AUSTIN POWERS IN GOLDMEMBER (2002)

Directed By: Jay Roach

Written By: Mike Myers & Michael McCullers Cinematography: Peter Deming

Editor: Jon Poll & Greg Hayden

Cast: Mike Myers, Beyoncé, Michael Caine, Seth Green, Michael York, Verne Troyer, Robert Wagner, Fred Savage, Mindy Sterling, Diane Mizota, Carrie Ann Inaba, Nobu Matsuhisa, Nichole Hiltz, Aaron Himelstein, Josh Zuckerman, Tommy Tiny Lister, Jim Piddock, Masi Oka, Clint Howard, Michael McDonald, Tom Cruise, Gwyneth Paltrow, Kevin Spacey, Danny DeVito, Steven Spielberg, Quincy Jones, Britney Spears, Burt Bacharach, Donna D’erico, Fred Stoller, Brad Grunberg, Greg Grunberg, Scott Aukerman, Nikki Ziering, Nathan Lane, Katie Couric, Ozzy Osbourne, Sharon Osbourbe, Kelly Osbourne, Jack Osbourne, John Travolta, Rob Lowe

Upon learning that his father has been kidnapped, Austin Powers must travel to 1975 and defeat the aptly named villain Goldmember, who is working with Dr. Evil.


This Is where the franchise jumped the shark. It got too big and popular for it’s Own good Believing it’s Own hype. Not only referencing itself but making fun of itself to be part of laughing with others. Which ends up damaging itself and not as much fun as the previous films.

The opening plays more like an mtv movie awards spoof than a witty or memorable opening. 

It also doesn’t help that mike Myers was taking out his problems over the problems he was having on a film project SPROCKETS with Ron Howard (supposedly) which is why Seth green dons a similar look as Howard towards the end.

The film is filled with stunt casting that makes it feel more like an homage. Having Michael Caine is more of a co-star than Beyoncé as the current love interest. Where it seems she is only in the film more out of popularity. Just as many of the cameos seem there only for their then current popularity and to be in on the jokes. Rather than it being more organically funny. 

It feels constantly like the steam has run out of the premise. As this is more mike Myers seems to make it more of an occasion to make it a show to try out and play more characters almost similar to Eddie Murphy in THE NUTTY PROFESSOR. 

The film just feels like gags and leftover fat from the previous films with tired jokes and bad attempts at pop culture humor. 

This could almost be like one of those spoof films that came out at the end of the year. That made fun of bee trends in all media culture but tried to tie it under one bow like DATE MOVIE or EPIC MOVIE or MEET THE SPARTANS. This franchise started off as an homage and felt original and now has become a spoof itself.

The second film in the franchise was good but while stretching it seemed to go all the way with what still worked. This feels like it was left out of shape and warped working in those perimeters.

If you enjoy mike Myers this film is for you more as a completist. But this feels like him at his most mega maniacal. As the film is just him going through excess

He also believes his own hype. Trying to bring in modern celebrities and have them make more fun of themselves but also show their own clout. As there truly is no reason for them to be here other than to show off. It comes off as begging whoever is popular at the time to guest star in the movie to get more surprises and show a sense of being somewhat timeless, it also truly dates itself, even though it tends to jump through time periods anyway. 

Grade: C-

THE HITMAN’S WIFE’S BODYGUARD (2021)

 Directed By: Patrick Hughes 
Written By: Brandon Murphy & Phillip Murphy 
Based On Characters Created By & Story By: Tom O’Connor 
Cinematography: Terry Stacey 
Editor: Jack Hutchings & Michael J. Duthie

Cast: Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Frank Grillo, Antonio Banderas, Tom Hopper, Caroline Goodall, Richard E. Grant, Morgan Freeman, Alice McMillan 

The bodyguard, Michael Bryce, continues his friendship with assassin, Darius Kincaid, as they try to save Darius’ wife Sonia


This is a movie that seems rushed to make money off the surprise hit of the first film and this time offers more Salma Hayek that the first film. Where she was a memorable supporting character.

This film offers a lot more of her including in her low-cut outfits and even a sex scene that is more comedic than sexy. Though the film gives her a chance to shine. 

The film is more aimed at being a comedy with action in it rather than the other way around and as hilarious as the film is you never take it seriously and just try to have fun. As much as the cast seems to be having.

This film offers up recognizable cast members new to the franchise in surprising supporting roles. Though luckily it seems as soon as they wear out their welcome they either disappear or are dispatched. 

They try to sideline Ryan Reynolds a little. as once again his character is going through confidence problems and here he has decided to not be violent throughout. He is involved in the action sequences. As more the straight man who keeps getting punished violently while all around him kill and fight. Which might be to make room for Salma Hayek to have more to do and be part of the action. He for the most part is abused throughout 

What works for these films is that while they are silly and quite stupid. They stay entertaining and are never boring and come off as guilty pleasures more than anything else. Especially by the end which is just ridiculous.

These films feel like the CRANK movies only not as over the top, campy or low brow. They are dirty And they all feel like they have the energy of an energized bunny or play out like violent love action cartoons more than anything anyone can really identify with. 

Grade: C+

TRAIN TO BUSAN PRESENTS: PENINSULA (2021)

Directed By: Sang-Ho Yeon 
Written by: Sang-Ho Yeon & Ryu Yong-Jae 
Cinematography: Hyung-Deok Lee 
Editor: Jinmo Yang 

Cast: Dong-Won Gang, Lee Jung-Hyun, Re Lee, Hae-Hyo Keon, Min-Jae Kim, Kyo-Hawn Koo, Do-Yoo Kim 

Peninsula takes place four years after the zombie outbreak in Train to Busan. The Korean peninsula is devastated and Jung Seok, a former soldier who has managed to escape overseas, is given a mission to go back and unexpectedly meets survivors.


The film builds the world that was set up in TRAIN TO BUSAN and while the film is inventive and Starts off with a bang from The beginning at the start to define the antagonist and place a proper history for him. 

Then the film Gets going with action pretty quick as well as the plot. The opening scene flashes to the all-new cast of characters and fleshes them out.

It works more as an action film with horror elements. Where most of the true horror is how the human characters treat each other in times of strife for survival.

At times the use of CGI zombies is obvious but used to make their threat grander and more epic but luckily not cheesy.

The film is post-apocalyptic where gangs of survivors run the streets and find others stragglers for sadistic games.

We are introduced to a human villain they are killing a character just to do it. No actual gain 

The film’s finale has a car chase that reminds the audience of THE ROAD WARRIOR. While the film feels like it was inspired by ESCAPE FROM NEW YORK. With a planned heist that goes wrong, he becomes a man on a mission and rescue mission. So the film obviously wears it’s inspirations on its sleeves while trying to add its own flavor.

Wisely the film trims the fat early. As this film is more political, adventurous, it opens up the world. Like most sequels, this film is bigger and feels less emotional as a thing of the past.

In the end the film’s themes seem to be about family and the sacrifices you are willing to make for them. 

Grade: B-