Directed By: Edward Berger
Written By: Rowan Joffe
Based on the novel by: Lawrence Osborne
Cinematography: James Friend
Editor: Nick Emerson
Cast: Colin Farrell, Tilda Swinton, Fala Chan, Alex Jennings, Deanie Ip, Jason Tobin, Adrienne Lau
Lord Doyle is laying low in Macau spending his days and nights on the casino floors, drinking heavily and gambling what little money he has left. Struggling to keep up with his fast-rising debts, he is offered a lifeline by the mysterious Dao Ming, a casino employee with secrets of her own. However, in hot pursuit is Cynthia Blithe a private investigator ready to confront Doyle with what he is running from. As Doyle tries to climb to salvation, the confines of reality start to close in.
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Unfortunately , this is another film where it’s a case of style over substance and the strange part is that there is enough substance to truly match the style, but by the end, it just feels so empty and almost like an opportunity wasted.
The film tries to tell the tail as the title suggest in a small way, even though it’s international, it sure does live up to the title. As it shows a small time player who wants to be bigger and more successful than what he is in this growing huge international market, and no matter how much he wins or loses, he still stuck almost insignificant in this world.
Even though director, Edward Berger gives his all and making this film flash and a visual delight with plenty of color and style throughout, not quite making the images always surreal, but definitely always making them feel alive when bright, but also feeling chill and coldness when there is no color and it’s rather plain
which is rather shocking as with his previous two films conclave and all quiet on the Western front adaptation both seem to be simple yet highly visual with the media stories that seem to plane at the time, but as the film goes along, truly brings the audience in deeperz.
where as here the film seems to go for flash and slowly reveal a more dramatic story underneath, but there’s just no meat to be chewed on as we watch so that the only time the film truly is entertaining is when it comes to the visuals and more visual storytelling rather than the dialogue scenes and the little meat that they offer
Colin Farrell gives his all in his performance as the gambler in the middle of this, but again it’s something we’ve seen before and many other films, and we never quite understand why he makes certain decisions. There are explanations that has left more for the audience to read into.
Just as Tilda Swinton having a supporting role here, though it feels more like a special appearance as her role is vital, but she’s not given much to do other than have kind of a frumpy noteworthy look and style.
This one was like watching a steak or a meal that just looks so big and delicious but then when you bite into it is undercooked and thus disappointing
Where you can imagine how great it could’ve been but have to deal with what it actually is.
There is glitz and glamour, but they’re still seems to be something missing things. We are supposed to take for granted or figure out from little information we are given as there aren’t that many explanations, but big decisions and actions that we question the meaning behind all of them.
Grade: C
Cut To The Chase 