OUTCOME (2026)

Directed By Jonah Hill

Written By: Jonah Hill and Ezra Woods 

Cinematography: Benoit Debie 

Editor: Nick Houy and Nicholas Ramirez 

Cast: Keanu Reeves, Jonah Hill, Cameron Diaz, Matt Bomer, Susan Lucci, Martin Scorsese, Ivy Wolk, David Spade, Kaia Gerber, Drew Barrymore 

Follows Hollywood star Reef as he is forced to confront his problems and atone for his past after being threatened by a bizarre video footage from his past.


Let me start off by saying that this is one of the worst movies I have seen that has been released in 2026 which is surprise and consider considering the level of talent behind it

It’s not often a film lives up to its title so thoroughly. 

I will admit I am a fan of Jonah Hills. He doesn’t bother me as an actor and as a director, he has proven to be talented, surprisingly reaching upwards and showing range,  aspiring when everybody seems to usually write them off one note. As his debut directorial mid 90s was actually a really good film better than most expected one wishes this misfire was his debut so that with mid 90s he would be shown to be getting better instead of the reverse.

This film feels oddly personal or at least based on something he has experienced as it is about a star, searching for meaning and trying to explore what an apology means as we all know Jonah Hill has heard his problems, publicly mentally and emotionally and it feels like he’s trying to explore those feelings or given an explanation with this film

The problem is that this film is so lifeless, dill and even at under 90 minutes such torture to sit through. It still feels too long.

First of all, Jonah Hill gives himself a supporting role where it seems like he’s trying to out act his lead Keanu Reeves, and get all the attention which does work because there’s not much to any of the material here so if he’s loud brash in fact, he’s the only one who brings life into the film and the script other than Martin Scorsese playing someone from Keanu Reeves past

It feels like the script had a bunch of ideas that may be needed to be sharpened and explored as sometimes the film does come across at a good point or a good idea but the way it’s delivered so bad

The direction is lackluster as the film never seems to have any pacing nor do individual seeds. They just seem to lay there and play their without any momentum so they keep coming across flat even when they’re supposed to be hilarious.

Even the locations and filming all seem to be way too lit and look un appealing as everything almost seems like it’s artificial rather than natural and you’re filming in California, which makes the film look small and ugly almost like you wonder if half this film fell in the front of a green screen and filled in later. Especially when having a cinematographer like Benoit Debie. Who is a master when it comes to raw images and can still

Make them breathtaking. 

Keanu Reeves seems half the time embarrassed or uncomfortable in this film and even if it was for a character, we never get to see him actually have fun or be at peace as this is supposed to be a comedy and he’s playing more like a hard bitten drama even when we do see a glimpse of his past where he supposed to be this drug addicted party guy he gives the same delivery.

Also, the big tape that is supposed to be at the heart of the storm that they’re hunting down because it could prove to wreck his career embarrassing. Once we actually see what’s on it. It’s pretty time compared to what it could be or what maybe us in the audience might believe if anything it just shows a vulnerability that might actually discussed a few, but actually endeared him even more.

There are a bunch of celebrities in this movie playing small, smaller roles who just seemed like they’re there, waiting around to get their moment in the sun, and then move on as most of them are only there for a senior or two

Nor do I understand, Cameron Diaz or Matt boomers characters involvement in all this as Reeves best friends. His character already has an assistant, and these two are his best friends. I don’t know if they’re his entourage because neither one of these two seems to have jobs and they’re all about positivity and giving support, but what do they do with most of their day? when he’s actually out there doing things? they seem to be here  more to maybe give commentary, as seemingly his only friends and they are there to give positivity, but they never have dramatic scenes of their own or judgment. 

Not to mention while one loves Cameron Diaz as an actress. Her return to the big screen as of late has been in bad to lackluster films. Here reuniting with Keanu Reeves after starring in the disappointing 1996 crime thriller romantic comedy film STEALING MINNESOTA. Which I for one had great hopes for and had great ideas and characters but no story or anything new or interesting to bring to the table. So here together another disappointment.

Also wonder if it was intentional that his PR team of image makers to help him through what might be an upcoming tragedy are all played by minorities. 

Also strange seeing Joey Lawrence as a kid performing on THE TONIGHT SHOW. Being a Stand-in for Keanu Reeves character as a kid. 

In the end, other than a spare to turn by Martin Scorsese and Jonah Hill’s  Way overacting it seems to try and make a memorable character of himself in a film based on himself, but not playing himself. This film seems very disposable and like a bunch of Apple plus movies seems a reason to get a bunch of big name actors together but not have the material to support them or entertain the audience

This even comes across more disappointing than the usual streaming offerings which it seems perfect for this is not something I could imagine being that great on the big screen.

It’s hard to understand how a film that has so many people I actually enjoy involved came out so terrible.

Grade: F

THE WRONG MISSY (2020)

Directed By: Tyler Spindel Written By: Chris Pappas & Kevin Barnett Cinematography: Theo Van De Sande Editor: Brian M. Robinson 

Cast: David Spade, Lauren Lapkus, Nick Swardson, Jackie Sandler, Geoff Pierson, Rob Schneider, Molly Sims, Sarah Challe, Chris Witaske, Jorge Garcia, John Farley, Jonathan Laughton, Bobby Lee, Vanilla Ice, Allen Covert 

Tim thinks he’s invited the woman of his dreams on a work retreat to Hawaii, realizing too late he mistakenly texted someone from a nightmare blind date.


Let me just say this right off the bat. I am usually a sucker for a David Spade film. Won’t call them good, but for me usually at least entertaining and funny. Especially when he is playing more quick-witted, sarcastic jerks who people usually like unless playing the villain or nemesis.

His career seems to follow the trajectory of a professional sidekick or side character who made it to the big time. Finally playing more leads to minimal success but usually funny at least.

I will say this is his funniest starring role since THE DO-OVER which before that his best was THE ADVENTURES OF JOE DIRT. (unless you too have a weakness for the film DICKIE ROBERTS: FORMER CHILD STAR or are you more a LOST & FOUND fan)

Here he plays not as smarmy and while still open to embarrassing himself. He is looking older than usual here. The film leaves him with little to no sarcasm. Which is one of his main strengths? Here most of the time he seems more the straight man to everyone, but mainly…

Lauren Lapkus who is hilarious as she is funny, energetic and gives it her all. Especially physically as she seems to have no fear in her role. One only wishes the material and the cast all around her were on the same level. She gives a star-making performance throughout and is the main reason to watch this film.

Rob Schneider is here in a small role for no real reason. As he doesn’t really add anything to the film or overall, especially laughs.

The film has more sexual humor than expected though seems to pop up more in recent David spade starring movies for HAPPY MADISON productions.

The set prices are inspired and funny. As well as gorgeous looking like a film made just to use the location and female it feels like a vacation (something Producer Adam Sandler has been accused of with a bunch of his movies and which he openly will admit to)

The film feels like a SATURDAY NIGHT LIVE skit movie. Where the sketch character becomes the star. As the actual SNL star and character isn’t the true star only the name to get you to watch the film. 

The film never truly explains why Spade’s Character and his ex broke up. The film introduces her character and shows she chose a jerk and fellow coworker of his over him and she is open to readily clear on her husband. Yet never explains why she choose him in the first place. Also, we see him cheat on her partially and never is found out. But this is not their movie so these little details are not deemed important. As this isn’t exactly a film that deals with rationality not being detail-oriented.

The film truly lets loose in the third act. By the end the film it all comes off as energetic, sweet, and ridiculous. 

Grade: C-

I AM CHRIS FARLEY (2015)

CHRISFARLEY

 

Directed By: Derik Murray & Brent Hodge
Written By: Steve Burgess
Cinematography By: Shaun Lawless & Geoff Wallace
Editor: J.R. Mackie 

Featuring: Chris Farley, Adam Sandler, Lorne Michaels, Bob Saget, David Spade, Christina Applegate, Tom Arnold, Jon Lovitz, Jay Mohr, Bo Derek, Bob Odenkirk, Mike Myers, Dan Aykroyd, Molly Shannon, Will Sasso, Will Ferrell, Kevin P. Farley, Fred Wolf, Pat Finn

A documentary on the life of comedian, Chris Farley.

Continue reading “I AM CHRIS FARLEY (2015)”

I NOW PRONOUNCE YOU CHUCK AND LARRY (2007)

nowpronounce

Directed By: Dennis Dugan
Written By: Barry Fanaro, Alexander Payne & Jim Taylor
Based on a screen Treatment By: Lew Gallo
Cinematography By: Dean Semler
Editor: Jeff Gourson 


Cast: Adam Sandler, Kevin James, Jessica Biel, Nicholas Turturro, Ving Rhames, Rob Schneider, Allen Covert Dan Aykroyd, Richard Chamberlin, Steve Buscemi, Blake Clark, Rachel Dratch, Nick Swardson, Mary Pat Gleason, Jamie Chung, Rob Coddry, Robert Smeigel, Richard Kline, Gary Valentine, Dave Matthews, Lance Bass, David Spade, Peter Dante, Jonathna Loughran 


Two straight, single Brooklyn firefighters pretend to be a gay couple in order to receive domestic partner benefits.

Continue reading “I NOW PRONOUNCE YOU CHUCK AND LARRY (2007)”