FUNNY PAGES (2022)

Written & Directed By: Owen Kline 
Cinematography: Sean Price Williams and Hunter Zimny
Editor: Owen Kline And Erin DeWitt 

Cast: Daniel Zolghadri, Matthew Maher, Josh Pais, Maria Dizzia, Miles Emanuel, Stephen Adly Gurgis, Marcus DeBonis, Michael Townsend Wright 

A bitingly funny coming-of-age story of a teenage cartoonist who rejects the comforts of his suburban life in a misguided quest for his soul.


This is a film that seemed to be treading the same ground as ART SCHOOL CONFIDENTIAL and GHOST WORLD. This film is more realistic but has the same kind of downtrodden dark humor.

This film is much more downbeat than those films.

As those films seem more cynical yet a bit more stylized. This seems rawer and victims of circumstances. Though this is just as funny at times. As mostly the joke is on the lead character. Who brings all Of this upon himself 

Only in this film, there are no winners it Is more of a comedic meltdown. Of a young man who believes that he must suffer to be a true artist, From his privileged upbringing. He tries to be rebellious and anything troubled or dirty deep. 

As expected he slowly Gets a wake-up call. That the audience from the beginning knows is coming. We want to root for him in his naive nature. As he wants to experience life. We see his continuing downfall. As he enthusiastically moves forward into a horror story of idealism.

Each character, he comes across seems crazy skewed in some sort of way.

The characters and film are somewhat grotesque at times. As it all seems grimy. The Aesthetic here is usually Close up And to Go for warts and all quality. 

Basically wanting to always want to show us the ugly side of the characters. While also showing that every person is flawed in some way. 

Even as this film is a coming-of-age story that offers few of answers. As the film makes its points but offers very little to make its Mark.

Coincidently it comes off as a graphic novel story of It’s own especially with its own drab presentation and darkly ironic sense of humor.

Grade: C+

HEAVEN KNOWS WHAT (2015)

Written & Directed By: Joshua Safdie & Ben Safdie 
Inspired By The Book Written By: Arielle Holmes 
Cinematography By: Sean Price Williams 
Editor: Ben Safdie & Ronald Bronstein 

Cast: Arielle Holmes, Caleb Landry Jones, Eleonore Hendricks, Buddy Duress, Ron Braunstein


Harley loves Ilya. He gives her life purpose and sets her passion ablaze. So, when he asks her to prove her love by slitting her wrists, she obliges with only mild hesitation, perhaps because of her other all-consuming love: heroin.

This movie is crazy as it seeks to keep you on your toes and off-center throughout. It is a slice of life that feels like it lacks are tidier and goes out of its way to show the downside of drug abuse. Which yes we have seen many times. Though it has been a while. Then again just as we have seen many other stories a bunch of times. So one more won’t hurt and all that matters is how it is told and the individual’s story. Here we get more of an insider’s guide. Cinema verite style.

The film feels a bit like misery porn as there is no shame throughout this film. We see the rarely good, but plenty of the bad and ugly. I can’t really call the film exploitive as it is stylized a bit but feels like an experimental attempt to tell a story but also a show-off film to show how edgy the filmmakers are by going after the truth. Like a less surrealistic, more realistic drug addiction tail like REQUIEM FOR A DREAM. Though we are thrust right into the tale rather than showing the beginning like how the characters started in the addiction. We also get very little told about anyone’s past.

Think of this film as a modern-day PANIC IN NEEDLE PARK. Without the luster of seeing classic New York locations.

For some, it might be like seeing the day-to-day life of those addicts or characters you see it encounter on the train or New York streets.

Caleb Landry Jones is barely recognizable. Which is how deep he goes into character here. He is also the only recognizable cast member who might be a professional actor. As the character of Ilya this ghost-like a menace. Who is the main character’s ex who at the beginning of the film demands that she commit suicide as an appropriate apology for cheating on him? He seems to haunt the film as he stares in judgment and treats her like crap but seems to give off a sense of caring

Arielle Holmes makes an impressive debut. This film is based on her book a kind of journal/biography of her life on the streets as a drug addict. Written in an Apple Store using the free computers there. It’s interesting to see her now clean having to relive all these moments.

The film almost seems like a documentary. It is more docudrama as there seems to be a voice and reason for this film and why it was made. Not to mention keeps moving forward.

Throughout the film stays realistic as the level of dirt and grime is a supporting character that could easily take over as the lead.

At times it’s hard to believe it is going anywhere. Though stays hard-hitting and feels disturbing half of the time. The film is not an empty endeavor.

The film feels almost like an 80’s film with its washed-out look and man-on-the-street type camera work as well as a soundtrack that feels ambient. Then sometimes it adds to the scenes and comes along naturally.

There is no pretension in any of the performances. Which is a danger sometimes that you encounter in films of this nature. They all feel like characters you have encountered it seen like this.

Seems filmed on the streets with no permits as it seems rate that there are rarely any actual sets or setups or grand camera shots.

Goes into detail on how these junkies who are often homeless survive and hustle for money and drugs. Sometimes shelter

Throughout the film, it is hard to see why she is in love with Ilya so deeply and cares so much about what he thinks. Throughout the film things ha he yet remains the same which the ending clearly illustrates.

The film never comes close to having a message nor having its characters clean up their act though you might hope for it.

GRADE: B

GOLDEN EXITS (2018)

Written & Directed By: Alex Ross Perry
Cinematography: Sean Price Williams
 Editor: Robert Greene 

Cast: Jason Schwartzman, Adam Horowitz, Analeigh Tipton, Chloe Sevingy, Mary Louise Parker, Lily Rabe, Kate Lyn Sheil

An intersectional narrative of two families in Brooklyn and the unraveling of unspoken unhappiness that occurs when a young foreign girl spending time abroad upsets the balance on both sides.

Continue reading “GOLDEN EXITS (2018)”