RUNNING WITH SCISSORS (2006)

runningwithWritten & Directed By: Ryan Murphy
Based on The Memoir By: Augusten Burroughs
Cinematography: Christopher Baffa
Editor: Byron Smith 


Cast: Joseph Cross, Evan Rachel Wood, Brian Cox, Gwyneth Paltrow, Joseph Fiennes, Annette Bening, Jill Clayburgh, Patrick Wilson, Alec Baldwin, Gabrielle Union, Kristin Chenoweth, Dagmara Domincyzk, Colleen Camp 


The story of how a boy was abandoned by his mother and how he, later, abandoned her. The year he’ll be 14, the parents of Augusten Burroughs divorce, and his mother, who thinks of herself as a fine poet on the verge of fame, delivers him to the eccentric household of her psychiatrist, Dr. Finch. During that year, Augusten avoids school, keeps a journal, and practices cosmetology. His mother’s mental illness worsens, he takes an older lover, he finds friendship with Finch’s younger daughter, and he’s the occasional recipient of gifts from an unlikely benefactor. Can he survive to come of age?


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BAD TIMES AT THE EL ROYALE (2018)

badtimes

Written & Directed By: Drew Goddard
Cinematography By: Seamus McGarvey
Editor: Lisa Lassek 


Cast: Jon Hamm, Dakota Johnson, Jeff Bridges, Cynthia Erivo, Chris Hemsworth, Nick Offerman, Jim O’Heir, Lewis Pullman, Xavier Dolan, Shea Whigham 


Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors – before everything goes to hell.

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HALL PASS (2011)

Hall Pass

Directed By: Bobby Farrelly & Peter Farrelly
Written By: Pete Jones, Bobby Farrelly, Peter Farrelly & Kevin Barnett
Story By: Pete Jones
Cinematography By: Matthew F. Leonetti
Editor: Sam Seig 


Cast: Owen Wilson, Jason Sudekis, Jenna Fischer, Christina Applegate, J.B. Smoove, Alexandra Daddario, Rob Moran, Nicky Whelan, Larry Joe Campbell, Stephen Merchant, Lauren Bowles, Richard Jenkins, Tyler Hoechlin, Derek Waters, Alyssa Milano, Joy Behar, Vanessa Angel, Andrew Wilson

A couple of married guys are always looking at other women. Their wives are fed up with their behavior, and grant them a ‘hall pass’: a week off their marriage allowing them to do anything. But the guys take their time and their week is almost up. What they don’t realize is that at the same time their wives make connections of their own.

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MOM AND DAD (2018)

momanddad

Written & Directed By: Brian Taylor
Cinematography By: Daniel Pearl
Editor: Rose Corr & Fernando Villena 


Cast: Nicolas Cage, Selma Blair, Anne Winters, Zackary Arthur, Lance Henriksen, Joseph D. Reitman, Robert Cunningham, Olivia Crocicchia 


There’s definitely something terrible going on in the peaceful suburban community, as, one after the other, otherwise loving and caring parents mysteriously turn into ravenous carriers of an unfathomable pandemic that targets their offspring. Suddenly, every son and daughter–not only in the neighbourhood but also in the entire regionhave to run for their lives, as the rage-filled murderous intent is simply as unstoppable as it is inexplicable. Of course, Brent and Kendall’s teenage children are no exception, and before long, the simmering but usual familial tensions will take a completely different meaning. Kids, stop hiding. Mum and Dad love you so much.

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WAR ON EVERYONE (2017)

war-on-everyone-michael-pena-alexander-skarsgard

 

Written & Directed By: John Michael McDonagh
Cinematography By: Bobby Bukowski
Editor: Chris Gill 


Cast: Alexander Skarsgard, Michael Pena, Theo James, Malcom Barrett, Tessa Thompson, Caleb Landry Jones, Paul Resier, Stephanie Sigman , Keith Jardine, David Wilmot 


Two corrupt cops set out to blackmail and frame every criminal unfortunate enough to cross their path. Events, however, are complicated by the arrival of someone who appears to be even more dangerous than they are.


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GIRLHOOD (2015)

girlhood

Written & Directed By: Celine Sciamma
Cinematography By: Crystel Fournier
Editor: Julien Lacheray 


Cast: Kardija Toure, Assa Syla, Lindsay Karamoh, Marietou Toure, Idrissa Diabate, Sima Soumare, Binta Diop, Djibril Gueye, Cyril Mendy,

Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of 3 free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom. reinventing herself and gaining a sense of self confidence in the process. However, she soon finds that this new life does not necessarily make her any happier.

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GOD HELP THE GIRL (2014)

GODHELP

Written & Directed By: Stuart Murdoch
Cinematography By: Giles Nuttgens
Editor: David Arthur 

Cast: Emily Browning, Hannah Murray, Olly Alexander, Pierre Boulanger, Cora Bisset

Set in Glasgow, Scotland, the film is about a girl called Eve who is in the hospital dealing with some emotional problems and starts writing songs as a way of getting better. Songwriting becomes her way forward, leading her to the City where she meets James and Cassie, two musicians each at crossroads of their own. What follows is a story of renaissance over the course of a long, dream-like Summer. While I can admit that this film isn’t for everyone. It charmed me from the beginning. Then Again this was a film I looked forward to and met all my criteria. It is a sensitive film that might be too soft for some out there. It was perfect to me.

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31 (2016)

Written & Directed By: Rob Zombie 

Cinematography By: David Daniel 

Editor: Glenn Garland 


Cast: Sherri Moon Zombie, Jeff Daniels Phillips, Lawrence Hilton-Jacobs, Meg Foster, Lew Temple, Malcolm McDowell, Judy Geeson, Elizabeth Daily, Ginger Lynn, Jane Carr, Torsten Voges, Ricahrd Brake, Daniel Roebuck, Tracy Walter, Esperanza America, Andrea Dora 


The day before Halloween, five carnival employees are kidnapped & held hostage in an isolated compound known as “Murderworld”. On Halloween, they are thrown into a sadistic game called “31” where they must survive 12 hours against a gang of maniacs dressed like clowns. It’s time to play 31.


This film was fully Crowd-funded and as it was made independently.It is also one of Rob Zombie’s most brutal films. Though in a career in horror his movies have been filled with some jaw-dropping violence.

When it comes to the movies of Rob Zombie, He has talent but it seems he gets in his own way that usually sink the films. Though he definitely has a style. I just wish he worked with a co-screenwriter at times to work out the kinks. Though strangely i keep coming back to watch his latest. As he obviously has a love of the genre. I guess like Eli Roth. I keep waiting for one masterpiece to make his mark. hoping that this film will be better than the last or good. Though his characters dialogue can be embarassing.

I would love to see what he does with a genre piece non-horror. My favorite film he has made was the animated El-SUPERBEASTO. Though out of love action films I of course really liked THE DEVIL’S REJECTS. THE WITCHES OF SALEM was stylistically really good and assured, but fell short in some ways.

When it comes to rob zombie’s film I don’t mind him wanting to showcase certain type of characters, but half the time they are barely sympathetic. Here I am talking about the victims/protagonists. No one deserves death but sometimes he argues the case of feeling sorry for them. Though half of them haven’t fully committed any sins. Just distasteful characters sometimes. Though the truly innocents ever truly felt like the characters in HOUSE OF 1,000 corpses and strangely enough his HALLOWEEN 2.

The dialogue he writes at times just seems like a character trying to turn a phrase with gross and disgusting language and coming up with one liners to sit situations.

Rob Zombie clearly has a love of horror and the 70’s as most of his films might not have taken place then, but seem designed from that decade as far as production design.

Usually casting his wife in the lead role helps her acting career. Though we are presented with the same protagonist. Which makes her his muse and apparently only his. She is a beauty and luckily as the roles are written for her she knows how to play the limited characterizations. As they all seem similar when she is not a killer herself.

Though truly this film seems aimed at his fans and fans of his type of horror films as it offers a concept but nothing familiar. The closest type of other film i would say this reminds me of would be. The horror equivalent of THE RUNNING MAN. Though strangely it doesn’t seem to offer much of anything different

One of the most entertaining aspects of the film is watching former co-cheese Lawrence Hilton Jacobs from WELCOME BACK KOTTER use a West Indian accent and having straight hair instead of his classic Afro or hi-too fade he was known for in his previous roles.

Rob Zombie seems to be the horror version of Quentin Tarantino a rock star filmmaker whose films are popular only her doesn’t have the skills. Though he has an eye, bit is not as strong a writer though he likes to cast familiar character actors synonymous with horror and pop culture. Plus he tends to like to shock the audience.

Here he also adds to his mix a well Know fear of clowns. As half the killers are made up in make-up and psycho.

The main killer of this film gives monologues on fate and life. That seems abbot much as most of the killers either taunt their victims or have a gimmick and just want to get to the killing after introducing themselves. Here they are treated like super villains in action films especially the main one. as they have a need to share and explain their brilliance and what they are going to do as they can’t really share the plan or the details without other troubles. Is it the intimidation factor as part of the torture and eventual death? Or is this the only time they can be themselves?

They set up the circumstance but so they really seem like the type to pay by the rules And keep their word? The players have no choice as it is all they have to hold Onto to survive and have a somewhat happy ending.

This film tries To be unhinged and crazy but lacks that random unpredictable nature.

The film is gruesome at times and extreme to a ridiculous manner. As this is a no hold barred horror film or concerned with anything but entertaining fans of the genre. Though there seems to be nothing to revel in. no real room for any kind of enjoyment on any level. As this isn’t trying to be realistic and exists more on a b -level you would expect something or some kind of reason and humor even.

While the film and action plays out like a sadistic game. It offers no rhyme or reason. It exists more in just a fake movie world. It just seems to be made to be brutal and plays out like some bloodlust fantasy. Not the dream project that it seems to be described or advertised as. Doesn’t seem worth the effort or that inspired.

The film feels like something that could have been done instead of just constant cruelty. Of only a few more ideas had been used and some details added. Those little details can make an impact and would make the film go the extra mile.

As the film feels empty as it is not as cool, scary or even all that nostalgic. As it just feels cruel and somewhat random. It doesn’t even seem like there is too much effort either.

Though the film never lands or conjures up any fear as it seems more like. A very violent action film.

Grade: D

CLIMAX (2019)

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Written & Directed By: Gaspar Noe
Cinematography: Benoit Debie
Editor: Denis Bedlow & Gaspar Noe 

Cast: Sofia Boutella, Sarah Belala, Romain Guillermic, Souhelia Yacoub 


In the mid 90’s 20 French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD. Quickly, the atmosphere becomes charged and a strange madness will seize them the whole night. If it seems obvious to them that they have been drugged, they neither know by who nor why. And it’s soon impossible for them to resist to their neuroses and psychoses, numbed by the hypnotic and the increasing electric rhythm of the music. While some feel in paradise, most of them plunge into hell.


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