AM I OK (2022)

Directed By: Tig Notaro and Stephanie Allynne 

Written By: Lauren Pomerantz 

Cinematography: Cristina Dunlap

Editor: Kayla Emter and Glen Scantlebury 

Cast: Dakota Johnson, Sonoya Mizuno, Kiersey Clemons, Jermaine Fowler, Molly Gordon, Sean Hayes, Whitmer Thomas, Tig Notaro, Odessa A’Zion 

Lucy and Jane have been best friends their entire lives. Only when Lucy embarks on a personal journey, will she face a test of her friendship, and her sense of self, on a path she may not be entirely ready to take.


Strangely, this film was delayed as it was finished in 2022 and Dakota Johnson filmed this movie back to back with THE LOST DAUGHTER & CHA-CHA REAL SMOOTH in which she gave acclaimed performances in the two other films here maybe this is where she started to feel fatigued as her performance here seems to falter in comparison to the other two. as this film only became available in 2024 HBO Max, bought it right out of Sundance and then waited two years to finally release it.

This film is pretty simple as you pretty much know what’s going to happen along the way you’re just wondering what kind of presentation you’re going to get.

One can appreciate that it deals with the situation more realistically, Where it takes big decisions, and instead of presenting them as that. It more tackles them a little more subtle and a little more minute detail.

That is the thing the film has going for it. The two protagonists, unfortunately, are a bit annoying as the one character by Dakota Johnson can’t seem to make any decisions in her life, and once she makes a big dramatic one she is still so wishy-washy her best friend winningly played by Sonoya Mizuno is the hipster who has a successful career who pretty much has taken care of her most of her life and now that a big changes land to separate the other is jealous. It seems that the other one is leaving and the more successful one finally realizes they don’t necessarily need the other person as they have all these other things going for them the date for the move comes more challenges come her way once she realizes who truly has always been there for her who truly is her friend.

Another aspect, I can appreciate about the film is that while it does deal with a character discovering their homosexuality, the film doesn’t become only about that or you know, finding love and romance, it shows the In and out of dating as a queer person. Also, what looks to be a love match could just be a hookup and Sometimes might just be looking for a good time or experimental.

Along the way, the film throws in quirky characters not so much situations, but weird reactions to situations. That makes it more like a movie or even just a story where little light touches are made to enhance the more dramatic or even comedic storylines.

The characters are supposed to be likable, but at least for this critic, I found them more annoying than anything, by the end. It only enhances that there for one another or one seems more like a mother and the other child, and even when one character comes to realize her sexuality, even then she goes into it so wishy-washy that at first, you believe the film is going to be her realizing she’s in love with her best friend and how her best friend deals with it but instead it’s just they are having midlife crisis, reaching different milestones. Though out of the two I could stand Mizuno’s character the most. When her character experiences a downfall, it is more truly felt and surprising.

the successful one feels more like he could’ve been a gay best friend type character as he seems to be there to drop in and tell a few jokes disappear and only adds drama for one scene when he decides conveniently to tell his girlfriend that he’s probably not going to move with her.

this phone just wasn’t for me. You have to be in the right mood and have the right amount of patience to watch this film, but it’s not horrible. It just wasn’t that great. 

The film does offer some prime California background and locations that all look modern and meditatively beautiful.

Grade: C 

SHORTCOMINGS (2023)

Directed By: Randall Park 

Written By & Based On The Graphic Novel By: Adrian Tomine 

Cinematography: Santiago Gonzalez 

Editor: Robert Nassau 

Cast: Justin H. Min, Ally Maki, Sherry Cola, Randall Park, Jacob Batalon, Tavi Gevinson, Debby Ryan, Sonoya Mizuno, Timothy Simons

Follows a trio of young, Bay Area urbanites–Ben Tanaka, Miko Hayashi, and Alice Kim–as they navigate a range of interpersonal relationships while traversing the country in search of the ideal connection.


This film is an anti-romantic comedy that is a breath of fresh air. As it is a movie after my own heart. Adapted from a graphic novel by Adrian Tomine 

The film offers a character-driven slice of life. That possesses a dry sense of humor. As it presents situations in the main character’s life. So that it feels more like a hangout movie. As we explore the character’s world, more witness his relationships.

How he complains and believes himself to be the victim always. Closing himself off from others and feelings in general. How he becomes his own worst enemy and slowly alienates others. Who actually wants to like him.

That ends up becoming a story of a kind of redemption or how a jerk finally wakes up to himself and his negative aura.

To give you an example of the main character imagine the worst film snob and magnify it as a personal outlook on most things. 

The film hits home as it is a reminder of sorts for one at a younger age. One would want to believe not as bad but plenty of aspects are personality. Though he is more successful relationship-wise and has more friends around him.

The film is dark-humored like a young Asian unsuccessful Larry David. Who you don’t root for or agree with. As we watch him go through interactions and her cross over and come to a head. 

The lead character is so Insufferable. Half of the entertainment is watching him fall off his high horse constantly. Especially as he starts to build any chances of hope. Then usually sabotages himself or his partners. Wake from any kind of charm ornament attention he was giving them.

This is the type of character who usually seems to be the hero of most relationship dramedies made by twenty-somethings. Whereas the world revolves around them and everyone else has the problem, not them.

Sherry Cola almost steals the whole film. Her character is reminiscent of her character in the film JOYRIDE only with more depth and sarcasm here. 

It’s nice to see the film take on racial politics but not be all about it and offer Asian American characters’ points of view and let them be more diverse and full.

Grade: B