After swapping bodies with a deranged serial killer, a young girl in high school discovers she has less than 24 hours before the change becomes permanent.
This is my type of film and comes from writer-director Christopher Landon. One knows what to expect: a high concept idea that was prominent in 1980’s/1990’s films only here put into the horror genre.
It comes out entertaining but not as much as one would have hoped. The film is perfectly entertaining. Yet even with the violence and gore. You never quite take it seriously or worry.
Half the time it is done with fun. While also giving the moral of respecting people’s titles, labels, and character and trying to define them as just one thing.
While the kills are somewhat creative. The way in which they switch bodies seems a little hokey. It’s needed for the audience to understand but kind of takes the audience out of the film. It offers a ridiculous plot device and provides comedy for this film, but as the film doesn’t live up to the campy and cheesy nature of that plot point it kind of shines a spotlight on it as a weakness.
What shines through the most here is surprisingly Vince Vaughn who could have let his performance be Purely comedic but he plays menacing, heartfelt, girlish, and comedic believably. In both his killer performance and his performance with his body being inhabited by a teenage girl.
It’s also nice for a film to actually have a sex scene that is not graphic but plays into the genre and manages to have no nudity.
You can tell early on who the film is setting up to be victims and when it has a chance it resists twists that one might expect. It even manages to have 2 endings where the film could have ended and still been perfectly fine but needed that extra one to give the character more closure and achieve eye goal as well as have a typical horror ending.
This is a horror-comedy that offers some fun and different aspects but in the end, sticks to the rules and script of the familiar. Though it is definitely worth watching.
Written & Directed By: Brian Duffield Based on the novel by: Aaron Starmer Cinematography: Aaron Morton Editor: Steve Edwards
Cast: Katherine Langford, Charlie Plummer, Yvonne Orji, Hayley Law, Piper Perabo, Rob Huebel, Chris Shields, Marlowe Percival, Laine MacNeil
Get ready for the outrageous coming-of-age love story about growing up…and blowing up. When students in their school begin exploding (literally), seniors Mara and Dylan struggle to survive in a world where each moment may be their last.
This film starts off seeming like a typical teen film with a darkly comedic cynical side. Though as the film goes along it gets deeper and gives the film actual depth.
The film takes the audience on a ride while dealing with a morbid subject. As we in the audience feel something and experience the sorrow.
Especially in the third act where a character we have grown close to becomes a victim. Even as the film tries to humanize most of the victims somewhat. So that there is something felt as each one meets their fate.
This film is Like most teens, rebellious on the outside but sensitive and emotional the more you get to know them and the deeper they decide to open up.
The film offers a little thriller element as to wonder who will be next but that ends up giving the movie energy and vitality that seems to give each scene a certain edge.
Writer/director Brian Duffield is becoming a favorite and expert in these genre teen films. This is his directorial debut but he previously wrote THE BABYSITTER. While this is more dramatic he is good at making genre films serving teenagers and making them exciting and yet believable as far as characters and having nightmare scenarios turn out into great on-screen fantasies.
The film gives off a romantic message but also one that is about to live life to the fullest while you can and embrace the experience for it might be one of your last.
While doing that is another aspect it shows that time can be precious and how those close to you might feel neglected while caring for you. You choose to focus on your current crush or love and make others feel left out.
The film also seems to want to show the unknown when growing up and graduating from a firm teenager to adulthood more responsibilities where your actions have much more important and can inhabit your future.
It also shows the unpredictable nature of life and even first love. How you can be thrown into a loop when things change, especially through no fault of your own and like the title says spontaneously and rather suddenly.
This film offers a fun but more cynical and violent look at it.
The film hits especially strong during these pandemic times.
Directed By: Joseph Ruben Written By: Ian McEwan Cinematography: John Lindley Editor: George Bowers
Cast: Macaulay Culkin, Elijah Wood, Wendy Crewson, David Morse, Daniel Hugh Kelly, Jacqueline Brookes, Quinn Culkin, Ashley Crow
A young boy stays with his aunt and uncle and be friends with his cousin, a boy of the same age who shows increasing signs of violent and psychopathic behavior.
I remember being excited about this film when it came out. As it held the promise of Macaulay Culkin to be playing against type as an evil child. Though for some this might have been more of the same who might have seen his character in home alone as a sadistic bully himself.
I even went to see this movie in theaters twice. Sure it’s a modern update on the and seed only with boys and more of a budget and an openness that the movie didn’t offer at the time.
He does excellent In This film. As he pretty much sets his cousin played by Elijah wood up to be his patsy. Getting him to trust him and bringing him into his little schemes and then when his cousin decides to be honest and do the good thing. Culkin’s Character beats him to it only making wood look guilty as he has more evidence to put him away.
At first, we believed that Culkin’s character might just be going through growing pain until we found out even before he got there he was up to no good. It seems that Eve. As he might try to do so later. What he craves is attention and anytime someone is a rival for his mother’s affection then Off they go
At first, the film is played more off of thriller as including a great action sequence of a car crash on a highway and an ice skating incident gone wrong, but once it really settles in and watches, you can really see more the psychological aspects of the film being panted out
Director Joseph Rueben offers crisp and sharp direction. That matches the chilly atmosphere the town is set in. This actually is one of his better films. Definitely one of his most popular. So you can say the films offer thrills and chills
Something interesting that Macaulay Culkin was a child star and was killed in two movies that he starred in. Think of that anytime you swear times have changed or movies are darker and more mean-spirited than the ones in the past as far as treatment of children.
Though His performance does put him in a different lane and offers him a chance to show range, but also gives plenty of opportunity to those more annoyed by him to see Him get a comeuppance. It was just nice to see him in something different, not cookie cutter and cute
What works for the film is that despite its high concept simpleness and stunt casting. It’s actually deeper than what you expect. As it does kind of harm back to that Spielberg era. Where kids could star in Movies and kind of create their own world and social relationships. Where adults were around but they weren’t the main focus they were more supportive.
This was the first movie I even remember seeing Elijah wood in and he is impressive in one of his first films as a full-fledged lead.
As even though this film is rated R. It also seems more made for children to enjoy or at least relate to more.
Directed By: Ross Katz Written By: Jeff Cox & Liz Flahive Story By: Nick Kroll, Jeff Cox & Liz Flahive Cinematography By: Vanja Cernjul Editor: Paul Frank
Cast: Nick Kroll, Rose Byrne, Bobby Canavale, Joel McHale, Bobby Moynihan, Paula Garces, Caitlin Fitzgerald, Jane Krakowski, Mike Birbiglia, Jason Mantzoukas, Sarah Steele, Josh Charles, Julia White, Jeffrey DeMunn, Seth Barrish
A young, narcissistic entrepreneur crashes and burns on the eve of his company’s big launch. With his entire life in total disarray, he leaves Manhattan to move in with his estranged pregnant sister, brother-in-law and 3-year-old nephew in the suburbs – only to become their nanny.
This isn’t a film that exactly reinvents the wheel. It is obvious, so obvious it almost feel sitcom comical. Though it does have a sweetness to it and a nice albeit lite message.
The film is rather basic and simple. As we watch middle aged characters. Afraid truly of growing up and taking responsibility and slowly learn how to do that. As they must. As they seem to be coasting through life, but not ready to come to grips with responsibility and the future
As the characters all have an idea in their head of where they would be at and what they should be doing. They have all made it to a degree but wonder now what. As they find themselves unhappy and dissatisfied. We watch their journey as at first it seems they will have to make it on their own as they don’t trust one another. Though as the film goes along we watch them depend on one another. Then betray one another of sorts.
The film is essentially about family and learning life lessons. Luckily the film and direction have a very lite and soft hand. So it never becomes too jaded or heavy handed. As we watch the characters in raising a child finally learn to grow up. With plenty of comedic hijinks that get to the point rather quickly.
Nick Kroll is more serious then we see him usually though is still in a majorly comedic role. So it’s nice to see his range.
Rose Byrne is fun in her role which seems like it will be more of a tragic. Though through the subtlety of her role makes it memorable and quite cute. As she seems to be the most fragile but also level headed character.
Bobby Canavale is more the link head who is messing up and knows better but is looking to love past glories and hope it will revitalize his life. Though he knows what is at stake and what he could lose.
The rest of the cast is fine. Though not necessarily strong and noteworthy.
The unexpected rears it’s ugly head as characters you believe will be helpful and fun end up being more mean spirited but at least feel true. Showing the harshness of the world they live in and how they can only really depend on one another.The film does lend itself to plenty of comedic moments. As the cast is made up of comedic performers. The moments don’t come off as natural and more at tie a as send up’s of types of people, but they do work.
Directed By: Daisy Von Scherler Mayer Written By: Daisy Von Scherler Mayer & Harry Birckmayer Story By: Sheila Gaffney & Daisy Von Scherler Mayer & Harry Birckmayer Cinematograhy By: Michael Slovis Editor: Cara Silverman
CAST: Parker Posey, Guillermo Diaz, Anthony DeSando, Liev Schrieber, Omar Townsend, Donna Mitchell, John Ventimiglia, Dwight Ewell
Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an illegal party. To repay the loan, she begins working as a library clerk. At first she hates it, but when challenged decides to master the Dewey Decimal System and become a great library clerk, while romancing a falafel vendor and helping her roommate in his goal to become a professional DJ.
This film is a perfect time capsule of the ’90s and the new york party scene circuit. As far as independent cinema. It’s a mainstream story. It was a surprise hit that was even turned into a disastrous sitcom starring Christine Taylor. The sitcom couldn’t catch the magic of the film nor the charisma of Parker Posey. ‘As her performance in this film is star-making.
This is the film that has made me a life Long fan of Ms. Posey. It introduced me to her and unfortunately, she has rarely gotten a role that lets her shine as bright as she does here. It’s a star-making role and Ms. Posey is excellent in the lead. She is funny Perfect pitch and comic timing. There really is no reason she is not a world-class star by now. Many other actresses have gotten famous with lesser material. If only she was a comedian or a strictly comedic actress.
She would probably be at the top of her game by now, But alas she is a real actress able to do comedy and drama in one quick swoop. This is a movie that can’t help but put a smile on your face.
Not a fairy tale even though she has a prince in the form of a falafel vendor. He does not sweep her off her feet to take care of her, but he does support her. This is after all a tale of empowerment. A woman’s film a guy could stand to watch.
I can’t say enough good things about this movie. Which would still be good, not great without parker posey in it but together they are dynamite. It’s kismet. The role was meant for her. I couldn’t imagine anyone else playing it. Like Reese Witherspoon in LEGALLY BLONDE and Heath Ledger in THE DARK KNIGHT.
I remember seeing this film the same day as seeing THE INCREDIBLY TRUE ADVENTURES OF 2 GIRLS IN LOVE. I only decided to watch this film on a whim since so many people had gotten tickets to see it. My Cousin said we should since she was interested in seeing it too so we snuck in. I was pleasantly surprised. it was a breath of fresh air and eye-opening in the way to entertain and get laughs on a low budget. I enjoyed it more than the film we had just watched.
I think that day cemented not only my love of indie cinema but knowing that I wanted to be a part of it somehow.
This movie has the spirit of the story The Little engine that could. The story is slight, but through the characters more than the situations it makes an impact.
It’s a rated R film but really should be rated PG-13 Due to language partial nudity and drug use.
Directed by: Darius Marder Written by: Darius Marder & Abraham Marder Story By: Darius Marder & Derek Cianfrance Cinematography: Daniel Bouquet Editor: Mikkel E.G. Nielsen
Cast: Riz Ahmed, Olivia Cooke, Paul Raci, Matthieu Amalric, Lauren Ridloff, Chelsea Lee
A heavy-metal drummer’s life is thrown into freefall when he begins to lose his hearing.
The audience experiences the fear of his hearing loss as well as his disorientation at learning how to communicate itself In The deaf and rehab community that he is part of
This is felt so much by the end it barely feels like they are actors and what we are watching is mroe a documentary or real life
While experiencing this it is a learning g experience for us both and once we seem to get into the groove of things. The film and the lead character shakes it up. Somewhat as a necessity as it seems that is how he lives his life. The film seems to move Ali g the same way but completely naturalistic. So that we are always thrown off also. Which keeps things interesting but never quite at peace. Even in the more tranquil scenes.
In the end he learns that what he had might. It has been worth it as once he has truly
Found a community that actually accepts him. He rejects them To a certain degree to get back his former life that was rebellious but was fitting into a certain kind of normal. So that even as a punk he kind of sells Out for normalcy and love and kind of shoots himself in the foot as the world he once knew moves on without him.
That while he has changed for the better so had his girlfriend and what he desired to be with her ends up not totally being worth it. As coming. Back into her life kind of makes her go back to the times when she was unstable and causes relapses even though they saved one another.
Riz Ahmed totally owns this role and is or. If the better performances seen in 2020 he is strong as his character is forever unsettled. As even when he is at peace he never stops and slows down enough to appreciate it and look towards the future.
Olivera Cooke is almost unrecognizable in her supporting yet pivotal role. She serves as the light at the end of the tunnel. As in the beginning, she is his desperate half. Soon as his disability comes to the forefront it’s interesting how the roles kind of change and she has to be a caretaker as he slowly and angrily unravels. She is his peace.
The film is a tragedy as it leaves the ending ambiguous but all that he has done to survive to a certain degree isn’t worth it and he has burned too many bridges to go back
How the film came to be was that director Derek cut originally had planned to make a docufiction film starring a real-life couple in a band going through the same situation and while the film was in post-production the film never quite hit completion to satisfaction. Writer-director Darius was so moved by the story he was asked and given permission to work it in any way he wanted to after having worked with Derek as a screenwriter in the movie THE PLACE BEYOND THE PINES. It does have vibes of his style.
This film has a devastating and honest beauty to it.
Directed By: Kevin Reynolds Written By: Scott Yagemann Cinematography: Ericson Core Editor: Stephen Semel
Cast: Samuel L. Jackson, John Heard, Kelly Rowan, Clifton Collins Jr., Karina Arroyave, Tony Plana, Lobo Sebastian, Jack Kehler, Jonah Rooney, Method Man, Richard Riehle, Antwon Tanner
15 months after being stabbed 9 times by a student at work as a high school teacher in NYC, Mr. Garfield is working in LA as a substitute teacher come full-time. He refuses to be a victim anymore.
This is the story of a man, a teacher pushed over the line. A vigilante tale that shows the bloody aftermath. Rather then it just solving everything. That revenge can make some things worse m. As there will always be someone else to take the place of the initial problem.
It seems in the end all this was meant to teach his tormentors enemies a lesson. One way or another. To make characters who were actually willing to see past all of this and understand this is not a lifestyle.
By the end even in death, there seem to be everlasting enemies.
The film seems to want to make a point but by the end. The lesson seems kind of empty
The film seems to have a dry and saturated style and film style. That keeps things interesting and vivid. At times it makes the look seem all the More desperate and offers a kind of stuck-in-the-dumps look for the character’s surroundings.
The film shows not all the Villains are criminals but also the so-called do-gooders. It plays it’s morality like a modern-day western. Where once the hero has let the villains get to him that he behaves like them he has been infected with their propensity towards violence and menace. While trying to show that some hope can grow in the middle of nihilism.
Though this is more of a character study with Star Samuel L. Jackson in the starring role. One of his first. It also is a character study of two characters bound to clash. As each raises the stakes against one another.
This also allows him to be an orator and raise his voice which is one of his strengths as an actor.
Though the film is filmed and treated more as a thriller. Most of the time it speaks more through emotions and moods rather than physical.
This is one of the first movies where Samuel L. Jackson is in the leading roles. Which was one of the reasons at the time that inspired me to see it In Theaters on opening weekend. Where I ended up loving the style of the film but by the end felt mildly disappointed.
Here his character is ambivalent about the danger he faces from his students before he is actually attacked by one. He decides to relocate to what looks like another rundown urban school. Where things are on at first and even has a kind of blossoming friendship/romance until she sees his scars so that rejection eats at him couples with threatening and menaces at school all over again. Triggers him and when the principal is more screwed of being sued then protecting his staff. He feels that he so left with only one other option.
The film also offers Karina Arroyave one of the biggest roles of her career. As most do her career before this film she had been playing small roles in these types of films where an educator makes a difference. (LEAN ON ME, STAND AND DELIVER) in smaller roles. Here she gets a string vulnerable role where she gets to make a mark as one of the mroe innocent characters. Where her character is treated mroe like property of the gang in a more sexual way. (This might be why as she in real life is older than her character but still looks young. Why she got the role instead of someone who might have been age-appropriate.) In this battle fo wills between the teacher and Clifton Collins Jr. (in only the second I had seen him in a film)
I remember him from his first role in THE STONED AGE and then an about-face in this film. so just him showing range in his first roles so early was impressive. As soon he would be all over the place in different roles though usually Criminals. Though none ever felt the same as the last.
He has had a long career, sometimes he can be bland as in light it up where you expect him to do more as it I was one fo the roles he can do easily and bring Charisma maybe not his fault maybe the script or director’s fault
One of the big calling cards of the movie’s promotion was the casting of rapper Method Man in the film. At the time he was the hot new rapper part of the Wu-Tang Clan at the time. Here he has a small cameo role in the film. The same thing happened when he was cast in the film COPLAND.
The last act of the film that is based around the movie THE DEER HUNTER. Is truly bonkers even as it tries to be run of the mill.
As this is a film that you can easily write off as simplistic or one-note as just another Vigilante thriller but the film is much more interested in the characters, motivations, guilt, and morality behind their actions and decisions.
This was also director Kevin Reynolds follow-up film to WATERWORLD. Where obviously he was trying to make a much smaller and more dramatic film.
In The end, this comes off as the Los Angeles version of a street movie and a skewered look at the teacher who makes a difference genre. Showing more the dangers they face in the day today.
Directed By: Sidney Lumet Written By: John Hopkins Based on the play “THE STORY OF YOURS” by: John Hopkins Cinematography: Gerry Fisher Editor: John Victor Smith
Cast: Sean Connery, Trevor Howard, Vivien Merchant, Ian Bannen, Derek Newark, Ronald Radd
A burnt-out British police detective finally snaps whilst interrogating a suspected child molester.
This is obviously based on a stage play as a good portion of Sidney Lumet films are. He finds interesting ways to open the play up for the film. Making the Non-Dialogue scenes just as enriching as the dialogue-filled ones.
The film is a tight expenditure that lets you come up for breath at first but as it goes along it begins to pull you under
As usual Sean Connery does best when working with director Sidney Lumet and some of the few times he ever lets himself be vulnerable on screen. Here he is just filled with raw emotions spilling out all over the place.
This feels more natural for all involved next to the movie THE HILL. Though less tortuous.
How he goes from Being the investigator and soon the roles are reversed after an act of violence due to suppressed anger finally exploding out
Watching basically a man have a mental breakdown throughout the film. This is the case that breaks him and learns of what the job has done to his psyche the things he has seen and witnessed. It keeps the film riveting.
While he takes out all of his rage and anger but under a moral code. Where at his breaking point his mind might be just as warped as those who he investigates. As after all these years being witness to the aftermath of crimes and having to psychologically get into the heads of the criminals and suspects, has taken its toll.
The third act fills in the puzzle where the confrontation actually happened and we only saw the aftermath, after a while, it keeps us on our toes as to whether it is justice or if it is going. Where we suspect especially due to the outrage and constant flashback of thoughts.
The film becomes claustrophobic as it goes along and the noose seems to tighten around the main characters.
Directed By: Dominic Sena Written By: Eric Hobber, Jon Hobber & Chad Hayes, Carey Hayes Based on the Graphic Novel By: Greg Rucka & Steve Lieber Cinematography By: Christopher Soos Editor: Martin Hunter
Cast: Kate Beckinsale, Columbus Short, Tom Skeritt, Alex O’Loughlan
U.S. Marshal Carrie Stetko tracks a killer in Antarctica, as the sun is about to set for six months.
Based on the Graphic Novel of the same name. This film is good as a basic thriller. That seems to be the major problem of the film. You have seen all of this before the basic storyline with its twists and turns only this time the deadline is set to solve it because there is a winter storm approaching. Also, it’s setting in freezing Antarctica as it’s location set’s it apart. Those are really the only things that set the film apart from the many thrillers you have seen by now that start and begin the same way. It’s no one in particular fault.
The director knows what he is doing in fact I actually like his other films KALIFORNIA and SWORDFISH (Yes I like SWORDFISH I’m not ashamed)
I think one of the things I find amazing is that it took 4 Screenwriters to write this. It seems like a film made by a committee. Like the film could have been original but it seems like anything that strayed too far was cut out. It feels like this film was made to appeal to any market without being offensive.
Kate Beckinsle is good though she is so beautiful it is hard to take your eyes off of her. It is a quality that makes it hard for her in films as you suspend disbelief at her playing non-glamorous roles. Originally Reese Witherspoon was first attached to the role when it was being planned but dropped out and producer Joel Silver originally wanted Kate Beckinsale. So when Resse Dropped out he got who he wanted to.
I never read the graphic novel so I don’t know how faithful it stays to the source material. I hope it is better than what appears here. I had some hopes for the film as a film where a female is a protagonist in a thriller and the authority figure. Where the subject matter has nothing really to do with putting her in sexual situations as many thrillers do.
The film just seems like a wasted opportunity. No wonder the studio kept it on a shelf for two years then barely released it. As even after watching it. It feels easily forgettable.
Written & Directed By: Hype Williams Story By: Nas, Hype Williams & Anthony Bodden Director Of Photography: Malik Hassan Sayeed Edited By: David Leonard
Cast: Nas, DMX, T-Boz, Method Man, Power, Tyrin Turner, Taral Hicks, Frank Vincent, Kurt Loder
Tommy Brown and his friend Sincere are gangsters who have learned how to make a good living by dealing drugs and pulling armed robberies. Tommy and Sincere have been able to move out of the ghetto in Queens where they were raised and relocate to an upscale section of Manhattan; they would seem to have it made, but both realize that their lives are headed toward a dead end. Sincere begins getting in touch with his African roots and tries to convince his girlfriend Tionne that they should emigrate to the Motherland, while Tommy has a religious awakening and joins the Nation of Islam.
The film seems to have a grand vision, but a small story and limited budget. The film feels like essentially a ninety-minute rap music video. A bad one. This might have been the film that started the saying “all style no substance”. Whereas there is no denying hype Williams has tremendous talent as a director. He has unbelievably rich saturated visuals inventive angles and shots. but as a writer, he leaves a lot to be desired.
If that wasn’t bad enough it is hard to believe it took three people to come up with the barely-there story line. Were they just sitting around playing video games together and in between the levels they wrote down a idea. After three days this is what they came up with. After all, while watching this film I got confused by the plot, some characters, and their motivations that just either disappear or make no sense at all. Like a pop-art film or a 90’s version of an Andy Warhol film. It looks beautiful the visuals are rich and eye-popping, but everything else is bad. It’s like a supermodel great to look at, but not very deep or much to say.
The film seems to glamorize all things notorious If this film is remembered at all is that it is a nostalgic look at a time in hip hop. One of the few that actually made it into theaters. It involves many popular rappers at the time starring in the film together. It can be seen as a 90’s blaxploitation hood movie as it more exploits stereotypes, violence, and the nihilism of the street-life. While at the end tries to go out on a redemptive positive note. This film is just depressing to experience no real positivity at all when there is some or at least some type of message. It is soon given short shrift and forgotten by the next scene.
You can see the director’s ideas but while having crystal clear clarity with his visuals. He seems not to know entirely how to express his thoughts in the story. The most inventive thing in this movie was having frank Vincent. a man who usually plays mobsters or villains here is playing a government agent his appearance in this film is always incomprehensible. You never get a good look at him but you recognize the voice. So you know he is there. While director Hype Williams lives up to his first name with this film proves to be a visual stylist coming from the music video world he seems to need to learn how a story works for longer than five minutes and maintain themes, motivation, and story. He is a director I would have liked to see given another chance make a film all the wiser and see the results as I believe he could do it. There are rich colors off-kilter but defining looks and styles for each character. The ever-present fish-eyed lens camera shots a favorite of the director.
The plot is two friends who are drug dealers come up with a major supplier but they trespass on another dealer’s property. DMX Then has to do an assassination for the supplier, for his protection. But the man DMX kills is a protected made man. So they come after all of them. Their supplier is killed first in a scene ripped off from most rappers’ favorite film: Scarface. DMX makes a deal with the government to stay out of jail and to protect him. But he must kill a powerful black minister. Meanwhile, Nas tries to survive the streets while planning to run away with his share of the money to the safe motherland that is modern-day Africa. Exactly!!!
DMX plays his role believably so much that he got more acting work after this. He stays memorable in the role. He truly inhabits his character with a menacing viciousness. While Nas gives a horrible performance. He seems not to be able to really act. It seems that the same thing that works for Nas as a rapper. His image as a thug prophet works with his monotone delivery showing no emotion because nothing can affect him works against him as an actor. When everything is about emotion and reaction.
The actresses in this film are integral to the story but are barely given any real characters to play or many scenes to be in. Along the way, there is one subject that is touched upon that I found interesting. DMX’s girlfriend is a gold-digger who he openly cheats on but she is happy as long as she has the finer things in life. Then the cops raid the place she lives while hiding the drugs at her place. So she gets locked up for possession and doesn’t rat on him taking the rap for her man. Who she knows doesn’t love her nor makes any attempt to get her out. Maybe if that was explored a little more it could have been interesting. Then a little less of the gun battles and flossing of expensive things. This film would have been better more intriguing than a wannabe gangster epic of minuscule proportions which if they would have done their homework they would have noticed do have gun battles and flashy things but are also well-plotted and very dialogue-driven things again this movie seriously lacks.
At the very least. we could have seen Nas in Africa (Which is an interesting movie title) so we can see Mr. Williams illuminate it. I have to say the acting runs from horrible to passable no good or outstanding performances.
The ladies can act, so can method man DMX is sort of playing a version of himself and Nas just looks like he couldn’t have been bothered to put up an effort. to show the logic of this film. In one scene a guy from the criminal crew is beaten by DMX and he swears his revenge on Nas. Even though he had nothing to do with him being beat.
Cut To The Chase 