GIRLHOOD (2015)

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Written & Directed By: Celine Sciamma
Cinematography By: Crystel Fournier
Editor: Julien Lacheray 


Cast: Kardija Toure, Assa Syla, Lindsay Karamoh, Marietou Toure, Idrissa Diabate, Sima Soumare, Binta Diop, Djibril Gueye, Cyril Mendy,

Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of 3 free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom. reinventing herself and gaining a sense of self confidence in the process. However, she soon finds that this new life does not necessarily make her any happier.

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GOD HELP THE GIRL (2014)

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Written & Directed By: Stuart Murdoch
Cinematography By: Giles Nuttgens
Editor: David Arthur 

Cast: Emily Browning, Hannah Murray, Olly Alexander, Pierre Boulanger, Cora Bisset

Set in Glasgow, Scotland, the film is about a girl called Eve who is in the hospital dealing with some emotional problems and starts writing songs as a way of getting better. Songwriting becomes her way forward, leading her to the City where she meets James and Cassie, two musicians each at crossroads of their own. What follows is a story of renaissance over the course of a long, dream-like Summer. While I can admit that this film isn’t for everyone. It charmed me from the beginning. Then Again this was a film I looked forward to and met all my criteria. It is a sensitive film that might be too soft for some out there. It was perfect to me.

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31 (2016)

Written & Directed By: Rob Zombie 

Cinematography By: David Daniel 

Editor: Glenn Garland 


Cast: Sherri Moon Zombie, Jeff Daniels Phillips, Lawrence Hilton-Jacobs, Meg Foster, Lew Temple, Malcolm McDowell, Judy Geeson, Elizabeth Daily, Ginger Lynn, Jane Carr, Torsten Voges, Ricahrd Brake, Daniel Roebuck, Tracy Walter, Esperanza America, Andrea Dora 


The day before Halloween, five carnival employees are kidnapped & held hostage in an isolated compound known as “Murderworld”. On Halloween, they are thrown into a sadistic game called “31” where they must survive 12 hours against a gang of maniacs dressed like clowns. It’s time to play 31.


This film was fully Crowd-funded and as it was made independently.It is also one of Rob Zombie’s most brutal films. Though in a career in horror his movies have been filled with some jaw-dropping violence.

When it comes to the movies of Rob Zombie, He has talent but it seems he gets in his own way that usually sink the films. Though he definitely has a style. I just wish he worked with a co-screenwriter at times to work out the kinks. Though strangely i keep coming back to watch his latest. As he obviously has a love of the genre. I guess like Eli Roth. I keep waiting for one masterpiece to make his mark. hoping that this film will be better than the last or good. Though his characters dialogue can be embarassing.

I would love to see what he does with a genre piece non-horror. My favorite film he has made was the animated El-SUPERBEASTO. Though out of love action films I of course really liked THE DEVIL’S REJECTS. THE WITCHES OF SALEM was stylistically really good and assured, but fell short in some ways.

When it comes to rob zombie’s film I don’t mind him wanting to showcase certain type of characters, but half the time they are barely sympathetic. Here I am talking about the victims/protagonists. No one deserves death but sometimes he argues the case of feeling sorry for them. Though half of them haven’t fully committed any sins. Just distasteful characters sometimes. Though the truly innocents ever truly felt like the characters in HOUSE OF 1,000 corpses and strangely enough his HALLOWEEN 2.

The dialogue he writes at times just seems like a character trying to turn a phrase with gross and disgusting language and coming up with one liners to sit situations.

Rob Zombie clearly has a love of horror and the 70’s as most of his films might not have taken place then, but seem designed from that decade as far as production design.

Usually casting his wife in the lead role helps her acting career. Though we are presented with the same protagonist. Which makes her his muse and apparently only his. She is a beauty and luckily as the roles are written for her she knows how to play the limited characterizations. As they all seem similar when she is not a killer herself.

Though truly this film seems aimed at his fans and fans of his type of horror films as it offers a concept but nothing familiar. The closest type of other film i would say this reminds me of would be. The horror equivalent of THE RUNNING MAN. Though strangely it doesn’t seem to offer much of anything different

One of the most entertaining aspects of the film is watching former co-cheese Lawrence Hilton Jacobs from WELCOME BACK KOTTER use a West Indian accent and having straight hair instead of his classic Afro or hi-too fade he was known for in his previous roles.

Rob Zombie seems to be the horror version of Quentin Tarantino a rock star filmmaker whose films are popular only her doesn’t have the skills. Though he has an eye, bit is not as strong a writer though he likes to cast familiar character actors synonymous with horror and pop culture. Plus he tends to like to shock the audience.

Here he also adds to his mix a well Know fear of clowns. As half the killers are made up in make-up and psycho.

The main killer of this film gives monologues on fate and life. That seems abbot much as most of the killers either taunt their victims or have a gimmick and just want to get to the killing after introducing themselves. Here they are treated like super villains in action films especially the main one. as they have a need to share and explain their brilliance and what they are going to do as they can’t really share the plan or the details without other troubles. Is it the intimidation factor as part of the torture and eventual death? Or is this the only time they can be themselves?

They set up the circumstance but so they really seem like the type to pay by the rules And keep their word? The players have no choice as it is all they have to hold Onto to survive and have a somewhat happy ending.

This film tries To be unhinged and crazy but lacks that random unpredictable nature.

The film is gruesome at times and extreme to a ridiculous manner. As this is a no hold barred horror film or concerned with anything but entertaining fans of the genre. Though there seems to be nothing to revel in. no real room for any kind of enjoyment on any level. As this isn’t trying to be realistic and exists more on a b -level you would expect something or some kind of reason and humor even.

While the film and action plays out like a sadistic game. It offers no rhyme or reason. It exists more in just a fake movie world. It just seems to be made to be brutal and plays out like some bloodlust fantasy. Not the dream project that it seems to be described or advertised as. Doesn’t seem worth the effort or that inspired.

The film feels like something that could have been done instead of just constant cruelty. Of only a few more ideas had been used and some details added. Those little details can make an impact and would make the film go the extra mile.

As the film feels empty as it is not as cool, scary or even all that nostalgic. As it just feels cruel and somewhat random. It doesn’t even seem like there is too much effort either.

Though the film never lands or conjures up any fear as it seems more like. A very violent action film.

Grade: D

CLIMAX (2019)

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Written & Directed By: Gaspar Noe
Cinematography: Benoit Debie
Editor: Denis Bedlow & Gaspar Noe 

Cast: Sofia Boutella, Sarah Belala, Romain Guillermic, Souhelia Yacoub 


In the mid 90’s 20 French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD. Quickly, the atmosphere becomes charged and a strange madness will seize them the whole night. If it seems obvious to them that they have been drugged, they neither know by who nor why. And it’s soon impossible for them to resist to their neuroses and psychoses, numbed by the hypnotic and the increasing electric rhythm of the music. While some feel in paradise, most of them plunge into hell.


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BOHEMIAN RHAPSODY (2018)

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Directed By: Bryan Singer
Written By: Anthony McCarten
Story By: Peter Morgan & Anthony McCarten
Cinematography: Newton Thomas Sigel
Editor: John Ottoman 


Cast: Rami Malek, Lucy Boynton, Joseph Mazzello, Mike Myers, Tom Hollander, Aiden Gillen, Ben Hardy, Gwilym Lee, Allen Leech 

The story of the legendary rock band Queen and lead singer Freddie Mercury, leading up to their famous performance at Live Aid.


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YOUNG & BEAUTIFUL (JEUNE AND JOLIE) (2013)

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Written & Directed By: Francois Ozon
Cinematography: Pascal Marti
Editor: Laure Gardette 


Cast: Marine Vacth, Geraldine Pailhas, Charlotte Rampling, Fredtic Pierrot, Fantin Ravat, Johan Laysen 


After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.

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NOWHERE MICHIGAN (2018)

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Directed By: Robert Vornkahl
Written By: Andrew Beguin
Cinematography: Brian C. Harnick
Editor: Mike Api & Robert Vornkahl


Cast: Tequan Richmond, Jenna Boyd, Christina Scherer, Ashlie Atkinson, Richard Riehle, Seth Kirschner


David is fleeing from a murder, a pair of deadly con-men, and is inadvertently toting a bag full of crystal meth and cash with him. On the run, he ends up in a small, frozen, nowhere town in the heart of the Upper Peninsula of Michigan.

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SUCKER PUNCH (2011)

SUCKER PUNCH

Story & Directed By: Zach Snyder
Written By: Zach Snyder & Steve Shibuya
Cinematography By: Larry Fong
Editor: William Hoy 


 Cast: Emily Browning, Vanessa Hudgens, Jamie Chung, Jena Malone, Abbie Cornish, Carla Gugino, Oscar Issac, Scott Glenn, Jon Hamm

A young girl (Baby Doll) is locked away in a mental asylum by her abusive stepfather where she will undergo a lobotomy in five days’ time. Faced with unimaginable odds, she retreats to a fantastical world in her imagination where she and four other female inmates at the asylum, plot to escape the facility. The lines between reality and fantasy blur as Baby Doll and her four companions, as well as a mysterious guide, fight to retrieve the five items they need that will allow them to break free from their captors before it’s too late…

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CARRIE (2013)

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Directed By: Kimberly Pierce
Written By: Lawrence D.Cohen & Roberto Aguire-Sacasa
Based on the Book By: Stephen King
Cinematography By: Steve Yedlin
Editor: Lee Percy & Nancy Richardson
Music By: Marco Beltrami 


 Cast: Chloe Moretz, Julianne Moore, Portia Doubleday, Judy Greer, Ansel Elgort, Gabriella Wilde, Zoe Belkin, Barry Shabaka Henley, Demetrius Joyette, Evan Gilchrist, Alex Russell

A re-imagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.

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GANGSTER SQUAD (2013)

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Directed By: Ruben Fleischer
Written By: Will Beall
Based On The Book By: Paul Lieberman
Cinematography By: Dion Beebe
Editor: Alan Baumgarten & James Herbert 


 Cast: Sean Penn, Josh Brolin, Michael Pena, Ryan Gosling, Emma Stone, Anthony Mackie, Robert Patrick, Mireille Enos, Troy Garity, Nick Nolte De’Aundre Bonds, Giovanni Ribisi, Jon Polito, Michael Bacall, Don Harvey, Derek Mears

It’s 1949 Los Angeles, and gangster Mickey Cohen has moved in, with the intention of controlling all criminal activity in the city. He has bought local judges and police, and no one is willing to cross him or testify against him. Everyone except Seargant John O’Mara, a former World War II soldier, whose goal is to settle with his family in a peaceful Los Angeles. Police Chief William Parker decides to form a special unit whose mission is to take down Cohen, and chooses O’Mara to lead the unit. O’Mara chooses 4 cops and asks another cop and vet, Jerry Wooters to join him but Wooters is not interested. But when he witnesses the murder of a young boy by Cohen’s people, he joins them, and they decide to take apart Cohen’s organization. Cohen wonders if a rival is going after him, but eventually he realizes it’s the cops.

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