THE LUCKIEST MAN IN AMERICA (2024)

Directed By: Samir Oliveros 

Written By: Samir Oliveros and Maggie Briggs 

Story By: Amanda Freedman 

Cinematography: Pablo Lozano 

Editor: Sebastian Hernandez 

Cast: Paul Walter Hauser, Walton Goggins, Maise Williams, David Straitharn, Shamier Anderson, Johnny Knoxville, Brian Geraghty, Shaunte Renne Wilson, Damien Young, Patti Harrison, Haley Bennett, Genesis Rodriguez 

May 1984. An unemployed ice cream truck driver steps onto the game show Press Your Luck harboring a secret: the key to endless money. But his winning streak is threatened when the bewildered executives uncover his real motivations.


I know most of the story just from articles and watching the short documentary on the case and the character on Netflix. BIG BUCKS: THE PRESS YOUR LUCK SCANDAL. The only truth it seems to keep is the memorizing of the patterns of the game board to win.

The story that this film tells has been in development hell since 2000. When bill murray was attached to the film, before aging out and dropping interest in it. 

The film of course didn’t have enough time nor the budget to tell the whole story in multiple events and days that this actually happened during hand on different shows so instead condenses it mostly all into one day and the film taking place in one studio do more to probably the production constraints

The film has a very impressive cast of actors all likable they hear they seem thrown into this production that means well, but ultimately comes across like a TV movie on the subject only with foul language allowed in.

As the film keeps going along at first you wonder is this supposed to be more of a character piece or what is his motivation truly and what it all about while the film shows the slippery politics have not only show business but also production as we see the reaction to his winning from the exact to the behind the scenes production staff to the other contestants, the host and partly the audience, and finally where the film really gets emotional at its heart is in the final 10 to 15 minutes of the film

It’s great to see Paul Walter Hauser have another leading man role as a kind of lovable misfit out there who has tons of get rich, quick schemes, and this one finally might actually pay off that he believes will help solve everything, but only seems to help rip it apart even more.

You only wish the actors had a better film or were given a better script overall or at least a slightly bigger production to be in

It’s a satisfying story, especially if you’ve never heard it before and will induce you to do your own research more into the story but other than that, it’s one of these stories that you feel should’ve been done better or been at least illustrated a little bit better. it’s none of the actor‘s fault who all rise in the occasion. It’s just that by the end it doesn’t quite feel as satisfying as it should, though by the end, it does hit an emotional level. That is unexpected.

Grade: C+ 

BRUISER (2022)

Directed By: Miles Warren 

Written By: Miles Warren and Ben Medina 

Cinematography: Justin Derry 

Editor: James LeSage

Cast: Jalyn Hall, Trevante Rhodes, Shamier Anderson, Shinelle Azoroh, Sarah Bock

A 14-year-old boy turns to a charismatic loner for help after being beaten up, in this searing feature debut about fathers, families, and the effects of fighting.


This is a film that has some great direction and filmmaking, but the material while enriched also doesn’t come off as well.

The film is a character study that focuses on three characters in particular. Which feels a bit too much. It’s understandable as you want to give the two forces their understanding and see their strengths and weaknesses. As well as what they seem to be fighting over, the boy also gets his time to get to know him.

Though most of the film is trying to be a coming-of-age story. Highlight the two men who want to be the boy’s father. As though they both care about him. He comes off more as a prize than anything else and an extension of their rivalry that seems will never end. Nor truly be satisfied as both will never back down.

This is truly showcased in the end and l truly shows who matters as he is saved from a lesson his mother taught him early on in the film. She seems to be the only parent who loves him and thinks of him first.

The film feels like a tragedy in slow motion. As a child eventually chooses between two fathers the stern but loving and unemotional Malcolm and the drifter who is personable, cool, and fun Porter. Both have anger issues one is just more stable and the other is free-floating. The film comes off as realistic enough. Though both provide toxic masculinity and show lasting effects that it can provide in all ways. It also showcases the power of forgiveness as well as religious values that can regulate and save a person. How people learn violence at times from those who are there to love and protect them. How they feel is how they show their love and feelings. 

The film offers a dramatic powerhouse and great cinematography. Yet the film never seems to allow itself or the characters any joy throughout. 

Grade: B-