THE LITTLE HOURS (2017)

the-little-hours-dave-franco

Written & Directed By: Jeff Baena
Cinematography By: Quyen Tran
Editor: Ryan Brown 


Cast: Dave Franco, Aubrey Plaza, Alison Brie, Kate Micucci, Nick Offerman, Jemima Kirke, Molly Shannon, John C. Reilly, Paul Reiser, Fred Armisen, Paul Weitz, Lauren Weedman 


On the run from the battle-seasoned Lord Bruno for sleeping with his wife, the handsome and willing servant, Massetto, flees to the safety of the woods during the warm and peaceful summer of 1347. There, after a chance encounter with the always boozy but merciful Father Tommasso, the young charmer will find refuge into his convent’s sanctuary, on one condition: to pretend he is a deaf-mute. However, Massetto’s tempting presence will unavoidably upset the already frail balance of things within the sexually-repressed female realm, as nun after nun desperately seeks an escape from their tedious way of life and an extra reason to molest the charming handyman. In the end, will those cloistered Sisters finally find out what they had been missing out on all these years?

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ALWAYS BE MY MAYBE (2019)

Always Be My Maybe Ali Wong, Randall Park Credit: Ed Araquel/Netflix

Directed By: Nahnatchka Khan
Written By: Ali Wong, Randall Park & Michael Golamco
Cinematography: Tim Suhrstedt
Editor: Lee Haxall 


Cast: Ali Wong, Randall Park, Keanu Reeves, Michelle Buteau, Susan Park, Vivian Bang, Charlene Yi, Daniel Dae Kim, Casey Wilson, Karan Soni, James Saito, Lyrics Born 


A pair of childhood friends end up falling for each other when they grow up.

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ONCE UPON A TIME IN HOLLYWOOD: A REVIEW & TESTAMENT

(Before you read this I suggest you see the film. As there are mild spoilers towards the end of this writing)

Written & Directed by: Quentin Tarantino

Cinematography: Robert Richardson

Editor: Fred Raskin

Cast: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino, Margaret Qualley, Timothy Olyphant, Kurt Russell, Zoe Bell, Luke Perry, Emile Hirsch, Austin Butler, Lena Dunham, Bruce Dern, Dakota Fanning, Damien Lewis, Mike Moh, Kate Berlant, Danielle Harris, Lorena Izzo, Harley Quinn Smith, Maya Hawke, Kansas Bowling, Parker Love Bowling, Sydney Sweeney, Rumor Willis, Martin Kove, Leslie Bega, Dreama Walker, Clifton Collins Jr., Rebecca Gayheart, Samantha Robinson, Scoot Mcnairy, Omar Doom, Brenda Vacarro, Mikey Madison, Nicholas Hammond, Clu Gulager, Lew Temple, Vincent Laresca

Quentin Tarantino’s Once Upon a Time… in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age

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RESTLESS (2011)

Restless

Directed By: Gus Van Sant
Written By: Jason Lew
Cinematography By: Harris Savides
Editor: Elliot Graham

Cast: Henry Hopper, Mia Wasikowska, Ryo Case, Jane Adams, Schuyler Fisk

Annabel is a terminally ill cancer patient and is quietly awaiting her death spending her time studying nature. Enoch is struggling to recover from the death of his parents and spends his time attending funerals with his only friend – a ghost named Hiroshi who was a WWII Japanese kamikaze pilot. Just as Annabel’s sister is trying to cope with Annabel’s impending death, Annabel and Enoch fall in love. They both finally have a reason to live, but is it too late to have a life together?
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POISON IVY (1992)

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Directed By: Katt Shea
Story By: Melissa Goddard
Written By: Katt Shea &  Andy Ruben
Cinematography By: Phedon Papamichael
Editor: Gina Mittelman 


Cast: Drew Barrymore, Sara Gilbert, Tom Skeritt, Cynthia Gibb

Ivy a sexy teen who lives with her aunt, moves in with a reclusive teen and slowly works her way into the lives of her adopted family. The mother is sickly and can’t sexually satisfy her husband any more, and to the daughter’s horror, Ivy begins seducing her father.

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BODY OF EVIDENCE (1992)

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Directed By: Uli Edel
Written By: Brad Mirman
Cinematography: Douglas Milsome
Editor: Thom Noble 


Cast: Madonna, Willem Dafoe, Joe Mantegna, Julianne Moore, Anne Archer, Frank Langella, Stan Shaw, Richard Riehle, Michael Forest, Charles Hallahan, Mark Rolston, Jurgen Prochnow, Jeff Perry 


A millionaire is found dead of heart failure handcuffed to the bed with a home video tape of him and his lover. When cocaine is found in his system, and his will leaves $8 million to his lover, they arrest her on suspicion of murder. Her lawyer succumbs to her charms, and he begins a torrid and kinky affair with her. As new evidence turns up during trial, he begins to wonder if he’s defending a murderer.

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THE BOYS IN THE BAND (1970)

Directed By: William Friedkin
Written By: Matt Crowley
Cinematography By: Arthur J. Ornitz
Production Designer: John Robert Lloyd
Set Decoration: Phillip Smith
Costume Design By: W. Robert La Vine
Editor: Gerald B. Greenberg & Carl Lerner

Cast: Cliff Gorman, Kenneth Nelson, Peter White, Rueben Greene, Frederick Combs, Keith Prentice, Robert La Tourneaux, Laurence Luckinbill, 

Tempers fray and true selves are revealed when a heterosexual is accidentally invited to a homosexual party.

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WATER LILIES (2007)

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Written & Directed By: Celine Sciamma
Cinematography: Crystel Fournier
Editor: Julien Lacheray 


Cast: Pauline Acquart, Louise Blachere, Adele Haenel, Warren Lacquin 


Three girls, each about 15, deal with puberty, the onset of sexual attraction, and, for two, the pressure of virginity. Marie, who’s slight and diffident, quiet and nearly expressionless, is friends with Anne, who’s a bit chunky and impulsive and has decided that François will be her first love. Watching synchronized swimming, Marie is suddenly attracted to the team captain, Floriane, beautiful, aloof, tall, and rumored to be a slut. François pursues her. Marie begins to hang around her; they trade favors, and soon it’s an odd sort of friendship. Each of the three experiences her own first, and Marie must sort out attraction and friendship.

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9 SONGS (2004)

9-songs

Written & Directed By: Michael Winterbottom
Cinematography By: Marcel Zyskind
Editor: Michael Winterbottom & Mat Whitecross

Cast: Kieran O’Brien, Margo Stilley

QMatt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall

London’s Brixton Academy. They are in bed at night’s end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

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COMIC BOOK MOVIE

When it comes to comic book movies I was once like most audiences. It was my fantasy to see them on the big screen and once the properties you always dreamed it did. I was as excited as anyone and now they are on a regular basis, but as they have been successful m. They have also caused that atmosphere to be flooded with like minded or plain old Rip offs of better material.

So that i don’t really get excited anymore. It’s

Like if every movie head a certain same star eventually you get sick of them you need time to miss them to really get excited m. I understand we live in an in demand society, but it hard for me to be in awe or remember s film and it’s state of the art special effects and epic grand vision. If in two weeks something similar is coming out. Of course I can judge by the better quality once it is seen, but when two similar products they can cancel each other out and kill any memory of either of them. It all depends on the quality.

It used to be the effects couldn’t keep up with the vision of the story and character for some it is still that though with most it seems they have tried to merge.

That might be why for so many years we didn’t get too many superhero films with characters who had powers but self made ones that took place In a kind of fantasy world or alternate reality.

It’s of course not only the super hero films but also the big budget fantasy and sci-fi films. That are more a product of the superhero films being so successful as studios take more risks to try and start or reboot franchises. So much so that studios rarely green light mid budgeted films as they are gambles and might not make too much money in the end. Where as with special effects films they invest so much that they either will bomb or win big or come in even and that looks better in the Long run and have plenty of excuses as to why they green lit these films and how would they to predict they would bomb. Not to mention with ticket prices going up. More dividend to studios but also have to make it more enticing for audiences to come out to the movies.

How some of these films are working on the nostalgia of us and I won’t lie I go to see most of these films and get excited for some. I am only human and the trailers make them look so impressive. Only a few can I complain about when it comes to diminished returns.

I’m not an art film snob or completely a hater make. Just cranky as we move Into a new era. I just want more room or opportunities for more open space when it comes to film. Supposedly there will always be one but this is all about money and commodity to me these days ruling the other. I guess I am a film idealist as it seems to get murky, but it’s money involve technically. So out with the old in with the new.

As we see as comic con becomes the event like Sundance where what it once seemed to stand for seems to disappear under hype and photo opportunities expanding in scope. Where it seems more like a vapid Woodstock all about promotion and get an appreciation like going to destroy and being bombarded by future promises.

It make me sad but as long as it inspires others to dream and succeed I canMt really fault it maybe my time has come it’s up to a new generation my demographic Isn’t as important and I’m fighting a losing battle to make it believe and fighting my admission of aging to a degree.

I will always love movies and cinema. They are my life’s blood my passion.

I’m not caught in a constant state of awe there movies don’t make me want to spend time or money to see them but go with the mirage. It feels hollow doesn’t feel that masterful there for it’s intention more the out of it being hip or cool to be seen.