A DOG’S WAY HOME (2019)

Directed By: Charles Martin Smith 

Written By: W. Bruce Cameron and Cathryn Michon

Based On the novel by: W. Bruce Cameron 

Cinematography: Peter Menzies Jr. 

Editor: David S. Clark, Debra Neil-Fisher and Sabrina Pilsco

Cast: Ashley Judd, Jonah Hauer-King, Alexandra Shipp, Edward James Olmos, Barry Watson, Wes Studi, Chris Bauer, John Cassini, Brian Markinson, Patrick Gallagher 

As a puppy, Bella finds her way into the arms of Lucas, a young man who gives her a good home. When Bella becomes separated from Lucas, she soon finds herself on an epic 400-mile journey to reunite with her beloved owner. Along the way, the lost but spirited dog meets a series of new friends and manages to bring a little bit of comfort and joy to their lives.

————————————————————————

These are the perfect family films as they are filled with innocence cute show, survival and loving, as well as offer adventure.

They are also manipulative as hell because they want you to get emotionally invested in the film. This is in a film you watch for the filmmaking necessarily or even the story but you will find yourself emotionally involved no matter how long you watch the film.

Especially as they usually focus on the dogs as they know that it is a weakness for the majority of the population to fall in love with these films, or find them more personal or personable.

No, like most of these films this one is based on a novel it still is more about a dog. The people who is a fax and who effect it has every scene seems to be introduced to new characters and get their story and leaves at the right moment, to affect their lives, and more positive ways.

Will admit that these films are guilty pleasures, even for me, and I’m not a dog owner, but I continuously watch the sermons once in a while and find myself charmed, even though I know the tricks, and I know better. They are even diverse and to reach each possible member Of a demographic of the audience.

Which then makes her feel all the more designed rather than natural

at least this one is directed by Character actor, and veteran Director, Charles Martin Smith, which might be why I give this one just a little bit more credit than it deserves.

Grade: C+

THE HOT SPOT (1990)

 Directed By: Dennis Hopper
Written By: Nona Tyson & Charles Williams 
Based on The book “ HELL HATH NO FURY” by: Charles Williams 
Cinematography: Ueli Steiger 
Editor: Wende Phifer Mate

Cast: Don Johnson, Virginia Madsen, Jennifer Connolly, Willam Sadler, Barry Corbin, Charles Martin Smith, Leon Rippy, Jack Nance, Jerry Hardin, Virgil Frye 

Upon arriving at a small town, a drifter quickly gets into trouble with the local authorities – and the local women – after he robs a bank.


This is one of those films I have heard about over the years that has gained a certain reputation. As for some, it’s a lost classic for others it might be an overhyped potboiler. 

The film seems to be slow as the story is revealed in what feels like real-time. Which could feel monotonous for some audience Members, but actually works for the film. Not only as a slow burn but leaves the audience to kindly walk in the shoes of the characters. Never quite knowing what is going to happen next or the next shoe is going to drop.

As we go throughout of course this is a noir tale that feels familiar. As we recognize the types but still offers surprises. As to the depths of certain characters and the ever-present blackmailing of characters.

Though from the outset it seems obvious who is going to fall into bed with whom. As the obvious more attractive members of the cast are set. Showing who are the true stars of the film. They work in their roles but can’t say they subtly appear with the rest of the cast.

As director Dennis Hopper has so much talent in front of the camera and behind. Filled with plenty of character actors who more set the scenes even though they don’t have much to do but be there and be witnesses to the actions going on around them.

This fits into noir more comfortably as it is a cynical film where the more innocent characters are either made to suffer or are natural-born victims. Whereas the more deprived characters seem to be the more successful ones and the ones the film and more interest in as more naturally they are more interesting even if they all don’t make it to the end.

The film has the aura of the type of film you would find for straight to cable or straight to how. Video in it’s days of release. That is how it was more discovered after being a box office bomb. Though it clearly deserved more credit than that. 

While the film certainly feels dirty and sleazy. it never quite feels as erotic or sexy as it should. That element while here and strong, especially As Virginia Madsen scorches the screen and has one of her finest performances. As a character who could easily have been cliche but offers up some surprises. It never feels like it rises to the occasion.

As it feels though, a driving force to the story oddly secondary and more means to an end. It’s necessary but not concentrated and maybe Dennis hopper as a known hedonist decided to try to pull back a little and focus on performances.

Strangely Dennis Hopper directed movies other than EASY RIDER & OUT OF THE BLUE. Always come off as sterile to a degree which includes this one. Though that might be out of expectations considering the man and his legacy. His later directed films seem more sedate as they slowly come from wilder independent to oddly more mainstream studio films. 

Jennifer Connolly plays the young innocent who is hiding her own secrets though also pulls at the heartstrings of the amoral drifter. Who he kind of see’s as his salvation or someone for him to rescue. As she seems usually In over her head or taken advantage of. Though in this film there is no denying her talent or her beauty.

As here he makes no short cuts or quick cuts. It feels kind of old school. As when these types of stories are brought to the big screen. Commonly they either play slick like they are smarter than the audience or believe the audience knows all the cliches so they offer more a sense of humor or spin on them or they tighten the narrative and scenes so much that each one feels either rushed or full of tension even when there doesn’t need to be. 

This takes its time and still offers up its own little surprises as well as what is expected. 

Grade: C+

THE UNTOUCHABLES (1987)

untouchables

Directed By: Brian DePalma
Written By: David Mamet
Suggested By A Book By: Elliot Ness & Oscar Fraley
Cinematography: Stephen H Burum
Editor: Jerry Greenberg & Bill Pankow 

Cast: Kevin Costner, Robert DeNiro, Sean Connery, Andy Garcia, Charles Martin Smith, Richard Bradford, Billy Drago, Patricia Clarkson, Don Harvey, Jack Kehoe, Del Close 

During the era of Prohibition in the United States, Federal Agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone and, because of rampant corruption, assembles a small, hand-picked team to help him. Continue reading “THE UNTOUCHABLES (1987)”

TRICK OR TREAT (1986)

trickor2

Directed By: Charles Martin Smith
Written By: Joel Soisson, Rhet Topham & Michael S. Murphey
Story By: Rhet Topham
Cinematography: Robert Elswit
Editor: Jane Schwartz Jaffe 

Cast: Marc Price, Tony Fields, Lisa Orgolini, Elaine Joyce, Glen Morgan, Doug Savant, Gene Simmons, Ozzy Osbourne, Charles Martin Smith, Alice Nunn 

A bullied teenage boy is devastated after the death of his heavy metal idol, Sammi Curr. But as Hallowe’en night approaches, he discovers that he may be the only one who can stop Sammi from making a Satanic comeback from beyond the grave.

Continue reading “TRICK OR TREAT (1986)”