Roy Kinnear – Cut To The Chase

Directed By: Wim Wenders

Written By: Ross Thomas, Dennis O’Flaherty and Thomas Pope

Cinematography: Joseph Biroc

Editor: Janice Hampton, Marc Laub, Robert Q. Lovett and Randy Roberts

Cast: Frederic Forrest, Peter Boyle, Marilu Henner, Richard Bradford, Roy Kinnear, Elisha Cook, Lydia Lei, Michael Chow, R.G. Armstrong, Sylvia Sidney, Jack Nance, Samuel Fuller, David Patrick Kelly

Fictional account of real-life mystery writer Dashiell Hammett, and his involvement in the investigation of a beautiful Chinese cabaret actress’ mysterious disappearance in San Francisco.

This is a strange film that unfortunately commit the worst crime of all it feels a bit bland and basic by the end

It feels like the film is trying for a recreation as it takes place on sites that you can tell are sets. which only adds to the artificiality of it all, which is deliberate but also as we are being placed in a story, and the main character is a writer of such stories living them out we can never quite tell what is true and what is being made up. A world of stylization and an homage to studio bound detective thrillers. As well as being in a world of imagination.

This is a production that could’ve been filled with more imagination and inspiration as it just seems to go along. Another touch might have been if it had been filmed in black and white to make it feel more of the period that it takes place in and timeless.

Though Wenders is listed as the official director of the film, the film doesn’t seem to fit his style as his films are filmed the more creatively the film is rumored to have been shot by Francis Ford Coppola who produced the film under his American zoetrope studio afterward to be more conventional.

So that the behind the scene story itself or rumors about this film are more fascinating than the final project unfortunately

The film isn’t a biopic of famed writer, Dash Hammett but the story of a writer caught up in one of his own detective story plots as he works as a private eye on the side and seems to get inspiration from his cases.

The film is enjoyable, offering Frederick Forest, the rare leading role and he does well with it as well as Marilu Henner as his name she should’ve gotten more films as she had the looks in the talent to go further in her career as she is one of the other bright spots in this well-stocked movie

The film ultimately is a success as long as you’re not looking for more than your typical detective starring murder mystery that stays more small scale but includes all the cliché so much so that it just feels like a typical 1940s detective story only made in the early 80s, supporting cast so many classic All-Star character actors

Grade: C

Directed By: Waris Hussein

Written By: Alan Parker

Cinematography: Peter Suschitzky

Editor: John Victor Smith

Cast: Mark Lester, Jack Wild, Tracy Hyde, Roy Kinnear, James Cossins, June Ellis, Tim Wylton, Colin Barrie, Billy Franks, Ashley Knight

Two youngsters declare to their parents that they want to get married. Not sometime in the future but as soon as possible. The story is told from the children’s point of view.

This is a film that was hard to find and wanted to see it since hearing about it. when it was suggested as a companion to films like A LITTLE ROMANCE and BUGSY MALONE, especially the latter, as these films share the Director, the great Alan Parker, who directed BUGSY MALONE, but wrote, and came up with the story for this film. He wasn’t allowed to direct this film though he wanted to but did shoot a bit of a second unit on the film.

The film offers a narrative that allows kids to be more rebellious, troublesome, rough, but still likable where kids could actually run the risk of hurting themselves or getting hurt, but you never really worried about it because you knew they would bounce back.

Order finally titled S.W.A.L.K. (Sealed With A Loving Kiss) it takes to look at childhood and shows you all the heartbreak and pain but more of the joys and treats each misstep as it feels crushing, but also how quickly things can turn around and bounce back

It’s a coming-of-age tale that while whimsical also feels very true and charming to the cast and the period and kids at that age. as the film isn’t whitewashed or manufactured, nor do the characters feel overprotected, though they obviously are safe.

The film is mostly innocent. It’s also rambunctious with an abundance, score, and soundtrack, full of songs, not a musical as at heart it is about love at first sight. And first love.

It maintains an innocence, as well as exploring, budding, friendship, and bonding, and how jealousy can come into play when it feels like you’re losing that friend’s degree to their new bond girl in his life that leaves the friend lonely in an orphan, feeling forgotten.

It also shows them both being made fun of for their love and wanting to be happy with one another in which the adult seem to think it’s cute, but also rally against it and don’t believe in their feelings and emotions.

it also allows the kids to be kids, but have recognizable human emotions and treats them even more seriously than it does the adult characters so the film respects them maybe because they can be more honest at their age and still have that wondrous vision of the world and everything before becoming more knowledgeable as an adult and not being as openhearted.

The film feels kind of like an early prototype less star-studied version of MOONRISE KINGDOM

as you can tell Director, Wes Anderson has definitely been inspired by this film. The film might also remind some viewers of the Francois Truffaut film, SMALL CHANGE, where a narrative and story are secondary to feelings and the young characters. And the reality that is all around them.

The film is about moments, with no real plot or story, though it does offer a certain explosion of maturity and a strike against the adults that almost feels like a game.

The film offers a sweet and mischievous ending.

While I didn’t love it as much as I expected it to I think it is still charming and will enjoy it as a kind of artistic family film.

Grace: B

Tag: Roy Kinnear

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MELODY (1971)