CONNIE & CARLA (2004)

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Directed By: Michael Lembeck
Written By: Nia Vardalos
Cinematography By: Richard Greatray
Editor: David Finer

CAST: Nia Vardalos, Toni Colette, David Duchovny, Stephen Spinella, Ian Gomez, Robert John Burke, Dash Mihok, Debbie Reynolds

A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.

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KNIVES OUT (2019)

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Written & Directed By: Rian Johnson
Cinematography: Steve Yedlin
Editor: Bob Duscay 


Cast: Daniel Craig, Ana De Armas, Don Johnson, Jamie Lee Curtis, Michael Shannon, Lakeith Stanfield, Chris Evans, Noah Segan, Christopher Plummer, Toni Collette, Katherine Langford, Jaeden Martell, Frank Oz, Riki Lindhome, Edi Patterson, M. Emmet Walsh 


When renowned crime novelist Harlan Thrombey is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc is mysteriously enlisted to investigate. From Harlan’s dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan’s untimely death.

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VELVET BUZZSAW (2019)

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Written & Directed By: Dan Gilroy
Cinematography: Robert Elswit
Editor: John Gilroy 

Cast: Jake Gyllenhaal, Zawe Ashton, Rene Russo, John Malkovich, Tom Sturridge, Toni Colette, Natalia Dyer, Daveed Digs, Billy Magnussen 

A satire set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.

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HITCHCOCK (2012)

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Directed By: Sacha Gervasi
Written By: John J. McLaughlin
Based On The Book “ALFRED HITCHCOCK AND THE MAKING OF PSYCHO”: Stephen Rebello
Cinematography By: Jeff Cronenweth
Editor: Pamela Martin
Music By: Danny Elfman 



Cast: Anthony Hopkins, Helen Mirren, Jessica Biel, Scarlett Johansson, Danny Huston, Toni Colette, Michael Stuhlbarg, Michael Wincott, James D’Arcy, Richard Portnow, Kurtwood Smith, Wallace Langham, Ralph Macchio

In 1959, Alfred Hitchcock and his wife, Alma, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth’s artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho, over everyone’s misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred’s work even as the novel’s inspiration haunts his dreams.

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