Directed By: Baran Bo Odar Written By: Andrea Berloff Based in the film “NUIT BLANCHE” Written by: Frederic Jardin, Nicolas Saada & Olivier Douyere Cinematography: Mirai Malaimaire Jr. Editor: Robert Rzesacz
Cast: Jamie Foxx, Michelle Monaghan, Dermot Mulroney Jr., Scoot Mcnairy, Tip T.I. Harris, David Harbour, Gabrielle Union
Undercover Las Vegas police officer Vincent Downs finds himself trapped in a web of corrupt cops, internal affairs and violent gangsters. When a failed heist leads to the kidnapping of his son, Downs must race against time during an intense and restless night to save him and bring the criminals to justice.
I can admit this film already seemed D.O.A. When the trailers for the film hit. As nothing in the trailer came across as new or even exciting and watching the film it pretty much felt the same. While plenty of things happen on screen and in the story. It still all feels basic and familiar and the film, not performances add any excitement to it.
I will admit I liked the French original version of this film SLEEPLESS NIGHTS very much, but in the American translation, a lot of fresh and maybe foreign cultural elements are dropped. Making the film come across as more of a big-budgeted longer episode of a police procedural.
As the original film Offered complications that felt essential and consequential. Here the film just seems to throw complications that seem more here to be filler than anything. Else
Scoot McNairy’s villain is the only memorable thing in the whole film. Who would have been great in a better movie?
The film feels like for a recognizable cast who do try there is really Little effort put into the film at all to feel special or set itself apart. So that by the end it feels basic yet disappointing. Which is a shame as Jamie Foxx has proven to be a versatile and charismatic actor who can be funny, dramatic and tough when he needs to be and this film offers only the later but like most of the roles. Never feels specific enough to their talents so that virtually anyone could have played these roles.
The only Element that felt somewhat exciting was the ending that leaves room for a sequel or alludes to an even bigger conspiracy.
This just feels like a lost opportunity. Where all this film seems to offer is more a stylish music video technique to the story without really adding anything worthy dramatically or even character-wise.
It just simply he’s out all the originality out of the original. Truly making this a Hollywood byproduct. If anything it feels like an audition for the director to show what he can do with so little.
Written & Directed By: Chris Rock Cinematography By: Manuel Alberto Claro Editor: Annie McGabe
Cast: Chris Rock, Gabrielle Union, Romany Malco, J.B. Smoove, Rosario Dawson, Anders Holm, Leslie Jones, Kevin Hart, Michael Che, Jay Pharoah, Ben Vereen, Cedric The Entertainer, Karlie Redd, Sherri Shepherd, Tracy Morgan, Hayley Marie Norman, Brian Regan, Tichina Arnold, Luis Guzman, Sherrod Small
A comedian tries to make it as a serious actor when his reality-TV star fiancée talks him into broadcasting their wedding on her TV show.
This more than makes up for those GROWN-UP movies. Coincidently Chris Rock wrote the screenplay in his trailer during the filming of Grown Ups 2
Financed and produced independently.
Chris Rock doesn’t choose like other filmmakers to romanticize or sugarcoat New York as a wonderland of fantasy and fairy tales. He wants to represent New York as it truly is beautiful, yet with an attitude but a certain charm you cannot resist. It has an ugly side, but usually like it so much and in love with it we take the good with the bad and barely notice anymore the rougher aspects of the city. Sure the visuals could be more vivid, but as it is said comedy isn’t pretty plus it keeps your head in the game that this is somewhat gritty and real.
We all see and experience things differently. This is his truth so can’t argue with his vision. We can only be happy he doesn’t compromise in any way. Which is said of more artistically inclined or visual directors? Though should be said of more directors who are open and have something to say that isn’t cookie cutter.
While some aspects of the film could have been more subtle, Their meaning was in the right place. Nonetheless, the film leaves plenty of laugh out loud comedy.
You can see the film’s cinematic influences here and there. There is a little SULLIVAN’S TRAVELS by the end. A dash of BEFORE SUNRISE in the structure. Some Woody Allen references and some things leftover from his co-Starring role In Julie Delpy’s 2 DAYS IN NEW YORK.
The film feels cathartic for him, Going around the city, not necessarily discovering it. As it is both their hometown, but more or less touring familiar places.
Throughout the film, each major and some minor cast members get a scene here and there to shine dramatically or comedically, sometimes both.
The film has some commentary on race and especially stardom. Not exactly the exposure you might expect, but at least exposure to it. Shocking especially how outspoken he has been recently about it in interviews.
Rock’s Films before always managed to shine the spotlight on race though felt more like a gimmick and silly, rather than the satire and sharp voice you were hoping for.
I THINK I LOVE MY WIFE was funny, realistic, and a step forward, but lacked the edge and felt more like a bit of an acting exercise with some domestic comedy and drama. Though the film didn’t exactly cover any new ground or present it in a different way.
As he spends the day with the reporter getting to know her. He is revealed to us as they are to one another usually in flashbacks to the stories they tell and the answers that are given as visuals to accompany them.
Rosario Dawson really gets a chance to flex her acting muscles here. She is finally not just the girlfriend or love interest with no personality or real presence. Here she is charming, complex, and real not necessarily an ingénue. Here she has depth and getting the chance to be comedic herself. Not by accident either.
There are certain Flashbacks in this film that are downright scandalous. That involves Rosario Dawson and Chris Rock. Those are nasty, revealing, and push the limits of what can be shown on screen in an r-rated comedy. Though they are the spirit of Chris Rock, this film and his comedy. They are just as dangerous he is. It reminds the audience why he is a crucial voice in comedy.
Also, these flashbacks work as it breaks up the dialogue and story in a meaningful way. So that the asides and stories are more revealing in character and also provide a source of comedy also. The vignettes sometimes with just the reaction are hilarious but always manages to come back to harsh realities.
The strip club scenes best the end of the film are filled with hilarious cameos that remind us of how funny the people in them can be and are also fun seeing them all out of their element and still can be funny. As they are obviously doing it as a favor to Chris rock
though I have usually really enjoyed Chris rock’s films before. I LOVED this film and was quite surprised when others around me saw this film before me remark on how shocked they were that it was so good. (Some of whom I have watched his films with and they enjoyed them. at least that is what they told me. Only a few I knew didn’t like his earlier work in films) I believe the reason this film worked so well for the audience is that not only is it personal. It also shows growth.
He opens up and lets others stand in the spotlight on the sidelines. Even though the major hurdles are on his shoulders. This is why you can excuse when some scenes come off as falsies a bit as does his acting once in awhile. As the saying goes in any sport. Sure you have the star athlete but you also want to have as much talent around them to learn and also to help. Teach and have each other strive and inspire one another.
As a Chris Rock fan, this film means a lot as it is a thank you to a degree to the fans and a treat as he shows he still has it and is finally comfortable being himself. Speaking his thoughts and not worrying so much about how people will take things, nor does he care about maintaining a certain image. It is almost also a fuck you to doubters as he shows he is just not one thing. As this might be one of the last times he might be able to make a film so why not with something you can be proud of and be able to say what you want to without having to worry about censoring it because of studio notes or worrying about what is or isn’t marketable.
He manages to bring an old school feel to the film while making it feel constantly vital. Especially as in some scenes the background score is classic hip-hop beats slowed down that it almost sounds classical as they are laid bare. I hope he stays on his current path.
Dave Chappelle was offered a role but turned it down. Which makes sense as he has a lot of comedians and comedian friends throughout play roles.
In the movie, Chris Rock can be seen wearing a Red Hot Chili Peppers t-shirt. Rock is a well-known fan and friend of the band. He even directed the band’s 2006 music video for their song ‘Hump de Bump.’
Chris Rock has always been a comedian. who seemed to strive for more or to be seen as more. He seems to be striving to be more of an artist. I have watched his career rise as I was always familiar with him and looked up to him. So he has been around on my radar for a while.
Though I have had a few chances to meet him. At most of my retail jobs. I never had the courage nor really the chance to tell him how much of a fan I was. His comedy and career have always been a bond with me and my family as I have seen his live yours regularly as well as usually going to see his films in the theater.
This film had a positive effect on me. Making me profoundly happy. I am happy that he is getting the respect and appreciation he deserves.
I believe even non-fans or occasional ones will enjoy and respect the film.
Though the meaning is there. The film has it’s targeting and lands some solid hits. Though not as many jabs were thrown. Can be rude and lewd out of nowhere but that is part of the charm as it is smart about it.
Directed By: James McTeigue Written By: Ryan Engle Cinematography By: Toby Oliver Editor: Joseph Jett Sally
Cast: Gabrielle Union, Billy Burke, Richard Cabral, Christa Miller, Jason George
A woman fights to protect her family during a home invasion.
This movie plays like the second half of PANIC ROOM. Where instead of trying to protect her family while criminals are trying to break in. She is trying to break in to save her family.
The film is a thriller but isn’t as action oriented as it appears. As going in was kind of hoping this to be Gabrielle Union’s PASSENGER 57 type action film.
Unfortunately with this film everything is so basic that one wishes it at least had a stylistic director to set it apart or make it seem special in some way. Though this film is still Better than Halle Berry’s thriller KIDNAP.
Still it feels like a lifetime movie only with a minor edge to it and more violent. Even though throughout there is barely any blood in it. It’s low budget but works well within it.
This film has many roll your eyes moments of ridiculous actions and rationale. One truly unbelievable moment after another that feels unexplained which is like most of this movies details vague.
Though will say the movie makes Gabrielle Union a believable hero. While looking great and going up against stereotypical garden variety villains. (The leader, the vicious one, he one who is on the fence as far as morals go and the technical person.) As she shows a mother’s devotion and what happens if they threaten them.
Now while the film is swimming in cliches that are predictable. Which are forgivable as I don’t want to pick on the film for it’s simpleness, but you know what kind of film you are going to get from the trailer and while the film isn’t trying that hard it provides a certain level of entertainment. It’s a thriller really the whole family can watch and enjoy.
One of the few of only black female action heroines even if it is a thriller. A nice start, wished it could have been Angela Bassett. As she was robbed of an action career in the 90’s as she is in shape and can act too.
One stereotypical character makes you wonder if actor Clifton Collins jr. Was too old for the role or maybe turned it down or wasn’t available. As it seems his usual type of role.
There is a third act mini twist that isn’t believable but I will say offers a surprise. That the film doesn’t earn. Shocked it was Directed By James McTeigue as usually his films are much more visual and atmospheric as well as visceral.
This film also seems to include the cliche in African American themed thriller where the Caucasian female friend is of course one of those most viciously slaughtered. In What seems like a glorified bit role usually as these films need a Caucasian victim other then the villains eventually and is a sharp turn on when in action films and thrillers the black character usually very few in the film if any. Is the first one killed or gave up their life to save others.
This film takes place in one location a sprawling estate. As the film introduces plot elements to move story along quicker the. Forgets about those elements time to time.
This is a female empowerment film as most of the villains keep bringing up their thoughts that women are weak, meek, stupid and emotional. Not that the characters seem like they would respect women otherwise.
Directed By: Gil Junger Written By: Karen McCullah & Kirsten Smith Cinematography: Mark Irwin Editor: O. Nicolas Brown
Cast: Heath Ledger, Joseph Gordon Levitt, Julia Stiles, Larisa Oleynik, Gabrille Union, David Krumholtz, Allison Janney, Andrew Keegan, Susan May Pratt, Daryl Mitchell, Larry Miller, David Leisure, Kyle Cease
Adapted from William Shakespeare’s play “The Taming of the Shrew,” A pretty, popular teenager can’t go out on a date until her ill-tempered older sister does.
Directed By: Michael Bay Written By: Ron Shelton & Jerry Stahl Story By: Ron Shelton, Cormac Wibberley & Marianne Wibberley Based on characters created by: George Gallo Cinematography: Amir Mokri Editor: Roger Barton, Mark Goldblatt & Thomas A. Muldoon
Cast: Will Smith, Martin Lawrence, Gabrielle Union, Jordi Molla, Joe Pantoliano, Michael Shannon, Theresa Randle, Henry Rollins, Jon Seda, Peter Stormare, Yul Vasquez, Otto Sanchez, John Salley, Oleg Taktarov
Narcotics cops Mike Lowrey and Marcus Burnett head up a task force investigating the flow of ecstasy into Miami. Their search leads to a dangerous kingpin Johnny Tapia, whose plan to control the city’s drug traffic has touched off an underground war. Meanwhile, things get sexy between Mike and Syd, Marcus’s sister.
Written & Directed By: Ryan Murphy Based on The Memoir By: Augusten Burroughs Cinematography: Christopher Baffa Editor: Byron Smith
Cast: Joseph Cross, Evan Rachel Wood, Brian Cox, Gwyneth Paltrow, Joseph Fiennes, Annette Bening, Jill Clayburgh, Patrick Wilson, Alec Baldwin, Gabrielle Union, Kristin Chenoweth, Dagmara Domincyzk, Colleen Camp
The story of how a boy was abandoned by his mother and how he, later, abandoned her. The year he’ll be 14, the parents of Augusten Burroughs divorce, and his mother, who thinks of herself as a fine poet on the verge of fame, delivers him to the eccentric household of her psychiatrist, Dr. Finch. During that year, Augusten avoids school, keeps a journal, and practices cosmetology. His mother’s mental illness worsens, he takes an older lover, he finds friendship with Finch’s younger daughter, and he’s the occasional recipient of gifts from an unlikely benefactor. Can he survive to come of age?
Written & Directed By: Ryan Murphy
Cut To The Chase 