A QUIET PLACE: DAY ONE (2024)


Written & Directed By: Michael Sarnoski 

Story By: Michael Sarnoski and John Krasinski 

Based on characters created By: Bryan Woods & Scott Beck 

Cinematography: Pat Scola 

Editor: Andrew Mondshein and Gregory Plotkin

Cast: Lupita Nyong’o, Joseph Quinn, Alex Wolff, Djimon Hounsou, Elaine Umuhire 

After the events and revelations of ‘A Quiet Place’ and ‘A Quiet Place: Part 2,’ it is time to go back to ‘Day One’. Following Sam, as she’s on a group trip in New York City, everything is going fine, until the invasion that sends the world into silence begins. Can the city stay quiet and can Sam and Eric. a new unlikely friend, make it somewhere safe? But no matter what happens, don’t make a sound and you might just find out what happens. 


This film does what it’s supposed to do. So there isn’t much wrong with it, except. At this point why is this franchise still going? As you got enough of a story from the first two films. So what is the point of this one? To see the invasion from the beginning in a new land that is more of a city landscape that is vast yet familiar? From a different character point of view other than the same family? I thought part 2 offered some of that.

I understand Hollywood is a business and while there are no problems with the filmmaking in hiring director Michael Sarnoski to helm this film, which has him going from more independent productions to this big-budgeted film. Offers the film to have. A more intimate feel between the characters and also the Audience. Not feeling so big and impersonal. The director here has a vision. 

Though just as it tries to offer a different story in the same world. It’s a sequel not many were asking for or offering anything new. Ultimately it feels hollow. Though offers some good filmmaking that one wishes could have been used on a better and more original project. 

Not every story needs a sequel. Most are fine as stand-alone. Even if there is a sequel there should be a reason other than financial to ultimately tell a story. The same thing with reboots maybe audience attendance is down isn’t just the sequels, reboots. It’s the material and not feeling like something we have already seen many times over and over. It insults the audience with bad to stupid films that have bad scripts and the only reason they are made is because they can get two stars or a few to co-star in it. While being paid ridiculous amounts of money.

The film is visually beautiful and quite the production, but it’s also familiar and not scary. Even the jump scares are put In falsely as a kind of cop out and it feels that way. 

As this is more of a modern-day disaster film with a minor science fiction twist. Fans do these films won’t be disappointed. Though not as much of a family story as the previous films. 

One can also admit while this film was going and having seen all of them so far. There were still some questions overall. Not enough that there needs to be another film to answer them. Just trivial ones. 

The film is solid in the franchise it’s just not needed and by adding a score. It makes it feel more like a byproduct of a studio. Rather than a truly original piece of filmmaking. Part of the magic of the first film was that it lacked a score or soundtrack. That forced the rhetorical audience into silence similar to the characters in the film. Here that has been taken away.

One loves that Lupita Nyong’o gets to be the lead of another horror film. That is a major Hollywood production. One only wishes it let her use her talents better. No matter the quality of the movie. I am rarely disappointed by her performances.

Though she is arguably the lead and the hero. While Joseph Quinn is more the damsel in distress though does get to have a harrowing scene or two of his own. Which is the only truly original element this film has to offer.

One can at least say that the films never cheapen the experience and each new film feels like much care and design went into it and makes them each noteworthy in their own way. 

Grade: B- 

LUCKY (2011)

Directed By: Gil Cates Jr.
Written By: Kent Sublette
Cinematography: Darren Genet
Editor: Gregory Plotkin 

Cast: Colin Hanks, Ari Graynor, Ann-Margaret, Jeffrey Tambor, Mimi Rogers, Allison Mackie, Tom Amendes, Adam J. Harrington 

A wannabe serial killer wins the lottery and pursues his lifelong crush.


The film gives star Ari Graynor a good role to excel in but the character seems to be more of a sketch of a character only theft to fulfill a purpose than a full-blooded human character. The film also lets her down by not riding to the strength of her performance.

The film is a black comedy that has a light tone and makes the film off-putting to the audience.

Second to Ari Graynor in the film is Ann Margaret as a mother who might know more than she lets on, she is still a screen presence and steals her scenes. 

The film has a lot of opportunities to make detours that might have given the film a greater impact or opened up more comedic moments.

Graynor injects the role with so much gravitas she is so over-the-top comedic in certain scenes that it makes the material almost come across as a spoof, but she is such an engaging actress you can’t take your eyes off of her. Especially as her character slowly starts to lose it.

At least the protagonist’s issues are suitably explained and at heart, there is a love story of two people learning to get past each other’s dysfunctions. In a more extreme manner.

The film doesn’t take its Comedy totally from cruelty and graphic violence. We are spared the violence of the murders.

The film just feels like it is missing an ingredient. That you can’t exactly put your finger on. That would make the film feel more complete and memorable. As it has the material 

GRADE: C-

HELL FEST (2018)

hellfest

Directed By: Gregory Plotkin
Written By: Seth M. Sherwood, Blair Butler & Akela Cooper
Story: Chris Sey & William Penick
Cinematography: Jose David Montero
Editor: David Egan & Gregory Plotkin 


Cast: Amy Forsyth, Tony Todd, Cynthia Mercado, Bex Taylor-Klaus, Reign Edwards, Christian James, Matt Mercurio, Roby Attal 


A masked serial killer turns a horror-themed amusement park into his own personal playground, terrorizing a group of friends while the rest of the patrons believe that it is all part of the show.

Continue reading “HELL FEST (2018)”