FERRARI (2023)

Directed By: Michael Mann

Written By: Troy Kennedy Martin

Based on the book “Enzo Ferrari: The Man, The Cars, The Races, The Machine” by: Brock Yates 

Cinematography: Erik Messerschmidt 

Editor: Pietro Scalia 

Cast: Adam Driver, Penelope Cruz, Patrick Dempsey, Shailene Woodley, Jack O’Connell, Gabriel Leone, Sarah Gadon, Michele Savoia, Valentina Belle, Tommaso Basili 

Set in the summer of 1957, with Enzo Ferrari’s auto empire in crisis, the ex-racer turned entrepreneur pushes himself and his drivers to the edge as they launch into the Mille Miglia, a treacherous 1,000-mile race across Italy.


Every holiday season, Adam Driver seems to cast a big project that might be questionable or controversial.

This film is a portrait of a certain time and the title character’s life that helps explain it and capsulate his past and present. That becomes exciting as its director, Michael Mann, and anyone who is a history aficionado of the title character.

Michael Mann seems to get older you notice that he has more interest in camaraderie and the definition of decision in a person’s life which is usually an older man looking back on life, he might identify more necessarily looking to or including the audience.

The film isn’t like the character reflecting on his life or on his last day or days before his death. It just focuses on a certain period in his life. The worst of times.

Penelope Cruz looks ravishing even here when they try to make her look plain. As she gives an exciting performance throughout the film, she has an international flavor with a jealous streak. As she gets older, she seems to become a more interesting actor, as she is no longer an ingenue, and the roles she gets are filled with more emotions and quite frankly seem to be a bit more juicy, even if not, necessarily the star or the damsel in distress.

I love Lady Gaga, but maybe her role in HOUSE OF GUCCI, if she was going to command the screen so much. She is one of the few notable things about this film. As she is so captivating, you can’t keep your eyes off of her. Takes with could’ve been a thankless role. It gives her something to do with plenty of dramatic territory and scenes. 

Shailene Woodley as the character’s unofficial mistress seems miscast, It could also be the writing as she’s never as interesting as the other characters and can’t seem to keep up with them either as even Sara Gadon playing one of Ferrari‘s drivers seems to have more of a dramatic and more to do or at least throughout.

Patrick Dempsey plays a supporting character. He is barely recognizable in the film. That was quite good.

The film is a Slow Burn. This film seems more for an audience of current enthusiasts or history fans who went to see the story you brought to life yet don’t like to read, maybe the film was meant for people to of the Ferrari car and Branding providing more insight and renewing interest. How he even views his drivers as disposable and wants to keep his brand pure, even though for success, he would have to dilute and make more cars essentially having to hand it over to another business to replicate more copies faster.

I wonder if the racing might’ve been more exciting watching in a theater. The film keeps feeling like it’s building towards something that never comes. Even if it seems like the race will be what this film will revolve around. It Never gets that exciting until a little twist, which is honestly the most shocking scene in the film and one of the best scenes of the film as it finally feels like something is happening.

The only time the film seems to come alive is in the scenes of Penelope Cruz and some of the car crashes.

This film feels like a brick, solid and heavy something to build upon or off of that never quite grows and needs more construction, though it is very well-made. It’s not that entertaining, It’s something to more admire than feel anything for.

The film is like a fine wine that has aged well. It looks luxurious. It looks delicious and refined and looks well made but when you finally go to taste it, it’s not what you expected, nor as good as it should be. Though I guess it comes down to Taste.

Grade: B- 

65 (2023)

Written & Directed By: Scott Beck & Bryan Woods 

Cinematography: Salvatore Totino 

Editor: Josh Schaeffer and Jane Tones

Cast: Adam Driver, Ariana Greenblatt, Chloe Coleman, Nika King 

After a catastrophic crash, pilot Mills quickly discovers he’s actually stranded on an unknown planet. Now, with only one chance at rescue, Mills must make his way across an unknown terrain riddled with dangerous prehistoric creatures in an epic fight to survive.


Adam Driver truly puts himself through the wringer in this movie. Which rises above the material and keeps it watchable. As he is definitely inspired by something throughout.

I only wish as an audience member we could feel the same way. 

The film is disappointing even though it seemed to come out of nowhere when released. 

The audience should expect more from the writers of A QUIET PLACE. Who wrote and directed this film. You want a little more originality or at least try to put an original spin on the material. This just feels like a lost 1980s science fiction, B-movie with modern special effects.

Understand that this is a starter film for the screenwriting duo, to show what they were capable of, but you would hope there was something better. As this seems like a film that was either lying around or that they were brought in to salvage and failed. 

The film tries to world-build and gives us glimpses of this new planet or terrain that Adam Driver is exploring. At first naturally then as he tries to survive against dinosaurs and repair his ship. 

Though pretty soon this feels like a movie that owes itself more to those special effects than making an entertaining movie. This feels more like it could have easily been more of a video game.

Worst of all it Comes across as basic. Most of the audience has seen this type of film before. Only here it’s presented in new wrapping.

Grade: C- 

HOUSE OF GUCCI (2021)

Directed By: Ridley Scott
Written By: Becky Johnston & Roberto Bentivenga
Based on the Book By: Sara Gay Forden 
Cinematography: Dariusz Wolski
Editor: Claire Simpson 

Cast: Lady Gaga, Adam Driver, Jeremy Irons, Al Pacino, Jared Leto, Jack Huston, Salma Hayek, Camille Cottin, Reeve Carney 

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel their legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately…murder.


This should be a movie that could almost guarantee an audience. It has a strong true life story of an emotive that is successful and slowly crumbles. The infighting amongst the family for control of this empire. An outsider who comes in and manipulates everyone and then later a true crime aspect. 

For such an established and pedigree cast this film should be much better. It is grand in style though strangely considering the story should feel epic. Never achieves the heights and power that it should. It never feels rich or full-bodied. 

Now, this is Lady Gaga’s first big starring role after A STAR IS BORN. All eyes are on her as she has the showiest role and while she does ok. It might have been much stronger with a more experienced actress. Who could captivate the audience.

Jared Leto acts like he is in a totally different film. His performance comes off as more comedic but will admit he is the most entertaining part of the film. As with him In Scenes. The film either feels uneven or that it is slipping more into camp at times. 

The film at least allows for other cast members to shine but they rarely come close to being as interesting or captivating. Other than gaga Adam driver has the character who shows the most range in terms of emotions and situations. 

The script fails at times also. As gaga’s character at first seems In love and humble and then all of a sudden seems to desire money and success manipulating her husband and the rest of the family. It might have been a little more understandable if the film showed she was a girl who came from much more humble beginnings and once around. Wealth and success she got spoiled and wanted to stay in that environment. Instead of making. It seems like she was a power mad gold digger all of a sudden.

The film feels like it is going through the motions of telling the story rather than being invested in it or the characters. It feels to a matter of fact or more reporting. Even in the good times, you don’t feel heights of joy or happiness. Though Can only go so far as Based ona true story

The film feels like it lacks the glamour and indulgence. It’s pretty much a television movie with a star name cast and more of a budget and even has scenes to help individualize the characters

It might be that wanting to show her more rags to riches we see glimpses  of the power and fortune and are left with more the gaudy and rather basic indulgences and keep i everything smaller with lesser volumes as far as size of story making it feel more personal 

As far as star casting she is in the middle of it all and does fine but needs a bigger star for us to indulge in. Went to tell a mroe realistic story instead of letting it either go to camp or makign it more about the Star than the story ala evita and with lady Gaga can see it as that kind of film where it could be but here the peers that be were more interested in story and details 

Which might disappoint her audience but for fans wanting to learn the story or look for this to be a mroe all around film night prefer it

When dealing with a film about a known empire of fashion. Most expect a film More of style than substance. Maybe the thinking of the filmmakers was to be more restrained as style would be expected. As the story itself was so wild in the first place.

In the end it ends up not only a true crime drama that only showcases that aspect in the last third. As the first third is a romance and rags to riches story and the middle is indulgence but after all is said and done it is ultimately a tragedy. Where the new element brought the house down, but also everyone’s individual greed is their own worst enemies that becomes personified in the end 

The film Works on many different levels for the audience star power as she has a best actress nomination. She has to be jsit as good as her cast memebers making her bring more of an a game as most of these actors are good even on their worst days

Her power of celebrity brings most of they punter audience even if not for die hard fans there is that element for others to see if she is up to par with her co-stars 

It would only be more heightened if she had performed a song for the soundtrack which might have helped the film financially but then would have come over even more as a vanity project 

Having Al Pacino in a movie set in Italy and with a crime drama background already poses sea the stereotype of somehow involving the mob. Luckily when it comes to him and his pedigree he is associated only with illustrious films about the mob that are mroe legendary

The film looks good but never quite as sharp as it should and never achieves the dramatic depth it should. Making it feel like it is constantly missing an ingredient. As it is definitely missing a sense of glamour.

Grade: C+

ANNETTE (2021)

Directed By: Leos Carax  Written by: Ron Mael & Russell Mael (Sparks) Cinematography: Caroline Champetier  Editor: Nelly Quettier 

Cast: Adam Driver, Marion Cotillard, Simon Helberg, Devyn McDowell 

Against all logic, Henry and Ann–he, a struggling stand-up comedian, she, a beloved opera diva. fall madly in love and become inseparable after a chance encounter in bustling, modern Los Angeles. However, all great romances are fraught with pain. Faced with the public’s surprise and the dark side of success, Ann gives birth to gifted Annette: the fruit of their love, a miracle, a child prodigy, and the couple’s damnation.


I didn’t Love it, But I like it, kind of. There is A lot to dissect.

Starts off purely cinematic then the following film has its Moments and looks beautiful but never matches. As it seems more satirical at times and less an intimate story maybe taking on so many subjects and story beats rather than keeping it simple.

It’s special as it is not typical or something you see often. Or is it lazy or subpar filmmaking but didn’t white make the connection or inspire amazement. Though keeps interest throughout but feels overwrought at times.

Amazing how it starts off with so much promise and the belief that anything can happen or at least if what will happen and steadily loses steam, But manages to keep you watching with hope. Interested to hear others’ opinions about this film. I certainly have mine.

Director Leos Carax The French David lynch obviously loves films and cinema. Only he has his own vibe and influence.

Always excited when he makes a new film, never knowing what we are going to get and will it be something to enjoy, study or both.

I believe most of his films Are meant to be seen in theaters as a requirement. Having said that I will admit I have never seen one in a theater but am fascinated and taken away by all of his films.

As they are constantly Alive. Unpredictable, breathing, moving, emotional they have hearts and minds. Where by the end you have an opinion or the both in them as they engage and make you think stylish and able to shock they have their eccentricities and personality.

As they strive to be different yet tell stories that are recognizable and somewhat identifiable in their own way. You can always call them different and yet seem exactly to come out of an individual’s Imagination. Who has made no compromises and told the tale the exact way they wanted to, no matter how it is taken.  Not made necessarily to  entertain or even be understood completely but to share and experience. Which ultimately shows its personality.

This is Definitely a film made by an auteur, not by committee, more like An expression of thoughts that come to a point, A theory 

Movies have usually been driven by romantic notions and definitely influenced by music seeming like they are albums themselves with each scene or section of film being their own song or ballad. 

The film is Stylish above all else. Bringing his passion and interests into the story. That still seems filled with surreal shots that seem straight out of a perfume ad or filmed perfectly for one. 

The Director even cameoed  at the start to show that he is the engineer behind it all before introducing his collaborators in a musical sequence in which they are all together. Keep in mind this was also written by the band sparks. Who has a cult following for their music which is original on its own. So this was going to be far from conventional in the first place. 

Did the advertisement  influence a certain kind of filmmaking or just copy the artistic type  European style and Concepts? 

Maybe as a more American English language production steers it not as homemade and comfortable but as a work that is more foreign common and for him a little more straightforward and normal 

Obviously a musical. It wants to be an opera of its own, a kind of grand tragedy with big feelings and scenery yet personal and between few characters to keep it intimate with a huge Falsetto voice as it is not within the range of normal but gets attention and can be achieved.

Which will Make you notice and hit several notes, Not that easy to do. Yet lying seems to be easier for most than others but then again to maintain a lie you must create others to maintain which takes creativity 

Whereas the truth is easier a s it is natural but hard when wanting to go against or refuse to believe it . 

The film can be Graphic sexually but manages to make it sexy. 

Instead of Driven showstoppers or performances more seems to be little ditties to go with the story or to tell with a few full song show stoppers. 

The Camera always exploring as he creates his own world or a world that is quite different 

Like a true musical the film feels constantly performed but within the confines of a certain reality in all of its absurd ness and artistic design. 

There is a certain sadness that hangs over his films but also a current and electricity that makes the films somewhat exciting. Definitely a journey and excursion that feels like a trip. 

Sacred It feels monotonous and more staged, artificial doesn’t cut straight to the heart. As it usually does not emotionally truthful yet is still emotional.

Adam Driver with long hair can go from heartthrob or ruggedly Handsome. Looking like a grown geek who loves with his parents or worse the guy who still not only has a ponytail. But thinks it is still cool. Of course the stand-up that he performs isn’t funny but more of a one-man show that is theatrical but is most Stand up like that? Confessional with laughs and jokes or a humorous way to look at situations and stories of your life personal and all, opinions. 

Knew it was fake or skewed as his audience drank exclusively wine and cocktails and not one beer in sight.

The fleeting emotions and feelings, care and moods of crowds and fans especially.  if you do any meet their idealism of what they want from

You Don’t give them what they want as they feel if they pay to see you they have made an investment into you and you are supposed to give them what they want out of you. But they never say exactly so you are supposed to guess or do what you supposedly normally do to entertain, only they want the same if what they have seen or updated new material in the same vein but if you evolve some will stay but others will go against. As how some people in your life want you to stay the same and any time you move on or change for the better personally they take it as an insult or against it because it is not the same they remember.

The rejection of the conventional or being dismayed that it is unconventional and challenging that makes one not a fan or that makes one a fan as it is different and outsider art.

The film while being indulgent is also about toxic male masculinity. Having to control and be in control. So much so that as the film goes on Marie Cotillard’s Character seems to shrink not physically but from the film. As we see her less and less and spend more time with him and when they are together he seems to take over. Physically because of his size and his direction.

It doesn’t help that we get many dimensions of him, but for her she forever stays mroe representative and never really get any inner life form her. So much so that she remains a symbol throughout instead of a real character

At the end Playful and silly. It always feels like a full on experiment project rather than a heartfelt and committed one . 

Grade: B 

MARRIAGE STORY (2019)

marriagestory1

Written & Directed By: Noah Baumbach
Cinematography: Robbie Ryan
Editor: Jennifer Lame 

Cast: Adam Driver, Scarlett Johannson, Alan Alda, Ray Liotta, Laura Dern, Julie Hagerty, Wallace Shawn, Merrit Wever, Mickey Sumner, Jasmine Cephas Jones, Irene Choi, Robert Smigel, Carlos Jacott, Lucas Neff 

An incisive and compassionate look at a marriage breaking up and a family staying together.

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STAR WARS: EPISODE IX: THE RISE OF SKYWALKER (2019)

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Directed By: J.J. Abrams
Written By: J.J. Abrams & Chris Terrio
Story By: Chris Terrio, J.J. Abrams, Derek Connolly & Colin Trevorrow
Based On Original Characters Created By: George Lucas
Cinematography: Dan Mindel
Editor: Maryann Brandon & Stefan Grube
Music By: John Williams

Cast: John Boyega, Carrie Fisher, Daisy Ridley, Adam Driver, Oscar Issac, Anthony Daniels, Richard E. Grant, Lupita Nyong’o, Domhnall Gleeson, Billy Dee Williams, Ian McDiarmid, Kelly Marie Tran, Dominic Monaghen, Mark Hamill, Keri Russell, Greg Grunberg, Billie Lourd, Shirley Henderson 

The surviving members of the resistance face the First Order once again, and the legendary conflict between the Jedi and the Sith reaches its peak bringing the Skywalker saga to its end.

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THE DEAD DON’T DIE (2019)

THE DEAD DON'T DIE

Written & Directed By: Jim Jarmusch
Cinematography: Frederick Elmes
Editor: Affonso Goncalves 

Cast: Bill Murray, Adam Driver, Chloe Sevingy, Tilda Swinton, Steve Buscemi, RZA, Selena Gomez, Larry Fessenden, Carol Kane, Iggy Pop, Rosie Perez, Tom Waits, Danny Glover, Jahi Winston, Caleb Landry Jones, Austin Butler, Luka Sabbat 


The peaceful town of Centerville finds itself battling a zombie horde as the dead start rising from their graves.

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LOGAN LUCKY (2017)

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Directed By: Steven Soderbergh
Written By: Rebecca Blunt
Cinematography By: Steven Soderbergh (As Peter Andrews)
Editor: Steven Soderbergh (As Mary Ann Bernard) 


Cast: Channing Tatum, Daniel Craig, Adam Driver, Katie Holmes, Seth McFarlane, Katherine Waterston, Riley Keough, Jack Quaid, Sebastian Stan, Hillary Swank, Jim O’Heir, David Denman, Brian Gleeson, Dwight Yoakam, Macon Blair 


When Jimmy Logan gets fired, he convinces his brother Clyde and sister Mellie to help him rob the Charlotte Motor Speedway during a NASCAR Race. But they will need the help of Joe Bang, a convicted safe-cracker who is currently doing time. All they have to do is break Joe out, blow the racetrack vault, get away with the cash, return Joe to prison, and get Jimmy to his daughter’s beauty pageant on time. What could possibly go wrong? Well, there is the Logan family curse.

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