DETACHMENT (2012)


Directed & Cinematography By: Tony Kaye
Written By: Carl Lund
Editor: Michelle Botticelli, Barry Alexander Brown & Geoffrey Richman

 Cast: Adrien Brody, James Caan, Christina Hendricks, Sammi Gayle, Tim Blake Nelson, Bryan Cranston, William Peterson, Betty Kaye, Lucy Liu, Marcia Gay Harden, Blythe Danner, Isiah Whitlock Jr., Josh Pais, Doug E. Doug,

Detachment is a chronicle of three weeks in the lives of several high school teachers, administrators, and students through the eyes of a substitute teacher named Henry Barthes. Henry roams from school to school, imparting modes of knowledge, but never staying long enough to form any semblance of sentient attachment. A perfect profession for one seeking to hide out in the open. One day Henry arrives at his next assignment. Upon his entry into this particular school, a secret world of emotion is awakened within him by three women. A girl named Meredith is in his first period. A fellow teacher Ms. Madison, and a street hooker named Erica, whom Henry has personally granted brief shelter from the streets. Each one of these women, like Henry, is in a life and death struggle to find beauty in a seemingly vicious and loveless world.

 The film-like its main character shows us the problems. Makes us aware of the problems, but also offers no answers. So not only is it bleak but also nihilistic. While it is heavily philosophical at times and becomes cerebral. It also at times becomes a bit too much.

The storyline of him taking in a girl off the street is understandable as he seems to try to prove to himself he is a good person and help someone he sees as innocent while one of his students sends out warning signs of trouble yet he is blind to it. It also shows a way to make up for things in his past. I also believe it is a way for him to communicate with someone as lonely as he is. In one scene he even witnesses a teacher clearly with mental problems, yet does nothing about it.

 The film shows the hardships not only he but most teachers and administrators have to go through not only from students but also parents and the state. They seem to be battling in a losing war that they are not supplied to handle. Where the only hope is that you can grab one kid, one mind, and teach them something then you have succeeded. You have kids who don’t care. Parents who look to you to babysit and raise their children have no funds for anything.

 Tony Kaye Makes another powerful hard-hitting film that while a little too indulgent at times makes you think and delivers a message. Despite his past troubles, his talent as a director is undeniable. He gets solid performances from the supporting cast who don’t have much to work with as far as characters but you feel the world-weariness.

James Caan’s character is full of spirit and funny yet has the feeling of hitting a brick wall way too many times. Kaye even casts his daughter in a key role and she is effective as is Sammi Gayle as a teen prostitute staying with Brody’s character. Tony Kaye also gets a boost from getting a natural and powerful performance from his lead Adrien Brody who hasn’t been this good in years, His performance is full and realized. He is soulful and complicated but comes through as solid. IT’s also his first leading role in quite some time.

 The storyline of taking the girl off the street is far-fetched. In a real-life way, but works for the film. Marcia Gay Harden’s breakdown feels a bit over the top and far-reaching. The film feels important if only hopefully as a time capsule. More to look back upon as how bad a problem the school system was. More of a social problem film, than a dramatic one. As at times, we get to know the teacher’s home life some of whose is just as bad as the school system is but they are quickly jettisoned and forgotten for the rest of the film. ‘
The film provides dramatic characters and situations but is more concerned with the dilemma of these characters. Though it also is more focused on Adrien Brody’s character and problems.

 I warn you this is not a happy film. It is very sad and depressing. It is worth watching for filmmaking and the performances. The film is definitely Worth Watching. An Addition to the film library you can come back and look from time to time. 
 GRADE: B

DEIDRA & LANEY ROB A TRAIN (2017)

Directed By: Sydney Freeland 
Written By: Shelby Farell 
Cinematography By: Quyen Tran 
Editor: Michael Taylor 

Cast: Ashleigh Murray, Rachel Crow, David Sullivan, Arturo Castro, Sasheer Zamata, Danielle Niccolet, Tim Blake Nelson, Sharon Lawrence, Missi Pyle 

After their mother ends up in jail, two sisters turn to train robbery in order to support their family.


This is a film that feels special. It is perfect for a younger audience whereas it might not be the most exciting it is a majorly offensive free film. Full of charm and energy that starts off low-key and slowly pulls you in.

The film is so heartwarming, it’s almost like a Disney film with more sinister material. As it tries to be more realistic rather than too fairy tale

The leads are full of charm and even though they have their flaws are impressive and identifiable. So much so that they have a certain Sweetness where you keep rooting for them.

It is also nice to see a racially diverse film that has women of color in most of the leading roles. Not to mention presenting them as smart and talented.

The film is also one of the rare films that are directed by a woman of color. The film has a light touch that feels like a world that you recognize while building it as its own.

It has a more mustache-twirling villain who comes across as more of a twerp than a menace but leaves just enough of an impression to build tension.

Though the film is predictable one of its strengths is presenting us with characters who at first seem more over the top comedic and strictly one-note then later give us a whole new impression of them by letting us see life through their eyes.

The film feels independent and tries to have more of a hangdog look at life and the rough prospects that the family faces. Though the stakes are very low and seem more projected by what if consequences more than anything.

The film just stays pure of heart and luckily stays away from being a tragedy or plain old unbelievable wish fulfillment. Though stays sweet all the way through.

Which might be it’s one problem is that the main characters and circumstances are so sweet they don’t feel real and for some. It may come off as annoying as their is no cynicism in this movie, So if looking for something lite and sweet for the family or just you. This is the film.

Grade: B-

THE INCREDIBLE HULK (2008)

Directed By: Louis Letterier
Written By: Zak Penn (Script Revisions By: Edward Norton)
Cinematography: Peter Menzies Jr.
Editing By: Rick Shaine & Vincent Tabaillon & John Wright

Cast: Edward Norton, Liv Tyler, Tim Blake Nelson, Tim Roth, William Hurt, Ty Burrell, Lou Ferrigno


Depicting the events after the Gamma Bomb. ‘The Incredible Hulk’ tells the story of Dr. Bruce Banner, who seeks a cure to his unique condition, which causes him to turn into a giant green monster under emotional stress. Whilst on the run from the military which seeks his capture, Banner comes close to a cure. But all is lost when a new creature emerges: The Abomination.

While somewhat improved over the first movie this re-take of the comic character still doesn’t find the right tone for a satisfying hulk project. This film seems to be trying to give the fans everything they want that the first film lacked the only problem is they have a very bare blueprint to base the story elements around

The effects were better in the first film and I liked the moving comic canvas of the first film it at least showed some inspiration here with Edward Norton in the lead and helping with the script I expected a better output than what I saw on the screen. The plot wasn’t that interesting or engaging. This film was very painted by numbers story-wise it had classic action scenes and a CGI battle between two beasts but when I watched this film I don’t remember asking for an animated film sure I want a comic book movie that might involve a little fantasy but do want some realism. It also does the requisite by involving a character who seems minor but perfectly setting up a villain for the sequel for those who notice.

One of the problems I don’t think Louis Leterrier was the right director for this project he is used to making fast-paced action films I know directors are supposed to have a wide range but he’s not ready for that yet. This is a hero film for the MTV generation with all the fast cuts and such. It also appears that the film was entirely filmed on backlots and soundstages I can understand the need for secrecy during filming so that no one knows in advance what is happening. But the budget for this film is huge the funny thing is it doesn’t show on the screen other than the effects everything else looks cheap or false not making for the best looking film.

The one female they showed in Brazil must be the only one for miles around and she is over the top hot yet has no lines. Tim Roth as one-note as the villain that really showed no motivation at all for his villain. Liv Tyler and Edward Norton for old long-lost lovers seem to have no chemistry and both seem to try very hard to have it. This hurts the film since at the heart of this tale is a love story in the middle of a comic book film. For all the ingredients in this tale, the poetic and artistic integrity of this film doesn’t feel very deep as it wants to be. William Hurt as General Thunderbolt Ross made me remember. How much I missed Sam Elliot as the same character from the first film he was compassionate and doing his job William hurt here just seems like a jerk who says he loves his daughter but his actions prove otherwise.

Don’t get me wrong there were good things in this movie the chase scene through the favela comes to mind. But nothing too noteworthy.

Why is it in colossal disaster films New York is the city all the destruction takes place in and where the epic battles must be fought? Does New York really need more publicity we have enough tourism to go and destroy some other cities it would be nice to see maybe to have stuff go down in Miami or Arizona there’s a lot of open space and dessert there.

While the film might work as an action-adventure film. Which tries to improve upon the mistakes of THE HULK movie. Which was more artistic and character-driven.So as that was more the origin story this film was more the continuing adventures of Bruce Banner. So like most sequels, it was more action-packed and go bigger as we know the characters already.
Though it also shows the limitations of director Louis Letterier who is skilled when it comes to more action films and sequences. He has more of a problem doing emotional scenes and making the film feel more dramatic.
While the film might work as an action-adventure film. Which tries to improve upon the mistakes of THE HULK movie. Which was more artistic and character-driven.
So as that was more the origin story this film was more the continuing adventures of Bruce Banner. So like most sequels, it was more action-packed and go bigger as we know the characters already.
Though it also shows the limitations of director Louis Letterier who is skilled when it comes to more action films and sequences. He has more of a problem doing emotional scenes and making the film feel more dramatic.

Spoiler – Plus what the hell are they going to do with the abomination now that the hulk didn’t kill him and he can’t turn human again and we know the professor is going to turn into the villain the leader the smile on his face is like a wink to the audience or fans of the comic at least.

Spoiler end

So in the end you have to wonder was it worth all of your attention to make a film that is the same quality as the original but instead of character and emotions, this film is all about action and special effects.

GRADE: C-

THE HUSTLE (2019)

Directed By: Chris Addison 
Written By: Stanley Shapiro, Paul Henning, Dale Launer & Jac Schaeffer 
Cinematography: Michael Coulter 
Editor: Anthony Boys 

Cast: Anne Hathaway, Rebel Wilson, Alex Sharp, Tim Blake Nelson, Timothy Simons 

In this remake of 1988’s “Dirty Rotten Scoundrels,” 2 con-women hustle in a small French Riviera town – one for small amounts from average men, and one for higher amounts wealthier men. They bet on what looks like an easy target. The winner gets $500K from him, and the loser leaves town forever.


This is an example of when a film Shows the best jokes of the film in the trailer. Which weren’t very funny, to begin with, but at least leaves the audience intrigued. 

This film is a female remake of the comedy DIRTY ROTTEN SCOUNDRELS. With Anne Hathaway playing mroe the aristocratic Worldly con woman and Rebel Wilson playing more the sloppy con woman who could stand to learn from Hathaway’s character.

There comes a point in watching the film. Where you can understand the studio loving this idea and getting two stars to be In it but then the script comes along and no one noticed any problems? Or felt it wasn’t with it in the end. Nobody while filming thought this could be better? 

As the film comes across as one extended sitcom as far as set-up’s and its broad mroe physical humor. Leading to many awkward moments in what are supposed to be wide comedic sequences. 

Anne Hathaway is having the time of her life with various over-the-top foreign ridiculousness accents and she looks breathtaking throughout. As always the height of fashion and coming across elegant as a fashion magazine ad. Though there is one scene where she uses a voice that I wish the film or her character had been mroe like that. When she says she likes a bracelet because of how shiny it is 

Rebel Wilson goes over the top. As her character seems constantly sex-starved and crass, but while she can be funny. Many times here she is either the butt of the home or just goes overboard or is used that way. 

They both could have benefited from a better script. Even if half the audience remembers the original film And the twists and turns the film feels lazy in how it gets there.

Even with the update of making their big mark, a Mark Zukerberg Esque tech millionaire who has social anxiety feels a bit too spot-on and modern. 

Though the two female co-Stars do have good chemistry. It also feels like they are trying to squeeze humor from an unfunny movie. Nothing in this film ever feels believable. 

For as cynical as the film tries to be it goes too easily for more a light touch. So that it never rises or comes close to the laughs or being as memorable as the original film. This just feels like an Unneeded modernized update that came perhaps too soon. Coincidently after a successful musical broadway run of the original.

One will say that the film looks beautiful as all the surroundings are picturesque. The film does contain one brief touching moment.

Grade: D 

COLOSSAL (2017)

colossal

Written & Directed By: Nacho Vigalondo
Cinematography By: Eric Cress
Editor: Ben Baudhain & Luke Doolan 

Cast: Anne Hathaway, Jason Sudeikis, Dan Sevens, Tim Blake Nelson, Austin Stowell

Gloria is an out-of-work party girl who, after getting kicked out of her apartment by her boyfriend, is forced to leave her life in New York and move back to her hometown. When news reports surface that a giant creature is destroying Seoul, South Korea, Gloria gradually comes to the realization that she is somehow connected to his far-off phenomenon. As events begin to spin out of control, Gloria must determine why her seemingly insignificant existence has such a colossal effect on the fate of the world.

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FANTASTIC FOUR (2015)

THE FANTASTIC FOUR

Directed By: Josh Trank
Written By: Jeremy Slater, Simon Kinberg & Josh Trank
Based on the original Marvel Comic Book By: Stan Lee & Jack Kirby
Cinematography: Matthew Jensen
Editor: Elliot Greenberg & Stephen Rivkin
Music By: Marco Beltrami & Philip Glass 


Cast: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Reg E Cathey, Toby Kebbell, Tim Blake Nelson, Dan Castellaneta, Chet Hanks, Tim Heidecker 


FANTASTIC FOUR, a contemporary re-imagining of Marvel’s original and longest-running superhero team, centers on four young outsiders who teleport to an alternate and dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy.

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