SPLITSVILLE (2025)

Directed By: Michael Angelo Covino 

Written By: Michael Angelo Covino & Kyle Marvin

Cinematography: Adam Newport-Berra

Editor: Sara Shaw

Cast: Kyle Marvin, Michael Angelo Covino, Dakota Johnson, Adria Arjona, Nicholas Braun, Charlie Gillespie, David Castaneda, O-T Fagbenle, Nahema Ricci, Tyrone Benskin 

When Ashley asks for a divorce, the good-natured Carey runs to his friends, Julie and Paul, for support. Their secret to happiness is an open marriage; that is, until Carey crosses the line and throws all of their relationships into chaos.


Even though this is more supposed to be a broad relationship comedy, I dislike most of the characters for different various reasons throughout as most of them come across as so selfish and vain, especially Adria Arjona’s character who could be seen as a hot blooded stereotype, but if anything, she more sums up spiritual or wellness seeking characters who are supposed to be about inner peace, but if you ever get to know them come across more self initially because it tends to be all about them in their pleasure rather than others emotions, especially those who are in their lives or love them. Though she is undeniably, jaw-droppingly attractive. Then again maybe as I have had experience with those types it’s a bit too familiar. 

Though for her character makes sense as a life coach and the initial opening scene the accident that happens in the results it would seem natural for something like that to shake the boundaries and look for a rebirth or at least a change in their lives as that being assigned of it.

Not to mention, knowing the two male characters are the writers and directors of the film. They set the bar high with who they cast as their girlfriends and wives in this film as the women come across is too beautiful for them believably but again it’s a film so we do see the qualities that make them fall for them.

Though everyone throughout comes across as so reprehensible yet wise, but might hit upon an ugly truth throughout, that might be painful for certain members of the audience to hear, especially those who are more romantic and believe in monogamy as the film is certainly cruel to more the supporting character characters

Then there is one character who thankfully is minor who is openly trying to pick up Dakota Johnson’s character at a carnival with their own chikd that I thought the movie was gonna do more with him, but is only there for one scene. It seems almost more like a prop or antagonist to get the most out of the main characters or add to the weirdness and silliness of the situation.

This film is downright funny though you have to be on its wavelength of just strange situations. It feels like another BOB, CAROL, TED AND ALICE. For  the modern day age, but not trying to be as revolutionary or introduce the audience into a different way of thinking.

As it feels like a Woody Allen comedy played as a romantic comedy. As tinwaht happens after the happily ever after.

For all the qualities that make the film work there’s also things that just make you not like not necessarily the movie but the characters but then again it makes you uncomfortable and awkward, which the film seems to want to rest on sort of like a curb your enthusiasm, but where everybody is treated equally and each has their own personality disorder so to speak. 

The two characters who stand out are Dakota Johnson surprisingly as she seems to be one of the more decent characters who gets confused and just can’t make up her mind and the character of Casey played by Kyle Marvin, who is just seems or comes across as an innocent and nice guy who gets pulled in to this situation and keeps trying to make the best of it, but at heart is just a romantic and who some will see as just too nice, but he comes across the most authentic and you can understand why people fall for him and trust him.

Even thevfilmmaking is quite impressive. on a technical level as the camera work is beautiful and it’s angles inventive, even the rhythm of the scenes which can go from intimate to slapstick on a moments notice. still manages to work and be perfectly blocked as the camera always knows where it’s supposed to be.

This is a film for the more adventurous, even if it seems like it’s gonna play more suburban and it isn’t as sexual as dirty as the premise or the trailer might make it look or sound there is nudity, but it’s more male nudity than anything and just examines the absurdities of relationships and the selfishness that can result in them, especially in the complications of trying to PLEASE a partner or seemingly open up for their pleasure and you might be sabotaging your own relationship

I am a fan of the filmmaker, Michelangelo Covino and Kyle Marvin in their previous film, the climb, and just as with that film here they play best buddies who’s romantic entanglements rule them and also the characters tend to switch partners who are their friends previously partners in the main characters tend to bicker, be ruthless to each other yet still come together and maintain that friendship that feels like slapstick, but also has a bit of truth behind it.

this one is no exception as it almost feels like a continuation of their previous film only with different characters and situations so again it has that kind of Seinfeld or curb your enthusiasm, energy and vibe while entirely being its own entity and personality

Grade: B- 

AM I OK (2022)

Directed By: Tig Notaro and Stephanie Allynne 

Written By: Lauren Pomerantz 

Cinematography: Cristina Dunlap

Editor: Kayla Emter and Glen Scantlebury 

Cast: Dakota Johnson, Sonoya Mizuno, Kiersey Clemons, Jermaine Fowler, Molly Gordon, Sean Hayes, Whitmer Thomas, Tig Notaro, Odessa A’Zion 

Lucy and Jane have been best friends their entire lives. Only when Lucy embarks on a personal journey, will she face a test of her friendship, and her sense of self, on a path she may not be entirely ready to take.


Strangely, this film was delayed as it was finished in 2022 and Dakota Johnson filmed this movie back to back with THE LOST DAUGHTER & CHA-CHA REAL SMOOTH in which she gave acclaimed performances in the two other films here maybe this is where she started to feel fatigued as her performance here seems to falter in comparison to the other two. as this film only became available in 2024 HBO Max, bought it right out of Sundance and then waited two years to finally release it.

This film is pretty simple as you pretty much know what’s going to happen along the way you’re just wondering what kind of presentation you’re going to get.

One can appreciate that it deals with the situation more realistically, Where it takes big decisions, and instead of presenting them as that. It more tackles them a little more subtle and a little more minute detail.

That is the thing the film has going for it. The two protagonists, unfortunately, are a bit annoying as the one character by Dakota Johnson can’t seem to make any decisions in her life, and once she makes a big dramatic one she is still so wishy-washy her best friend winningly played by Sonoya Mizuno is the hipster who has a successful career who pretty much has taken care of her most of her life and now that a big changes land to separate the other is jealous. It seems that the other one is leaving and the more successful one finally realizes they don’t necessarily need the other person as they have all these other things going for them the date for the move comes more challenges come her way once she realizes who truly has always been there for her who truly is her friend.

Another aspect, I can appreciate about the film is that while it does deal with a character discovering their homosexuality, the film doesn’t become only about that or you know, finding love and romance, it shows the In and out of dating as a queer person. Also, what looks to be a love match could just be a hookup and Sometimes might just be looking for a good time or experimental.

Along the way, the film throws in quirky characters not so much situations, but weird reactions to situations. That makes it more like a movie or even just a story where little light touches are made to enhance the more dramatic or even comedic storylines.

The characters are supposed to be likable, but at least for this critic, I found them more annoying than anything, by the end. It only enhances that there for one another or one seems more like a mother and the other child, and even when one character comes to realize her sexuality, even then she goes into it so wishy-washy that at first, you believe the film is going to be her realizing she’s in love with her best friend and how her best friend deals with it but instead it’s just they are having midlife crisis, reaching different milestones. Though out of the two I could stand Mizuno’s character the most. When her character experiences a downfall, it is more truly felt and surprising.

the successful one feels more like he could’ve been a gay best friend type character as he seems to be there to drop in and tell a few jokes disappear and only adds drama for one scene when he decides conveniently to tell his girlfriend that he’s probably not going to move with her.

this phone just wasn’t for me. You have to be in the right mood and have the right amount of patience to watch this film, but it’s not horrible. It just wasn’t that great. 

The film does offer some prime California background and locations that all look modern and meditatively beautiful.

Grade: C 

CYMBELINE (2014)

cymbeline

Written & Directed By: Michael Almereyda
Based On The Play By: William Shakespeare
Cinematography By: Tim Orr
Editor: John Scott Cook & Barbara Tulliver 


Cast: Ed Harris, Milla Jovovich, Delroy Lindo, Ethan Hawke, Kevin Corrigan, Penn Badgely, Anton Yelchin, Dakota Johnson, Bill Pullman, John Leguizamo, James Ransone, Vondie Curtis-Hall, J.D. Williams, Spenser Treat Clark 


 A gritty story of a take-no-prisoners war between dirty cops and an outlaw biker gang. A drug kingpin is driven to desperate measures. You would need a big name cast to keep the audiences interest. Unless you have Shakespeare purist fans. As there is no real style and feels closed in and claustrophobic


So with this cast other than Ed Harris, Ethan Hawke. you have actors who are more on the mainstream leading roles. Challenging themselves and trying to show they are more than pretty faces by tackling Shakespeare in a more contemporary way and trying to make it more of a crime story.

Though this is one of few times Ed Harris really get to play a leading role. Even if he is barely in the film his presence is always felt. Where as Ethan Hawke is an accomplished stage actor and leading man. So it is not strange to see him In This film. In more of a smaller but pivotal role. Though both heavily featured on the poster. they seem to leave it a showcase for the other actors. As most of the tale revolves around the younger supporting characters. They still revolve more around Harris’s character.

Though it still comes off as slow and claustrophobic. Throughout the performances feel more forced and never quite natural. I understand the language might be out of place, but usually in successful adaptations the actors still find a way to make it convincingly theirs. The material never seems to come alive. Even with such a violent tangled tale.

It’s a shame as the film has a good recognizable cast and strong material that doesn’t feel like it ever comes full circle and maters by their presence. Small scale can be realistic in a kitchen sink drama way. Here that style adds very little, but is definitely a stylistic choice.

The film offers us glimpses of the underworld they operate in but never quite fully explained. Yet we see constant back deals behind closed doors. That every so often becomes a little confusing. Though by the third act it all becomes more clear.

The film feels like an experiment. While also trying to follow the popularity of Shakespeare and the adaptations of it. It tries to stick to it’s more indie roots by choosing a play that is less well known. So that maybe fewer audience members can find fault with it.

This is Director Michael Almereyda’s second attempt at a modern shapespeare tale. He directed an adaptation of Hamlet with Ethan Hawke that similarly had mixed but better results.

Strangely this is one of the few of Shakespeare’s tragedies that has more of a happy ending. Once you get through some deaths and a general massacre.

The film comes off more as a rich fairy tale. That seems inspired by the show SONS OF ANARCHY, with it’s dirty cops and criminal biker gang. Just as that show was inspired by the tale of HAMLET.

Grade: C

DATE AND SWITCH (2014)

dateandswitch

Directed By: Chris Nelson
Written By: Alan Yang
Cinematography: David Robert James
Editor: Akkiko Iwakawa-Grieve & Tia Nolan

Cast: Nicholas Braun, Hunter Cope, Zach Cregger, Dakota Johnson, Ray Santiago, Megan Mullally, Nick Offerman, Larry Wilmore, Gary Cole, Sarah Hyland, Dustin Ybarra, Rob Huebel, Aziz Ansari, Wendi McLendon-Covey, Brian Geraghaty

High school seniors Michael and Matty make a pact to help each other lose their virginity before their high school prom. Their plan hits a snag when Matty tells his best friend that he’s gay. Michael’s supportive but awkward attempts to help Matty fit in put a strain on their decade-long friendship. Their friendship is further tested when Michael falls for Matty’s former girlfriend and Matty falls for a guy whom Michael wouldn’t approve of. Prom looms and Michael and Matty have to repair their friendship and then figure out their love lives.

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BLACK MASS (2015)

blackmass

Directed By: Scott Cooper
Written By: Jez Butterworth & Mark Mallouk
Based On The Book By: Dick Lehr & Gerard O’Neill
Cinematography By: Masanobu Takayanagi
Editor: David Rosenblum 


Cast: Johnny Depp, Joel Edgeton, Rory Cochrane, Benedict Cumberbatch, Corey Stoll, Jessie Plemmons, Peter Sarasgaard, Kevin Bacon, Adam Scott, Juno Temple, Dakota Johnson, Julianne Nicholson, W. Earl Brown

Based on a true story of James “Whitey” Bulger, an Irish Mob godfather and FBI informant who had a “secret trading” deal with his brother, William “Billy” Bulger, a state senator and a Boston public figure, and John Connolly, an FBI agent. They planned to take down the Italian mob and mafia in Boston, which went awry and things turned massively violent. When the credence for each other began fading out, drug dealing, murders, and extortion started to rise, and forced the FBI’s Boston office to confirm that Whitey Bulger was one of the most notorious criminals in US history and also one of the FBI’s Ten Most Wanted List criminals.

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SUSPIRIA (2018)

Directed By: Luca Guadagnino
Written By: David Kajganich
Based On Characters Created By: Dario Argento & Daria Nicolodi
Cinematography: Sayombhu Mukdeeprom
Editor: Walter Fasano
Music By: Thom Yorke 


Cast: Dakota Johnson, Tilda Swinton, Alek Wek, Chloe Grace Moretz, Mia Goth, Jessica Harper 

A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

 

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BAD TIMES AT THE EL ROYALE (2018)

badtimes

Written & Directed By: Drew Goddard
Cinematography By: Seamus McGarvey
Editor: Lisa Lassek 


Cast: Jon Hamm, Dakota Johnson, Jeff Bridges, Cynthia Erivo, Chris Hemsworth, Nick Offerman, Jim O’Heir, Lewis Pullman, Xavier Dolan, Shea Whigham 


Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors – before everything goes to hell.

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