PATTI CAKE$ (2017)

Written & Directed By: Geremy Jasper
Cinematography By: Federico Cesca
Editor: Brad Turner
Music By: Geremy Jasper & Jason Binnick

Cast: Danielle Macdonald, Bridget Everett, Cathy Moriarty, Siddharth Dhananjay, Mamoudou Athie, MC Lyte


PATTI CAKE$ is centered on aspiring rapper Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, who is fighting an unlikely quest for glory in her downtrodden hometown in New Jersey.


I remember in the past where a movie like this that was a hit at Sundance and had a strong word of mouth from critics would do respectable business after being gobbled up by an independent studio and be well placed. As well as given a lot of exposure and publicity.

This film just seems to be put out at random to little and no fanfare. Not even playing in the usual art houses (at least as far as New York goes)

It’s a shame as this movie is a strong crowd-pleaser. That has heavy mainstream appeal. That I am shocked it wasn’t promoted more. As it doesn’t seem to be a hard sell as some independent films of its ilk might be.

The film is predictable and plays like 8 MILE only a little lighter in theme and not quite as serious. Though it does have a white female who dreams of being a rapper.

What the film does right is that it fills the film with reality but also adds in the absurdities that even when down and depressing it adds humor and a lightness of mood.

The characters are all outcasts in their own way. Especially from what is expected of them. With a positive comedic middle eastern hype man. Who works for a pharmacy by day and is a weed smoker. A producer who is a black goth and musician. The main character is an overweight bartender rapper on the search for a permanent job. To help pay the bills at home as well as help pay the medical bills for her grandmother (played by an unrecognizable Cathy Moriarty) meanwhile having to deal with a mother who was a wannabe singer and is now a lush who sings at karaoke and slides up to any man who treats her nicely.

So as you can see the cast is diverse and plays to a wide audience. Mainly anyone who feels different or ostracized. That makes the film kind of empowering.

You know where the film will end up and that victory of some kind is inevitable. Though the film has something to say about struggle, artistry, and talent.

The filmmaking isn’t awe-inspiring but it is solid. Watching the journey is fun if at times rough. But the film is rough around the edges but always has a sweetness. Even when the film chooses to be cruel or bitter to the characters at times.

The ensemble is strong, though it is rounded by a good performance by Bridget Everett as her alcoholic mother. Who is convinced sex appeal always works. Watching her here especially if you ever get to see her one-woman cabaret show is a marvel. As is the performance by the lead actress Danielle Macdonald who is actually Australian but gives off a flawless jersey accent. She had to learn to rap and master the New Jersey accent for her role. Though the writer-director wrote all the rap lyrics

The films cast being so diverse adds to the eclectic quality of the movie and its soundtrack. As well as acknowledging that most communities in society intersect.

The film does bring up race in a few scenes and even explores how real she is or isn’t in a scene with her idol a legendary hip hop record producer who tells her about realness and commodification of a race and it’s culture. So these films at least go there and acknowledge it.

The question of cultural appropriation does come up. More as an accusation from a person of color tho at first was an inspiration then drawn more to represent a villain or at least an adversary. Now by putting that opinion into a character who ends up representing bad is already bias especially when This film is written and directed by a caucasian. Making it even more questionable by kind of dismissing the idea and even more villainizibg The person go color for stating it.

The film already makes one question that invisibly this is a story about overcoming fear and following your dream a kind of rags to riches story that covers an overweight white girl and making herself feel good and overcoming her problems but the question remains would an audience or even critics like it feel the same way if the film was about an overweight African American female or would it be seen as familiar or typical. Would there be an interest or audience?

This is a film definitely worth your time. Though it will seem a bit familiar. Just as it is following a trend I am a fan of and hope to see more of, having more coming of age, uplifting stories about women and not being about romantic relationships. More films about empowering themselves and following their dreams with very little sex involved. Not tom mention a great soundtrack

Grade: B-

DONALD CRIED (2017)

Written & Directed By: Kris Avedisian 
Story By: Kris Avedisian, Jesse Wakeman & Kyle Espelata 
Cinematography By: Sam Flesichner 

Cast: Kris Avedisian, Jesse Wakeman, Louisa Krause, Ted Arcidi, Shawn Contois 
With the sudden passing of his grandmother, Peter Latang returns to his hometown and encounters his long lost, childhood friend, Donald Treebeck. What begins as a simple favor, turns into a long day’s journey into the past.


I will say that this film isn’t for everyone.

Making and distribution of this movie funded through the website, Kickstarter.

As it is very low budget and seems more like a labor of love and a kind of semi-autobiographical cal story that feels like a kind of therapy or expression of what could have been.

This is a film that will easily be overlooked, it’s worth it if you take your time to discover it.

The cartoonish appearance of one of the characters prepares you to expect one type of story but delivers another. Almost like a bait and switch.

The director stars in the film and wrote the film. His co-star in the film who plays his friend is also the co-writer of the film.

It’s a comedy of sadness that feels at home in despair. That comes off depressing to a degree. That shows how some people grow and some don’t. Who seen stuck in arrested development. To when they had their heydays and as the world matures they still seem to stay the same.

Here a character comes back to his hometown to bury his grandmother and take care of her estate and rubs into an old friend and while definitely changed he can’t seem to shake this friend and the longer he is around him find himself reverting to his old ways. Even though we are never completely told we find out so much about their past through stories and other characters. Gradually over the 24 hours they spend together. It appears both have some anger issues towards one another and in general.

The film generally stays awkward and uncomfortable throughout. With both characters not particularly likeable though whenever you want to feel sorry for them. Something happens that brings them back to being unlikable. Maybe then it is more understandable what makes them that way.

The film is very revealing with an intimacy that is not that intricate, but is affecting. As it seems like both characters are sensitive and working through issues but constantly pushing them to the side or deflecting. That makes the film feel like they are both having a one-man show. Working through the pain only more encompassing and interacting. Though Donald clearly cherished this friendship and that they were close when others recollect it seems that his friend was kind of cruel to him and used him. Which is why Donald who seems to dress more like a comedic character who looks like he belongs in NAPOLEON DYNAMITE

How hard it is to communicate feelings as a man to another man. Especially when you have grown up and grown apart. That asks what if you were only friends die to location and necessity. Seeing other characters from their Youth move on or marvel at how stuck they seem or how some have moved forward. They don’t necessarily fit into each other lives now, but always have a bond and feeling for one another. Are friends for the past entitled to you and your feelings? Are you supposed to be on their side? I matter what? The film explores how friendships can evolve like relationships. How they can be manipulative and disintegrate.

The past can be subjective. You can look at it as positive, but once confronted the truth comes to light and you realize you weren’t as good and heroic as you once thought.

It even seems to have a moment of easy temptation that seems like selling out of sorts.

The film affected me. As it might have hit too close to a nerve for me. Though the film also feels like a kind of release for the characters and the audience finally by the end.

Going back to a past you hoped would stay that way and becomes  a comedy of layers

GRADE: B

FLOWER (2017)

Directed by: Max Winkler
Story by: Alex McAuley
Written By: Max Winkler, Alex McAuley & Matt Spicer
Cinematography: Carolina Costa
Editor: Jeff Seiben & Sarah Beth Shapiro

Cast: Zoey Deutch, Joey Morgan, Kathryn Hahn, Tim Heidecker, Adam Scott, Dylan Gelula, Maya Eshat, Eric Edelstein

A sexually curious teen forms an unorthodox kinship with her mentally unstable stepbrother.


Though the story focuses on a teenage girl. This still reeks of a kind of romantic fantasy that throws in some quirks but then some hard-hitting subject matter and scenes, but then tries to get off on a certain crude charm and edge.

As we are supposed to follow the teen characters more and be compelled yet the fil keeps wanting to remind us though they are doing serious actions. They don’t know any better or think about the consequences they are just kids.

While the ending is sweet, it also feels more like wish fulfillment. Which goes against the whole vibe the film seems headed towards. Even with its quirky quality realism.

Especially when it asks you to believe that it ends up as a love story after all of a sudden between two characters you wouldn’t expect.

We never fully understand somewhat, what makes the main character work. Though she still comes off as a kind of fantasy. quirky, cute, with daddy issues, and overtly sexual as she likes giving oral sex and seems to constantly offer it. As even the first scene we see her in the middle of it. Yet dresses like a tomboy. She is a teenage manic pixie dream girl only here the protagonist. She is the main character who doesn’t know any better that she needs to be saved. She thinks she is the one who is helping.

Luckily she is played by Zoey Deutch who shines in the role and always feels believable. One of her first leading roles and she goes through it with flying colors as she stays believable. While being relatable and a comedic character of sorts.

Adam Scott provides great shades to his character where you find him charming and angry enough to believe he is an innocent man railroaded but at other times white devious looking enough to believe maybe he is guilty. So a nice guy bad boy charm. Who should know better than to be hanging around with a teenage girl after what he has been accused of. At first, he seems like a viable inappropriate love interest as they bond but a nice guy none the less, but at every turn, there is a question as his shifting behavior doesn’t help. 

The movie was filmed for half a million and filmed In 17 days. This is impressive in fact a return for writer/Director Max Winkler his first since 2010’s CEREMONY. His films are usually

Dramatic and fun comedically quirky with some artistic merit. As they are inventive only wish he made more of them. When not being a successful television director. Didn’t even know he had made it until the end credits.

The film is smart in having a vision and matching it with a laid back California vibe. Definitely a geek fantasy of sorts.

GRADE: B-

A PRAYER BEFORE DAWN (2017)

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Directed By: Jean-Stephane Suavarie
Written By: Jonathan Hirschbein & Nick Saltrese
Cinematography By: David Ungaro
Editor: Marc Boucrot 


Cast: Joe Cole 


Billy Moore, an English boxer, down on his luck, addicted to Ya Ba, and stuck in Thailand, ends up getting arrested and sent to Chiang Mai Prison, where he struggles to survive and eventually ends up fighting in Muay Tai boxing tournaments.

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PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (2017)

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Directed By: Joachim Ronning & Espen Sandberg
Written By: Jeff Nathanson
Story By: Jeff Nathanson & Terry Rossio
Based on Characters Created By: Terry Rossio, Ted Elliott, Stuart Beattie & Jay Wolpert Cinematography By: Paul Cameron
Editing By: Roger Barton & Leigh Folsom Boyd 


Cast: Johnny Depp, Geoffrey Rush, Branton Thwaites, Javier Bardem, Kaya Scodelario, Stephen Graham, Goldshifteh Farahani, Kevin McNally, David Wenham, Martin Kleeba, Angus Barnett 

Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying Captain Salazar, escape from the Devil’s Triangle, determined to kill every pirate at sea…including him. Captain Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, a powerful artifact that bestows upon its possessor total control over the seas.

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ALL EYEZ ON ME (2017)

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Directed By: Benny Boom
Written By: Jeremy Haft, Eddie Gonzalez & Steven Bagatourian
Cinematography: Peter Menzies Jr.
Editor: Joel Cox 

Cast: Demetrius Shipp Jr., Kat Graham, Hill Harper, Danai Gurira, Annie Ilonzeh, Lauren Cohan, Keith Robinson, Jamal Woolard, Cory Hardict, Clifton Powell, Jamie Hector, Deray Davis   

Tells the true and untold story of prolific rapper, actor, poet and activist Tupac Shakur. The film follows Shakur from his early days in New York City to his evolution into being one of the world’s most recognized and influential voices before his untimely death at the age of 25. Against all odds, Shakur’s raw talent, powerful lyrics and revolutionary mind-set propelled him into becoming a cultural icon whose legacy continues to grow long after his passing.

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SUBURBICON (2017)

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Directed By: George Clooney
Written By: Joel Coen, Ethan Coen, George Clooney & Grant Heslov
Cinematography By: Robert Elswit
Editor: Stephen Mirrione 


Cast: Matt Damon, Julianne Moore, Oscar issac, Noah Jupe, Richard Kind, Jack Conley, Gary Basaraba 

In the bosom of Suburbicon, a family-centred, all-white utopia of manicured lawns and friendly locals, a simmering tension is brewing, as the first African-American family moves in the idyllic community, in the hot summer of 1959. However, as the patriarch Gardner Lodge and his family start catching a few disturbing glimpses of the once welcoming neighbourhood’s dark underbelly, acts of unprecedented violence paired with a gruesome death will inevitably blemish Suburbicon’s picture-perfect facade. Who would have thought that darkness resides even in Paradise?

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TO THE BONE (2017)

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Written & Directed By: Marti Noxon
Cinematography By: Richard Wong
Editor: Elliot Greenberg 


Cast: Lily J. Collins, Alex Sharp, Lili Taylor, Brooke Smith, Keanu Reeves, Retta, Kathryn Prescott, Leslie Bibb, Carrie Preston, Alanna Ubach, Maya Eshet 


Ellen is a 20 year old woman struggling with anorexia nervosa. In the midst of family problems and her own fears, she is accepted into a group home run by an unusual doctor. Through the people she meets and the journey she takes, Ellen follows a path of self discovery and acceptance that will lead her to a surprising place she never would have thought possible

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THELMA (2017)

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Directed By: Joachim Trier
Written By: Eskil Vogt & Joachim Trier
Cinematography: Jakob Ihre
Editor: Oliver Bugge Coutte 


Cast: Elili Harboe, Kaya Wilkins, Henrik Rafaelsen, Ellen Doritt Petersen, Anders Mossling 


A confused religious girl tries to deny her feelings for a female friend who’s in love with her. This causes her suppressed subconsciously-controlled psychokinetic powers to reemerge with devastating results.

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KINGSMAN: THE GOLDEN CIRCLE (2017)

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Directed By: Matthew Vaughn
Written By: Jane Goldman & Matthew Vaughn
Based on characters from The Graphic Novel “SECRET SERVICE” By: Mark Millar & Dave Gibbons
Cinematography By: George Richmond
Editor: Eddie Hamilton 


Cast: Taron Egerton, Mark Strong, Colin Firth, Hanna Alstrom, Channing Tatum, Pablo Pascal, Halle Berry, Julianne Moore, Edward Holcraft, Michael Gambon, Jeff Bridges, Emily Watson, Bruce Greenwood, Sophie Cookson, Poppy Delevigne, Thomas Turgoose 


When their headquarters are destroyed and the world is held hostage, the Kingsman’s journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.

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