DOWN TO EARTH (2001)

Directed By: Chris Weitz & Paul Weitz 
Written By: Chris Rock, Ali LeRoi, Lance Crouther & Louis C.K. 
Based on the original screenplay “HEAVEN CAN WAIT” By: Elaine May & Warren Beatty 
Cinematography: Richard Crudo 
Editor: Priscilla Nedd-Friendly 

Cast: Chris Rock, Regina King, Chazz Palmenteri, Eugene Levy, Frankie Faison, Mark Addy, Greg Germann, Jennifer Coolidge, Wanda Sykes, John Cho, Mario Joyner, Laz Alonzo 

After dying before his time, an aspiring black comic gets a second shot at life – by being placed in the body of a wealthy white businessman.


This was Chris Rock’s Big starring movie in the lead after he had a resurgence as a stand-up comedian and came to be a comedy all-star. So a lot was expected with this film. Again virtually a black version and update of HEAVEN CAN WAIT. Starring a Caucasian actor originally Warren Beatty.

He not only stars but helped co-write the script, also directing the film were the Weitz Brothers. Who were fresh off the surprise hit film AMERICAN PIE. So this was a big important opportunity for them at the time. They even cast some for Aathe actors from that film in small to supporting roles here 

While a bit of watering down the material for more of a crossover appeal for audiences. Rock’s humor and It are still there but a bit buried. There is also a lack of bite. As the story seems to be more based on him with his character being a stand-up comedian here. Rather than a football player in the original. 

Unfortunately the film isn’t that memorable but it is entertaining enough while watching it.

Though some scenes of the movie would be funnier if we saw the character who he is on the body of so some do the behavior he does. As they are funny in theory and in glimpses when we do see him as everyone else does. Though Mostly it’s a quantum leap situation where Chris Rock is on the screen representing the character. As he is the star so It’s Expected. Though not as funny.

Though if he wasn’t would he really be the star unless they set up a kind of WHITE CHICKS prosthetics which would cheapen the movie

It shows Chris rock to be a capable enough actor and leading man. It also allows racial humor and observations to work. The film also allows the supporting cast to be funny and ridiculous too especially Wanda Sykes (here you see why so many people found her hilarious. As her comedic skills are on point. And sharp) and Jennifer Coolidge as the more outrageous ones. Hit their marks.

Though they try the Heaven Chazz Palmenteri and Eugene Levy material seems too formulaic and partially takes you out of the film and reminds you of the cheesier parts. Though at least they try to class it up and show another existence. It also feels more in tone with the weak comedy.

The film has a lot of human moments and works as funny and even romantic when you see Chris Rock in the scene that becomes like the show QUANTUM LEAP where you forget who he is supposed to be or at least look like and is more believable even when it is just him in whatever situation.

The film just comes off softer and lighter than you might expect and want.

GRADE: C

EXTERMINATOR 2 (1984)

Directed by: Mark Buntzman 
Written By: Mark Buntzman & William Sachs 
Cinematography: Bob Baldwin & Joseph Mangine 
Editor: Marcos Manton, George Norris & Florent Retz 

Cast: Robert Ginty, Mario Van Peebles, Frankie Faison, Deborah Geffner, Scott Randolf, Ayre Gross, Reggie Rock Bythewood, Bruce Smolanoff, Irwin Keyes 

The flamethrower-wielding vigilante John Eastland returns to rid New York City of a drug lord and his gang.


The exterminator returns. This is basically a revenge movie and vigilante movie rolled into one. Not that the film is supposed to be taken all that seriously. As it seems more an action film of the times that tries to be exploitive but forgets in all ways. That seems to want to try to be more mainstream. Which then takes out most of what made the first film stand out in the first place.

At least the first film had a kind of grindhouse style that fit its Time period that made it somewhat watchable.

This movie goes with the times and the ridiculous fashions and styles of the time. It’s Mainly noteworthy for having a young Mario Van Peebles play the villain, a gang leader who dresses like he is in Mad Max. While his goons all seem to be some kind of punk rockers or backup dancers from a music video who try to look urban. 

While the film is violent it’s Not as creative with its Kills and the violence where seems more gratuitous for no reason that comes across as exploitive.

At least here the lead has a sidekick and they give him A Love interest. And a sex scene. Which here just seems more like. Reason to have some nudity in the film. Whose victimization gives him A target for his anger. 

Out of this series at least when presenting a hero he isn’t some Kind of heroic figure or even that skilled just a Vietnam vet who knows his way around weapons. No hand-to-hand combat, just strictly strike and kill. 

There is an ending but it’s Not necessarily happy for anyone. The problem is that as with most sequels this continues the protagonist’s adventures but comes off generic rather than inventive. 

It’s fun to see character actors in various roles throughout before they went onto bigger and better things but that is the only joy that the film brings to mind.

Grade: D

HANNIBAL (2001)

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Directed By: Ridley Scott
Written By: David Mamet & Steve Zallian
Based On The Novel By: Thomas Harris
Cinematography By: John Mathieson
Editor: Pietro Scalia

Cast: Julianne Moore, Anthony Hopkins, Gary Oldman, Ray Liotta, Frankie Faison, Hazzelle Goodman, Giancarlo Giannini, Francesca Neri, Zeljko Ivanek, Don McManus, Ajay Naidu,

The final chapter of the Dr. Hannibal Lecter quadrilogy, the murdering cannibal. He is presently in Italy, and works as a curator at a museum. Clarice Starling, the F.B.I. Agent who he aided to apprehend a serial killer, was placed in charge of an operation, but when one of her men botches it, she’s called to the mat by the Bureau. One high ranking official, Paul Krendler  has it in for her. But she gets a reprieve because Mason Verger , one of Lecter’s victims who is looking to get back at Lecter for what Lecter did to him, wants to use Starling to lure him out. When Lecter sends her a note, she learns that he’s in Italy, so she asks the Police to keep an eye out for him. But a corrupt Policeman, who wants to get the reward that Verger placed on him, tells Verger where he is, but they fail to get him. Later, Verger decides to frame Starling, which makes Lecter return to the U.S., and the race to get Lecter begins.

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