PLAYDATE (2025)

Directed By: Luke Greenfield

Written By: Neil Goldman 

Cinematography: Darren Tiernan

Editor: Joe Mitacek 

Cast: Kevin James, Alan Ritchinson, Sarah Chalke, Isla Fisher, Alan Tudyk, Paul Walter Hauser, Stephen Root, Banks Pierce, Benjamin Pajak 

Brian has just been fired from his job. He becomes a stay-at-home dad. He accepts a playdate invitation from another stay-at-home dad who turns out to be a loose cannon.

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This film is silly and pretty much knows it’s audience wish I could be more of a family film as it seems like it would play more, but it does have its fair share of violence, bad language, and adult juvenile humor. Though strangely it seems like its perfect audience would be teenagers and adults who just like juvenile humor.

It’s an action comedy that once it gets down to the plot line is silly, but I found this from to be quite a guilty pleasure as I found it constantly hilarious throughout no matter how stupid it might seem at times 

What helps is that a lot of the supporting characters are so ridiculous and funny. You wish they had longer screen time or would come back into the film after their scenes are done. Like Isla Fisher’s character you wish as always that there was more of her throughout.

Well, Kevin James Plays with his typical type of humor lead character. It does appear that he’s having fun and is affable whereas Alan Richardson who takes more of the action sequences is perfectly cast as he reminds one of Sean William Scott when he first came out where it seemed like everything he did even his facial expressions Are humorous only Alan Richardson looks like a more muscular version, but has that same comedic and silly spirit that Sean William Scott has and some rules and makes it all his own so that it might remind some people who watched the show blue Mountain state what Richardson can do specially with an inspired committed character.

This is a film made up of humorous moments that all going into the story, though the moments are more valuable ultimately than the story this is also more of a male bonding film so that fathers and sons watching it together can definitely feel something special watching this film as there are female characters, but they are more put into the background.

This film is a harmless time waster where if the trailer or poster intrigues you this is definitely your type of movie, but if not, this isn’t going to necessarily win you over unless you’re a fan of the lead actors 

It feels on the same level as Hulu yearly John Cena, buddy action comedies only this time playing on Amazon prime so they’re getting their own version 

Grade: C

28 DAYS (2000)

Directed By: Betty Thomas 
Written By: Susannah Grant 
Cinematography: Declan Quinn
Editor: Peter Teschner 

Cast: Sandra Bullock, Elizabeth Perkins, Viggo Mortensen, Dominic West, Margo Martindale, Diane Ladd, Reni Santoni, Alan Tudyk, Azura Skye, Steve Buscemi, Michael O’Malley, Marianne Jean-Baptiste, Susan Krebs 

A big-city newspaper columnist is forced to enter a drug and alcohol rehab center after ruining her sister’s wedding and crashing a stolen limousine.


This movie is charming in its own way.  As it is primarily a comedy but it gets deeply dramatic and doesn’t always provide a happy ending. 

This movie marked a difference In Sandra Bullock’s career. Where she seemed more interested in trying to stretch past her girl next door image and have more edge to her but also kind of realized her limitations. So she was trying to have a middle ground here. 

The film is too light to really be too hard-hitting, but gets to the emotional landscapes that it needs to and hits those aspects hard.

It’s a relief to watch a film where there is a hint of romance but treats it more for what it is a connection that can easily be read as a distraction from your true problems. 

While Sandra bullock is engaging it’s the side characters that really pepper the film

And make it spicy. They are also more the heart and dramatic pulls of the movie. Luckily though Sandra bullock is clearly the star. She lets the supporting characters breathe enough for us to care about them. Even if some stay one-dimensional.

Even though in hindsight the plotline with Azura Skye’s character would have been more recognizable and maybe a more informed outcome. Though she is one of the more heartbreaking. Elements of the film And definitely memorable characters. 

Though Viggo Mortensen comes into this film Like a true movie star and makes his presence felt he still feels more like a minor element to the film As a whole. Whose most dramatic and Piercing scene is a throwaway one at a gas stop. Though throughout the oozes charisma.

Though when the film hits her dramatic past. It does feel right and strong. Yet luckily never quite overdramatic. 

When I first saw the film I wasn’t prepared as it seemed to ride the middle as far as genres and quality. Watching it again recently though it might not have a typical happy ending film Makes you feel comfortable. As the film is infinitely rewatchable.

The only problem with the film Might be that In trying to be so many different things instead of going in-depth it kind of flirts and gives a bit, little too passable when it comes to everything. 

We are just given enough to feel or be informed about characters, situations, and the road to recovery. While feeling a bit spiritual but not the hokey hippie kind.

In the end, it shows the power and charisma of Actress Sandra Bullock that lasts to this day. As she is one of the last true stars of the big screen. Where audiences follow her no matter what genre of film she stars in and is still usually a hit of some kind. Yet she never comes across as the stereotype of a star. 

Grade: B-

WELCOME TO ME (2014)

welcometome (1)

 

Directed By: Shira Piven
Written By: Eliot Laurence
Cinematography: Eric Alan Edwards
Editor: Josh Salzberg & Kevin Tent 


Cast: Kristen Wiig, Wes Bentley, Jennifer Jason Leigh, Linda Cardellini, James Marsden, Tim Robbins, Joan Cusack, Loretta Devine, Thomas Mann, Alan Tudyk, Kulap Vilaysack 


Alice suffers from borderline personality disorder, but she has what she needs in life. She has an apartment, she has a best friend, and she has tapes of every Oprah Winfrey show. And now, after winning the lottery, she also has 83 million dollars. What she doesn’t have is an outlet for the whole world to know who she really is. The TV station cut her off when she tried turning her lottery announcement into a frank discussion of her sexual experiences, but with her money in hand, she’s off to LA to convince two struggling TV producer brothers to produce her own TV show. Whatever it costs, she’s going to do it. From swan entrances to dog neutering, she is going to introduce the world to Alice. But is the world ready for Alice?

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