifully crafted and constructed Like a well-crafted meal with a strong aftertaste. Which is what makes it all the better, Loved it. 

Read about it when it came out. Unfortunately put it on the back burner and finally got around to watching it… in amazement. 

Also shoutout to Lauryn Ajufo whose character is so punished throughout and eventually gets a moment of manners. Really felt for her the most throughout mostly 

This is a film that needs to be discovered and more people need to see this.

Grade: A 

ROCK STAR (2001)

Directed By: Stephen Herek 
Written By: John Stockwell
Cinematography: Ueli Steiger 
Editor: Trudy Sharp 

Cast: Mark Wahlberg, Jennifer Aniston, Dominic West, Timothy Spall, Dagmara Domincyzk, Jason Flemyng, Timothy Olyphant, Matthew Glave, Michael Shamus Wiles, Beth Grant, Stephen Jenkins, Jason Bonham, Jeff Pilson, Zakk Wylde, Colleen Ann Fitzpatrick, Amy Miller, Rachel Hunter, Heidi Mark, Carrie Stevens, Carey Lassard, Kristin Willits 

The lead singer of a tribute band becomes the lead singer of the real band he idolizes.


This is a film built off of wish fulfillment and watching the life and fantasy most members of the audience dream of, sort of like those entertainment shows that show you the houses and yachts of celebrities to impress you even though you might never actually get a chance to actually see or experience it and better yet this is based on a true story.

So while the film is showing someone else living it up. It feels within arms reach for the audience. Like voluntary torture with a story. A real-life fairy tale with a moral to it.

It’s the old talented being careful what you wish for because you get what you want but you might not be prepared for what it entails and what you have to do to maintain it

An all-American dream movie that shows the dark side and in the end is a happy ending that lets the hero stand on his own Terms. Yet ends up feeling cheesy

Mark Wahlberg is strong. Here as the devoted fan and Everyman who won’t bend in his fandom and cover their songs but when he gets the chance to be part of them finds he has to constantly make compromises

He sees the dark side of stardom and the same type of doctoral behavior he had with his cover band he notices it’s the same way in the actual band

There are many scenes showing the access of rock-star life the lifestyle and legendary parties but also the toll they can take and how they can change you and practically make you a slave or zombie to it. Change who you are and who you are to people how flexible your morals can become

Jennifer Aniston is sexy but  the outfits they give her are made to be flattering but they also, unfortunately, show the limitations of her body and for some odd reasons  make her appear older than Her co-star

This is one of the folks that showed his appeal and has a prepared audience for his more Everyman appeal yet who they would want to Be. Watch him have good times and imagine themselves there.

This seems like a film that would have more of an impact when it is set more in the 1980s or even 90s to show how bloated that period of time was. Watching it now it seems to deliver more an obvious message as well as trying to be a kind of throwback that feels out of date and a satire with little to say about the time. Instead of just throwing in hooked jabs of Jokes

The casting of Mark Wahlberg seems ironic considering his past as an overnight music star as Marky Mark in his teens. So while his character here is in a different genre of music. You can’t help but think if he dealt with some of the same issues when he was a music star rapper.

Based on a true story it stays entertaining and funny at parts but seems to try so hard for something that is more of a minor tale. 

Though pretty much of ItMs time and more disposable back then. This film plays much better over time. Still ridiculous but more heartfelt. An earnestness of the modern era That is kind of missing in most modern films of these times. 

Grade: C+

TRANSPORTER 2 (2005)

Directed By: Louis Leterrier
Written By: Luc Besson & Robert Mark Kamen 
Cinematography: Mitchell Amundsen
Editor: Christine Lucas Navarro & Vincent Tabaillon

Cast: Jason Statham, Amber Valletta, Alessandro Grossman, Kate Nauta, Matthew Modine, Jason Flemyng, Keith David, Francois Baerleand, Annalynne McCord

Transporter Frank Martin surfaces in Miami, Florida, and is implicated in the kidnapping of the young son of a powerful USA official.


Luc Besson is a director who has always flirted with more action-oriented projects as well as his own artistic ones. At a certain point, he seemed to abandon directing films altogether and instead write and produce continuous action films. Leaving the directing to others. Where you wonder if his brand is all over these films and lets up-and-coming directors spearhead the projects. Yet still maintains control.

As he is mroe than capable of directing them himself, maybe even he knows that they are mroe commercial projects and he wants to be seen more as an actual artistic director. Whatever the reasons he has made a fortune from writing and producing these mid-level budget action films that seemed to be everywhere in the 1990s and especially early 2000’s he seems to have set the rules somewhat for modern action cinema that unfortunately isn’t made anticipating the future and revising as the years go by More they are trashy and ridiculous yet fun and seek to stick to a formula and offer diversity and international casts.

This film became a franchise. One has to wonder was that always the intended aim to make this into a series of films or did the original make it easy to set up further adventures for the character who helped make Jason Statham An action star. In fact, the plan for most of his action films and scripts is to try to create a franchise and the others don’t do as well.

As there was never a sequel to LA FEMME NIKITA, there was not only a remake but eventually a television series. Which after a few mroe sequels was the same fate of this franchise. Even though Jason Statham only came back to the role to complete the trilogy with the next film in the series. 

This was only the second action film I saw Jason Statham star in after the first film. As I had mainly seen him in films by director Guy Ritchie when he was still making criminal caper films Such as SNATCH and LOCK, STOCK & TWO SMOKING BARRELS though he also was in the similar remake of THE ITALIAN JOB also. 

This franchise is like the character is an underworld James Bond of old. As he is usually somehow double-crossed in his own line of work or is brought into a conspiracy because he cares. Even though he has a supposedly strict set of rules. Yet in each new film, they are mroe stand-alone involving few recurring characters. Though no old girlfriends or attachments. Allowing for romance or sex for him in each new film

When it comes to this film It’s ridiculous, Loud, flashy, and fun full of  jokes and impressive action scenes where Jason Statham barely gets a R.I.P. on his suit 

This film is even filtered to be glossy where almost everyone seems to have a shin sheen of sweat that brings out any bright colors to almost be blindingly obvious 

Kate Nauta makes an impression as the villain’s henchwoman lover who seems to be a masochist. She is memorable in the film. One wishes she had been in more films or found a way to bring her back or get a spin-off or action hero series of her own

The film is legitimized by having Matthew Modine in the cast of having an actor who usually doesn’t appear in these types of films. While offering former supermodel Amber valets a role as a maybe love interest and whose scenes are more dramatic 

The film ends up being something that is hard to take seriously. As everything is over the top with the hero being the only one to truly not only save the day but figure things out. But also everyone is disposable especially when it comes to living g or dying except the heroes and villains.

Not to mention the action sequences are a sight to behold as they all truly depend on the fight choreography mroe than anything as the fights include so many people and the only way one can hold off so many are desperate luck and knowing the moves the others will make.

There is So much damage done yet you never question it and just want to see where it goes and how it resolves itself.

Grade: B

SEED OF CHUCKY (2004)

seed-of-chucky

Written & Directed By: Don Mancini
Based On Characters Created By: Don Mancini
Cinematography By: Vernon Layton
Editor: Chris Dickens 


Cast: Jennifer Tilly, Redman, Hannah Spearritt, Brad Dourif, Jason Flemyng, Billy Boyd, John Waters 

Chucky and Tiffany are resurrected by their innocent son, Glen, and hit Hollywood, where a movie depicting the killer dolls’ murder spree is underway.

Continue reading “SEED OF CHUCKY (2004)”

HANNA (2011)

Hanna - Saoirse Ronan-1

 

Directed By: Joe Wright
Written By: Seth Lochhead & David Carr
Based on a Story by: Seth Lochhead
Cinematography By: Alwin H. Kuchler
Editor: Paul Tothill

Cast: Eric Bana, Saoirse Ronan, Cate Blanchett, Olivia Williams, Tom Hollander, Jason Flemyng, Michelle Dockery, Jessica Barden, Vicky Krepis, Tom Hollander

Hanna  is a teenage girl. Uniquely, she has the strength, the stamina, and the skills of a soldier; these come from being raised by her father, an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own. As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. Continue reading “HANNA (2011)”