FALSE POSITIVE (2021)

Directed By: John Lee
Written By: John Lee & Ilana Glazer 
Story By: John Lee & Alissa Nutting 
Cinematography: Pawel Pogorzelski
Editor: Jon Philpot 

Cast: Ilana Glazer, Justin Theroux, Pierce Brosnan, Gretchen Mol, Sophia Bush, Josh Hamilton, Sabina Godecki, Zainab Juh 

As if getting pregnant weren’t complicated enough, Lucy sets out to uncover the unsettling truth about her fertility doctor.


There seemed to be a trend in cinema. Where a film labels itself a horror and tries to sell itself as one but, in reality, it is more a drama with thriller elements that might get violent. So it labels itself something else. 

Whereas once you watch it, it feels like it is selling the audience false goods hoping they will come around, but the films are never quite crafty enough to win the audience over.

Especially when a film is familiar with the story. This one Might be seen as a more modern rethinking of ROSEMARY’S BABY though with a different kind of theme and ending but similar enough. luckily this film carved out enough of its own identity to stand on its own two feet.

The film keeps the audience at arm’s length and feels more clinical throughout, but then wants us to feel and identify with a character we never really got close enough to or learned enough about other than the basics.

The film Also instead of keeping us guessing. Give up answers way too soon. As it tries to keep us guessing still but is more middle ground once it offers up reveals. That in its Own way cheats itself but is understandable that it doesn’t want to copy and paste the whole is it real? Is it all in her head? Cliche 

This is one of those films that was so close to making it through with its Premise but falls short as it nears the finish line. As it gets more interesting the more outrageous it gets. A small before feels safe though at least it feels like it has some things to say 

The film has the bones of a sturdy and good movie but the follow-through unfortunately isn’t as strong. No matter how assured it believes itself to be.

The most memorable character ends up being the nurse played by Gretchen Mol. Who is in the film just enough to intrigue and make you uncomfortable but also the more you learn and see her the more you want to know about her

Creepy but tries to set itself apart from what inspires it by trying to tie in modern issues but leaves them by the wayside when it comes to its third act and explanation though in that sale act then tries to become surreal.

One interesting aspect is brought up as well as the ever-annoying line and blame of mommy brain

This feels like a film where the filmmakers wanted to say something to go along with their thriller. Which works but also feels a bit out of place or too on the nose. It also takes itself seriously while seeming to be entranced with itself that it forgets the audience. As it comes off as smug

Grade: D

CENSOR (2021)

Directed By: Prano Bailey-Bond 
Written By: Prano Bailey-Bond & Anthony Fletcher 
Cinematography: Annika Summerson 
Editor: Mark Towns 

Cast: Niamh Alger, Michael Smiley, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller

After viewing a strangely familiar video nasty, Enid, a film censor, sets out to solve the past mystery of her sister’s disappearance, embarking on a quest that dissolves the line between fiction and reality.


A film devoted to video nasties films that were banned or cut in the 1980’s when it came to content in The UK we follow a censor on a board.

The film isn’t what one might suspect which might be of a censor going mad and killing those she finds deplorable or those who make grotesque films and u leashes them on the public 

No Instead it goes the route of a slow burn horror more of a drama that is more of a character study who slowly breaks down and loses their grip. Dealing with childhood trauma that the job seems to release and come to the surface 

Most of the violence throughout is from the movies she watches until the third act when the film offers some gore of its own 

Throughout the film keeps a creepy vibe and is stunning in it’s detail to the time period it is ye in the 1980s and obviously an homage and indebted to the films it aspires to be and influenced by.

The film has a Great ending which really saves the film. That one wishes the film had been more like but it did need that build-up to get to that point of what feels like transcendence 

As before, The film might remind the audience slightly of 8MM before it becomes its own.

As it’s not what one expects watching the film it is well thought out and actually a bit deeper than expected. Unfortunately it still ends up being slightly disappointing from a certain standpoint. 

Though as the film goes into it’s Third act it goes past unsettling to actually quite brilliant and scary. 

Grade: C

NOCTURNE (2020)

Written & Directed By: Zu Quirke CInematography: Carmen Cabana
Editor: Andrew Drazek

Cast: Sydney Sweeney, Madison Iseman, Julie Benz, Rodney To, Jacques Colimon, Ivan Shaw

An incredibly gifted pianist makes a Faustian bargain to overtake her older sister at a prestigious institution for classical musicians.


You have seen this so many times before that this feels more like something that could have been wrapped up in an anthology episode.

While the film presents Itself with a character who cares what everyone else thinks too much, doing it in an artistic ambition might be the only original aspect. As it presents a character too shy and who has worked all her life only to be considered second best or even slightly above average and whose main competitor is always her sister who she naturally takes a backseat to. The film shows that with age what might be special when you get diminished with age if you haven’t done anything. With it or are still in the same place 

It plays off more like an episode than a full-length movie. As it seems like there is some padding used more to dive deep into psychosis. Rather than furthering the story making it come off more dramatic and a character study of one character where all the others come off as one-note.

As the film comes off more like a drama that uses a kind of supernatural element to make the film come off as a thriller that reveals itself to maybe be some kind of psychosis and mental illness eating away at the character or all because of some kind of supernatural curse. It can also be seen as an obsession passed on from one to another that causes madness or preys on their weaknesses and allows them to interpret their weaknesses into some kind of mythology and allows them success. 

The film also feels like it was only really made because they had an up and comer in the lead Sydney Sweeney and this film gives her a chance to star in a more genre-leading role and see what her potential is as a lead and if it had made it to theaters the box office, but with her in it. It helped secure funding. 

This is a sibling rivalry tale that takes it to another level. Even though really it is only one sibling jealous of the other and the more successful one turning petty when the tables are turned. As she is not used to losing.

In the end, this feels like a very special episode of a series rather than a shocking thriller.

Grade: C

THE LOVED ONES (2009)

Written & Directed By: Sean Byrne 
Cinematography By: Simon Chapman 
Editor: Andy Canny  

Cast: Robin McLeavy, Xavier Daniel, Jessica McNamee, Victoria Thaine, Richard Wilson, John Brumpton 

In order to avoid a ghostly figure in the road, high school senior Brent Mitchell wraps his car around a tree, killing his father. Constantly confronted by his mother’s emotional collapse after the accident, Brent escapes into a marijuana-fueled world of loud metal music to block the pain and guilt. Dejected and out of sorts, he has a shot at happiness with his girlfriend Holly, a grounded, caring girl with drop-dead good looks, a dream date for the high school prom. But his plans are thwarted by a disturbing series of events that take place under a mirrored disco ball, involving pink satin, glitter, syringes, nails, power drills, and a secret admirer. Brent has become the prom king at a macabre, sadistic event where he is the entertainment.



I have been waiting a while for this film. I have read up all on it and have been excited to finally have gotten a chance to watch it. After reading mostly glowing reviews and have to say. It wasn’t what was expected and didn’t match up to my expectations. it Blew way past them. I figured this film would be inventive but over the top crazy violence.

While the film takes well-known cliches and expectations and constantly twists them. So that you are always on your toes as it stays unpredictable. Don’t get me wrong there is violence and some nudity. Yet it is never gratuitous nor exploitive. The film sets up Story, Characters, Mood, Tension, Atmosphere truly effective necessities to make a truly unique and fitting horror film. Where no one nor is anything disposable it all means something.

I was amazed as the film proceeded how the film ties everything together in a nice bow. Each event has consequences that affect the characters and their lives. Especially Psychologically.

Robin McLeavy gives a star-turning performance. That is memorable As the main tormentor.

This film feels like a trip into a nightmare deranged wonderland. The mood set by the film is horror at first but then becomes more darkly comedic and goofy. Then around the midway point, it raises the stakes and it becomes more serious and violent.

That is when the film truly becomes scary. It reminded me of what I thought Rob Zombie’s HOUSE OF A THOUSAND corpses would be after seeing the first preview. Where it looked crazy and unpredictable.

Watching the film though it uses small remote locations for the most part. The house that is the main setting is sort of like its own simple funhouse. As the film goes on it keeps raising the stakes and rearranging itself. So it keeps you off balance. 

SPOILER

Enjoyed like the fact that the film doesn’t just present Princess as just usually getting what she wants and this kidnapping is a one-off thing, That she has been mentally pushed to and her father just wanting to give his little girl whatever she wants, but that she and her father are pretty much sociopathic serial killers. With a hinted at Incestuous relationship that so far has yet to be Consummated. I also like the reveal to hint what exactly is wrong with his friend’s prom date.

SPOILER END 

 This is a true original that deserves not only to be seen and discovered as it feels like the type of film you discover on a whim searching for something to watch for the evening. It would be nice if Horror films like these were the type to actually reach cinemas instead of films like CHERNOBYL DIARIES, THE DEVIL INSIDE, Another SAW sequel. Which pollute our cinemas every few weeks, Which feel disposable and unoriginal as they seem to follow the same formula and feel like an extension of a fad. 

This is a film that reeks of skill and passion that went into it. The filmmaker is here to tell a story and illustrate it with visuals, Characters, and dialogue. He achieves that and actually gets reactions and emotions out of the audience. 
Paramount studios were supposed to release it into theaters wide But seemed to try it in a few test markets and speedily dumped it on DVD. It doesn’t realize what a gem it has in its hands and is mishandling it. 

 I look forward to the future works of Director Sean Byrne and the cast. This is a film that is a secret for now but do yourself a favor see it and tell your friends about it. So it can achieve the respect and audience it deserves. 

 GRADE: B+

BERBERIAN SOUND STUDIO (2013)

Written & Directed By: Peter Strickland 
Cinematography By: Nicholas D. Knowland 
 Editor: Chris Dickens 

Cast: Toby Jones, Tonia Sotiropoulou, Susanna Cappellaro, Cosimo Fusco, Antonio Mancino, Fatma Mohamed, Chiara D’anna

A sound engineer’s work for an Italian horror studio becomes a terrifying case of life imitating art. 


The film didn’t sound like anything amazing. In fact, it sounded more like a trick of a movie, like an M. Night Shamalayan films get labeled as more about spectacle and showing off than story, characters, and general enjoyment. Word of mouth leads me to give it a chance

This film throws you off so much that it makes your mind explode with ideas for possibilities at every turn.

It’s a film that shows a love for the magic, mystery, and technology of cinema and its making. Giving the audience insight into sound and foley artists while building a story around it. Then the film plays around with it to throw you off course. Leaving it up to you and your own interpretations as to what is going on.

It takes what could have been a simple premise and manipulates it and plays with it so much that you always have a feeling of dread. The film always makes sure that you never feel comfortable leaving you to wonder at times have things been lost in translation?

The characters seem like stock from a horror film at times then just seem like characters of the period it portrays. Female characters go from seeming plain and innocent to exotic creatures of mystery and depth. Characters go from seeming mysterious to comedic and or pathetic.

You can look at the film in many ways dark comedy might even be one of a mystery.

The film also feels like a film that could have been made of that period as it recreates to become a homage to that era and it’s filmmaking. It’s like a mix between David Lynch and Francis Ford Coppola but having a style, character and voice all its own.

To me it seemed almost to be a better version of the recent film BEYOND THE BLACK RAINBOW strived to be.

This definitely would be a good film to watch with INLAND EMPIRE and/or MULHOLLAND DRIVE and BARTON FINK only this film is more compact. It manages to make so much out of so little.

I was shocked at how much this film surprised and delighted me. This is really a standout film and Toby Jones is noteworthy as his character is so timid and awkward and the people at the studio he works at so mean, rude and obnoxious, but insists he is the rude and ungrateful one constantly.

I don’t want to give away too much of the films plot as it has plenty of surprises for the audience that are best to discover and truly contemplate.

My only complaint is that there isn’t a scene where Toby Jones totally gets to lose it. So that there is a release of emotions, but since this film is built on tension for the most part that would let the audience off, and clearly that is not this films intention.

GRADE: B+

THE QUIET ONES (2014)

Directed By: John Pogue 
Written By: Craig Rosenberg, John Pogue & Oren Moverman 
Based on A Screenplay by: Tom De Ville 
Cinematography By: Matyas Erdely 
Editor: Glenn Garland  

Cast: Sam Claflin, Olivia Cooke, Jared Harris, Erin Richards, Rory Fleck-Byrne, Laurie Calvert

In 1974, in Oxford, Professor Joseph Coupland invites his introspective student Brian McNeil to film his research about the supernatural with his two assistants, Krissi Dalton and Harry Abrams, and the subject Jane Harper. Jane is a young woman with no memory from the past that has been abandoned that believes she is possessed by a doll named Evey that gives telekinetic power to her. She is kept awake in an isolated house with a doll, where Prof. Coupland intends that she puts her evil energy in and then destroys the doll to healing Jane. Strange things happen in the house and Brian feels sorry for Jane and he researches her tattoo, learning an evil secret about the past of Jane.


Filmed in 2012, it sat unreleased until 2014. Which is never good, though doesn’t make this too horrible. It’s actually decent and not a total waste.

I have to say I enjoyed this film more than expected. Not as bad as I thought initially going in, but still not quite a winner either. Though it is a welcome entry into, the hammer canon of films.

The film. fits the pedigree of being a hammer film. By being quite dated in the time that it is set in. It also has the distinction of keeping a chilling atmosphere as it goes along.

While it is better in Quality the film isn’t as fun or moving as John Pogue’s Previous Directorial Debut, QUARANTINE 2: TERMINAL which is a personal guilty pleasure.

The film chooses to have an Unsettling mood and scares of its bag of tricks rather than gore and violence. I applaud it for as we go through the film we feel an increasing amount of dread as we realize the characters are not prepared for what they are messing with. It becomes thrilling towards the middle though it also starts to become predictable when it begins to reveal itself.

The script was heavily rewritten for budget reasons. Which might explain the more singular locations. Leaving It to feel more creative working with what they have and giving a more haunting atmosphere.

Of course, I am not a natural fan of ghost stories so it took me a bit to get into it. Especially when the action takes place mostly in an abandoned manor that only the characters will inhabit. In other words, waiting around like sitting ducks.

I like the fact that the film shows characters come to their sense and trying to leave, by being pulled back as they aren’t safe anywhere. Unless they face off with whatever is haunting them.

Though it is not above some skin by having actress Erin Richards constantly in revealing, tight clothes as well as reasons for shots that seem to have a reason for her backside to be featured in a few shots. That I will admit are small but became distracting for me.

Though the film deals with adult themes the violence and scenes stay on a strictly PG-13 level and become obvious they must keep to their rating when certain scenes keep escalating then the camera seems to pull away or shy away from the actual act and comes back to show only the aftermath in flashes.

The film has a more gothic atmosphere it reminds one of the more classic horror tales. Especially being more set in the ’70s

It also dips its toe into being partially a found footage film to cover its fan bases and make sure some modern audience members especially the younger members.

The film’s weaknesses however are its a central story that IF unbelievable that it isn’t supernatural, occurrences just telepathy at work with a vivid imagination of suggestion. That seems ridiculous plus add in a reason to have a good footage element that while smart in its introduction feels like a reason to add in that cliche.

The film is able to hold your attention as you watch, though after it is easily forgettable, but most likely will just be confused with memories of other similar and maybe even better or worse films.

Wait To rent, though with other films

Grade: C

THE NEW MUTANTS (2020)

Directed By: Josh Boone
Written By: Josh Boone & Knate Lee
Cinematography: Peter Deming 
Editor: Andrew Buckland, Robb Sullivan & Matthew Rundell 

Cast: Blu Hunt, Alice Braga, Anya Taylor-Joy, Maisie Williams, Charlie Heaton, Henry Zaga, Adam Beach 

Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.


Had high hopes for this film when it was originally supposed to be released. As in the advertisements, it seemed to offer something different when it came to a superhero film. One that was more of a horror film.

While the film resembles one. It doesn’t scare or fascinate. In fact, it feels more like a video game for the number of CGI effects used and more aimed at teenagers for how clean it comes off being.

Especially as it plays more like a haunted house film That just happens to involve a laboratory.

One can understand with all the supposed reshooting and re-edits that delayed the film. Which is supposed to sharpen the movie or at least make it better, but it seems to have sucked all the originality out of it.

The actors also use a variety of f accents that don’t seem to always stick. There is one. Performance that is so bad it’s never believable and amazed it stayed in and in so many scenes. As it comes off more cartoonish than probably intended.

The movie also comes off a lot simpler than it should.

The film had certain darkness that hangs over it that would work in a horror film or if it truly meant something but as the film plays like a dramatic thriller. It feels more artificial. So that the angst that the film tries to display feels more scripted than natural.

All of this is a shame as this was also one of my favored comic book series when I used to collect comic books as a teen. This movie doesn’t come close to it in any way, shape, or form. In fact, it feels more random than anything else 

Some of the disappointment might be that the film feels a bit unfinished; it offers a nice short story, but holds the ideas for something bigger and more. That could have been a different kind of superhero movie. Though it feels like any development for something original was stopped in its tracks or just cut out. As it feels constantly on the edge of something then stops way short. Which just leaves a major disappointment. 

Grade: C-

STARSHIP TROOPERS (1997)

Directed By: Paul Verhoeven 
Written By: Ed Neumeier 
Based on the book by: Robert A. Heinlein 
Cinematography: Jost Vacano 
Editor: Mark Goldblatt & Caroline Ross 

Cast: Casper Van Dien, Denise Richards, Dina Meyer, Clancy Brown, Jake Busey, Michael Ironside, Neil Patrick Harris, Seth Gilliam, Patrick Muldoon, Dean Norris, Rue McClanahan, Marshall Bell, Matt Levin, Brenda Strong, Amy Smart, Greg Travis, Dale Dye

In the distant future, high school kids are encouraged to become citizens by joining the military. What they don’t know is that they’ll soon be engaged in a full-scale war against a planet of alien insects. The fight is on to ensure the safety of humanity.


a film about and presented in parts as a war propaganda epic, but it’s also an out-and-out war film. As well as a melodrama that all feels like a video game. As it also has a science fiction element.

This is an epic war film that focuses more on the battlefield and action than anything else. It ultimately becomes a satire on war films. 

The film follows a group of high school students who sign up for military service for various reasons though the love triangle introduced at the beginning seems to show that each of them signed up to follow the other. These will be the ones we mostly stay with throughout. So that it has a coming of age and mildly romantic element. Which is the only time the film has any sweet moments.

Most of the characters come from Buenos Aires and are mostly caucasian. As the story goes along we are introduced to various characters most of them look straight out of a soap opera and are visually appealing. Which only strengthens when it comes to melodrama. It also clues you into who will most likely survive.

Even though the film does throw in plenty of surprises it also serves up plenty of cliches it manages to also throw in some ridiculous measures of subversion. Like seeing Neil Patrick Harris famous at the time mroe for playing teen doctor DOOGIE HOWSER on television. As a high-ranking military scientist and strategist prone to wearing German SS army gear as a uniform without any swastikas and when the main character of Johnny Rico is punished for insubordination, his punishment is to get whipped and he is punished when applying the whipping is an African American man. 

The film is hyper-violent and gory. Even the boot camp scenes manage to have death and plenty of violence. 

Once the battle begins we see the soldiers fight off against the deadly enemies bigs that’s right the enemy is giant insects. So that when there is violence against the enemy there is carnage but mostly goo rather than blood. Only when Humans are killed is there really bloody gore. 

When it comes to the style scenes grand and small there is so much action in battles and in casualties that is where it more feels like a video game other than in the premise. So while not based on one this is an early example of what a movie based on a video game should feel like. Before, where they feel like they could easily interchange. 

The film knows that this is pretty much a campy big-budget B-Movie that doesn’t take itself deadly seriously. It knows what it is and offers the audience thrills and chills, but knows it is there more to entertain over all else. 

It knows how far-fetched the premise is but makes you care and get involved anyway. It has breaks of propaganda where it shows news reports, commercials, and ad campaigns that are all overacted. Which not only like Director Paul Verhoven’s previous film ROBOCOP satirizes but also manages to world build and give background information of how this war is affecting all aspects of life on the battlefield.

The film is hard-edged and dark throughout. Even when it comes to its humor. 

It’s obviously a film that could only be made at the time it was. As it asks us to watch a war film that doesn’t really have any political agenda and is more born out of entertainment than being too serious and to show off special effects but not make it overbearing and what the film focuses on.

This is a film that at times is easy to forget about but feels like a film of a different time. It’s a film where you won’t forget the first time you see it and it might come off as silly at first but the more you think about it the more Impressed you are by it 

Even though most of his films have been wild and structured. This film seems to be one of the bigger films of Director Paul Verhoeven’s career where he seeks to go more full balls to the wall. Rather than trying to be too subtle or create a more intimate atmosphere. While not necessarily a classic along the lines of TOTAL RECALL or ROBOCOP which he directed. He doesn’t embarrass himself or shows any restraint even as this comes off as one of his more mainstream and crowd-pleasing films. 

As I will admit when I first saw it in theaters I felt it was ridiculous but kept me entertained. 

That seems to be more for a blockbuster audience and not so much the artistic crowd. 

Grade: B

SPECIES (1995)

Directed By: Roger Donaldson
Written By Dennis Feldman 
Cinematography: Andrzej Bartkowiak
Editor: Conrad Buff

Cast: Natasha Henstridge, Ben Kingsley, Michael Madsen, Forest Whitaker, Alfred Molina, Marg Helgenberger, Michelle Williams 

In 1993, during a search for extraterrestrial life, a transmission was received, detailing an alien DNA structure, along with instructions on how to splice it with human DNA. The result is Sil, a sensual but deadly creature who can change from a beautiful woman to an armor-plated killing machine in the blink of an eye. Government agent Xavier Fitch assembles a team of scientists and mercenaries to locate and destroy Sil before she manages to find a mate and breed.


This film is one that might take you by surprise at how enjoyable it is.

One of the few times Michael Madsen has been the good guy but also essentially playing the hero. A kind of romantic one 

This is the movie that I believe started all the police procedural such as CSI were to solve the case was seen as a team effort and we saw how much each team member’s work helps to solve the crime that the star will get full credit for as the leader. Ironically one of the stars of CSI co-Stars in this film.

We get to learn about each member of the team and they each get their chance to shine some less triumphantly. Though forest Whitaker’s character is the one who has more of a psychic link with her. Which bumps his character up as much more needed in scenes. Madsen is the leader but mostly the action hero in this scenario. 

Ben Kingsley is the boss who gets them all together but can’t be trusted as every decision seems shady for the rest of them.

Essentially making this more an ensemble movie, with a cast of well-known character actors, but majorly focused on the alien played in a glamorous debut by Natasha Henstridge. As she tries to find a mate to procreate and inhabit the earth.

So it’s like a fantasy turned nightmare scenario. Whereas most films find this plot more through horror. This film also goes the sci-for horror route but also leaves room for fantasy. As in most films it is finding a mate or person and using them but maybe getting caught or the person dies before the process can happen. Here most of the men she encounters unfortunately are not good enough or don’t have the goods for what she needs.

This film has its fair share of tension and action to keep you interested and it has an alien character designed by H.R. Giger who created the alien Look for ALIEN 

The film has its fair share of exciting action and chase scenes but also leaves room for there to also be a bit of horror throughout. This alien is like a slasher but only truly kills when she is threatened in defense. 

Followed by an inferior sequel that just changes the sex around and seems crueler and oddly like they had less money which never comes as close to fun as this film has at least for the audience. 

This is an original and enjoyable action Science fiction movie. They don’t feel like a carbon copy. One which I saw In The theaters and made a huge impression on me. The film is never boring and keeps you entertained and interested. 

Only wish Natasha Henstridge got roles just as good as this one again. Even though her character is in the end a villain. You do care about her character and root for her a bit. No matter what her actions, plus at times she comes across as innocent snd shows some kind of humanity before she becomes more of a predator. 

Grade: B

THE STRANGERS (2008)

Written & Directed By: Bryan Bertino
Cinematography By: Peter Sova
Editor: Kevin Greutert
Original Music By: tomandandy

CAST: Liv Tyler, Scott Speedman, Gemma Ward

After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive.


I can understand how other people may enjoy this film but I honestly didn’t while you are there approach is riveting and exciting making you stay on your toes. The chilling masks that could be innocent are there more for terror. The cinematography makes you feel like you are watching a big-budget snuff film. The feel of this film is like it could have been made in the seventies it is that different from its contemporaries in the genre. Not too many cuts no annoying rapid editing. It has its problems but has good follow-through.

It just feels like it was manipulating from beginning to end. From the fake based on a true story coda at the beginning (It Wasn’t) and quite honestly ripped off TEXAS CHAINSAW MASSACRE.

Letting us know just enough about the characters as a backstory. So we can feel for them as they are victims on screen for most of this film, to the quiet stretches of the film. Only to be jarred by a loud sound and the music that expresses doom in almost every minute of this film. That is a warning that something is going to happen, but half the time doesn’t.

The filmmakers try to use what you already know about these types of films against you. Then tries to shock you by having scenes go a different way.

My problems are not only there, but in the beginning, they say not many details are known about what actually happened. Ok so why this movie is an interpretation of what the director thinks happened, then why so much attention to detail? like he was there and knew specific details about what happened.

Also if this is supposed to be a true story how come the killers are so talented or supernatural that they seem to be able to disappear at will. Then show up again unexpectedly with hardly a sound they are human, humans can have the best plan in the world, but make mistakes. it’s human nature, they also would thanks to gravity make noise, but not these killers who are kind of humanized at the end, but by that time it’s too late.

All the believability has already flown out the window. While the reasoning for the crimes is chilling and spoiled in the advertisement for the film. It is also what sells it and makes it scarier. If most other filmmakers had made it they probably would have copped out and shown the faces of innocent kids doing this as a thrill more than anything else it beats drugs. Which is not the actual ending.

SPOILER-

Though keeping them faceless does make them all the more scary and perfect for a sequel

SPOILER END

I give this film an A for effort and quite frankly believe the director does have talent which is plainly evident on the screen. He just makes these mistakes that take one out of the movie.

Would rather see more types of movies like this made by actual talent than the 20th remake of a Friday the 13th sequel which while fun in the original series are whack outside of it. Not to mention one would rather see films like this than another j-horror American remake.

The thing I can also give this movie credit for is that it seems to understand the horror genre. This while being gory a few times is mostly about thrills and suspense more than anything else.

Liv Tyler and Scott Speedman, Give good performances this might be the best film either have been in so far. it at least has given them the best roles to play.

I would say this is a good rental. More interested in the making of the film than necessarily the finished product.

GRADE: C+