CHRISTY (2025) 

Directed By: David Michod

Written By: David Michod and Mirrah Foulkes

Story By: Katherine Fugate

Cinematography: Germain McMicking

Editor: Matt Villa

Cast: Sydney Sweeney, Ben Foster, Katy O’Brian, Merritt Weaver, Ethan Embry, Tony Cavalero, Chad Coleman, Coleman Pedigo, Jess Gabor

The life and the incredible career of Christy Martin, the most successful female boxer of the 1990s.


I will admit before I saw the film I remeber the UNTOLD series documentary on Christy Martin. So I knew the twist and turns of the story 

so watching it now, more as a docu-drama The film strangely felt like one of those premium cable movies from the 1990s usually on HBO was a star surrounded by a recognizable cast with questionable wigs.

Sydney Sweeney does the best that she can in the role and shows that she has range but it’s not quite as strong as one would hope. As here she feels like a star, trying to be a character actor instead of a character trying to be a star. She’s good enough to be possible and shows a determination that serves the film.

As most will come to this film to see if she has what it takes and does she have that star power. Which she does, but is still working on craft. As she tries to hide her looks and transform into a character. That isn’t quite successful.

Though that is the problem with the film, everything here feels just good enough to be possible, but there’s nothing special to it. There’s nothing that is quite that memorable or has a quality that sticks with you after the film so that it just comes across as very satisfactory and basic, but nothing special.

Even as director David Michod tries to go with a plain, report to his directing. More matter of fact than stylish. To go with a more natural approach.

Not to belittle the main character’s life in life, so which is very dramatic, but that is how the film should feel not so matter fact, things just happen even as it has the theme of the character, knowing her sexuality and trying to be everything to everybody else, but never quite being true to herself and once she does, she is punished for it mercilessly. So that you can see why she might’ve been afraid in the first place. 

Though you’re giving hints to her sexually your same sex preferences, it always seems more like flirting more than us ever truly seeing a romance, even when it comes to who she finally ends up with we see the blossoming as camaraderie and the development of a friendship, more than anything leading to a romance and her relationship before we’re thrust in the middle of and see the painful break up and ending of rather than the maintenance of or the beginning of

Her mother comes across as just a big villain as her husband, as she leaves more mental and emotional scars rather than physical ones.

Ben foster is noteworthy and registers as a jealous scumbag if a human being, but again surprisingly he is holding back. As the film never truly presents why Christy’s  character would fall for him or even be devoted for him as he’s pretty much a bad guy from when we first were introduced to him.

The main problem with this film is that there’s too much talent associated with this film for it to be this impassive overall. It feels like the filmmakers are frayed as there are too many true life characters still alive to really say anything definitive about any of them.

Grade: C+

WE BROKE UP (2023)

Directed by: Jeff Rosenberg 

Written By: Jeff Rosenberg and Laura Jacqmin 

Cinematography: Andrew Aiello

Editor: Stephanie Kaznocha 

Cast: William Jackson Harper, Aya Cash, Sarah Bolger, Tony Cavalero, Peri Gilpin, Azita Ghanizada, Kobi Libii, Larisa Oleynik, Eduardo Franco 

Longtime couple Lori and Doug break up just days before Lori’s little sister Bea’s wedding to Jayson. In order to not disrupt the fun, they decide to pretend they’re still together until the weekend is over.


This is The second movie I have watched with William Jackson Harper about an African-American breaking up with a white woman, but also played by a good underrated actress here played by Aya Cash. both of them can pull off this material in their sleep.

We’ve seen this type of story and film before a comedy-drama with romance where a couple is forced to attend a wedding and act like nothing happened to say face in front of family and friends and for the special occasion 

Like most relationships, the same in many ways, but are significantly special in the details, locations, and structures of their own

Going through the break up with one another, and so close to the time was all already sudden we are watching them deal with the ramifications and emotions while being forced to be around one another

The film is artistically, directed, and pasted while going for comedy or humor, but not too outlandish at times

It’s a joy to either of the actors and anything as they have shown their versatility and can be quite charming.

As it’s actually more enjoyable than expected, and it gets deeper as it goes along and offers a mature look at relationship relationships they will admit it is filled with sitcom situations and humor at times.

It’s a satisfying watch that will ring true for some viewers as it is the cast that pulls it across the finish line and makes it somewhat memorable.

Grade: C+