Directed By: A.K. Allen
Written By: Fran Lewis Ebeling & Paul Mason
Based on the novel “THE SISTERHOOD” By: Casey Bishop & Betty Black Cinematography: Adam Greenberg
Editor: Marion Segal & Randall Torno

Cast: Karen Austin, Diana Scarwid, Christine Belford, Bruce Davison, Beverly Todd, Marilyn Kagan, Arliss Howard, James LeGros, Carol Baxter, Paul Terafotes 

A raped policewoman forms a vigilante group of various rape victims. They abduct and castrate men whom have committed repeated violations of women, and got away with it through legal technicalities.

This rape-revenge vigilante tale is a little different In the way that the revenge seems to never be to kill the men who rape repeatedly. Like Batman, that question only seems to come late but they punish the men by castrating them.

The film for the tawdry subject matter. Plays more like a television movie on the subject as there is barely any bad language and at times the scenes while well-meaning in their direction and emotions come off more melodramatic and unintentionally humorous. 

Especially the scene when a character you get sister is sexually assaulted (luckily never shown) but the aftermath and how it is shown just seems like Something out of a public device announcement you would show to school children about the dangers of going off with a stranger. 

When it begins the film seems like it will be typical and even the perpetrators seem more of a stock room of suspects punks who are looking to rob a house. Discover she is a cop and then decide to rape her and they get off on court easily by acting and dressing like choir boys.

We meet various female characters throughout some of whom stay with their spouses who claim to not even believe them When they said they were raped (what). 

Though most of the males come off bad or unsympathetic by the end. Even Bruce Davison playing a fellow cop who is interested in Karen comes off as a weakling and ineffective even as he tries to romance her and be there for her. 

Arliss Howard shows up playing a co-star’s husband who when he finds out what she is dining and breaking the rules by telling him. As she only tells him because he suspects she was having an affair. He comes across more aggressive and abusive to be believably supportive later on.

While we meet plenty of these women in the group. We only get to know three In particular and by the end the one who didn’t sure become the strongest advocate for what they are doing and the one who was gung- ho at first. Now has reservations.

The third act while obviously done for dramatic purposes seems silly and only there for the ending to finally put a fine point on all of this.

So while the film offers a different take on the vigilante tale. Including where it seems the original Perpetrators that start off the lead and who is the very reason they seek revenge never really come back. 

So the film is something to entertain but very hard to take seriously watching it through the prism of modern times.

Grade: C

NORBIT (2007)


Directed By: Brian Robbins
Written By: Eddie Murphy, Charles Murphy, Jay Scherick & David Ronn
Story By: Eddie Murphy & Charles Murphy
Cinematography By: Clark Mathis
Editor: Ned Bastille

CAST: Eddie Murphy, Thandie Newton, Cuba Gooding Jr, Terry Crews, Clifton Powell, Eddie Griffin, Katt Williams, Marlon Wayans, Michael Colyar, Kristen Schaal, Rob Huebel

Norbit is a normal person, who after being adopted by Mr. Wong, ends up being married to the very large, Rasputia. Norbit’s childhood love, Kate Thomas arrives back in town to buy the orphanage. Norbit sees this as his chance to get back together with Kate, until he discovers that she is in fact engaged to Deion Hughes. Norbit isn’t going to lay this to rest, whilst he tries to survive life with Rasputia, and it looks like Deion also has something he would like to keep secret.

Continue reading “NORBIT (2007)”


Filmed three years ago, but only recently edited by the miracle maker filmmaker extraordinarie Andre Joseph.

We are proud to present FACE OFF


Due to many reasons depression, emotional distress, lack of confidence and plain ills laziness that is why took so long. I hope to not repeat this length without leaving you a dope beat to step to

While it is extremely short. I do consider it a short film even if some might more consider it a sketch And what I am writing is probably longer then the actual film in question.

I know it’s. It perfect and there is a lot to improve on, but I present it as it is the first film I made on my own not in collaboration when it came to the genesis of the project. Not that there is anything wrong with that.

It shows I have a lot of room to improve but also a kind of testament that shows i might have some talent and know somewhat what I am doing. Even if in this current creative hike where there are tons of content creators out there. Who seem to have grown up with technology and are Miles ahead and talented. There is room for many and hopefully my films and creations are seen and enjoyed. I hope they mean something to somebody other then just me. As this is all I have ever wanted to do. It takes confidence, passion talent, creativity, ideas, hard work and a strong work ethic.

I wish I was somebody that all of that came easy to and could be as productive as others. Though then again I have to be me.

It’s like an album where there are the big hits that younonwo but then there are thebother songs that are mroe known as filler or deep cuts (deep maybe as they have more meaning. Then the simplistic hits) they aren’t as loved as the hits but they are appreciated by true fans because it shows you are a fan of the band or artist, Not just their hits. Also in a strange way you need those deep cuts as they set an atmosphere and mood. Where by the time the album gets to the hit. It is the highlight and might be the energy or heart of the album, but a heart needs a body.

What I am trying to say is that while these are my early singles or maybe even demos. None are hits but hopefully they show an evolution. As I try to build a body of work or create a life. Not all world will be great but while they might not be vital organs. They are still Organs that help the body maintain and stay healthy. The hits (heart, brain, lungs etc) are coming

It just makes me feel a bit proud knowing I could do it. Making something with friends.

More to come… as far as projects and films not more writing about this.

Thank you for being in my little production.

Also trying to figure out if it is a skit which is how most will probably look at it. As it fits in my old wheelhouse only without me in it. It’s

Short and almost dialogue free. Comedic In texture and quick there is no three act structure. Plus can explain as a skit I can cover up mistakes and say it’s not supposed to be technically Proficient. I feel more that it is a short maybe it’s Me Being pretentious as I am not in it. Looking for art in something that is done so quick I mean the footage I had was up to 14 minutes and this is like 90 seconds with credits. Also as it is a beginning I might

Want to make it more important in my Mind as it is all I have to show even if not my best. It is a skit

Not to mention this is probably one of the few times not only working with others on camera. But all’s the least dialogue heavy of my ideas and writing. Trust me you’ll see in the future I am Long winded in my writing. Making the material take longer to play as I am mroe a dialogue person then maybe a visual person unless forced or experimenting

Maybe as this is one that is close to being cinematic in that there is more then one camera angle more than two. Apparently my limit was three here but that is more than usual and prettier things to look at

Looking at the cuts the silent unused version flows better as it comes off as magical with the score and shows that as a writer it is the first time any of my projects has had no heard dialogue and depends mroe on faces and physical action but the cut with the sound at the end helps punctuate the end with a sting.

Rather then just make it to seen like a well scored documentary moment of a sore loser. Though at heart I am a dialogue man. So unfortunately so much is actually said with the punchline then with action and silence.

As writing all of this makes it seem like a masterwork not a skit. Which i could see if this was an actual short film longer then 10 minutes, but even making skits i seem to be like Stanley Kubrick. Not the talent just the time taken in between projects and being a perfectionist to the point that I am either constantly disappointed in my own work for whatever reason or if I can’t get it to my specifications. I am willing to drop it.

ANGUS (1994)


Directed By: Patrick Read Johnson
Written By: Jill Gordon
Based On The Short Story By: Chris Crutcher
Cinematography By: Alexander Gruszynski
Editor: Janice Hampton

Cast: Charlie Talbert, Ariana Richards, George C. Scott, Kathy Bates, Rita Moreno, Kevin Connolly, Chris Owen, James Van Der Beek, Lindsay Price, Salim Grant

A miserable fat teenager secretly has a crush on the class beauty, ends up becoming the surprising participant to dance with her at a high school dance, meaning he’s got to get his act together with the help of his best friend.

Continue reading “ANGUS (1994)”


The passing of Chadwick Boseman left us like many of you in shock. Maybe because he was so young and vibrant. He was a human being and actor and for many a kind of representation.

As terror and horrors of the world continue. Added to that time the loss of Chadwick Boseman. Who until the end always represented and acted as a beacon of hope and heroics. Always displaying grace, humbleness and strength. He just always came across as happy and thankful most of all.

The loss of him affects many of us as it feels like another tragedy.

We must remember what he stood for and that part of being a hero is inspiration.

As he leaves behind Hope and an example of what we could be and what this world could be. That is passion, love and hope that always survives.

WAKANDA FOREVER For those close they know what that term not only means, but how i define that term. As well as what it means for all of you. Same words different meanings. So not only how much that movie and performance meant to me. But also by the outpouring of so many others. How much he and that movie meant to them.

It feels personal like someone you onto meet recently. Passes so soon, yet they made their presence felt so strongly. Like they were in your life the whole time.

As truly he was part of black excellence and planted the seeds in children of what they can be and for adults provided what we never though we would see a pro-black hero in a superhero film that celebrated our heritage and culture. That was a hit he embodied that.

He showed for many of Us to be proud and can have a love of future and self. As well as a love of/for others.

As well as playing figures of black history who were icons and he played them so convincingly. His talents were off the charts. So that he made believers of us all. As he seemed to nail one of a kind characters ingrained into our memories and minds. So that in essence his presence is always felt somewhere.

He not only portrayed heroes and icons alike in films. He also seemed to live that way. So that he came across as a king in spirit and actions personally. Always full of promise and you can tell there was something special about him.

Even when facing his own peril he showed nothing but strength and kept moving forward. Leaving behind a legacy for himself and others.

Always check on those you love and are close to. You never know what they might be going through. Let people know how you feel about them while they are still here.

The show must go on despite the pain. Though never forgotten. Always there in memories.

Thank you for so many things. Our prayers and hearts go To you and your family for their loss. As if we feel this sad. You can only imagine how they are feeling the loss.










Rest In Peace. Young king, gone WAY too soon, but never forgotten


OLD DOGS (2009)


Directed By: Walt Becker
Written By: David Diamond & David Weissman
Cinematography By: Jeffrey L. Kimball
Editor: Ryan Folsey 

 Cast: John Travolta, Robin Williams, Rita Wilson, Lori Loughlin, Kelly Preston, Amy Sedaris, Seth Green, Bernie Mac, Matt Dillon, Ann-Margaret, Elle Bleu Travolta

Charlie and Dan have been best friends and business partners for thirty years; their Manhattan public relations firm is on the verge of a huge business deal with a Japanese company. With two weeks to sew up the contract, Dan gets a surprise: a woman he married on a drunken impulse nearly nine years before (annulled the next day) shows up to tell him he’s the father of her twins, now seven, and she’ll be in jail for 14 days for a political protest. Dan volunteers to keep the tykes, although he’s up tight and clueless. With Charlie’s help is there any way they can be dad and uncle, meet the kids’ expectations, and still land the account?

Continue reading “OLD DOGS (2009)”

WHITE GOD (2015)


Directed By: Kornel Mundruczo
Written By: Kornel Mundruczo, Viktoria Petranyi & Kata Weber
Cinematography By: Marcell Rev
Editor: David Jancso 

Cast: Zsofia Psotta, Sandor Zsoter, Lili Horvath, Szabolcs Thuroczy, Lili Monori

Thirteen-year-old Lili fights to protect her dog Hagen. She is devastated when her father eventually sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to find her dog and save him.

Continue reading “WHITE GOD (2015)”

IN JULY (2000)

Written & Directed By: Faith Akin 
Cinematography By: Pierre Aim 
Editor: Andrew Bird 

Cast: Mortiz Bleibtreu, Christiane Paul, Branka Katic, Idil Uner, Mehmet Kurtulus, Jochen Nickel, Briol Unel, Sandra Borgmann

Daniel is a young teacher, who in contrast to everyone else plans to stay in Hamburg for the summer. Juli, a girl at the flea-market, wants to get known to Daniel and manages to sell him a Mayan ring with a sun on it, foretelling him that he will meet a girl with a sun. One day later Daniel is already on his way across Europe. It seems the prophecy came true somehow.

A romantic fantasy that is whimsical and much lighter then the directors later films.

It begins with a bit of misdirection as a framing device.

Director Faith akin has kept his heart with characters like these throughout his films. Hopeless romantics to a degree and the hardships of reality they must face. He has developed more of a style since this film to really explain and develop his ideas. His next two films after this one HEAD-ON (one of my favorite films of all time) and EDGE OF HEAVEN are more dark and dramatic before returning to his kind of lightweight film with SOUL KITCHEN

This film runs on the premise of many screwball romantic comedies with a mix of spiritualism, fortune and fate. Only here not played for laughs as much. It stays fun while being a bit dramatic and serious but keeps ant darkness to itself and stays in the shadows. The film stays in it’s perimeters. Where it and we know where it’s going, but with wonder how it will get there. Only knowing it will be colorful and different. As obstacles and other amounts are thrown in the way it seems like fare and the sense of free will, will prevail. The film stars Mortiz Bleibtreu who seems to be a regular when it comes to German cinema happily the films he tends to be in that I see are good and noteworthy (RUN LOLA RUN, DAS EXPERIMENT) he returns to faith akin in the film SOUL KITCHEN.

A film that is as light and free spirited as it’s female characters. In fact the film uses a similar photo montage from run Lola run. The film feels in spirit more like the female lead to cover exposition

At first the film seems to be a set up of miscommunication and lost chances then it seems like a modern foreign Preston Sturges film without the brilliant dialogue by making it seem like good and bad in the world and characters around them are willing to help shape their future and throw obstacles at them to guarantee the romance springing the characters. Mostly him into action as she plays more the grinning car who watches as she has feelings for him, but has pointed him far from the target. Watching how far he is willing to go for love and her at certain points. While he begins realizing slowly his own deeper feelings for her. Which he into thinks is camaraderie and friendship.

At least not all the characters they cross are good hearted by somehow always mean well. The film feels at times like it wants to be part of magical realism.

Think is this as a more fun and responsible THE SURE THING.

When Daniel and Juli are traveling through Romania, only photos are shown instead of real film footage. The reason for that is the Romanian government didn’t give permission to film in their country, so they had to take photos instead.

It’s like the universe is forcing him into a romance for his own good. He is the only person who doesn’t realize it as he chases his ideal his perfect is by his side and has been throughout this journey. constantly blind to the obvious around him.

A little rough around the edges but you can tell he is coming into his own. Nice to see such a film that is a bit different in Presentation. Yet traditional in it’s heart. That leaves you warm and charmed.

In fact love and it’s boundaries has usually been at the heart of his work. It is rare that he ventures into romance fully and lightly. This is the latest of his films that I have seen even though it is his first one. I can say not as an insult mind you. It is one of his lesser films so far, but still good and a great experience.

Though each film plays more or less magical and spiritual. This film seems more to be under the influence of it’s time. Though worldly seems more of a product of 90’s cinema. As it came at the end of that era and at the beginning of a new generation of era in cinema.

Originally, Daniel and Juli were supposed to sing The Cure’s “Friday I’m In Love”, but the rights were too expensive. When the music supervisor was able to secure the rights for “Blue Moon” instead, the script was changed at the last minute to include a conversation on oldies.

All the female characters are gorgeous. So that you can see when his character is so distracted and conflicted. While each woman he meets takes him in a new and different journey as they all have their charms and strengths yet reasons why they are not meant for one another. But yet when their time together ends it leaves him With little direction once away from them. Also it shows his feelings are not about looks alone as all of the females are good looking so there is a deeper connection with his intended.

The moment when Daniel sees Melek for the first time, the walking scene is shot reverse for Melek and played backwards to make a more charming introduction.


Though towards the end it is confusing that once he meets the object of his affection. They seem happy and she seems romantic towards him. Yet disappeared to find out he is in love and then as things become full circle seems more of a convenience for a happy ending then natural


A frolicking adventure and fun ride. Definitely a crowd pleaser. It’s so lighthearted it’s hard to find something to dislike or completely hate

Though this feels like it loses more meaning at heart and more to say then SOUL KITCHEN which seems more fascinated with the directors interest and fascinations as well as distracted with the soundtrack. More fun than challenging or passionate.

Grade: B+

HOST (2020)

Directed By: Rob Savage 
Written By: Rob Savage, Gemma Hurley & Jed Shepherd 
Editor: Brenna Rangott 

Cast: Haley Bishop, Jemma Moore, Emma Louise Webb, Radina Drandova, Caroline Ward, Alan Emrys 

Six friends hire a medium to hold a seance via Zoom during the lockdown, but they get far more than they bargained for as things quickly go wrong. When an evil spirit starts invading their homes, they begin to realize they might not survive the night. What it might lack In originality it makes up for In Inventiveness and chills.

It catches you by surprise as you didn’t expect much and the movie knows that takes it and runs with it and Impresses the audience without making it loom like it is barely making a sweat.

This is what filmmaking is supposed to be about a general sense of wonder and fun as well as discipline and being. At least the strings and work put into.

What is interesting is that the making of is just as Exciting as what is happening on the screen, Like an amusement park ride, you are ready for certain. Actions and can’t wait while you see the setup but then As it goes along it actually angers to affect you even though you believe you know what is going to happen and by the end you are fearful yet it feels like fun.

This film actually manages to scare you and not through cheap theatrics ok, Maybe a little bit also through General mood and atmosphere. This is definitely not a film to watch alone in the dark and especially not to watch it on a computer or smartphone.

The film was filmed in quarantine which it references and makes the whole experience much more impressive. As it leaves you just as interested in how it was made As what you are seeing.

As not only do you have to film the movie but have to have to Direct the cast remotely and have them do some of the effects themselves and instruct them on that. Which gives the film a kind of BLAIR WITCH PROJECT vibe. Only this might be preferred as it doesn’t wear out it’s Welcome as fast. This film is just under an hour long.

It might also remind some audience members of the UNFRIENDED films. Only this doesn’t come off as glossy or seem as dependent on technology and the fact it’s being filmed mostly on home computers. As this seems more a result of conditions rather than the original premise. It just happens to work in the film’s favor.

As always the film leaves us with the message to never mess around with spirits and it’s a premise where the character knows better but having just one mistake leads to the downfall of everyone. Out of disrespect really.

The films goes so far In close claustrophobic settings and still manages to feel bigger then it is and a bit glossy. Managing to do a lot with what looks like so little.

That the film comes off a bit like JAWS where some of the best creativity can sometimes come under limited resources. The characters come off as goofy and believable lie real friends rather than just types. We get to know a bit about them And their personalities. –The film definitely makes it’s presence felt.

Grade: B+

SPREE (2020)

Directed By: Eugene Kotlyarenko 
Written By: Eugene Kotlyarenko & Gene Mchugh 
Cinematography: Jeff Leeds Cohn 
Editor: Benjamin Moses Smith 

Cast: Joe Keery, Sasheer Zamata, David Arquette, Kyle Mooney, Mischa Barton, Frankie Grande, Sunny Kim, Jessalyn Gilsig 

Thirsty for a following, Kurt Kunkle is a rideshare driver who has figured out a deadly plan to go viral.

A kind of modern-day take on the French film MAN BITES DOG. That was about a documentary crew following a serial killer that blurs the lines in the last act but filled with dark humor.

This film is kind of like that only obviously more modern, American and has fewer victims and chooses to have no real responsibility. Where as it shows the horrible nature of his crimes we don’t wallow as much or feel as much sympathy for the victims.

This is a film like the recent thriller NERVE that is candy-colored and neon that plays everything as almost a game. That shows desperation to be popular.

A film that tries to condemn online Culture and social media. By showing how most of us have a dependence on it. What it might inspire. How far you might be willing to go for followers. How you feel like you don’t exist or matter.

How the main character has a dependence on it as he has no real friends or outlet and the few he does have are more popular and make fun of his desperation. So this is his way of fighting to be noticed and considered. So he can feel like he matters. Creating a happy go lucky sociopath. Who is egged on by some mysterious follower who promises him fame as he goes along and follows his instructions.

The film’s humor is dark but tries to keep a cheerful tone. As the film is full of energy and tries to stay inventive.

The film tries to make the lead less hateful and maybe a little likable by having his first kills be more unsavory characters. We won’t like so their deaths are more anticipated by the audience. If we aren’t already looking forward to them.

Though slowly the victims become a bit more innocent. Really only a few are sympathetic. The fishes seem to get what they deserve or at least a brand of karma catching up to them in it’s most lethal. Luckily? The more innocent character’s deaths seem to happen off-screen with only some of the aftermath shown.

This film shows that most of the characters are synch phonic and all are dependent on social media and at heart are bastards themselves to a degree.

The movie seems to think itself clever though while it talks a bunch. It never makes a clear point. It seems most of its points are to be cynical and take us on a joyride. While at the end the film presents an apology of an artist achieving fame they sought so hard for coming true only in the afterlife. While offering a meta ending.

The film does have a lot of energy but never quite goes as deep as it could and while offering more comedy. It does manage to hold your interest even in scenes where there is no death or killing. As the character seems to go on a suicide mission where part of the irony is that barely anyone is watching. So while he is practically sacrificing himself and randomly praying on other just to get viewers it backfires for the most part

Grade: C+