Tag: William Goldenberg

THE INSTIGATORS (2024)

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Directed By: Doug Liman 

Written By: Casey Affleck and Chuck Maclean

Cinematography: Henry Braham 

Editor: William Goldenberg, Saar Klein, Brett M. Reed and Tatiana S. Riegel 

Cast: Matt Damon, Casey Affleck, Hong Chau, Ron Perlman, Michael Stuhlbarg, Alfred Molina, Ving Rhames, Jack Harlow, Paul Walter Hauser, Toby Jones 

Rory and Cobby, who team up to rob a corrupt politician but end up in a chaotic escape after the heist goes wrong. Pursued by police and crime bosses, they enlist Rory’s therapist to help them survive.

Considering the cast involved and the director, this film should’ve been much better.

While he plays like a perfectly good crime caper with a good helping of comedy. It also feels like it’s all over the place, especially totally as when it does try to be more action oriented or gritty crime incomes the more comedic elements out of nowhere and then when it’s resting on its more comedic elements, it’ll have the odd intense action sequence.

Also, with its full cast, it feels like most of them are guest starring in the main plot like this is an ongoing series as very few remain throughout the film and only seemed to be there for a senior or two before disappearing and are quickly forgot not that they’re bad in their roles but again there just doesn’t seem to be that much significance for them even though they are just a piece of the puzzle

So that our main stars Casey act like who also who wrote the film and Matt Damon just seemed to be too strangers thrown into this caver together that ends up being more of a buddy comedy as they are different types of thrown in together just trying to survive all of this. Representing their hometown 

Now this should’ve worked, especially as of course, representing its location of Boston and the characters in the neighborhoods of that town but the film just feels a little too quick paste. It never seems to quite slow down for you to get a grip on what is happening or what has happened. So it’s hard for you to get your bearings, even though it shouldn’t be that confusing.

It just seems to flash here in there in the editing, intense not to focus on anything so it even feels faster than the classic 2000s MTV flash editing which only reminds you that this feels more like content more than an actual film. Which might be the result of having four editors on this film, who each might have been aiming at something different. Asbeverything feels so disposable and familiar even when trying to put a new spin or at least anspin on certain conventions.

Again the leads and cast are likable enough. You just wish that this was a film that wasn’t afraid to take its time had more consequences and was quite a bit tougher as the film is more comedic and not darkly comedic more just comedic.

It has spectacle when the film should’ve been more detailed, smaller and tighter. Noah tries to be gritty. It comes across more as a Hollywood production. Then it should which throws all credibility out the window and turns it more into a romp.

there is a certain irony that lays throughout the film whereas Casey Affleck is a best actor Oscar winner here playing more the co-lead and being more comedic or as Matt Damon, who is more thought of as a serious actor is playing the more serious role here and while he has more prestige, he does not have an Oscar for best actor, even though he does have an Oscar for writing. Yet Casey Affleck who has the acting prestige is the Co-Writer here. 

This obviously isn’t there first pairing on screen they have paired up in various projects, but this is the first time where they’ve been costars as a lead in a more comedic, an original production of their own as they were in the film GERRY as costars, and also really, the only leads in that film, as well as one of the only actors in that film

The film has come across as the type of body crime caper comedy that felt more at home in the 70s and 80s try some modernize it, but it has way too much going on for it to truly ever be centered or quite understandable

Grade: C

UNSTOPPABLE (2025)

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Directed By: William Golddenberg 

Written By: Eric Champnella, Alex Harris And John Hindman 

Based On The Book: Anthony Robles and Austin Murphy 

Cinematography: Salvatore Tontino 

Editor: Brett M. Reed 

Cast: Jharrel Jerome, Jennifer Lopez, Don Cheadle, Michael Pena, Bobby Cannavale, Mykelti Williamson, Neon Perez, Johnni Di Julius, Peter Sack 

This film seems to be mostly painted by numbers of a biofilm of a disabled athlete who overcame his affliction or didn’t let it define him to go after what he really wanted, which was to be a wrestler, not only achieve it but excel at it as it helps to give him discipline and definition not only physically and spiritually but emotionally

Jharrel Jerome is excellent as lead, proving himself not only a great actor but deserving a better though he can play what is required in most leading man roles he’s got the luxe. He’s got the charisma. He’s got the talent. He just needs more chances. 

what might draw more attention to this film is that Jennifer Lopez plays a major role in the film as his mother always believes in him and supports him as much as he supports her. This is her more taking a supporting role and she’s good in her role as a woman who is in an abusive relationship with most of her kid’s fathers who have a checkered past, but also undoubtedly loves her kids

Don’t know if Jennifer Lopez chose this role to be seen as a serious actress or is or these are the roles that she is being offered more as she gets older and her brand isn’t as strong as it was this is one of her better roles since being in HUSTLERS. Though anytime she is not glammed up it seems to be she is in serious actress mode and made more noteworthy.

Also, Bobby Cannavale is among the recognizable cast in this film, portraying his usual whole type character or villain, really a bully really the only one that the main character truly faces other than the third opponent, who is more arrival than an actual bully

Don Cheadle has a supporting role as the boy’s college coach and while a thankless role he makes the best of it

If you are into sports dramas or bio-films or just goodhearted movies, I think you will enjoy this film for me, is formulaic, but keeps the attention

Grade: C+ 

THE OUTFIT (2022)

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Directed By: Graham Moore
Written By: Graham Moore & Jonathan McClain
Cinematography: Dick Pope
Editor: William Goldenberg 

Cast: Mark Rylance, Zoey Deutch, Dylan O’Brien, Johnny Flynn, Simon Russell Beale, Alan Mehdizadeh, Nikki Amuka-Bird 

An expert cutter must outwit a dangerous group of mobsters in order to survive a fateful night.

The film makes a nice attempt at trying to breathe life into a throwback gangster tale. The cast is willing to throw their hearts and efforts into it to seem authentic.

The film takes place mainly in one location and is dialogue-heavy. So that it feels more suited for the stage rather than the screen. The constant twists the characters and story take will keep the audience’s interest. The double crosses galore. Which is one of the film’s strengths. As if not for that the film might have been more of a display in dress-up and been somewhat stiff.

What saves the film overall is the performance of the lead Mark Rylance who takes over the role and the film. As he stays focused and is so mesmerizing to behold that you wish the rest of the film was up to his level. 

This also leaves the cast just trying to catch up to him In Strength and charisma. Even if sometimes it feels like the younger cast members get lost in their costumes and various period-era accents. That places them more trying in the land of make-believe but good enough to keep the film going 

The film is more of a dark tale but never feels like it wallows in it. It is a nice presentation but doesn’t rise to the level overall that various parts of it do. So it feels unbalanced but a pleasant experience. 

Grade: B-

THE IMITATION GAME (2014)

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Directed By: Morton Tyldum. Written By: Graham Moore. Based On A Book By: Andrew Hodges Cinematography: Oscar Faura Editor: William Goldenberg Music score: Alexandre Desplat

Cast: Benedict Cumberbatch, Keira Knightly, Mark Strong, Matthew Goode, Rory Kinnear, Allen Leech, Matthew Beard, Charles Dance

Based on the real life story of legendary cryptanalyst Alan Turing, the film portrays the nail-biting race against time by Turing and his brilliant team of code-breakers at Britain’s top-secret Government Code and Cypher School at Bletchley Park, during the darkest days of World War II.

Just like when the film is set. The film plays like a spy film Filled with espionage and thriller elements. For what the film might lack in action for some. It leaves the audience with a more devastating aftermath of emotions.

The thrills are given in a much more intelligent battlefield as the action is more a meeting of the minds and trying to outsmart one another.

Throw in a story of a great inventor and his everlasting invention. That was itself a journey to build with plenty of naysayers and challenges.

There is also a kind of love story at it’s heart but maybe not the one you are expecting. Not to mention a focus on the injustice and prejudice of homophobia and anti-gay rights.

So this film has it all, likely Oscar bait but for once. One with some bite and thrills that come out of nowhere and could have been a simple period drama, but comes out and is actually exciting though some might find it to be a little like a British version of the movie A BEAUTIFUL MIND. Though much is going on all the parts for precisely together.

The performances are off the charts. Keira knightly as the Love interest and top code breaker still has to deal with sexism and domesticity as her parents expect her to be a good wife and find a husband before she can use her skills and brilliance.

Mark strong as the mysterious Mi6 agent and liaison is devious and powerful.

Benedict cumberbatch really shows his range as he can be the awkward outsider o e minute, the pretentious snob and know it all but also the heartbroken and doomed. That you want to save him, but can’t

A film that is built like a drama but plays more like a thriller, with room enough for drama. As on one point he works to get his invention to work and then on another keeping his sexuality a secret. Even though he seems rarely to find interest in others. Even though a romance or more partnership does develop.

Even when he is black mailed on all sides and slowly starts to make friends as others finally get used to him and his polarizing personality that one could easily label it as partially inspired by BIG BANG THEORY with the character Sheldon from that show.

We get to see what makes him tick or inspires him to imagine. as the project keeps something alive in him a kind of hope, love and memories.

How it can be greater Than anything in life. Including your own. The object takes the place of a lost love that could never be. So he builds something his great creation as a kind of loving memory.

How all this history is revealed from just a breaking and entering case. Leaving the detectives in the hunt for supposed treason and spies turns into a heartbreaking story that destroys his whole life because of a detectives insistence over being dismissed and talked down to by him and who has no idea what he will cause and never meant to.

How our actions can have deeper ramifications then expected and can’t be taken back.

The title seems to come from code breaking, imitating the enemies code system to read and understand their messages. It would also be used for the main character who always knew he was different.

So he tried calling initiate others to fit in to a point that no one would really notice and if he couldn’t replicate her would keep people away. More like push, so they never really got to know him.

GRADE: A