MAGGIE MOORE(S) (2022)

Directed By: John Slattery

Written By: Paul Bernham 

Cinematography: Mott Hupfel

Editor: Tom McArdle

Cast: Jon Hamm, Tina Fey, Michael Stock, Nick Mohammed, Happy Anderson, Derek Basco, Louisa Krause, Mary Holland, Christopher Denham, Bobbi Kitten

Police Chief Sanders investigates the bizarre murders of two women with the same name and unravels a web of small-town lies. He meets and quickly falls for Rita, a nosy neighbor who is eager to help solve the mystery.

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This is a cute Earnest detective story, that still manages to offer some twist and shocks by the end, even though it plays a little bit more like a personal procedural where we see the crime or least most of the crime before it happens, and we know the motives behind the crimes but we watch as the characters deal with the aftermath and we wait to watch the police slowly figure out what’s going down. As well as provide a romantic comedy element. 

what keeps you interested in this film is other than the crime aspect is the lead played by John Hamm and his virginalling relationship with a neighbor of one of the victims played by Tina Faye, and how they play off of each other bonding over the case but then getting to know one another and at first what looks like friendship becomes a slow burn romance that has its own challenges

even though this is based off of a true story, it’s not quite as dark as let’s say a film like Fargo, but it has the characteristics like it’s a lightweight version of it where there is hope and there’s room for more comedic caricatures, but most of the characters are also three-dimensional, even when they feel quite familiar and identifiable

so that in the end, this film doesn’t offer anything new. It could almost be an episode of poker face more shows in that manner like Elsbeth but only here we at least get original characters investigating that makes this film all the more interesting and more of an Odyssey as we get to know everyone involved and don’t know anyone as soon as we come in.

Jon Hamm stars in the film and his old costar from the show MAD MAN John Slattery directs the film. So what while that show has finished this almost feels like a fun side project for them to collaborate on.

The only unbelievable point of the film is that Jon Hamm is a bachelor and he can’t find too many women interested in him throughout except for Tina Fey.

The film at times is a bit offbeat yet traditional. more like a sitcom version of FARGO not the FX series, though it doesn’t feel as deep, but it is filled with strange characters that feel original and comedic at the same time.

The film is enjoyable as long as you don’t put your hopes up as it is more a slow burn character piece with some crime and comedic elements. Don’t expect a big knives out type mystery. just watch and let yourself be charmed by the film. Perfect for the armchair detective in us all.

Grade: B- 

A HAUNTING IN VENICE (2023)

Directed By: Kenneth Branagh 

Written By: Michael Green 

Based on the Novel “Hallowe’en Story: By Agatha Christie 

Cinematography: Haris Zambarloukos 

Editor: Lucy Donaldson 

Cast: Kenneth Branagh, Tina Fey, Michelle Yeoh, Kelly Reilly, Jamie Dornan, Camille Cottin, Ali Khan, Jude Hill, Emma Laird, Kyle Allen, Riccardo Scarmarcio

In post-World War II Venice, Poirot, now retired and living in his own exile, reluctantly attends a seance. But when one of the guests is murdered, it is up to the former detective to once again uncover the killer.


Kenneth Branagh finally has gotten the formula right. Maybe it was getting all the studio movie cliches out of his system to go back to more artistic filmmaking choices. This film finally shows the proper depth of the story & character.

There are Not so Many celebrities or stars in the film so the suspicions aren’t so high not your attention centered on them. 

This was the attraction for MURDER ON THE ORIENT EXPRESS  and the next film partially DEATH ON THE NILE which was a little more dialed down but still enough for a little spectacle. 

While primarily those films were aided by CGI when it came to locations especially. This film has less basis on CGI and truly explores the exoticness of the classical space and uses the cavernous location to its strength. As everything looks lush & plush.

While the film has its central mysteries every character seems to be hiding their own secrets. While it still Magyars to have the melodrama throughout. This film feels a bit more dry and dramatic. It has a darker outlook. It even Manages some surprises 

In the middle, it might be a little confusing. Once the third act comes into play surprisingly and with no lead-up the mystery is solved. There is more to go after that. 

What works is that it can be seen as a stand-alone but works in the trilogy. As if you have seen the previous films. You can understand the mindset of the main character at the beginning. As you have seen he has come to it. After suffering losses in the previous films. 

At first, it seems like the film is trying to rely on or try to jump onto the horror trend, but it ends up working for the story and distinguishing itself. Not seem like a Cash and is actually being adapted from an existing Agatha Christie story 

Even as we realize how lonely the main character is as he has fans and admirers but never truly anyone close to him they all want something from him and the friends and acquaintances from the past have either moved on or that is the basis of their relationship work-related. Knowing and seeing the evils of the world has made him scared to engage or trust in the end. He realizes he can’t let the nature of the world scare him Off and that he needs to try to help as much as he can to try to make it brighter 

He believes by separating himself from the world he’s not contributing to evil, and he’ll just keep to himself, and be safe by the end I think he realizes that the world at large needs him and he wants to be there to try and make it a better place combat that evil he’s found his faith so to speak. Kenneth Branagh plays it brilliantly reminding you of not the fine actor he can be and seeming to bypass the more comedic detours and also tightening up his directing skills. To come across as more artistic and personal and less sensationalistic. Still managed to have style in fact even more of it 

This film offers a bit more depth for the character and is a lot drier than the previous films it feels more intimate. Thought offers fewer distractions. 

This one seems less a seat filler or weekend attraction and more a film made with ideas and interest than a paint-by-numbers affair 

Grade: B

WINE COUNTRY (2019)

Directed By: Amy Poehler
Written By: Liz Cackowski & Emily Spivey 
Cinematography: Tom Magill 
Editor: Julie Monroe 

Cast: Amy Poehler, Rachel Dratch, Maya Rudolph, Ana Gasteyer, Paula Pell, Tina Fey, Jason a Schwartzman, Maya Erskine, Cherry Jones, Liz Cackowski, Emily Spivey, Jay Larson, Kate Comer 

During a vacation to Napa Valley, a group of long-time friends reunite and revisit past choices in this hilarious and heartfelt comedy. 


This film had me with the cast alone. Though while entertaining I can’t say that this film has too much to feed on.

As it is a middle-life crisis movie for women. That stays hilarious throughout but it also feels very lightweight and More of a reunion for ex-female SATURDAY NIGHT LIVE cast members. Though it does allow them more of a showcase than usual.

As each major cast member gets their time to shine and a major plotline. Some are just not as serious as others. When commonly cast men Evers in other films are relegated to memorable cameos. Here they get to shine.

The film is light entertainment that feels more like fluff but stays funny and entertaining throughout.

Though even the so-called normal characters end up being zany or skewed in their own way. 

Everyone is good but Maya Rudolph is a particular delight and comes off as the MVP. Not to mention she is the only character whose story comes close to being actually dramatic.

Like the liquor, it celebrates in the title. This movie goes down like a fine one. 

The characters seem more like types or come across that way at times. Though it’s not central it feels like it is about empowerment to a certain degree and watching women who are successful in some ways fall apart in others where their personal weaknesses lie.

The film even takes a look at generational differences. All in all, it is just a fun hang-out movie without too many stakes but plenty of funny scenes and characters. Who are relatable 

The film wants the audience to watch but also take part in the fun times. Where it almost feels like a hangout movie. 

Grade: C+

SISTERS (2015)

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Directed By: Jason Moore
Written By: Paula Pell
Cinematography By: Barry Peterson
Editor: Lee Haxall 


Cast: Tina Fey, Amy Poehler, Ike Barinholtz, John Cena, Maya Rudolph, Rachel Dratch, Samantha Bee, John Leguizamo, Bobby Moynihan, James Brolin, Diane Wiest, Greta Lee, Heather Matarazzo, Kate McKinnon, Jon Glaser, Chris Parnell, Paula Pell, Dan Byrd, John Lutz, Brian D’arcy James

Two sisters decide to throw one last house party before their parents sell their family home.

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