HAPPY GILMORE 2 (2025)

Directed By: Kyle Newacheck

Written By: Adam Sandler And Tim Herlihy 

Cinematography: Zak Mulligan

Editor: Tom Costain, Brian Robinson and J.J. Titone 

Cast: Adam Sandler, Christopher McDonald, Benny Safdie, Ben Stiller, Sadie Sandler, Bad Bunny, Julie Bowen, Haley Joel Osmet, Lavell Crawford, Dennis Dugan

Nearly thirty years have passed since Happy Gilmore famously won the 1996 Tour Championship. For nearly twenty years after that victory his career flourished. That ended when his wife was tragically killed on a golf course. Distraught he gave up golf and turned to looking after his five kids. Over time, however, he has become an alcoholic and is working in a supermarket. Now his daughter has the opportunity to attend a prestigious dance school and the cost sees him contemplate taking up golf again.


this is why personally I don’t really watch Adam Sandler movies. when he is majorly behind the scenes in the writing and producing of his comedies anymore. I don’t mind when he’s working on the film, strictly as an actor because then you get films like UNCUT GEMS or his other two more dramatic Netflix movies where not perfect but the films were at least decent in someway.

this is a sequel to one of my favorite of his early comedies. As now he seems to be like Woody Allen, where if you were going to know his work, he would more praise his early funny films whereas now his comedies that he writes are kind of like Tyler Perry movies where it seems like he’s writing for himself or jokes that he finds funny, but he doesn’t seem to really care about the audience , which is a shame as Adam Sandler can be a likable screen presence at times at least back when he was making films that made audiences laugh

though now his films feel like they are parties or a reason for his friends to get Work and also for him to get to hang out with them. As it seems like they’re having much more fun hanging together than worrying about the actual script, character direction or making anybody laugh. as with each new film, it also seems like Sandler‘s entourage grows now not only does. He usually cast his friends, but now his family his wife and daughters are added into the mix of most of his films which he has a right to do, but I don’t think the audience was clamoring for it

This film seems to bring back every character from the first film in some sort of way even the minor ones who might’ve just been there for one scene and just in case you forgot the film seems to want to provide flashbacks for you to remember. The film also has a ridiculous number of cameos throughout the film even for no reason I don’t know if it was they wanted to be in the sequel or if he asked them it was fans or if this was all him trying to appeal to a younger audience as he has the usual commentators sports commentator celebrities but he also has influencers podcast Eminem for some reason throughout

not only is the storyline, stupid and ridiculous, but it also makes no real sense. As they play extreme golf and that must be played but worse of all it’s not funny at all so you are constantly wondering who is this for because it kind of insults, the originals audience and this film doesn’t seem like it’s going to influence the next generation to wanna watch it either. 

I really had hope that this would at least be decent, but if anything it just seems to Barry the remembrance of the original where you wish that it had been a one and done. If anything it also might just remind you of how good or decent the first one was and how fall this film has fallen from it’s legacy.

Grade: F 

THE GUTTER (2024)

Directed By: Isaiah Lester & Yassir Lester 

Written By: Yassir Lester 

Cinematography: Veronica Bouza 

Editor: David Dean and Josh Porron

Cast: Shamiek Moore, D’Arcy Carden, Susan Sarandon, Paul Reiser, Kim Fields, Paul Scheer, Jay Ellis, Langston Kerman, Jackee Harry, Adam Brody

Walt lands work at bowling alley AlleyCatz. He’s pressured to embrace his bowling talent, which sparks backlash from detractors seeking to undermine his sudden pro success.

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This is a film that will instantly remind most of the movie KINGPIN. As a revolves around bowling and a come back for an alcoholic, former champion as well as an innocent newcomer, who is a natural at the sport, who gets a little seduced by the Fame and the money to a degree. 

So you can obviously see some of its inspirations. 

It’s also a goofy comedy like that film only not as focused on gross out humor. Here the film just get more and more ridiculous as it goes along, but it manages to keep It’s humor and a smile on the audiences faces. As you take nothing presented that seriously.

As the film has it’s basic story elements constructed but seems to through jokes all

Over the place. Where happy the cast seems more like guest stars or that they were friends with the cast and crew and decided to make cameos in small roles for the day. 

Most of the characters aren’t that successful and come actors as dumb. Some dumber than others. Though in all the silliness It’s ok 

You will more be shocked at the casting of the film more than anything. The film’s humor is more dirty than anything but not over the top. As the film is quite charming. Nevertheless over staying it’s welcome. 

It’s nothing too special, nor offers too many surprises but it has a good heart and likeable enough characters.

The film stays simple and entertaining. It’s not a film you will remember much about afterwards but you should enjoy as it plays. 

Grade: C+

THE FIRE INSIDE (2024)

Directed By: Rachel Morrison 

Written By: Barry Jenkins 

Cinematography: Tommy Daguanno and Rina Yang 

Editor: Harry Yoon

Cast: Ryan Destiny, Brian Tyree Henry, De’Andre Aziza, Idrissa Sanogo Bamba, Adam Clark, Olunike Adeliyi, Chrystian Buddington, Lanette Ware, Sarah Allen 

Claressa Shields becomes the first American woman to win a gold medal only to learn that not all dreams are created equal.

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That is truly what the film is about the passion that fires inside that won’t let you quit for any reason even when you try to walk away, there’s something that keeps bringing you back to it. That is what the film and the filmmakers tried to instill in this inspirational true story.

Though the second half of this film is more eventful. As well as the achievements of the person in real life this film is based upon. The film set up a strong foundation. Which we see as the discovery and maintenance of her drive and passion.

The film offers a look at her personal life, and those that she seeks out to support and those who truly support her. As the route, no character is one dimensional they managed to turn themselves around or show their true colors. 

In that way, the film already plays against the traditional where all of a sudden one character stays the same throughout except for one scene or one final act where all of a sudden they change it kind of an apology or change for the worse. 

The film is very inspiring, even showing what happens after initial success, and all the hoopla dies down. It shows how to maintain and find meaning afterwards, as well as the power of community when it comes to support in all different ways. 

The film is a familiar story of sports discipline and training and saving someone from a bleak future by fighting against all odds .

The film doesn’t have as much fighting scenes as he would expect as it is more dealing with the day-to-day drama of her life, and her family unit parental child bonding with her coach and his family, and the jealousy provides in her family who seemed dysfunctional they were always changing and evolving Usually for the better though there are some trials and tribulations for the worse.

No truthfully, it’s that drama that keeps the film afloat and keeps the audience interested as this is a film of hope and what can be achieved with hard work, finesse, and belief in oneself 

Grade: B- 

UNSTOPPABLE (2025)

Directed By: William Golddenberg 

Written By: Eric Champnella, Alex Harris And John Hindman 

Based On The Book: Anthony Robles and Austin Murphy 

Cinematography: Salvatore Tontino 

Editor: Brett M. Reed 

Cast: Jharrel Jerome, Jennifer Lopez, Don Cheadle, Michael Pena, Bobby Cannavale, Mykelti Williamson, Neon Perez, Johnni Di Julius, Peter Sack 


This film seems to be mostly painted by numbers of a biofilm of a disabled athlete who overcame his affliction or didn’t let it define him to go after what he really wanted, which was to be a wrestler, not only achieve it but excel at it as it helps to give him discipline and definition not only physically and spiritually but emotionally

Jharrel Jerome is excellent as lead, proving himself not only a great actor but deserving a better though he can play what is required in most leading man roles he’s got the luxe. He’s got the charisma. He’s got the talent. He just needs more chances. 

what might draw more attention to this film is that Jennifer Lopez plays a major role in the film as his mother always believes in him and supports him as much as he supports her. This is her more taking a supporting role and she’s good in her role as a woman who is in an abusive relationship with most of her kid’s fathers who have a checkered past, but also undoubtedly loves her kids

Don’t know if Jennifer Lopez chose this role to be seen as a serious actress or is or these are the roles that she is being offered more as she gets older and her brand isn’t as strong as it was this is one of her better roles since being in HUSTLERS. Though anytime she is not glammed up it seems to be she is in serious actress mode and made more noteworthy.

Also, Bobby Cannavale is among the recognizable cast in this film, portraying his usual whole type character or villain, really a bully really the only one that the main character truly faces other than the third opponent, who is more arrival than an actual bully

Don Cheadle has a supporting role as the boy’s college coach and while a thankless role he makes the best of it

If you are into sports dramas or bio-films or just goodhearted movies, I think you will enjoy this film for me, is formulaic, but keeps the attention

Grade: C+ 

MONEYBALL (2011)

Directed By: Bennett Miller
Written By: Aaron Sorkin And Steve Zaillian 
Story By: Stan Chervin
Based on the book “MONEYBALL: The Art Of Winning An Unfair Game” by: Michael Lewis 
Cinematography: Wally Pfister
Editor: Christopher Tellefsen 

Cast: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt, Stephen Bishop, Reed Diamond, Brent Jennings, Tammy Blanchard, Nick Searcy, Arliss Howard

Oakland A’s GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team.


This film feels like a classic story. It is told simply not in a flashy way with plenty of dramatic scenes and even leaves room for light humor. Though it is intricate in the details and methods it is told. 

It feels like a film that has confidence in itself and how important it is. Whereas for the audience your enjoyment of the film matters in your interest in the subject and even the sport of baseball. As the film feels strong and partially nostalgic about the feeling of baseball and what it represents for some but also represents the players who seemingly

Give their all even when they might have run out of what makes them special, but also by making it more about numbers and probability. While trying to humanize these players it also undercuts them as at times liabilities more than anything. 

Why is it that baseball is the most respected sport when it comes to movies? Even though it is the sort that had a public cheating scandal in its heyday? As it strangely seems to represent Americana. As it has always seemed to be around and played?

Jonah Hill underplays In his role showing he can be quite effective without really doing much and more letting the character stand out for his skills rather than his behavior or words.

Bennet Miller behind the camera directing is always a joy. As he always seems to disappear and once he comes back around to making another film it stands out in many good ways. As they always seem more prestige than anything else. Good but they seem to lack passion or too much emotion. Here he has another home run. 

As a director, he tends to be very atmospheric. Especially when it comes to a consistent tone. As he seems to seek to say so much. While seemingly doing very little but it feels bigger. It’s hard to believe he only came onto this project after Director Steven Soderbergh left the project. 

This is one of Brad Pitt’s better performances where he seems to be in a role later in his career. As in the role, he plays it as more neutral, cocky, and as much of a show-off as he has done in the past. Here he doesn’t have to rely on looks, personality, or charm. 

The cast is full of heavy hitters who never let the film or the material down.

As this film is a true story it doesn’t have a storybook ending. But even as it is downbeat it is a quietly satisfying one. 

It not only takes you behind the scenes of the organization but also a great story with real characters going through inner turmoil. Though they stay in check of their emotions, you can read the drama clearly on their faces and in their eyes. 

The story is all about the details that shape and define it. 

GRADE: A

THRASHIN’ (1986)

Directed By: David Winters
Written By: Paul Brown & Alan Sacks
Cinematography: Chuck Colwell
Editor: Lorenzo DeStefano & Nicholas Smith Production Designer: Catherine Hardwicke

Cast: Josh Brolin, Robert Rusler, Pamela Gidley, Josh Richman, Sherilyn Fenn, Chuck McCann, David Wagner, Tony Hawk, Tony Alva, Brooke McCarter Jr, Brett Marx, Mark Munski

Two skateboarding gangs battle each other for supremacy, and a member of one gang falls in love with the sister of his rival.


Now I have to give a curve to this skateboarding movie. As it is nostalgic fun that I probably would have enjoyed if I had watched it when I was younger and when it had initially come out, but watching it now. 

It is funnier in unintentional ways other than just the styles of yesteryear. Though the film does raise some questions and gives way to many observations like… 

Why do the corporate sponsors and owners of skate and Nike companies in these 80s movies come across as pedophiles? As they are way too old and way too giddy to be around young people. 

The daggers are way too obvious in their sabotage. Especially laughing while their victim is getting stitched up. Right in his face. Is this a machismo thing? Or just I dare you to say something? 

Also, why is it a gang when it involves minorities but a crew or group of friends when all caucasian? In this movie and beyond. Nice to see Robert Rusler as the suave skateboard villain leader of the daggers. Even if his casting makes you wonder exactly how old these characters are supposed to be. 

It always amazes me to see Josh Brolin in early roles as until MOD SQUAD the movie I really didn’t start recognizing him from movies like THE GOONIES, but you know you’re in another era of movies. When the integrated skate park gang are the villains. 

The film has the usual teenage romance in between the skateboard drama as well as lame jokes. Though I am not a prude it is shocking how fast Josh Brolin and Pamela Gidley’s character hook up on their first date practically but I guess when it’s true love you just know. 

This is more a film for teen girls to watch and fall in love with probable hunky poster boys at the time, but strangely also a film that bypasses that audience making the film more advertised for teenage boys, who might be into the fad of the time skateboarding. Leaving a definite unintentional homoerotic charge throughout the film and in the scenes. As even the villain of the film seems more into his look and glamour above all else

The highlight of the film is the joust skate off and just how trusting and willing a female character is to hitchhike her way to California with random truckers, but hey this movie is presented all in good fun and in supposedly simpler times. 

And the RED HOT CHILLI PEPPERS are in this movie performing!!!! Some added cool points for the film. Though you will find them in quite a few films. It also makes it feel more like a teen movie by having a noted band in the film and their performance being a centerpiece almost.

If looking for a totally tubular nostalgic blast from the past check out this film. Even though for all of its ridiculous juvenile fun. I just couldn’t get on the same wavelength. 

Grade: D+

MAJOR LEAGUE 2 (1994)

najorleague2

 

Directed By: David S. Ward
Written By: R. J. Stewart
Based on Characters originally created by: David S. Ward
Story By: R.J. Stewart, Tom S. Parker & Tom Jenniwein
Cinematography: Victor Hammer
Editor: Donn Cambern, Kimberly Ray, Paul Seydor & Frederick Wardell 

Cast: Charlie Sheen, Tom Berenger, Omar Epps, Corbin Bernsen, Dennis Haysbert, James Gammon, David Keith, Randy Quaid, Bob Eucker, Michelle Burke, Eric Bruskotter, Allison Doddy, Takaaki Ishibashi, Margaret Whitton, Jesse Ventura, Steve Yeager, Kevin Crowley, Jason Kravits, Richard Schiff, Jay Leno 


Those Cleveland Indians are at it again! After losing in the ALCS the year before, the Indians are determined to make it into the World Series this time! First, though, they have to contend with Rachel Phelps again when she buys back the team. Also, has Rick “Wild Thing” Vaughn lost his edge? Are Jake’s knees strong enough to make it as a catcher another year? These and other questions are answered.

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CADDYSHACK 2 (1988)

Directed By: Allan Arkush 

Written By: Harold Ramis & Peter Torkovei 

Based On Characters Originally Created By: Brian Doyle Murray, Harold Ramis & Douglas Kenny 

Cinematography: Harry Stradling 

Editor: Bernard Gribble 

Cast: Jackie Mason, Dyan Cannon, Chevy Chase, Robert Stack, Dan Aykroyd, Randy Quaid, Jonathan Silverman, Jessica Lundy, Paul Bartel, Marsha Warfield, Dina Merrill, Brian McNamera, Chynna Phillips, Pepe Serna Jack Hartounian


A self made man is trying to get into Bushwood County Club because his daughter’s being asked by her snooty friends. Jack applies but a few things ruins his application, one that he’s extremely boorish and because he is building low cost housing in an affluent neighborhood. Jack then turns to Ty Webb who owns the majority share of the club, Jack buys Ty’s shares and then takes over the club and makes some changes which the members don’t like. That’s when the club members attack Jack by stopping his housing project. Eventually they decide to settle it on the golf course but the club president decides to take contingencies.


It’s Already hard to follow up as a sequel to a comedy classic.

The film tries to throw everything against the wall to work and it still ends up a mostly unfunny mess. one usually tries to see the good in most films and while at times it tries to be amusing this is obviously more of an obvious cash grab with little to no heart. If not a cash grab (as most films are either way) This seems more of a situation where the film began one way and this is what the powers that be consider salvaging it.

The movie still has the same basic theme of Snobs Vs. Slobs. Though it doesn’t include the rivalry so much amongst the staff as much. Taking out the wacky side characters and also making it more mature. As there are teenagers but they are college students and other then a kind of romance. They aren’t used that much. So it basically eliminates the teenage element and seems to be more centered around anti-semitism though it proves to be the only subtle thing in the movie.

The film manages to get original cast member Chevy chase to cameo as the film tries to retain the flavor of the original. In the absence of the rest of the cast of the original they have Dan Aykroyd in a small role similar to Bill Murray’s but you end up not caring even with a very inspired off the wall comedic performance from Randy Quaid. That was originally intended for late comedian Sam Kinison. Still it feels like when anyone famous shows up in the movie it feels more like they are guest starring more than acting or playing a character.

Randy Quaid appearing in this film is kind of prophetic considering he ended up starring in DEAD SOLID PERFECT an acclaimed cable original movie where he played a golfer and was nominated for an Emmy for the role.

The film was originally written to star Rodney Dangerfield. Basing the movie around his character from the first film. He was willing to until he read the script then dropped out. You can see the signs during this film for it to be more built around his character. Just as the film tries to copy the character types from the first film but not be as rebelious or daring in it’s comedy.

Jackie Mason as the lead can’t really act and is hard to be likeable. Though with Mason’s casting the movie has a kind of Wasp against Jewish and all outsiders making it more a film that is not only anti-semitism but also against prejudice. Though it doesn’t help that his character is vert hard to like, but the film tries to convince us is charming to others. Even as most of his friends seem to be only people who work for him.

The film tries to skew as much to the original as far as familiar roles. Though here they lose the teenage coming of age angle. It’s here in the form of college students who get a lot less screen time. As the film prefers to stay on the adults and even when staying on the more adult characters the film is so family friendly that all the raunch that was a staple of the first film is washed out and stays pretty bland. Like this film is more aimed at kids.

It also takes away from the more working class elements of the original to be more of a generational wealth versus a newly rich theme.

There is a romance thrown in for the younger characters and even Mason’s but it’s useless as they all come off as types instead of characters. As the daughter of Jackie Mason’s character played by Jessica Lundy dates the WASP son of the golf course owner and discovers she has more chemistry with the caddy Played By Jonathan Silverman who we actually learn little about.

What is also missing is that the original was hard core rude and anti-establishment. This film is More corporate safe almost family friendly.

When I watched this as a kid I remember Robert Stack from UNSOLVED MYSTERIES in an acting role was big for me. Not knowing he was already an accomplished actor. Him playing the villain here to perfection.

One aspect that has stayed with me over the years when it comes to the film is the main theme song played at the beginning. Though listening to it now is more a cheesy nostalgic pleasure.

Grade: F

GOON: LAST OF THE ENFORCERS (2017)

goonlast2

Directed By: Jay Baruchel
Written By: Jay Baruchel & Jesse Chabot
Based On Characters Created By: Jay Baruchel & Evan Goldberg
Based On The Book “Goon” By: Douglas Smith & Adam Frattasio
Cinematography By: Paul Sarossy
Editor: Jason Eisener 

Cast: Seann William Scott, Wyatt Russell, Alison Pill, Kim Coates, Callum Keith Rennie, Marc-Andre Grondin, Liev Schrieber, Elisha Cuthbert, Jay Baruchel, Jason Jones, T.J. Miller 


It’s a new day for the Halifax Highlanders. A pro lockout has reunited old teammates and brought a crew of new players to the bench; notably missing from the line-up, however, is everyone’s favourite enforcer and heart of the team, Doug “The Thug” Glatt. Sidelined after one too many hits and now married with a baby on the way, Doug is hanging up his skates and settling into life as an insurance salesman. But when Doug’s nemesis, Anders Cain, is made captain of the Highlanders and new ownership threatens to tear his team apart, Doug is compelled back into action. Ignoring the wishes of wife Eva, Doug heads to the rink, discovering an unlikely training partner in fellow retired enforcer and one-time arch rival, Ross “The Boss” Rhea. Together with grit, passion and unrivaled loyalty, they will grind out one last chance to do what they do best…protect their team

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