THE CHUMSCRUBBER (2005)

Directed By: Arie Posen 

Story By: Arie Posen and Zac Stanford 

Written By: Zac Stanford

Cinematography: Lawrence Sher 

Editor: William Scharf And Arthur Schmidt 

Cast: Jamie Bell, Camilla Belle, Justin Chatwin, Lou Taylor Pucci, Rory Culkin, Glenn Close, Carrie Anne Moss, Ralph Fiennes, Jason Isaacs, Lauren Holly, Caroline Goodall, William Fichtner, John Heard, Allison Janney, Rita Wilson 

a dark comedy about the lives of people who live in upper-class suburbia. It all begins when Dean Stiffle finds the body of his friend, Troy. He doesn’t bother telling any of the adults because he knows they won’t care. Everyone in town is too self-consumed to worry about anything else than themselves. And everybody is on some form of drug just to get themselves through the day. After Troy’s death, local drug dealers at the school run out of their stash. They convince Dean to get Troy’s stash or they are going to kill his brother that they kidnapped, but they grabbed the wrong kid.


This show is an intriguing failure that seems to be some sort of statement or satire on disaffected teens coming apart at the seams in suburbia after tranquilizing themselves on recreational drugs for so long that they seem to be scared of their own emotions. I wish the film played and explored more of what I just described.

Instead, the film seems more interested in the adult characters, who are not as deep and as types. This only makes their stories seem melodramatic or the product of a soap opera. Which makes one wonder how the film got such a powerful cast for a film that feels more like a desperate Housewives spin-off

The film seems to shy away from too much depth to focus more on the quirks and offbeat comedy.

The film is all surface but tries too hard at times to seem deep almost like a pretty girl reading an intellectual book and you notice over weeks each time you see her she is on the same page as she only does it for the attention or seems smarter than she might actually be

The ending feels too. The end feels too clean cut which one could see if this was based on pre-existing material but as it is an original production, it could’ve been worked on a bit more. It feels too self-serving, trying to please an audience instead of going for emotional truth.

It ends up playing more like a studio version of an independent coming-of-age film. With the parents so busy with themselves, they never pay attention to their own kids, even after one commits suicide, which might be blatant science for attention and help or even subconscious ones.. though the adults seem to anodize themselves with Work and each other as a form of hiding.

The film tries to tighten it like video games and not feeling real trying to achieve a numbness or doing things so that they can feel something. Not fall into the same traps and behavior as their parents, though it seems they easily follow suit.

Has a good score which other than the cast seems to be the most accomplished thing about it.

Grade: C

SPY (2015)

Written & Directed By: Paul Feig
Cinematography: Robert D. Yeoman 
Editor: Melissa Bretherton & Brent White 

Cast: Melissa McCarthy, Jason Statham, Jude Law, Rose Byrne, Miranda Hart, Allison Janney, Morena Baccarin, Carlos Ponce, Peter Serafinowicz, Bobby Cannavale, Michael McDonald, Sam Richardson, Zach Woods, Katie Dippold, Richard Brake, 

Susan Cooper is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency’s most dangerous missions. But when her partner falls off the grid and another top agent is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global crisis.


This is for me so far the best comedy Melissa McCarthy has starred in. This doesn’t feel like one of her assembly line films that seem almost cranked out back to back, before the power of streaming made this a common occurrence for most stars. Though I give her credit for keeping trying original Comedic characters.

Luckily here her character is more identifiable for the audience and not so much mentally challenged. 

The film worked as a spoof comedy and an actual spy thriller where you care about what happens and you care about the characters. Who are actually memorable. As we in the audience are like the main character constantly wondering who we can trust.

The over-the-top villains and international characters are filled with so many strange details. It Is such a delight to watch.

Jason Statham is actually hilarious throughout. Having a kick for making fun of his previous roles. While doing what needs to be done action-wise. Which is what gives the film its energy is the constant duality of the actors, characters, and film. 

The film keeps you on your toes with Its surprises. As well as having a shocking amount of violence that is graphic. While  At heart the film is an action comedy. 

Everyone seems to give their character a certain spin. So it feels more like everyone has their own motivations, agenda, and trust issues. Yet all share a certain world and reality. 

This is a tight film but everyone feels loose and free. So that they get their moments to shine 

Grade: B+

WOLF (1994)

Directed By: Mike Nichols 
Written By: Jim Harrison & Wesley Strick 
Cinematography: Giuseppe Rotunno 
Editor: Sam O’Steen 

Cast: Jack Nicholson, Michelle Pfeiffer, James Spader, Christopher Plummer, Richard Jenkins, Kate Nelligan, Eileen Atkins, David Hyde Pierce, Om Puri, Ron Rifkin, Allison Janney 

Worn down and out of luck, aging publisher Will Randall is at the end of his rope when a younger co-worker snatches his job out from under his nose. But after being bitten by a wolf, Will suddenly finds himself energized, more competitive than ever, and possessed with amazingly heightened senses. Meanwhile, the beautiful daughter of his shrewd boss begins to fall for him – without realizing that the man she’s begun to love is gradually turning into the creature by which he was bitten.


I remember being entertained when I first saw this movie on video. Watching it now It comes across as instantly dated. As that is only part of the problems one might have with the film. 

Watching this film you can tell Mike Nichols who is a great and legendary director. Is more of a character and actors director more than a genre director. He brings esteem to the proceedings in what could have been easily more exploitive fare. 

Who brings a well-known and established cast to the movie. Actors who wouldn’t necessarily be bothered to be in this type of film. At the later stages of esteemed careers. 

As much of this movie plays out as a drama and romance rather than a monster movie or horror film. As a first, the film chooses to showcase the peers he gets from being a werewolf that helps bring vitality to him

And his life. Where he stands up for himself. Then it becomes more of a burden in his romance with the boss’s daughter but only after he finds out his wife is cheating on him.

It seems like they either tried to keep the horror elements on the periphery or forgot about it at times and were only interested in the dramatic thriller aspects of the story. Because it seems like there are scenes of it largely being absent, then “oh yeah” moments. 

After a while he has to deal with corporate politics and then being a suspect in his wife’s murder and trying to prove his innocence. 

While Jack Nicholson looks a little ridiculous in his wolf persona. It does make him seem more seasoned and watching him actually get into a battle as one looks a little silly but also reminds you what type of film you are watching. That tries to distinguish itself away from the fantasy elements. As it seems to look more ridiculous when it selves into them, but It’s not like it’s Corporate storyline is all that sharp about a senior getting pushed out by a younger contender who he helped train.

The film ends up playing way too long and very predictable. As the film seems to go through the motions. As it involves mostly main characters, is that a message to the audience that the older you are the more then you take? and the more thorough it must all be. 

As the film seems to want to make an example between the battles of nature and the battles in the business world and how they are similar. 

James Spader does what he does best. Where he puts on a spin on his upper-crust yuppie character image, but once we get to the third act of the movie. You can kind of predict his character arc. Even though when he starts acting peculiar the special effects give it away. Even though he doesn’t act too differently.

Considering the talent involved in this film. This should have been more memorable. As it is actually kind of forgettable. There are barely any memorable scenes. Even though Michelle Pfeiffer is the only one who has a history more with genre films out of the cast. Plus her playing in a werewolf movie after playing Catwoman is an amusing film irony.

Michelle Pfeiffer almost comes across as just another big name in a star-studded well-respected cast because while she is the female lead. She is the damsel in distress throughout most of the film or just simply the love interest. 

The special effects involved make the final fight look ridiculous. Rick Baker designed them and while One can give credit as at least they are practical effects instead of digital. 

This seems to join the ranks with THE HULK films. Just as there isn’t anyone good of those films. It’s Really hard to find a really good to outstanding Werewolf movie but you are more likely to find the latter than the earlier one. Though it is a little long in the tooth when it comes to running time 

Grade: C+

DROP DEAD GORGEOUS (1999)

Directed By: Michael Patrick Jann

Written By: Lona Williams 

Cinematography: Michael Spiller Editor: David Codrob & Janice Hampton 

Cast: Kirstie Alley, Kirsten Dunst, Denise Richards, Brittany Murphy, Amy Adams, Will Sasso, Mindy Sterling, Ellen Barkin, Allison Janney, Sam Mcmurray, Alexandra Holden, Matt Malloy, Mo Gaffney, Adam West, Nora Dunn, Jacy King, Amanda Detmer, Michael McShane, Jon T. Olson, Laurie Sinclair 

A small-town beauty pageant turns deadly as it becomes clear that someone will go to any lengths to win.


This should have been a bigger hit or at least better remembered. This movie had a cast of many before they were stars actresses. 

The film keeps it’s dark sense of humor throughout despite being more aimed at being a mainstream comedy. The film might think itself more of a satire but comes off more as straight comedy. It’s Inspired but the jokes don’t come off as sharp as they should. 

Watching this film originally in a theater was a memorable film experience if only because it is one of the few I watched with one of my best friends. It was a late summer movie and we were the only ones who seemed to laugh non-stop cementing our budding friendship. As we had the same kind of sense of humor.

Denise Richards looks the part, but also seems a little to long in the tooth for her role. As she looks noticeably older then the rest of the contestants. She also looks too polished. But does look like a beauty queen.

Kirsten Dunst is good as the lead. The beginning of her best roles playing more small town girls.

Though this is more of a teen movie. It spends just as much time on the adult characters. Who are more guilty in their influences and rivalries.

This is a kind of more studio oriented version of the 1970’s comedy SMILE. Which was also an ensemble comedy looking at a small town beauty pageant that was more risqué at the time and had a lot of material you couldn’t get away with now. This film is cleaner and snarkier then that one.

Amy Adams and Brittany Murphy are standouts amongst the cast. This is really Adams first big role and Brittany Murphy is hilarious in her supporting role. One wishes she had been given more to do and be in as she makes the material work and rise.

I remember this was one of the first roles I remember seeing Alison Janney in next to 10 THINGS I HATE ABOUT YOU. As she and Ellen Barkin steak their scenes together and even when apart they do.

This is one of the better film roles for Kirstie Alley has played. Here she is the villain and head of the pageant community and ceremony.

The movie is directed by Michael Patrick Jann who was a member of the sketch comedy group THE STATE as well as director of most of their specials. The performances end up better than the film overall.

The problem is at times the film comes off as too goofy and is mostly safe. Playing it’s

The Midwestern angle is strong. I guess they need representation in movies at the time. When it’s Strengths are more when it explores it’s dark side.

Though the humor never has quite the sting you expect and want 

GRADE: C+

CELEBRITY (1998)

Written & Directed by: Woody Allen 
Cinematography: Sven Nykvist
Editor: Susan E. Morse 

Cast: Kenneth Branagh, Winona Ryder, Famke Janssen, Leonardo DiCaprio, Gretchen Mol, Greg Mottola, Charlize Theron, Judy Davis, Douglas McGrath, Joe Mantegna, Andre Gregory, Sam Rockwell, Adrian Grenier, Michael Lerner, Melanie Griffith, J.K. Simmons, Famke Janssen, Becky Ann Baker, Issac Mizrahi, Anthony Mason, Kate Burton, Debra Messing, David Marguiles, Tony Sirico, Bebe Neuwirth, Patti D’Arbanville, Ingrid Rogers, Jeffrey Wright, Hank Azaria, Karen Duffy, Aida Turturro, Allison Janney, Donna Hanover, Celia Weston, Wood Harris, Donald Trump 

Lee Simon, unsuccessful journalist and wanna-be novelist, tries to get his foot in the door with celebrities. After divorcing his wife Robin, Lee gets to meet a lot folks of the rich and/or beautiful, partly through journalism, and partly because he has a script to offer. But life amongst those from out-of-this-world is hard, and his putative success always results in defeat. Meanwhile, Robin meets a very desirable television producer and takes the first steps in the world of celebrities.


This seems to be more of a moralistic take more than a character piece. filming in black and white the film does come off looking beautiful and Classic but just like the characters, it’s empty.

This isn’t a typical woody Allen film. This feels more aggressive and verbose than usual a bit more hardcore. Where you can’t tell if he is angry or trying to fit in with the cinematic trends and language of the time. As this film and DECONSTRUCTING HARRY have that in common. 

While we have the typical Woody Allen type surrogate lead character played here by Kenneth Branagh. Here he feels disposable and never quite makes a mark. As he is just one of the many unlikeable characters throughout the film.

The characters are all physically beautiful but seem to be grotesque internally. As it seems only the lead character seems to know better. As he constantly cheats on his wife as his profile seems to rise, but as he slowly gets his comeuppance his suffering wife seems to become famous herself and finds love and good fortunes. 

The film seems more like a commentary on modern life at that time. The nature of celebrity web tabloids. A kind of acid commentary on it all. While feeling like a tabloid itself how it jumps around from character to character and tale to tale. Though it also feels like with this film though not surreal Allen seems to try to emulate Fredrico Fellini’s LA DOLCE VITA to a degree. While it tries to feel like that movie it never quite rises to that level. 

Using the nature of having a lot of big names in his cast. They are here for a reason. While this little is a commentary the film seems scattershot and ultimately lost because it never seems to come to a point. Just cruelty  As the Lead and the movie goes on many misadventures on his way to trying to achieve being a great writer and screenwriter. He finds the romantic entanglements prove to be as artificial as the proper and the world he is trying to enter. Even if all are around him are supposed to be artists and of such depth and passion. Showing all to be more in the moment and inauthentic with a love of self More than anything. 

Falling in love with the image in which others see them and list after them. Loving their own image More than anything else. 

The most noteworthy thing about this movie is that it has Leonardo DiCaprio in it. Mirroring his TITANIC fame of popularity but this was filmed before that film’s release. So it seems like life imitating art. Though some of the films revolve around him, he isn’t actually in it much. 

While not a classic the film is admirable in it’s own ways. It is beautifully shot and tries to say something overall it just has a funny way of showing it. 

Grade: C

10 THINGS I HATE ABOUT YOU (1999)

10-things-i-hate-about-you

 

Directed By: Gil Junger
Written By: Karen McCullah & Kirsten Smith
Cinematography: Mark Irwin
Editor: O. Nicolas Brown 


Cast: Heath Ledger, Joseph Gordon Levitt, Julia Stiles, Larisa Oleynik, Gabrille Union, David Krumholtz, Allison Janney, Andrew Keegan, Susan May Pratt, Daryl Mitchell, Larry Miller, David Leisure, Kyle Cease 


Adapted from William Shakespeare’s play “The Taming of the Shrew,” A pretty, popular teenager can’t go out on a date until her ill-tempered older sister does.

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MA (2019)

ma

 

Directed By: Tate Taylor
Written By: Scotty Landes
Cinematography: Christina Voros
Editor: Lucy Donaldson & Jin Lee 

Cast: Octavia Spencer, Diana Silvers, McKalley Miller, Corey Fogelmanis, Juliette Lewis, Luke Evans, Missi Pyle, Allison Janney, Gianni Paolo, Dante Brown 

A lonely woman befriends a group of teenagers and decides to let them party at her house. Just when the kids think their luck couldn’t get any better, things start happening that make them question the intention of their host.

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MR. PEABODY & SHERMAN (2014)

mrp

Directed By: Rob Minkoff
Written By: Craig Wright, Michael McCullers, Thomas Lennon & Robert Ben Garant
Based on Characters Created By: Ted Cay
Editor: Michael Andrews
Music Score By: Danny Elfman 

Featuring the voices of: Ty Burell, Ariel Winter, Stephen Colbert, Leslie Mann, Denis Haysbert, Stephen Tobolowsky, Allison Janney, Patrick Warburton, Stanley Tucci, Lake Bell, Mel Brooks, Tom McGrath, Thomas Lennon, Robert Ben Garant

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