THE HOT SPOT (1990)

 Directed By: Dennis Hopper
Written By: Nona Tyson & Charles Williams 
Based on The book “ HELL HATH NO FURY” by: Charles Williams 
Cinematography: Ueli Steiger 
Editor: Wende Phifer Mate

Cast: Don Johnson, Virginia Madsen, Jennifer Connolly, Willam Sadler, Barry Corbin, Charles Martin Smith, Leon Rippy, Jack Nance, Jerry Hardin, Virgil Frye 

Upon arriving at a small town, a drifter quickly gets into trouble with the local authorities – and the local women – after he robs a bank.


This is one of those films I have heard about over the years that has gained a certain reputation. As for some, it’s a lost classic for others it might be an overhyped potboiler. 

The film seems to be slow as the story is revealed in what feels like real-time. Which could feel monotonous for some audience Members, but actually works for the film. Not only as a slow burn but leaves the audience to kindly walk in the shoes of the characters. Never quite knowing what is going to happen next or the next shoe is going to drop.

As we go throughout of course this is a noir tale that feels familiar. As we recognize the types but still offers surprises. As to the depths of certain characters and the ever-present blackmailing of characters.

Though from the outset it seems obvious who is going to fall into bed with whom. As the obvious more attractive members of the cast are set. Showing who are the true stars of the film. They work in their roles but can’t say they subtly appear with the rest of the cast.

As director Dennis Hopper has so much talent in front of the camera and behind. Filled with plenty of character actors who more set the scenes even though they don’t have much to do but be there and be witnesses to the actions going on around them.

This fits into noir more comfortably as it is a cynical film where the more innocent characters are either made to suffer or are natural-born victims. Whereas the more deprived characters seem to be the more successful ones and the ones the film and more interest in as more naturally they are more interesting even if they all don’t make it to the end.

The film has the aura of the type of film you would find for straight to cable or straight to how. Video in it’s days of release. That is how it was more discovered after being a box office bomb. Though it clearly deserved more credit than that. 

While the film certainly feels dirty and sleazy. it never quite feels as erotic or sexy as it should. That element while here and strong, especially As Virginia Madsen scorches the screen and has one of her finest performances. As a character who could easily have been cliche but offers up some surprises. It never feels like it rises to the occasion.

As it feels though, a driving force to the story oddly secondary and more means to an end. It’s necessary but not concentrated and maybe Dennis hopper as a known hedonist decided to try to pull back a little and focus on performances.

Strangely Dennis Hopper directed movies other than EASY RIDER & OUT OF THE BLUE. Always come off as sterile to a degree which includes this one. Though that might be out of expectations considering the man and his legacy. His later directed films seem more sedate as they slowly come from wilder independent to oddly more mainstream studio films. 

Jennifer Connolly plays the young innocent who is hiding her own secrets though also pulls at the heartstrings of the amoral drifter. Who he kind of see’s as his salvation or someone for him to rescue. As she seems usually In over her head or taken advantage of. Though in this film there is no denying her talent or her beauty.

As here he makes no short cuts or quick cuts. It feels kind of old school. As when these types of stories are brought to the big screen. Commonly they either play slick like they are smarter than the audience or believe the audience knows all the cliches so they offer more a sense of humor or spin on them or they tighten the narrative and scenes so much that each one feels either rushed or full of tension even when there doesn’t need to be. 

This takes its time and still offers up its own little surprises as well as what is expected. 

Grade: C+

BILL & TED’S BOGUS JOURNEY (1991)

Directed By: Peter Hewitt
Written By: Chris Matheson & Ed Soloman
Cinematography By: Oliver Wood
Editor: David Finfer

Cast: Keanu Reeves, Alex Winter, William Sadler, George Carlin, Joss Ackland, Pam Grier, Hal Landon Jr., Sarah Trigger, Jim Martin, Taj Mahal, Primus 

The world of our distant future is a veritable utopia, thanks to the lyrics of two simple-minded 20th Century rock and rollers, Bill S. Preston, Esq. and Ted “Theodore” Logan. However, a would-be conquerer threatens to throw history off-track by sending “most non-non-heinous” evil robot Bill and Teds back to kill their good counterparts. Finding themselves dead, the boys must outwit the Grim Reaper and traverse Heaven and Hell to return to the land of the living, rescue their “babes” and have a “most triumphant” concert at the all-important Battle of the Bands


The original title was “Bill and Ted go to Hell” but was changed because of American objections to the use of the word “hell”.

Stephen Herek declined to return as director because he thought it was “almost a parody of a movie that was already a parody”.

This is a sequel not too many people saw coming as yes the first film was a hit, but this sequel while seeming a bit more forced. This seems to revel in the off the Wall motif of everything involved and seems giddy with the chances they have in where they can take the film. As this film is much more wild and experimental and bigger budgeted.

When it comes to this film while there is much more to love and it is more accomplished. I prefer the original for it’s newness factor. Here we are used to these characters and while the film offers a noticeably different story. It still doesn’t feel quite as fresh as the original. Though this one is stranger. It’s not a bad film just different In its own way

definitely can say that this film seems to benefit from a better budget. As the art direction is a lot more sharp and pleasing to the eye. Making the film seem more surreal overall. As the visuals stay with you.

While this film is futuristic it is also definitely a film of its time. Which is where the film’s weakness lies. This is a film where you can tell everyone had a lot of fun making. As all the actors are inspired even the leads seem more gung ho in their roles as maybe they understand the characters more.

As the leads get to play multiple versions of themselves and seem to have their characters more on a directional path. Whereas in the first film they were teenagers who got a glimpse of the future. They still had the time and plenty of room until then. Here we see them trying to get there and the otherworldly obstacles in their way.

This film has less of a necessary story than the first film which just seemed like an odd quirky high concept comedy. Here the film seems more inspired by the characters than the plot. As this film Plays more like a comedic nightmare for the characters. Though you can’t debt that the film is more vibrant if slightly more off-center. As the film beers more into star Alex winter’s early short films and show on MTV, IDIOT BOX. As well as his feature film directorial debut FREAKED, in it’s strange and surreal humor. Where scenes seem partially like sketches that tie into the overall story. Especially in the hell sequences 

William Sadler as death (his death character seemingly more inspired by Max Von Sydow in THE SEVENTH SEAL) steals the film with so much gusto and comedic highlights. That it is another performance that should have made him more in demand and lead to either more lead by roles or character actor roles. At least more comedic ones.

In this film, there is very little time travel. This is a relief as it leaves the film Not relying upon or rehashing the first film’s main focus. Making this sequel seeming fresher.

This film though does feel more creative. As it takes more chances and seems a lot more fun. It’s like a funhouse version of the first film. Whereas this film shows it’s inspirations and seems more aimed at off the wall humor. Focused on its core younger audience. This film also introduced an actual villain for the two characters to face. Even though Joss Ackland claims he only too the role because he lost a bet.

These films always feel like a precursor or an inspiration to the WAYNE’S WORLD skit and movies. Which just like this film had a more surreal and overstuffed sequel. as well as BEAVIS & BUTTHEAD was only more likable.

The film has an ending song that at the time felt iconic but listening to it now feels more melodramatic and embarrassing from the band KISS.

Grade: B-

TALES FROM THE CRYPT: BORDELLO OF BLOOD (1996)

Bordello-of-Blood

 

Directed By: Gilbert Adler
Written By: A.L. Katz & Gilbert Adler 
Story By: Bob Gale & Robert Zemeckis
Based on the Comic Books “TALES FROM THE CRYPT: By: William M. Gaines Cinematography: Tom Priestley
Editor: Stephen Lovejoy 

Cast: Dennis Miller, Angie Everhart, Erika Eleniak, Chris Sarandon, Corey Feldman, Aubrey Morris, Phil Fondacro, John Kassir, William Sadler, Robin Douglas 


The old bag of bones ‘Cryptkeeper’ returns for his second full length feature flick about a funeral home that’s a front for a whorehouse run by vampires

Continue reading “TALES FROM THE CRYPT: BORDELLO OF BLOOD (1996)”

MAN ON A LEDGE (2012)

man_on_ledge_sam_worthington_slip

Directed By: Asger Leth
Written By: Pablo F. Fenjves
Cinematography By: Paul Cameron
Editor: Kevin Stitt 


Cast: Sam Worthington, Elizabeth Banks, Jamie Bell, Genesis Rodriguez, Kyra Sedgwick, Ed Burns, Anthony Mackie, Ed Harris, Titus Welliver, Willam Sadler, J. Smith-Cameron, Joe Lisi

An ex-cop turned con threatens to jump to his death from a Manhattan hotel rooftop. The nearest New York Police officer immediately responds to a screaming woman and calls dispatch. More Officers arrive with SWAT and tactical command along with fire-fighters. The police then dispatches a female police psychologist personally requested to talk him down from the ledge. However, things aren’t as straightforward and clear-cut as they appear to be.

Continue reading “MAN ON A LEDGE (2012)”

AVA’S POSESSIONS (2016)

AvasPossessions

 

Written & Directed By: Jordan Galland
Cinematography By: Adrian Correia
Editor: Jordan Galland & Daniel Hahn 

Music By: Sean Lennon 


Cast: Louisa Krause, Lou Taylor Pucci, Whitney Able, John Ventimiglia, Deborah Rush, Zachary Booth, Jemima Kirke, Carol Kane, Alysia Reiner, William Sadler, Dan Fogler, Annabelle Dexter-Jones

Ava Dobkins is recovering from demonic possession. With no memory of the past month, she is forced to attend a Spirit Possession Anonymous support group. As Ava struggles to reconnect with her friends, get her job back, and figure out where the huge bloodstain in her apartment came from, she’s plagued by nightmarish visions – the demon is trying to come back.

Continue reading “AVA’S POSESSIONS (2016)”