MICKEY 17 (2025)


Written & Directed By: Bong Joon Ho

Based on the novel “MICKEY 7” By: Edward Ashton

Cinematography: Darius Khondji

Editor: Jimmo Yang 

Cast: Robert Pattinson, Naomi Ackie, Mark Ruffalo, Toni Collette, Steven Yeun, Anamaria Vartolomei, Holliday Grainger, Patsy Ferran, Thomas Turgoose, Steve Park 

Adapted from the novel Mickey7 by Edward Ashton, this stars Robert Pattinson as an “expendable” – a disposable crew member on a space mission, selected for dangerous tasks because his body can be reprinted if he dies, with his memories largely intact. With one regeneration, though, things go very wrong.


At heart I try to be a film enthusiast but sometimes I have to not only say but share what’s On my mind. So if you choose to go on that path with me this time. I will share my feelings and observations when it comes to this cinematic release. 

What gave me serenity watching the film might’ve been went with friends, who enjoyed it first time at a new theater that is more for film fans and also one of the few films unfortunately that I have seen in theaters in the last few months.

I want to, of course promote and encourage many to seek out auteurs. As many times as they can and any chance they get to make new works it feels like a Time to rejoice.  Though some time to time get so full Of themselves or come across pretentious it’s hard for them to stick to the landing. Other times they crash or it makes it safe which is good but seems to lack a memorable experience we are used to from them. Which seems to be the case when it comes to this latest film. 

The problem Is not with the film it’s with me I seem to ah e this old man disease of feeling like most movies are too long or bloated these days where it’s over two Hours at times feels too much to time. 

Though With the current price of movies for your money you should get a show. Which even the younger me wanted. As I used to refuse to watch movies under 90 minutes in theaters feeling i wasn’t getting my money’s worth, with movie theater attendance down now. It’s like when you find a bar you like. Not too popular you can be there and not get bothered but what good is that if it doesn’t do business and has to close. Which is the current state of movie theaters and films.

As I prefer my entertainment on the movie screen. Especially if done by a skilled and talented artist. For the more popcorn entitled blockbuster even if it has the right amount of ridiculous to stay entertaining, but lazy brain dead movies. I can wait for on streaming but then you are not seeing the picture for how it was made. On smaller and smaller screens of course ItMs going to be mroe disappointing but then again indinMt think there is a right screen for a film such as RED ONE. At least for me present company excluded 

This film gets that, a science fiction epic that has a wild imagination and visuals that for some reason. Feel mroe cinematic the. Epic but still feel ls Independent even with a billion in price tag of $118 million it still manages to feel a bit small Scale.

Now with that price tag it feels impossible

For it to turn a major profit especially as ItMs not a franchise film. Nor an awards bait film. So that it is going to have to survive on reputation and conversations. As it will always be seen financially as a failure maybe not a big one, but not something that inspired It’s Studio to trust another mroe auteur lead dream project 

As nothing seems to work. At the box office currently continuations of ip are failing and originals are making some Profit but not enough that was initially spent on the project in the first place.

Which is why I am hoping this brings back the days of the mid-budget project. Rather then studios keep having big dick contests and wanting to be seen as dependable high rollers.

Sometimes it’s Just nice to gamble but not go crazy with the money. It’s ok to be a somewhat responsible gambler. 

The film even has all the ingredients of a blockbuster film. You could easily make a toy tie in of all the different Mickey’s and try to encourage owning the whole set of them. Each different in whichever way they died. You could easily make a plush toy out of the alien creatures. Who are both scary and cute. Maybe a limited edition toy versions. Which could also help make some money back.

While one doesn’t mind the satire and the depictions against capitalism even if mroe broad here’s where as if they weren’t they would be too on the nose and made to be taken out. As that is not what the film is supposed to be about 

Though For a simple story it feels very bloated 

As usual Robert Pattinson does an excellent job in the roles. Not to mention his acting choices re inspired. I really wish more audience members would give him a chance to live past his TWILIGHT films and only see him as that restricted an actor. Though that might be the inspiration of why he tries so hard with each new role. You truly believe him in playing two separate characters for the most part throughout the second half of the film. Making them each distinct. 

This seems more obvious a comedy with science fiction elements. So not as hard hitting as Director Bong Joon Ho’s previous films PARASITE or even SNOWPIERCER It’s as dark as those films can be but luckily not as bad or disappointing as OKJA but just as silly and cute at times.  

What some might find as a problem with the film is that It’s just ok. Not great, not bad but jsit fine. Which should be good but now we treat good films as a high water mark as that has been the somewhat increasingly Disappointing quality in some films. Though when a master filmmaker or auteur comes out with something just ok. while It’s Average and better than most. It still feels like a disappointment as you expect mroe from them. It’s like a gifted student not doing their best but good enough to get by. Which hurts especially when noted director of photography Darius Khondji is on the job.

So while some might truly think this is exceptional. it might be more in name only. For director Bong Joon Ho, Rather then earned totally and feel like his is the best we have currently. Rather than holding them to a higher standard or a usual standard for them. 

The Studio cut, tested higher, it was shorter and got ten points higher in test screenings. Though this is the directors cut as he had that in his contract. So the studio had no choice. This version is indulgent and seems wanting to stay and live in this world little longer.

Though released by a big studio this feels like the artistic version of a time Waster perfectly fine to watch and be entertained by. Though not much sticks with you after. Though at least it has imagination and ideas. That might not add up to to too much but at least you see them

Being creatively being used 

A long winded way of saying the film is very wish washy. As it never seems to have . Any edges everything feels More Well Rounded and like it bumps along. So nothing takes a stand or really hits you. 

As even the so called dangerous villains a played by mark Ruffalo and toni Colette in this film come Off more as Cartoons who seem descended from the evil characters in HUDSON HAWK or BRAZIL

Worst of all while every director has their common themes. Here doesn’t really try challenging himself. As he is staying in His comfort zone only truly noticed by those who have followed his work over the years. This is jsit his latest update 

Where as one wants to be like everyone else at the magic show and watch in wonder and amazement, but I have to be one of the people saying I have seen you do these tricks before. You are jsit using a different presentation which is nice but at this point I am starting to see the strings a bit too much. 

Grade: B- 

MAFIA MAMMA (2023)

Directed By: Catherine Hardwicke

Written By: Michael J. Feldman and Debbie Jhoon

Based on a story By: Amanda Sthers

Cinematography: Patrick Murguia

Editor: Waldemar Centeno 

Cast: Toni Collette, Monica Bellucci, Alessandro Bressanello, Eduardo Scarpetta, Tommy Rodger,  Tim Daish, Sophia Nomvette, Gulio Corso, Dora Romano, Francesco Mastroianni 

An American mom inherits her grandfather’s mafia empire in Italy. Guided by the firm’s consigliere, she hilariously defies everyone’s expectations as the new head of the family business.


At first, this film seems like it would be fun but it’s more a female audience-friendly culture comedy. Where the humor is not found in having a female mob boss but in having a middle-aged divorced housewife become a mob boss or go about trying to run a crime empire out of nowhere.

This would’ve been a high-concept comedy in the ’80s, ’90s, or maybe early 2000s that would’ve maybe been more of a star vehicle or at least offered up something a little more daring.

The film has a few laughable moments, but for the most part seems uninventive and uninspired, even adding in a romance aspect that proves to be more of a fantasy aspect of the movie turning more into a midlife crisis change of life types scenario.

No truthfully, there is more sizzle and star, Tony Collette, and costar Monica Bellucci’s scenes together that have a bit of flirtation and eroticism to it that could’ve made the film a little more risky, especially when there is seen where Bellucci straddles Colette.

The film is fine and simple, but it just feels so uninspired. They had a title and they just went with it and tried to make things up around it where most of the male characters are either Sexists or idiots or untrustworthy. 

Such as the scenes with her ex-husband, there was a way of making him more despicable and a loser rather than the obvious that the film chooses to go to where you wonder what she ever saw him if she was not a teen parent and a shotgun marriage.

Not to mention a film that is set in Italy. It’s not very picturesque. it seems like it was filmed in an indoor sets. That doesn’t look very expensive or that luscious. 

Also, there aren’t that many comedy set pieces or even that many action sequences the ones that they do have seem poorly set up. This film is more for the MY BIG FAT GREEK WEDDING crowd than anything.

I really wanted to like the film as I like the main cast. Usually, Toni Collette can do no wrong, and it is a pleasure anytime Monica Belluci is on screen. Yet, the only time the film is close to its potential is in the performance of Sophia Nomvette as Colette’s best friend. Who turns a typical sassy African-American best friend role and runs with it to utter hilarity. One only wishes that she was more of the film.

Grade: D+

KRAMPUS (2015)

Directed By: Michael Dougherty 
Written By: Zach Shields, Michael Dougherty & Todd Casey 
Cinematography By: Jules O’Loughlin 
Editor: John Axelrad 

Cast: Toni Collette, Adam Scott, David Koechner, Allison Tolman , Conchetta Ferrell, Emjay Anthony 


When his dysfunctional family clashes over the holidays, young Max is disillusioned and turns his back on Christmas. Little does he know, this lack of festive spirit has unleashed the wrath of Krampus: a demonic force of ancient evil intent on punishing non-believers. All hell breaks loose as beloved holiday icons take on a monstrous life of their own, laying siege to the fractured family’s home and forcing them to fight for each other if they hope to survive.

At first, this film seems to play up the more comedic elements of the story.

It plays like a darker version of GREMLINS, Only more supernatural.

The cast sets the tone, though with Toni Colette. The film can go either way from horror to drama to comedy. As she is good, versatile, and established in all, but most of the recognizable cast are comedic veterans especially both Adam Scott and David Koechner. Which it seems like this film is a warm-up for them to do a buddy movie. With the two of them instantly memories of comedic horror films such as PIRAHNA 3D come to mind and what you expect. Except only, this one is less explosive but tries more for a hard edge family-friendly vibe. That’s more well thought out.

The second act of the film has more humor. Horror at times, but slowly becomes more serious and thrilling as it goes along.

Director Michael Dougherty is making his second feature and again another horror-themed holiday film. (After TRICK R’ TREAT) Full of folklore, energy, and fun.

At first, this film takes a more cynical attitude and looks at the holidays and situations that traditionally go along with them. Though children are in peril. You know nothing truly violent will happen to them at least on screen. There are scares, but an Absence of stakes.

In his films so far there always is an Augustus Gloop type of character. A grossly overweight yet cute character who has victim written all over him, but is there for a few good pokes of humor. The director backs the silliness of the film with a strong backstory that enriches the film and helps the audience forgive the more ridiculous elements. Which serves the film from the tone and fate of films such as SANTA’S SLAY. Which seek to be made and written around the title rather than have a good story thought out.

As here the film like JAWS only suggests a phantom who we see glimpses of and shadows. As we see the hard work was done mainly by possessed toys and appliances.

The film is almost like a nightmare supernatural version of HOME ALONE or NATIONAL LAMPOON’S CHRISTMAS VACATION.

It’s more a film of scares than actual macabre violence or graphic horror. The most objectionable thing here is language and some blood.

The creatures in the attic are truly terrifying. Even if the demented gingerbread men seem more like cute gremlins. That truly makes you wonder if the film is trying to be more innocent and family-friendly.

This film Makes more for a starter horror film. More made for those who get scared easily or are uneasy with the horror genre. As it contains the elements but does so with a lighter touch. It could almost be a harder-edged family film. Though can easily be enjoyed by horror aficionados as long as they can accept more of a mainstream and lightweight horror product.

Another aspect to enjoy here is that the special effects seem to be more practical and less extravagant then a cgi production.

The film feels too knowing and knowledgeable to be a classic. Too glossy to be quite as noteworthy. Though entertaining throughout the viewings with plenty of gothic designs. Especially the terror toys.

The film is a creepy confection with a nod to JEEPERS CREEPERS. As the film is fun yet allows it to be downtrodden and unhappy.

The film fits right in with the directors oeuvre so far  

GRADE: B-

VELVET GOLDMINE (1998)

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Written &  Directed By: Todd Haynes
Story By: Todd Haynes & James Lyons
Cinematography: Maryse Alberti
Editor:James Lyons 

Cast: Christian Bale, Ewan McGregor, Jonathan Rhys Myers, Toni Collette, Eddie Izzard, Emily Woof, Michael Feast 

1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the character role of “Maxwell Demon” that he created, he plots his own murder. When fans discover the murder is not real, his star falls abruptly and he is quickly forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the tenth anniversary story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glam rock hero.

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