LUCY (2014)

Written & Directed By: Luc Besson 

Cinematography: Thierry Arbogast 

Editor: Julien Rey

Cast: Scarlett Johansson, Morgan Freeman, Choi Min-Sik, Analeigh Tipton, Pilou Asbaek, Amr Waked, Julian Rhind-Jutt 

A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.


The film starts off as a Eurotrash crime story. That becomes an action-adventure revenge story then goes to a full Science Fiction movie.

So that it feels like an excessive superhero movie, before trying to be something more. Which eventually Makes little to nonsense or becomes philosophical though feels too convenient. As her needling abilities come to use anytime. In an impossible situation or fight.

The film tries to put in a mystery we learn and wonder with her through these situations and events. She is forced to be a drug mule and the compilation of drugs in her system allows her to strike back. 

The film is diverse as it has an international cast and seems to be the beginning of Scarlett Johansson as an action star. Again this leaves a stunning young lady as a Warrior amongst the chaos. Who never loses her beauty or a fight it seems In a Luc Besson production. 

The real social terror of drug trafficking and sex slavery internationally. The film tries to use the horrors of these social Issues and add into it an action-fantasy element. That borders also on a revenge story. Only she gets past the revenge and her enemies just want to destroy her after she has mostly forgotten about them. 

It seems to also be a retaliation against not only dumb blinders allusions but also skinny helpless damsels. Showing they can take care of themselves and then some and all the while gaining consciousness and awareness. 

To keep the film from being a typical action film shoot ‘em up it seems like that is the only reason the consciousness theme was thrown in. Also as an ultimate dream that taking enough drugs leads to spiritual bliss.

Entirely written by Luc Besson. He actually decides to direct this film also. He usually writes and produces these films and leaves a newcomer or protege to direct. While the film is sharp considering he decided to direct it. It should be a lot better than the final product. 

In the end, the film seems to be about finding consciousness and enlightenment and rising above it all. 

Grade: C

BLACK WIDOW (2021)

Directed By: Cate Shortland
Written By: Eric Pearson 
Story By: Jac Schaeffer & Ned Benson
Cinematography: Gabriel Beristain 
Editor: Leigh Folsom Boyd & Matthew Schmidt 

Cast: Scarlett Johansson, Florence Pugh, Rachel Weisz, David Harbour, Ray Winstone, O-T Fagbenie, William Hurt, Olga Kurylenko, Nanna Blondell

Natasha Romanoff aka Black  Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.


This film is a prequel of sorts that is almost a last hurrah for actress Scarlet Johansson in the role. Though it gives the character her props. It still manages to be a setup for future marvel series and movies. As we know the eventual fate of Johansson’s character in other Marvel movies.

Though in the marvel universe that keeps setting up a multiverse. They have proven the saying “Never say, Never” 

The film has top-notch action sequences. Though you might find yourself hoping for more grittiness in them and throughout the rest of the film. As it seems like it will be going down and dirty, but comes off almost too polished. The film relies heavily on hand-to-hand action scenes.

At least this movie offers more action and fighting than some other Marvel films. So much so that when there are dialogue scenes the film seems to drag. 

As at heart, this is a full-on espionage film, only simplified and without most of the confusion, those films can bring. 

The film’s theme seems to be that we all must pay for past crimes. Even throughout, the Black widow doesn’t bother to change her look or Into too many outfits. So she always seems barely hidden in plain sight.

It’s clear throughout that the cast is having fun and David Harbour in particular is a riot. One only wishes his HELLBOY performance was as much fun. 

The film’s main weakness is the villain. Who feels hollow. A similar problem was felt in ANT-MAN & THE WASP. Where the villain was weak in terms of creation and really only behind a truly bigger one who was using them. So essentially they are more of a weapon than a character or menace. That is the character of the TASKMASTER in this film. 

The main villain is Ray Winstone here he is good as always playing a villain and is believable in villainous roles usually. Especially ones who are made to be hated and despicable. Where do you believe he really would enjoy assaulting females by punching them in the face. 

It might be that the villain here is too simple and pedestrian compared to the ones we have seen in other Marvel films. Which can be a nice change of pace. Though might have helped if the film was made or brought forth earlier. As of now, it feels like a kind of break from world changers. 

That’s what it is good at. Just as ANTMAN & THE WASP was a more comedic adventure with science. It makes you totally forget the lacking villain. In fact hard to remember the villain from the get-go. 

The film goes for diversity as most of the female assassins under the villain’s plan are women of color. Who he considers as early on it’s noticeable and disturbing that the bench people the heroes fought and killed were mostly minorities. Which is kind of explained with the villains’ attitude towards them yet not the films? 

A little shocked when watching these films that respected actors such as Florence Pugh and Rachel Weisz are in it, but these days who isn’t in a superhero or big-budget franchise movie?

In the end the film comes across as trying to be more serious than what it is meant to be pure entertainment and fun. 

Grade: B-

VICKY CHRISTINA BARCELONA (2008)


Written & Directed By: Woody Allen 
Cinematography By: Javier Aguirresarobe 
Editor: Alisa Lepselter 

Cast: Rebecca Hall, Scarlett Johansson, Javier Bardem, Penelope Cruz, Patricia Clarkson, Kevin Dunn, Zak Orth, Chris Messina

 

Sexually adventurous Cristina and her friend Vicky, who is bright but cautious, holiday in Barcelona where they meet the celebrated and wholly seductive painter, Juan Antonio. Vicky is not about to dive into a sexual adventure being committed to her forthcoming marriage. But Cristina is immediately captivated by Juan Antonio’s free spirit and his romantic allure is enhanced when she hears the delicious details of his divorce from fellow artist, the tempestuous Maria Elena. 


This is a partially unusual film for Woody Allen maybe it’s because it is set in Spain and the country is both artistic and romantic and sensual. This film is one sexy movie now all the leads are of course good looking and have been in tons of other films. Where they have been sex symbols and objects and that is what most films are there to do to make the actors look the best they can but in this film, they practically sizzle the film shows them at their best. 
 

Now in the Woody Allen canon of movies, it’s not the best but it is better than some of his others but it still seems slight this one as usual revolves around artists and muses and the philosophy of relationships. As Rebecca Hall’s character goes to Barcelona to finish her thesis and is engaged she brings her friend Scarlett Johansen who is a flight sexy beauty and they meet Javier Bardem and both end up falling for him though Rebecca Hall tries very much not to so Scarlett Johanssen ends up staying with him trying to find her own identity but problems soon arise as his ex played by Penelope Cruz comes back into his life.  

This is pretty much Penelope Cruz’s movie even though her character comes is not in the film until halfway in. She is talked about so much that when she finally shows up she is everything you expect and worse. Javier Bardem is good as the lothario with sex appeal. Which he should be since Woody specifically wrote the role with him in mind and had no other choice lined up to play the role. 


Scarlett Johansen gives a good experience but she still suffers from the Rosario Dawson syndrome. Where a star actress is always stuck in the girlfriend role. Only here Scarlett is sexy given tons of screen time but not too much to actually do other than be almost a prop in the background always she isn’t given a real character to play. On the other hand, Rebecca Hall makes a deep impression maybe it’s because she is in a way playing the Woody Allenish character the nebbish only this time female. The film is the best-looking cast Woody has ever worked with. 

This is a film that shows the bohemian ideals that seems to be at war with the nouveau riche the establishment represented by Patricia Clarkson and Kevin Dunn. Clarkson’s character is a romantic dreamer who always wonders what if she would have run off with a poor lover years ago. She imagines her life could have been more exciting and fulfilled, Whereas now she has money but is bored she loves her husband, but he doesn’t seem to return the favor he cares more about business than objects. He views her as just another possession I don’t know if that was intended but that is how I felt watching the film. 


 In essence, this is a film about the What If. The ideals and problems you could have by running off with that smooth talker. It is also the nightmare story of the ex-girlfriend who never leaves and haunts and stalks you who takes things to the extreme to try and get you back and intimidate your new girlfriend. Though the film doesn’t go the thriller way it chooses to be a little more realistic in a dramedy romantic comedy way.


The film is a good movie to watch it is a good time waster. I’d say it is worth buying if it was 14.95 and would be a lot more interesting if Woody Allen gave a commentary just to see what his thought process was since this is such a big departure from his other films around that time. Which at that point was an improvement. 

 GRADE: B

MARRIAGE STORY (2019)

marriagestory1

Written & Directed By: Noah Baumbach
Cinematography: Robbie Ryan
Editor: Jennifer Lame 

Cast: Adam Driver, Scarlett Johannson, Alan Alda, Ray Liotta, Laura Dern, Julie Hagerty, Wallace Shawn, Merrit Wever, Mickey Sumner, Jasmine Cephas Jones, Irene Choi, Robert Smigel, Carlos Jacott, Lucas Neff 

An incisive and compassionate look at a marriage breaking up and a family staying together.

Continue reading “MARRIAGE STORY (2019)”

THE AVENGERS (2012)

theavengers-group-shot

Written & Directed By: Joss Whedon
Story By: Zak Penn & Joss Whedon
Cinematography: Seamus McGarvey
Editor: Jeffrey Ford & Lisa Lassek 


Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Scarlett Johanssen, Tom Hiddleston, Jeremy Renner, Chris Hemsworth, Clark Gregg, Cobie Smulders, Stellan Skarsgard, Samuel L. Jackson, Gwyneth Paltrow, Alexis Denisof, Jerzy Skolimowski, Jenny Agutter, James Eckhouse, Harry Dean Stanton, Stan Lee 

Nick Fury is the director of S.H.I.E.L.D., an international peace-keeping agency. The agency is a who’s who of Marvel Super Heroes, with Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. When global security is threatened by Loki and his cohorts, Nick Fury and his team will need all their powers to save the world from disaster which is formed by Loki and his team

Continue reading “THE AVENGERS (2012)”

HAIL CAESAR! (2016)

hailc1

Written & Directed By: Joel & Ethan Coen
Cinematography By: Roger Deakins
Editor: Roderick Jaynes 


Cast: Josh Brolin, George Clooney, Alden Ehrenreich, Scarlett Johansson, Ralph Fiennes, Channing Tatum, Jonah Hill, Clancy Brown, Tilda Swinton, Frances McDormand, Christopher Lambert, Robert Picardo, Fisher Stevens, David Krumholtz, Alex Karpovsky, Alison Pill, Fred Melamed, Wayne Knight, Jack Huston, Agyness Deyn

Hail Caesar! Follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the 1950s, who cleans up and solves problems for big names and stars in the industry. But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix.

Continue reading “HAIL CAESAR! (2016)”

HITCHCOCK (2012)

hitchcock_johansson_mirren

Directed By: Sacha Gervasi
Written By: John J. McLaughlin
Based On The Book “ALFRED HITCHCOCK AND THE MAKING OF PSYCHO”: Stephen Rebello
Cinematography By: Jeff Cronenweth
Editor: Pamela Martin
Music By: Danny Elfman 



Cast: Anthony Hopkins, Helen Mirren, Jessica Biel, Scarlett Johansson, Danny Huston, Toni Colette, Michael Stuhlbarg, Michael Wincott, James D’Arcy, Richard Portnow, Kurtwood Smith, Wallace Langham, Ralph Macchio

In 1959, Alfred Hitchcock and his wife, Alma, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth’s artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho, over everyone’s misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred’s work even as the novel’s inspiration haunts his dreams.

Continue reading “HITCHCOCK (2012)”