ALL ABOUT EVIL (2010)

Written & Directed By: Joshua Grannell
Cinematography: Tom Richmond 
Editor: Rick LeCompte 

Cast: Natasha Lyonne, Thomas Dekker, , Cassandra Peterson, Mink Stole, Noah Segan, Jack Donner, Kat Turner, Jade Ramsey, Nikita Ramsey 

A mousy librarian inherits her father’s beloved but failing old movie house. In order to save the family business she discovers her inner serial killer – and a legion of rabid gore fans – when she starts turning out a series of grisly shorts. What her fans don’t realize yet is that the murders in the movies are all too real.


This film is campy as hell. It feels like a lost John Waters-inspired script.

As it plays homage to horror films of the past but never plays it relatively straight or dramatic each scene feels filled with comedy more than anything.

As the film is over the top as is its Star Natasha Lyonne who is truly one of the only reasons I watched this film. As I have been trying to see it since it first came out and only have had a chance to finally more recently. As she was THE IT girl of indie cinema at the time. This is truly a star-making role for her as she truly gets to go off the wall and fully inhabits the madness of her character and the silliness of the film. 

As this paved the way for the type of roles and characters she would soon play after this. This is more of an introduction to those types, especially as a character who marches to the best of her own drummer.

You can Tell she is having a ball in the role. As it is truly a transformation. Her character starts off the film as meek and shy; throughout each kill, she gains confidence. Until she actually becomes a diva and star. Who gets more stylish and develops a different way of speaking. Like a classic movie star. She also gains a murderous entourage to help her with her kills and productions. Who seems scarier than she but they obey.

Noah Segal in particular is a hilarious scene stealer. As is a veteran actor Jack Donner. It’s also nice to see actress Cassandra Peterson in an actual character role that is not her infamous one of Elvira, mistress of the dark. Even though the film does throw in a joke about that. 

You can never take this film or anything in it seriously. Though it is silly and stupid at times it stays fun throughout. If you are into this type of humor. Even the ending that involves poison has to go grotesque in an absurd way. 

The deaths are inspired and gory. Most of the deaths happen to characters who are annoying or villains. 

It might warm movie fans’ hearts to see that the filmed death scenes were made to be short films. Usually, they are like public service announcements of what not to do at movies to disturb the experience and the consequences of what you do.

Thigh the killers are portrayed as scary they are demented and you enjoy the film more when they are on screen. The scenes of the supposedly normal characters are much scarier. As they are completely off but considered normal or sane. As everybody In This film is somewhat off in some way 

In the end, it just feels like a film of a different era. Yet very specific in its aim and intentions 

Grade: C+

PLUSH (2013)

Directed By: Catherine Hardwicke 
Written By: Catherine Hardwicke & Arty Nelson 
Cinematography By: Daniel Moder 
Editor: Julia Wong 

Cast: Emily Browning, Xavier Daniel, Cam Giganet, Thomas Dekker, Frances Fisher, Dawn Olivieri, Brandon Jay McLaren, Elizabeth Pena

Mourning the loss of her brother/collaborator, a young rocker struggles to write music while juggling a jealous husband, two kids, and a mysterious new guitarist who will stop at nothing to become the most important person in her life.


How the mighty have fallen, once upon a time Catherine Hardwicke was one of my favorite new directors with the films THIRTEEN and LORDS OF DOGTOWN I believed her to be a great new voice in filmmaking. Then she directed TWILIGHT an already practicing franchise. That would lead to bigger ad better things and her being more in demand. After that film, she still stayed making films centered around youth with films such as RED RIDING HOOD and THE NATIVITY STORY although this film really lends itself to a new low. I don’t know what attracted her to making this film because nothing about It is revolutionary or even interesting. It tries to be so many things or at least tries so many different subjects that it clearly struggles with an exact definition and seems lost, inauthentic and Worse a poseur. While it tries to have a punk rock ethic.

It has a horror ending and beginning. Though in between it plays like an erotic thriller set in the rock n roll music box that is barely erotic and the songs are pretty bad. Though give the film a soundtrack billed to itself.

The sex scenes are thankfully brief, but plentiful. The eroticism only is risqué and general serves it’s purpose in one scene. Even the opening scene really has nothing to do with most of the film until near the end and still offers little explanation.

It doesn’t help that Xavier Daniel and Emily browning have little of any chemistry together on screen. So it’s hard to believe her falling for him at all. There is also a scene where he directs a music video that is really bad and comes across as a student experimental film that we are forced to believe that everyone includes the band who are barely featured in the video thinks is genius. We also never even get to know the rest of the band members who are treated like bored guns though we are supposed I believe this band has been together for 10 years yet act no closer than new co-workers

There is even a sex scene thankfully not focusing on the main actors that feel unnecessary and just out there to spice things up though ends up more awkward and comedic than erotic or purposeful.

The film is predictable especially when we get more and more involved in the case her journalist husband is writing about for VANITY FAIR? Do we think this has anything to do with the rest of the movie for a reason? Of course. Do we think the foreshadowing of showing a ring that before her brother OD’s will come back later on in the film?

Now the film has a modest budget so it can’t all be glamorous and I am wondering is that why one death is more talked about rather than shown. Plus the film talks about the success of the band but never gives is a scale of their popularity are they actual stars trying to make a comeback or a successful indie band. As it seems they mostly play rock clubs instead of big concert venues. The lead singer seems to have money though not a lavish lifestyle. More modest than anything.

In fact, if they are an indie band it is one of the few things the movie did right by showing them as more modest and not millionaires with tons of paparazzi following them.

This film isn’t even good as an erotic thriller level, Like the ridiculous types, you would see late night on cable that was at least fun as they knew what they were. Here everything that feels ridiculous though is treated with utmost seriousness. I won’t even go into the third act reveals.

I was lured by not only director Catherine Hardwicke but also star Emily Browning. She is definitely earning a reputation with me at least of being a good actress, but only in it seems subpar movies as she is usually the best thing in them and I applaud her willingness to be fearless a tale chances on screen. I only wish it was for better films. Not only with this film but also SLEEPING BEAUTY and SUCKER PUNCH. 
I can admit to keeping coming back to her films partially as she has a haunting beauty and I will admit maybe I have a screen crush on her. Though it is harder and harder to look forward to films she is in. Luckily she has LEMONY SNICKET: A SERIES OF UNFORTUNATE EVENTS and GOD HELP THE GIRL that are good and decent films that show her talent even the guilty pleasure THE UNINVITED.

Evan Rachel Wood was originally cast in the lead role but dropped out due to scheduling conflicts and Emily Browning was cast. Which was the same thing that happened with the film SUCKER PUNCH only Browning was replacing Amanda Seyfried. 


I only hope better and beyond for both director and star

Skip it.

Grade: F

A NIGHTMARE ON ELM STREET (REMAKE) (2010)

nightmare-on-elm-street-025

Directed By: Samuel Bayer
Written By: Wesley Strick & Eric Heisserer
Story By: Wesley Strick
Based On Characters Created By: Wes Craven
Cinematography: Jeff Cutter
Editor: Glen Scantelbury 

Cast: Jackie Earle Haley, Rooney Mara, Connie Britton, Clancy Brown, Kyle Gallner, Katie Cassidy, Thomas Dekker, Kellan Lutz 


Death stalks the dreams of several young adults to claim its revenge on the killing of Freddy Kruger. Chased and chastised by this finger-bladed demon, it is the awakening of old memories and the denials of a past of retribution that spurns this hellish vision of a dreamlike state and turns death into a nightmare reality.

Continue reading “A NIGHTMARE ON ELM STREET (REMAKE) (2010)”