YOU AGAIN (2010)

Directed By: Andy Flickman
Written By: Moe Jelline
Cinematography: David Hennings 
Editor: David Rennie And Keith Brachman

Cast: Kristen Bell, Odette Annable, Sigourney Weaver, Jamie Lee Curtis, Victor Garber, Betty White, James Wolk, Kristin Chenowith, Kyle Bornheimer, Christine Lakin, Patrick Duffy

When a young woman realizes her brother is about to marry the girl who bullied her in high school, she sets out to expose the fiancée’s true colors.


There was once upon a time when studios were still making romantic comedies and they kept casting Kristen bell in these movies even though I knew them not to be my particular cup of tea. I kept watching them as I am a fan of hers. At least this film has a stacked cast of names 

This is what I would call disposable cinema. As it is good in the moment and easily forgettable. Never leave too much of a lasting Impression. It’s good at the moment when you need to see something new. 

Now if anything one would hope that this film inspires not to make such simple films. Unless the mediocre is what inspired some. The film shows the talent of the actors. Who tries to make the thin material work.

The film seems like a holdover from the 1980s when there were a lot of these types of disposable entertainment hyped up. Films that had simple premises. Though somehow some of them were able to carry some kind of identity for themselves. By either the talent in front of or behind the camera. 

Director Andy Flickman knows how to make things look excellent and appealing.

The cast list has some surprisingly big male talent for a film that seems more like a paycheck only for most.

It’s nice to see a film like this as it has a good spirit and good intentions. It does what it sets out to do, not subtlety. Yet it’s elementary but I think you know that going in. So you can’t hold it totally against the film.

The acting in the flashback sections of the film is bad. As it comes off as too over the top but also just bad.

Most of the cast know better and have done better films and work but both of the female leads Kristen Bell and Odette Annabale need better roles offered to them. As these roles might look good and maybe even easy on paper. It might even be a surprise hit and up their star power, but most likely it will leave them open to making this same kind of similar film. It would be ok if they had little to no talent but they have proven that they do. 

GRADE: D+

SICARIO (2015)

Directed By: Dennis Villeneuve 
Written By: Taylor Sheridan 
Cinematography By: Roger Deakins 
Editor: Joe Walker 

Cast: Emily Blunt, Josh Brolin, Benicio Del Toro, Jeffrey Donovan, Victor Garber, Jon Bernthal, Daniel Kaluuya, Maximilano Herandez, Raoul Trujillo

An idealistic FBI agent is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.


This film is where director Dennis Villeneuve style really comes alive. Now while PRISONERS is a well directed film. I always had problems with it. Here Villeneuve’s style is crucial to the story.

It can only be explained as he has a knack for making scenes feel alive with tension. Even simple ones. He manages to catch you off guard so many times. That at any moment in his films anything can happen. Especially in the world the characters inhabit. Violence can break out at any time. Tension which he excels makes everything feel urgent and powerfully delivered. Makes it feel like anything can happen

The film while having violent scenes manages the trick of not really showing any violence but making it feel like there is more in the film then there actually is. The few scenes of violence are either so shocking or graphic. That in other scenes that even suggest it. Your imagination is already at work going overboard.

That is certainly a skill in story telling.

Here Emily blunt is our protagonist so we learn things just as she does and through the first half of the film. We realize we are on a mission, but just like her the rules and true objective are confusing and the rules keep changing. So that we are constantly confused even when the audience thinks it knows where the film is going.

She makes a good lead as her character proves both tougher and more fragile then she is presented. Seeing her in EDGE OF TOMMOROW convinced most audiences of her ability to be tough. Which she uses here, but here she also reminds us of how deep and emotional she can be whole Doing or at least showing so little.

Initially, the director was asked to rewrite Emily Blunt’s part for a man. But, Denis Villeneuve wanted Emily Blunt for the role after he saw her in The Young Victoria.

The film could easily be compared to films like TRAFFIC. For how it mainly shows the government side of taking down drug cartels, but the film also manages to tell small Individual stories of different characters and their position in this trade. What it also manages to do is remind the audience yes we are in this films singular world, but there is a greater real bigger world out there. That is our reality that these characters live in also.

Some night even compare the film to ZERO DARK THIRTY. If they did the only reason I can see is that they both have a female protagonist who learns to become more cautious and tougher as the film goes along. As well as learning more information about her supposed target through various different governmental agencies. As well as working with special teams to extract certain people to get to main targets. Though that film is more fact based. This one deals with a real subject, but manages to create it’s own story. This film is truly it’s own Animal

No matter what is shown and not shown this film is brutal. It is a cutthroat world they operate in.

There are some nitpicking like why at first do they forbid her partner access to go with them. Then throughout they seem to not mind if he is there.

Josh Brolin is good as the charismatic leader of this force. Who seems to operate in bureaucracy and in shadows, but the films MVP is Benicio Del Toro as a badass man of mystery. Though his character is mostly quiet. There is an intensity and toughness about him. That makes him look world weary, but constantly sharp. He takes no prisoners and seems to have no moral guide. I missed this type of performance from del toro. He played this type in SAVAGES, but that character was more of a loud mouth and sadistic for fun. Here he does it because he has to and can. If it helps achieve whatever mission he is on.

Throughout the film. The story plays out slowly only revealing itself when it has to. Even when we are privy of scenes and information that blunt isn’t. There isn’t too much revealed. So we are still just as unsure as she is. History is more reveled slowly about the characters rather then present it as soon as we meet them.

The shots throughout are beautifully composed and framed. That makes the territories they govern and go through come Alive. Even in their plainness. They feel constantly full of mystery even though they are mostly plain.

Though the film is structured well and directed well. It doesn’t feel overly stylized.

This film is a doozy, it is wild, yet calm. Epic and far reaching yet small.

The acting that plays out constantly or at least the threat of it Is not the kind you expect in a film Like this. No big action set pieces that rely on the audience finding a thrill. Like it is a roller coaster. Often the violence is either surprising, quick or just plain unorganized in the manner that it happens. This isn’t a thrill seeking movie. It is a thrill feeling movie.

Though it more relies on a moral meter. Rather than having a clear political message or even discussing the politics of the situation. It is matter of fact, yet offers a deep reserve for the audience to ponder. As it Also doesn’t offer any answers. Leaving it more of an open ended film. It’s not even really too much of a political film More like an extreme procedural.

Now while this film could have been made with any director. I believe the reason the film excels is because of director Dennis Villeneuve his style totally fits in with the story and reminds one of the promise he showed with the film INCENDIES. As with his other films though acclaimed. The style for me never quite fit the stories. Or the stories never quite fit his style. They took too many wrong turns or all there seemed to be was that style and little to no substance at least nothing deep. As the direction seemed to suggest.

GRADE: B+