NOBODY 2 (2025)

Directed By: Timo Tjahjanto 

Written By: Derek Kolstad and Aaron Rabin

Cinematography: Callan Green 

Editor: Elisabet Ronaldsdottir

Cast: Bob Odenkirk, Connie Nielsen, Christopher Lloyd, Rza, Colin Hanks, Sharon Stone, John Ortiz, Colin Salmon, Daniel Bernhardt, 

Workaholic assassin Hutch Mansell takes his family on a much-needed vacation to the small tourist town of Plummerville. However, he soon finds himself in the crosshairs of a corrupt theme-park operator, a shady sheriff, and a bloodthirsty crime boss.


this sequel is pretty much more of the same only not as deep or caring. It seems to go through the motions, but instead of a sequel it almost feels like a side pack of action sequences they didn’t use in the first one only set in a new location. 

It tries to further the main character a bit but again it just seems like the same thing. Nothing seems to truly get deep end except to explain why he’s still doing the same kind of business from the first film. It doesn’t help build a world just offering us an excuse for more action sequences 

While trying to stay comedic to an extent.

Even the things that should be exciting end up playing rather bland for instance, having Sharon Stone is the big villain what should have been a comeback ends on a whimper sort of like when Jean-Claude Van Damme was the villain in the expendables part 2

The film seems oddly rushed too so if you like the first film, you you’ll probably enjoy this film or at least be entertained by it, but it doesn’t offer much which is disappointing considering it’s directed by Timo Tjahjango 

A noted action director making his English language, American film debut after such classics as THE NIGHT COMES FOR US. 

Though to be fair, he was a replacement director only brought on eight weeks before production started. 

As the film has it’s fair share of action, which is what the film is mostly about as the plot just seems very thin and just there to connect everything for there to be this violence. The problem is going in the first films Violence was noteworthy, here It just feels like it’s more of the same and not as impressive.

It’s pretty cut and dry. You can see why they put this film out in the summer. As it plays like a typical summer action film with less imagination and more the continuing adventures of and it being barely 90 minutes can’t say that there’s much substance but it will please. It’s fans well enough as long as they’re not looking to dig too deep Honestly, it just feels like filler or the film equivalent of filler to a continuing franchise which considering it kind of bombed, I don’t know if there will be another one, though I hope if there is another one, they put more time heart thought into it so that it can truly be What it seems designed to be a B movie version of JOHN WICK

Though I will admit when it’s in its element, it is fun and entertaining. Even if it’s an obvious cash grab.

Grade: C

LUCKY (2011)

Directed By: Gil Cates Jr.
Written By: Kent Sublette
Cinematography: Darren Genet
Editor: Gregory Plotkin 

Cast: Colin Hanks, Ari Graynor, Ann-Margaret, Jeffrey Tambor, Mimi Rogers, Allison Mackie, Tom Amendes, Adam J. Harrington 

A wannabe serial killer wins the lottery and pursues his lifelong crush.


The film gives star Ari Graynor a good role to excel in but the character seems to be more of a sketch of a character only theft to fulfill a purpose than a full-blooded human character. The film also lets her down by not riding to the strength of her performance.

The film is a black comedy that has a light tone and makes the film off-putting to the audience.

Second to Ari Graynor in the film is Ann Margaret as a mother who might know more than she lets on, she is still a screen presence and steals her scenes. 

The film has a lot of opportunities to make detours that might have given the film a greater impact or opened up more comedic moments.

Graynor injects the role with so much gravitas she is so over-the-top comedic in certain scenes that it makes the material almost come across as a spoof, but she is such an engaging actress you can’t take your eyes off of her. Especially as her character slowly starts to lose it.

At least the protagonist’s issues are suitably explained and at heart, there is a love story of two people learning to get past each other’s dysfunctions. In a more extreme manner.

The film doesn’t take its Comedy totally from cruelty and graphic violence. We are spared the violence of the murders.

The film just feels like it is missing an ingredient. That you can’t exactly put your finger on. That would make the film feel more complete and memorable. As it has the material 

GRADE: C-

ORANGE COUNTY (2002)

Directed By: Jake Kasdan 
Written By: Mike White 
 Cinematography By: Greg Gardiner 
Editor: Tara Timpone 

Cast: Colin Hanks, Jack Black, Schuyler Fisk, John Lithgow, Catherin O’Hara, Leslie Mann, Carly Pope, Lily Tomlin, Chevy Chase, Dana Ivey, Brett Harrison, Natasha Melnick, Harold Ramis, Kyle Howard, Mike White, Fran Kranz, Nat Faxon, Monica Keena, Lizzy Caplan


Shaun Brumder is a local surfer kid from Orange County who dreams of going to Stanford to become a writer and to get away from his disfunctional family household. Except Shaun runs into one complication after another starting when his application is rejected after his dim-witted guidance counselor sends the wrong application. So, Shaun goes to great lengths with a little help from his girlfriend Ashley and his drugged-out loser brother Lance to get into Stanford any way they see fit.

Screenwriter, Mike White seems so seething with ideas and quirky characters ready to bust out on screen. You want to follow in further stories and adventures with the characters. So they usually feel like extended pilots for a new series. Maybe it’s his background in television writing. In turn, his television series always seem like set-ups for films. While he is usually a writer-director here he only handles the script.

Jake Kasdan directs the film. He usually is an inspired comedy director. He has a more subdued, subtle dead own style when it comes to style and scripts. with films like ZERO EFFECT, BAD TEACHER and THE TV SET

This feels like a film that is distracted as we see the cavalcade of well-known actors. Half the time the film’s scenes feel like a set-up for a celebrity cameo. Like there are most to the other characters but we only get to see them at their craziest. Trying to make the celebrities more recognizable or introduce them to a younger audience. The film also plays it smart even when stupid.

This film feels like an MTV film while it tries to match its demographic and quirky style for a built-in audience. That leaves the film inspired but also grasping for something. So that it works more times than not, but still doesn’t shine. Maybe because it seems to try too hard.

Jack Black plays well in the film. What a lot of critics have labeled him, as here I found him quite humorous. As the film has a bunch of standout hilarious scenes, Involving him, but though top-billed he is more here as a supporting actor.

The film’s humor is more sold by more minor performances and supporting characters. Rather than the set-up’s

The leads and the director are both children of Hollywood superstars. They more than hold their own though these are ones they could play in their sleep.

This film feels like a minor work not deep at all. It’s mildly amusing. All could do better and have this seems to like them trying to be more mainstream.

Plus the premise of the film is that his writing is so good because of the characters in his stories. Only they aren’t characters as much as real people. So he is just writing his real-life not that creative. Which is what goes against the premise. At least as far as the ending goes. And seems dependent on.

Plus it feels like his decision at the end is supposed to be heartwarming. It more feels deceptive like he needs more material and inspiration.

Through as much as I criticize. I find myself re-watching it from time to time. It has a highly rewatchable quality. The film is short and sweet. It’s a fun time while it lasts, but never comes close to being a classic

I can’t call it a good movie, more of a precious film that doesn’t seem forced. That younger people can look at it like it belongs in a museum. Like our own personal definite gift shop as a souvenir for others to share and see.

It really says you are a good writer. If you can tell the truth and bring it all together to be told vividly for an audience.

GRADE: C+

WHATEVER IT TAKES (2000)

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Directed By: David Raynr
Written By: Mark Schwahn
Cinematography: Tim Suhrstedt
Editor: Ronald Roose 

Cast: Shane West, James Franco, Marla Sokoloff, Jodi Lyn O’Keefe, Aaron Paul, Kip Pardue, Julia Sweeney, Colin Hanks, Richard Schiff, Vanessa Evigan, David Koechner, Nick Cannon, Christine Lakin, Manu Intiraymi, Scott Vickaryous

 

A modern-day remake of the Cyrano DeBergerac tale.

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