DROP (2025)

Directed By: Christopher Landon 

Written By: Jillian Jacobs and Chris Roach

Cinematography: Marc Spicer 

Editor: Ben Baudhuin

Cast: Meghann Fahy, Brandon Sklenar, Violet Beane, Reed Diamond, Gabrielle Ryan, Sarah McCormack, Jeffrey Self, Ed Weeks

A widowed mother on her first date in years, who arrives at an upscale restaurant where she is relieved that her date, Henry is more charming and handsome than she expected. But their chemistry begins to curdle as Violet begins being irritated and then terrorized by a series of anonymous drops to her phone.

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This film was a major disappointment. As from the trailer It looked like it could be a little exciting, but more like kind of an event film that might be better seen on the big screen and maybe that’s true. Watching it at home on a regular screen, though I was willing to give it a chance as quite a few friends whose opinion I trusted recommended the film saying that it was fun seeing that it also got surprisingly really good reviews peaked my interest so I was excited to finally watch it

I could just never get into this film. I’ll admit the film kept me guessing as to who was behind it all that was through most of it while there were some fun twist the first half left me board and then it seems in the second half to go gonzo and go all over the top. 

Some of said that it’s like a modern day, Hitchcock thriller only with modern technology, and while I admit, using the technology in this thriller was original one of the things that didn’t work was, didn’t really care about the characters. There’s nothing wrong in their performances, even though the male lead played by  Brandon Sklenar was very boring And not that romantic or truly appealing

What was interesting about the film was the dynamic of not only the thriller element but also the power to control how an evening or date goes knowing what to reveal or how to behave to truly attract the other when usually most of us can be guarded in that first date as it is truly getting to know you, though there must be some kind of appeal I got you there in the first place.

Coming from Director Christopher Landon at this point he’s a filmmaker who feels a little late as most of his films come across as great high concept projects that for the most part Work but also seem to have a Debt to 80s and 90s films played in more modern times That sometimes work to their advantage as they are interesting stories, but the follow-through isn’t always as magical or appealing. He didn’t write this one either. 

As one loves a HAPPY DEATH DAY franchise, but his other films freaky in this film are good enough, but never quite when you over as much as freaky was violent horror that had a camping to it. This film tries to be more adult as a thriller, and tries to stay in the realm of reality, but it gets so ridiculous and never quite lean into that camping factor that it just comes off as silly and ridiculous at times not quite as Sterling as it is aiming for.

I think it’s a fine one time watch but it is very disposable and forgettable. Wish it had a stronger script, but then it might not be as loose for the audience is a popcorn movie through and through. That wasn’t for me, but I can see many enjoying. I just didn’t drink the Kool-Aid as the flavor was not to my liking.

Grade: C 

HEART EYES (2025)

Directed By: Josh Ruben 

Written By: Philip Murphy, Christopher Landon and Michael Kennedy 

Cinematography: Stephen Murphy 

Editor: Brett W. Bachman 

Cast: Mason Gooding, Olivia Holt, Jordana Brewster, Devon Sawa, Gigi Zumbado, Michela Watkins, Yoson An, Ben Black, Chris Parker, 

For the past several years, the “Heart Eyes Killer” has wreaked havoc on Valentine’s Day by stalking and murdering romantic couples. This Valentine’s Day, no couple is safe.

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This is a film that plays more like a romantic comedy that builds itself around a horror, film plot. It’s cute. It’s violin. It sometimes has a laugh or two and both sides with each other and against against each other. 

Whereas I wish you could be more like happy death day, which did have a comedy side and a horror side, but it also seemed to have its serious moments too. That made you care a little bit more. 

This film lacks that so that again the characters always feel exactly like that like characters rather than human beings, and why you worry about them in their peril the film, cynical, nature, almost every other character works against it as it seeks to be a dark comedy that reels a little bit more in violence 

If that is what you are seeking, you have found the perfect film for yourself and I will admit it stays entertaining through 90 minutes though after a while, it does becoming a bit predictable, though I will give it points for originality with ending to a certain extent 

No, again like a romantic comedy unfortunately the two leads who we follow are somewhat interesting, but not enough to hold your attention throughout the whole film where you really start to bond with them 

In fact, as a film where again some of the more supporting characters are way more interesting, and you had more screen time, but then it would probably require them to be either pulled into the plot story more killed. The audience would definitely want revenge on the slasher. 

I’m thinking, especially the best friend played by Gigi Zumbado, who the film could’ve benefited with her character being featured more or hell even being the lead character if they make a sequel to this film hopefully she will get that lead role

The film is enjoyable in a disposable way where your entertained while you watch it, but can’t see many watches and some of the scenes. Remind you so much of other horror films that either is paying two or based around. 

In fact, the only scene to me that was the most far would be that all these people are watching one of my favorite movies his girl Friday at a drive-in, even if it is Valentine’s Day.

It’s nice to see Jordana Brewster in any role that is not associated with the FAST & FURIOUS franchise 

Almost like rather than a comedy à la Simpsons episode where there’s a serial killer killing couples out and of course the city decides to still keep it Valentine’s Day celebrations going culminating and a driving and amusement park for lovers the slasher, a perfect opportunity of victims.

Not surprised that this film was also written, but some of the writers of the film’s FREAKY and IT’S A WONDERFUL KNIFE as well as TIME CUT. As this film has a similar feel. Where the concept is pushed more than anything else. Just as being directed by Josh Ruben who made WEREWOLVES WITHIN a mystery that seemed more to push the comedic elements more than the horror or mystery ones. 

Again, I don’t wanna make this film seem worse than it is as it does seem to be having a lot of fun and is made more for an audience. It’s just not a sharp as it seems to aim to be like fast food good in the moment, but overall not the best for you Nor noteworthy

Grade: C+

FREAKY (2020)

Directed By: Christopher Landon 
Written By: Christopher Landon & Michael Kennedy 
Cinematography: Laurie Rose
Editor: Ben Baudhuin 

Cast: Vince Vaughn, Kathryn Newton, Celeste O’Connor, Misha Osherovich, Emily Holder, Nicholas Stargal, Katie Finnaren, Dana Drori, Mitchell Hoog, Melissa Cellazo 

After swapping bodies with a deranged serial killer, a young girl in high school discovers she has less than 24 hours before the change becomes permanent.


This is my type of film and comes from writer-director Christopher Landon. One knows what to expect: a high concept idea that was prominent in 1980’s/1990’s films only here put into the horror genre.

It comes out entertaining but not as much as one would have hoped. The film is perfectly entertaining. Yet even with the violence and gore. You never quite take it seriously or worry.

Half the time it is done with fun. While also giving the moral of respecting people’s titles, labels, and character and trying to define them as just one thing.

While the kills are somewhat creative. The way in which they switch bodies seems a little hokey. It’s needed for the audience to understand but kind of takes the audience out of the film. It offers a ridiculous plot device and provides comedy for this film, but as the film doesn’t live up to the campy and cheesy nature of that plot point it kind of shines a spotlight on it as a weakness.

What shines through the most here is surprisingly Vince Vaughn who could have let his performance be Purely comedic but he plays menacing, heartfelt, girlish, and comedic believably. In both his killer performance and his performance with his body being inhabited by a teenage girl. 

It’s also nice for a film to actually have a sex scene that is not graphic but plays into the genre and manages to have no nudity.

You can tell early on who the film is setting up to be victims and when it has a chance it resists twists that one might expect. It even manages to have 2 endings where the film could have ended and still been perfectly fine but needed that extra one to give the character more closure and achieve eye goal as well as have a typical horror ending.

This is a horror-comedy that offers some fun and different aspects but in the end, sticks to the rules and script of the familiar. Though it is definitely worth watching. 

Grade: C+

SCOUT’S GUIDE TO THE ZOMBIE APOCALYPSE (2015)

Directed By: Christopher Landon
Written By: Carrie Evans, Christopher Landon & Emi Mochizuki
Story By: Lona Williams, Carrie Evans & Emi Mochizuki
Cinematography By: Brandon Trost
Editor: Jim Page

Cast: Tye Sheridan, Logan Miller, David Koechner, Cloris Leachman, Joey Morgan, Sarah Dumont, Halston Sage, Patrick Schwartzenegger, Missy Martinez


Three scouts, on the eve of their last camp-out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak.

The film delivers the title, but when you see the advertisements. You expect a squadron or at least Boy Scouts. Who are at the least 12 years old or younger. Which is horrifying and unique. Yet funny.

The screenplay for this film was featured in the 2010 Blacklist; a list of the “most liked” unmade scripts of the year.

Here it is three teenagers and a cocktail waitress. So it becomes more of a teen movie with respective gross, low class sense of humor that tries to be explosive, but never goes fully to its capacity and tries too hard with no enthusiasm as some zombies are capable to think to a degree that leaves the film just seeming to revel in what it thinks is cool or what it believes the audience is after. Rather then tell it’s story with confidence and skill.

Though the film feels small scale and a bit scattershot with the throw everything and the kitchen sink type of plotting. The film seems more mainstream and wanting to tell a joke and get the audience to laugh with it. Though the jokes seem innocent they come off more as raunchy, but seem to want to have heart.

The film just ends up feeling like a cheery caffinated cheeerleader when you just want to watch asimple game.

Though strangely the film is scored like a Steven Spielberg film. Though not as skilled and knowing how to make the score work for the film and the emotional current of the scenes. Not using it for it’s strength or depth. Especially as Spielberg seems to be one of the masters of incorporating it as a desired ingredient and needed thread to his films. The soundtrack songs seem More like outdated music cues that one wonders if for recent nostalgia? Or for how pathetic they are and in bad taste? Or did the filmmakers really think it was still hip and was doing it as an audio version of product placement.

The film tires to do what it can with the premise that you would think would leave some opportunities for comedy and some originality to a familiar tale. Though it ends up going the more crass and uninspired route. That plays like a teenage sex comedy to a degree. That happens to have the threat of zombies at it’s center.

The film had very few inventive or innovative additions to the genre. Then again this isn’t a film that was made to do that or further cinema. Luckily the film doesn’t make the mistake of trying to incorporate any zombie film homages.

What happens here in this film is that it sounds like the tons of cash-in low budget films that fill the V.O.D. Market that end up making a quick buck out of general wonder if the audience and the late night crowd looming for something generally fun but entertaining. Studios see this and attempt to do the same with a film and title like this and though the film plays up a juvenile attitude and humor it still feels like a safe film that fits more into blockbuster entertainment for the masses. It feels too inside of the joke to really let loose and be the oddball curiosity type film that the title might imply. It lacks a certain explosive zeal the title seems to hint at. In other words, it fakes the funk. Just as when rich kids try to make themselves look of the people or poor. Yet they can afford extravagant things while having no job and their parents pay for everything.

The film is an average time waster that keeps your interest to a degree. Even after the initial appeal has worn off. Rather quickly and the premise plays itself out, to only be another zombie surviving another zombie attack film. That time to time reminds you that the main characters are boy scouts. Though really the film at heart is just a teen comedy with zombies. That typically happens all in one night, which leads to the truth that has an Initial betrayal but leads the main characters to bond and learn lessons whole overcoming their fears and problems.

It seems like the horny character keeps getting piss and blood sprayed on his face as sort of a punishment for his character’s behavior and overall attitude that comes across as a money shot (facial) at least.

The film also offers the violence, Sex, and nudity that a teenage or audience that really looks for that in films. (Which includes a revealing Cameo from an adult movie star Missy Martinez) Which seems to be making a comeback recently. Though this isn’t necessarily a film where you would expect it. Just a lot of talk about it.

The film is easily forgettable, but it interested as long as your hopes aren’t high. You might actually enjoy it. Though if not you definitely can skip it and not really miss anything.

 Grade: D+

DISTURBIA (2007)

disturbia4

 

Directed By: D.J. Caruso
Written By: Christopher Landon & Carl Ellsworth
Story By: Christopher Landon
Cinematography By: Rogier Stoffers
Editor: Jim Page 


Cast: Shai LeBouf, Sarah Roemer, Aaron Yoo, David Morse, Carrie-Anne Moss, Viola Davis, Matt Craven, Jose Pablo Cantillo 


After his father is killed in a car accident, things unravel for Kale Brecht and he is placed under house-arrest for punching his Spanish teacher. Having nothing better to do, Kale occupies himself by spying on his neighbors. But one night, he witnesses what appears to be a murder going on in Mr. Turner’s house. Kale becomes obsessed with uncovering the truth behind these murders but, after a few unsettling run-ins with Mr. Turner, it becomes a matter of life and death. And the ominous question: Who is watching whom?

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HAPPY DEATH DAY 2U (2019)

Film Title: Happy Death Day 2UWritten & Directed By: Christopher Landon
Based on characters created by: Scott Lobdell
Cinematography: Toby Oliver
Editor: Ben Baudhuin 


Cast: Jessica Rothe, Israel Broussard, Phi Vu, Ruby Modine, Steve Zissis, Rachel Matthews, Sarah Yarkin, Suraj Sharma, Charles Aitken, Laura Clifton, Missy Yager, Jason Mayle, Rob Mello 


Having survived the farcical but utterly life-threatening events in the first film, the feisty sorority sister, Tree Gelbman, finds herself in the same college dorm, thankful to be alive. However, this time, it’s Carter’s roommate, Ryan, who claims that he is reliving the same paradoxical day over and over again, as a mysterious paranoid killer in a single-toothed baby-faced mask with a big kitchen knife has made a habit of murdering him. Under those circumstances, a valiant but vain attempt to face the challenge, once more, will send Tree back to square one, trapped in an all too familiar and blood-drenched time loop. How many deaths separate Tree from a truly happy birthday?

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